French and Francophone Language and Literature Commons^™

Entry Nr. 453 Canuto Houssin, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 454 Pedro Real Congo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 458 Ikubaje, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 457 Carolina Conga, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 460 Manuela De La Guardia, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 463 Manuel Valero, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 461 Manuel Congo, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 465 Román Lucumí, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 466 Telésforo Lucumí, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 464 Emilio Piñeiro, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 467 Cristobal Gangá, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 462 José Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 468 Francisco Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 469 Dolores Roca, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 470 Antonio Quesada, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 472 Poli, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 153 Ibrahim, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 132 Antson Zizer, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 172 Richard Pierpoint, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

How Dumbledore Saved Europe: A Comparison Of Fascist Rhetoric In European History And In The Harry Potter Franchises, Emma Pederson, Natalie Rice

MAD-RUSH Undergraduate Research Conference

In recent years, the popularity of the Harry Potter franchise has seen a resurgence with the release of the first two Fantastic Beasts films and accompanying screenplays. As parallels have been drawn between Voldemort’s Death Eaters and Nazis, it is time to examine the relationship between Gellert Grindelwald and real-life fascists. Through such a comparison, we can see common rhetoric in both real and fictional fascism.

Gellert Grindelwald and Albus Dumbledore have not only a Nazi-like goal of racial purity, but employ Nazi-like language to defend themselves. Related fascist rhetoric is woven throughout other European history, particularly in the dialogues …

Life At The Meridian: The Subjectivity Of Ethics In The Works Of Albert Camus And Friedrich Nietzsche, Clancy E. Robledo

Seaver College Research And Scholarly Achievement Symposium

This paper endeavors to respond to the questions: can ethics can be unbound from its traditional rootedness in religious systems? If so, what contributions did Nietzsche make to liberate value from the shackles of Western morality? To what degree is Camus one of the “new philosophers” Nietzsche calls for in On the Genealogy of Morals?

In an attempt to demonstrate that ethics can and do exist vividly in the realm of the non-religious, this paper will begin by illustrating the metaphysical door Nietzsche opens through his use of aphorisms in Thus Spoke Zarathustra and his investigation of the history …

Populist Parties In Germany, France, And The Uk: Growing Support For A Radical Rejection Of Globalization?, Linda Brandt

International ResearchScape Journal

A mere look at electoral results on both the national and European level of many European countries shows that populist and right-wing parties’ support has been growing extensively. The French Front National (FN), which has made significant strides since Marine Le Pen took over the party’s leadership, is often seen as on the forefront of this movement, and is deemed to be a core part of the contemporary European extreme right. Although their individual agendas and rhetoric differ from that of the FN, the UK Independence Party (UKIP) and the German Alternative für Deutschland (Alternative for Germany, AfD) are often …

Nietzsche, Lecteur Des Classiques: Quels Enjeux?, Camille Legrand

Master's Theses

No abstract provided.

"Thus Spoke Zarathustra" Or Nietzsche And Hermeneutics In Gadamer, Lyotard, And Vattimo, Babette Babich

Articles and Chapters in Academic Book Collections

Apart from reading Nietzsche's words on his characterization as an educator in suspicion with some suspicion, what does Nietzsche offer hermeneutics? This essay takes up this question by talking about the politics of interpretation, hermeneutics, and genealogy. In the process, we can address Lyotard's enthusiastic fealty to technology and offer yet once more requiem for the postmodern, understood here through (and hence contra) Lyotard as the simulacrum of communication that is the internet.

A Study Of Robert Schumann’S Liederkreis Op.39: Tracing Themes Of Nature From Poetry To Music, Mary H. F. Harkrader

Undergraduate Theses and Capstone Projects

The purpose of this research was to gain information on Robert Schumann and trace themes of nature within his Liederkreis Op. 39. The specific problems of this study were as follows: 1.) to analyze the lieder of Schumann’s Liederkreis Op. 39 in terms of form; 2.) to identify and trace the themes of nature in Liederkreis Op. 39; and 3.) to identify how these themes are found in both the music and poetry of Liederkreis Op. 39. A brief section of research places this specific song cycle in the context of time, place, and composer.

Notes On David Krell’S The Good European, David B. Allison

Research Resources

So many things come together so beautifully in The Good European, it is hard
to imagine not being moved by it. I discuss what kind of book this is and, more specifically, try to explain, in some detail, just how this work is able to achieve the remarkably performative effect that it has on the reader — at least on this reader. At the outset, it should be said that The Good European is an oversized, illustrated book — a well-known genre — although it is quite unusual to find an example of such work devoted to the life …