French and Francophone Language and Literature Commons^™

La Traduction Des Expressions Idiomatiques Par Équivalent Idiomatique, Chakib Lbaidi, Amal Arrame

Dirassat

Fixed expression and idioms are part of the translated discourse. They are ready-made constructions that summarize an idea or a concept by using outstanding formulas. Translate these expressions is a big challenge for the translator. Thus, a well done translation does not mean mastering the linguistic skills of both languages, since the text does not contain just linguistic facts. It is also about culture, emotions, connotations, style and the author’s genius. Formulaic language often presents significant issue in translation just as well as finding a fixed expression as equivalent.

Extreme Translation: Six Medieval Lessons For Everyone, Michelle Warren

Dartmouth Scholarship

No abstract provided.

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

Colonial Translation Turned Vietnamization: Phạm Quỳnh And The Discourse Of Transculturation, Camellia Pham

Comparative Literature M.A. Essays

Vietnam during French colonialism (1861-1945) was a site of hybrid enunciations that displayed tensions with multiple languages (Chinese, Vietnamese, French) and multiple scripts (classical Chinese, Nôm script, Quốc Ngữ, and French) while existing under the influence of various powers (the Nguyễn feudal dynasty, the French colonial government, and the nascent Democratic Republic of Vietnam). The array of choices reflected a state of confusion in which every decision made by Vietnamese translators was inherently political. This eccentric hybridity is well exemplified in translations by Phạm Quỳnh 范瓊 (1892-1945), a late Nguyễn dynasty monarchist and early French colonial collaborator.

My paper …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

Analyse De «Ben» Dans Le Dlscours De Migrants Arabophones Travaillant En France), Hassan Boujghagh

Dirassat

Analysis of "BEN" in the Story of Arabic -Speaking Migrants Working in France

We propose here to examine in the discourse of a group of Arabic-speaking migrants (working in the North of France for about twenty years), the functioning of one of the markers that the speaker has the possibility of inserting in an utterance where, often for reasons of difficulty of formulation but also for different reasons, the spoken chain has been interrupted. Almost all of these phenomena are part of a group of elements called “conversation structuring markers” by Roulet et al. (1985), “discourse support” by F. Deloffore …

Re-Presenting The Un-Presentable: Annie Ernaux’S "L’Évènement" And Cristian Mungiu’S "4 Months, 3 Weeks, And Two Days", Victoria Tomasulo

Publications and Research

Situating Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days in a reproductive justice framework, I argue that both the memoir and the film contribute to working-class historiographies by documenting backstreet abortion in times and places where it was heavily criminalized: 1960s France and Communist Romania. Committed to a working-class aesthetic with roots in neorealism, Ernaux and Mungiu focus singularly on an event once deemed unrepresentable in literature and cinema. Drawing upon the distinction made between empathy and “rational compassion” made by Paul Bloom in Against Empathy (2016), as well as from Kelly Oliver’s Witnessing: Beyond …

Nelly Arcan, Langage De La Honte, Jordon B. Mcconnell

Foreign Languages & Literatures ETDs

The aim of this thesis is to investigate the role that shame plays as a subversive tool in the works of Québécoise author Nelly Arcan. Dealing with themes such as sexuality, gender, suicide, and resentment, Arcan’s works deal with that which can be deemed “shameful,” and she deliberately speaks the unspeakable. First in constructing an understanding in how a shame-based vocabulary is employed throughout her works, we then study how this shame subverts expectations and adds weight to political questions relevant to the widespread use of electronic media. How does intentionally occupying a role that is shamed within society function …

The Extinction Race: Techniques Of The Human In Proust, Via Houellebecq, James Dutton

CLCWeb: Comparative Literature and Culture

In his article, “The Extinction Race: Techniques of the Human in Proust, via Houellebecq” James Dutton “reads” identity and race from the point of view of technics. Namely, he does so through the work of two nominally “Eurocentric” authors, Marcel Proust and Michel Houellebecq, observing how familial and racial resemblance is a living inscription of “lost time.” This inscription comes about through the technical means available to and constitutive of the categories which bind them. Thus, instead of furthering unfinishable racial distinctions which only serve to support discourses of racism, this article follows assertions made in the novels of …

"I Am Not Alive": A Bionian Reading Of Life And Death In Balzac's Le Colonel Chabert And Tynianov's Podporuchik Kizhe, Andres Meraz

Comparative Literature M.A. Essays

This essay investigates the themes of life and death in Balzac’s novel, Le Colonel Chabert (1832), and Tynianov’s novella, Podporuchik Kizhe (1927). In these works, life and death are as much socio-political and legal constructs as they are organic or ontological states—that is, the chronological, biological beginning and ending of a “life.” In other words, life and death become conceptual spaces into which one may enter, or from which one may be excluded. Additionally, this essay asserts that while the approach taken in one text may to be a kind of conceptual inversion of the approach taken in the other, …

The Wailing Of The Streets: Novelistic Form And The Everyday In Voyage In The Dark And Voyage Au Bout De La Nuit, Tutkunur Vatansever

Comparative Literature M.A. Essays

In 1911, before the increased attention to everyday life in critical theory, György Lukács contemplated the concept of trivial life and its relation to literary form. The recent theories of everyday life like that of Blanchot – emphasizing its formlessness and defiance of subjectivity – invite us to address the variance in the modernist novelistic form in the framework that Lukács outlined. In Voyage in the Dark by Jean Rhys and Voyage au bout de la nuit by Louis-Ferdinand Céline, both published in the 1930s, the pain and suffering of everyday life on the streets diffuse into the form of …

Pushing At The Seams: French Zines & Bricolage As A Liberatory Act, Shayna M. Davidson

Foreign Languages & Literatures ETDs

This thesis examines the contemporary literary value posed by independently produced French fanzines. French fanzines represent a convergence of textual and graphic narratives, echoing la bande dessinée in many senses. I argue that the liberty of form and expression utilized by the fanzine creator permits a more nuanced iteration of life-writing. The circulation of texts amongst informal economies based in social networks suggests that creators are able to explore narratives of self-hood that do not conform to neoliberal market-oriented categories of identity. Furthermore, the influx of digitally stored and distributed French fanzines confounds their traditional categorization as ephemeral text-objects; as …

Sin Without Absolution: A Critical And Comparative Analysis Of Select Works By Albert Camus, Will Hodges

Honors College Theses

The Fall by Albert Camus, published in 1956, is cryptic and easily misunderstood. On first reading, it can appear to be a condemnation of modern man, a declaration that all have sinned and there is no divine absolution. However, this bleak misreading is deceptive because The Fall is not a condemnation; it is a warning. It does not condemn modern man as he is, but rather as what he could become if he succumbs to living in bad faith, a cautionary tale that resonates today. Camus presents the same message through his philosophy of revolt in The Plague and The …

“Whenever We Crossed A Mountain / On This Earth, Yet Another One Appeared”: Circumstantial Poetry In ʿAbd Al-Ghanī Al-Nābulusī’S (D. 1143/1731) Travelogues, Tom J. Abi Samra

Comparative Literature M.A. Essays

This essay identifies an early modern aesthetic that mobilizes the mundane to make a point about the world or the grandiose. Through a close reading of the poetry in the travelogues of the 17th-century Ottoman Damascene scholar ʿAbd al-Ghanī al-Nābulusī (d. 1143/1731), this essay identifies, theorizes, and historicizes early modern Arabic circumstantial verse—what the 19th-century French poet Stéphane Mallarmé calls vers de circonstance. By drawing on Mikhail Bakhtin’s concept of the “chronotope,” this essay shows how the poetry in Nābulusī’s travelogues fits within, and sometimes advances, their linear narrative. If poetry is expected to transcend the chronotope in which …

Eloge De I'Absent, Hassan Wahbi

Dirassat

Raise of the Absent

Behind the meaning stifled by the oblivion of things and events, by the fragmentation of duration, there is the figure and the fatal enigma of self-identity. Each life is first of all a silence, a postponement of the intimate word, the re verse of a voice, a "limbee" presence. Whoever decides to write about oneself knows well that his exercise is the temptation to take in the trap of words this silence, this setback, this limbo, this murmuring obscurity.

L'Autobiographie Entre Deux Traditions, Najib Wasmine

Dirassat

The Autobiography between two Traditions

It is here a contribution to the reflection around the autobiographical practice in Maghrebin literature of the French language, a practice which is placed between two literary and cultural traditions, if not more. The most obvious at least are the French tradition, and more generally Western, the Maghreb tradition, and more generally Arab.

The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou

Tête à Tête: Journal of Francophone Studies

Using the example of the Duncan family this article will explore the human body as an object of self-determination, a means of overcoming social boundaries, a field of racist shooting and phobic enforcement, a reference point of public outrage and the complex between sociality and corporality, but also as a tool of political vigilance and social intervention. Does a body dressed in a tunic resist the western way of life? Or is it a stereotypical outpouring of people unable to modernize? Is the body instrumentalized as a means of narrating exoticism? The bodies of the Duncan family members are an …

Notation That Considers The Body: The Glyphs Of Nancy Stark Smith, Margarita Delcheva

Tête à Tête: Journal of Francophone Studies

No abstract provided.

“Mieux Vaut Goujat Debout Qu’Empereur Enterré !” : An Examination Of The Arts Incohérents Movement And Its Place In French Artistic Canon, Ashley Holt

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …

Witnessing And The Gaze In Barbusse’S Hell, Rebecca Stobaugh

Tête à Tête: Journal of Francophone Studies

Stripped down to its most basic plot summary, the premise of Henri Barbusse’s 1908 novel Hell, or L’enfer, sounds like the plot of a cheap porno: a man discovers a peep hole in his hotel room and proceeds to spy on the private lives of the people next door. Indeed, the novel obsesses over the erotic; yet, this obsession is often just as unsensual as it is pleasurable, as descriptions of sex become increasingly disillusioning, and the characters, unsatisfied. Moreover, the narrator does not spy on others for a strictly sexual thrill, but because he believes seeing people …

The Sensible Body Of The Female Reader, Anoosheh Ghaderi

Tête à Tête: Journal of Francophone Studies

No abstract provided.

The Affective Construction Of Plurality Of Nationalism And Citizenship, Aparajita Dutta

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Imagined Locality Of A Girlhood Home: A Performative Reading Of Maxine Hong Kingston’S “White Tigers”, Jing Tan

Tête à Tête: Journal of Francophone Studies

Both the locality and the language of Sze Yup are of immense significance to Kingston, as well as to her narrator-protagonist: it is the locus of her mother’s storytelling, the land whence her mother absorbed the incredible power of “talking-story” that has been inherited by Kingston and has permeated her text, the soil whose spirit has been transplanted to her birthplace in America and whose mystery has never ceased to inspire her imagination. Likewise, the Sze Yup dialect is the language that both the writer and her narrator first learned to speak (Jaggi): she “entered school speaking no English” (Talbot …

Transgressing Boundaries Of Identity, Geography And Time In Transmutadxos And La Mucama De Omicunlé, Lucinda Smith

Tête à Tête: Journal of Francophone Studies

The literary works of Rita Indiana (1977) and Yolanda Arroyo Pizarro (1970) are recognised for exposing and challenging hegemonic ideas of identity, sexuality and power. The transgression of boundaries appears time and again in the fiction of both writers, whether these be boundaries of sexual or gender identity, desire, geography, time or even life and death. Using Rita Indiana’s novel La mucama de Omicunlé (2015) and Arroyo’s collection of short stories Transmutadxs (2016), the authors’ representations of such transgressions are the focus of this essay.

Further to addressing similar themes in their texts, both Rita Indiana and Arroyo Pizarro were …

Disability As An Existential Challenge: Reading The Body In Sarah Ismail’S Poetry, Amrit Mishra

Tête à Tête: Journal of Francophone Studies

No abstract provided.

“Bovarique” Bodies From 19th Century France To 20st Century London, Andisheh Ghaderi, Anoosheh Ghaderi

Tête à Tête: Journal of Francophone Studies

Women’s bodies have always been charged by social associations that aim to control, shape, and discipline women. The frustrations and the ennui caused by sociocultural and political constraints push women to a state of existential crisis and eventually a erasure through biological death. Such vicious cycles had been depicted in the literary works to which Gustave Flaubert’s Madame Bovary (1856) serves as a prominent example. Flaubert’s protagonist, Emma Bovary represents the pathway of a young, provincial, woman to a tragic adulthood filled with banality, emptiness, and despair. Objects, ranging from journals to clothes, are omnipresent in Emma’s life and shape …

Writing Desire On The Lesbian Body: Baudelaire’S Fantasies And Vivien’S Realities, Emily Wieder

Tête à Tête: Journal of Francophone Studies

In The Flowers of Evil [Les Fleurs du Mal (1857)], French poet Charles Baudelaire paints three female bodies: the mistress, the prostitute, and the lesbian. The latter appears in three of one-hundred poems but so captivated Baudelaire that he almost titled the collection The Lesbians. Censors nevertheless condemned the anthology and suppressed two of the lesbian poems. The remaining lesbian poem compares the “damned women” to “thoughtful cattle.” A rare representation of lesbian bodies, this metaphor problematically depicts them as savage.

Yet this “Other” exemplifies the baudelairean poetic ideal. By crafting Beauty, the Poet immortalizes his corpus. As the …

“A Levinasian Reading Of Grendel By John Gardner, The Retold Narration Of Beowulf Myth”, Negar Basiri

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Pharos The Egyptian And The Gothic Other As Excess, Shruti Jain, Kaushik Tekur Venkata

Tête à Tête: Journal of Francophone Studies

Guy Boothby’s Pharos the Egyptian, published in 1889, employs the category of the Gothic to discuss various anxieties plaguing the late Victorian society. It deals with issues such as the Gothic Other’s ‘magical’ capabilities, revenge, disease, and the colonial extraction of wealth, among others. The novel overwhelms the binary between the rational European self and the Gothic colonial other by presenting the Egyptian Pharos not as an opposite but as an excess of the European self. Pharos is as rational as he is Gothic and in this excess of being both, he destabilizes the hierarchy and binary at once. …