French and Francophone Language and Literature Commons^™

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …

Postcolonial Writing In France Before And Beyond The 2007 Littérature-Monde Manifesto, Myriam Louviot

CLCWeb: Comparative Literature and Culture

In her article "Postcolonial Writing in France before and beyond the 2007 Littérature-monde Manifesto" Myriam Louviot discusses the evolution of postcolonial writing in France. She argues that postcolonial writers often face great difficulty in achieving recognition as legitimate French authors. Louviot suggests that restrictive boundaries of categorization have started to become blurred but that it is still too early to rejoice, partly due to the continuing cultural ghettoization of many of these writers and the traditional differentiation of their work from French literature. Louviot discusses in detail the 2007 Pour une "littérature-monde" en français initiated by Michel Le Bris and …

Young People's Literature Of Algerian Immigration In France, Anne Schneider

CLCWeb: Comparative Literature and Culture

In her article "Young People's Literature of Algerian Immigration in France" Anne Schneider discusses questions of language, hybridity, and heritage in some works for young people published in France about Algeria and/or Algerian-French identity, by Leïla Sebbar, Jean-Paul Nozière, Azouz Begag, and Michel Piquemal. She argues for the need for an intercultural education at primary school that uses literature about immigration to highlight questions of place, belonging, exile and language. Schneider's focus is on Begag's Un train pour chez nous (2001) and Piquemal's Mon miel, ma douceur (2004). These texts use linguistic hybridity and an emphasis on common human experiences …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay

Artl@s Bulletin

This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.

Cooking, Language, And Memory In Farhoud's Le Bonheur À La Queue Glissante And Thúy's Mãn, Simona Emilia Pruteanu

CLCWeb: Comparative Literature and Culture

In her article "Cooking, Language, and Memory in Farhoud's Le Bonheur à la queue glissante and Thúy's Mãn" Simona Emilia Pruteanu discusses two moments in the evolution of (im)migrant writing in Québec. Abla Farhoud's 1998 novel shows the struggle of Dounia, a Lebanese immigrant living in Montréal, who in her seventies finds a voice with the help of her daughter's writing and starts to reflect on her identity. Themes of language and cooking overlap and reinforce one another and offer a new perspective on memory and the act of remembering. Language, cooking, and memory also intertwine in Thúy's 2013 …

An Escape From Language Into Language: The Internal Exile Of Louis Wolfson, Antoine N. Rideau

Dissertations, Theses, and Capstone Projects

This paper aims to show how the life and work of American francophone author Louis Wolfson - who suffered from schizophrenia and underwent a self-imposed exile from his own mother tongue - might serve to illuminate European émigré writers' relationships to multilingualism.

The Ethics And Politics Of Love In Postwar France: The Case Of Beauvoir, Camus, And Sartre, Christian Wood

Foreign Languages & Literatures ETDs

The Ethics and Politics of Love focuses primarily upon Simone de Beauvoir, Albert Camus, and Jean-Paul Sartre during the period 1935 to 1960, specifically the periods before and after the Second World War (1939 -- 1945), and the Franco-Algerian War (1954 -- 1962). I argue that inquiring into each thinker's theory of love yields crucial and hitherto unexplored insights into their ethical and political theories: "love" thus represents my particular Ariadne's thread to guide us into, and then back outside of their daunting oeuvres and singular lives. I use their documented thoughts on love as an analytical tool with which …

Crossing Boundaries: The Transnational Third Space Of Contemporary Chinese-Francophone Writers, Paula S. Delbonis-Platt

Dissertations, Theses, and Capstone Projects

Over the past two decades, a group of Chinese writers who pen their works in French, their adopted language, have garnered prizes in France and received international acclaim. The transnational voices of these writers have drawn attention to Chinese history, literature, and human-rights issues, as well as to their own diverse intersections with French culture. The four Francophone-Chinese writers studied—François Cheng (b. 1929), Gao Xingjian (b. 1940), Dai Sijie (b. 1954), and Shan Sa (b. 1972)—constitute themselves as subjects at least partially through their Chinese birth and French citizenship or residency and through the production of literary works that range …

Transatlantic Surrealisms, Imagined Homelands, And The Poetry Of Paul Laraque, Maxine C. Anderson

Dissertations, Theses, and Capstone Projects

Many theoretical treatments of Caribbean and Latin American surrealism(s), most notably Fredric Jameson and Alejo Carpentier’s foundational essays on magical realism, argue that the surrealism of the European metropole is a sophisticated avant-garde movement, in contrast to the blunt tool of Caribbean and Latin American surrealism which reaches back toward a precolonial past in order to bolster a nationalist project. Existing critical writing about Paul Laraque, a Haitian poet and surrealist identifies Laraque as Haitian first and foremost: as a political poet using surrealism solely in support of a nationalist project. This reading of Laraque’s work fails to reckon with …

La Littérature Africaine Francophone Et La Théorie Bourdieusienne De Champ Symbolique, Louis Bertin Amougou

Présence Francophone: Revue internationale de langue et de littérature

Pierre Bourdieu’s theory of symbolic fields as a social arena for rivalries between agents for the capture, accumulation or conservation of capitals of its own is now implemented with the same rigor to African literature as to French literature which served as the material for the French sociologist. Yet, the specific characteristics of African literary production make it a weak institution. The present article is an attempt to put in perspective the relevance of Bourdieu’s studies to an insufficiently autonomous literary institution and holds the point that any literary field is a secondary field.

Penelope’S Daughters, Barbara Dell`Abate-Çelebi

Zea E-Books Collection

A feminist perspective of the myth of Penelope in Annie Leclerc’s Toi, Pénélope, Margaret Atwood’s The Penelopiad and Silvana La Spina’s Penelope.

At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by …

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Notes On Contributors

Transference

No abstract provided.

Orchards 52, Orchards 54, Orchards 57: The Doe, And Orchards 59 By Rainer Maria Rilke, Susanne Petermann

Transference

Translated from the French by Susanne Petermann.

The Stranger By Charles Baudelaire, Kent Dixon

Transference

Translated from the French by Kent Dixon.

First Poem For Her And Poem For My Shadow By Marie-Célie Agnant, Corine Tachtiris

Transference

Translated from the French by Corine Tachtiris.

Foreword

Transference

No abstract provided.

Transference Vol. 3, Fall 2015

Transference

No abstract provided.

The Realist Author And Sympathetic Imagination (Book Review), Juliana Starr

Foreign Languages Faculty Publications

A review of the book, The Realist Author and Sympathetic Imagination by Sotirios Paraschas is presented.

Mémoire Et Identité Dans Les Réécritures Caribéennes : Wide Sargasso Sea Et La Migration Des Coeurs, Camille Charlery

Foreign Languages & Literatures ETDs

This thesis will study creole identity in Jean Rhys Wide Sargasso Sea (1966), prequel of Jane Eyre, as well as in Maryse Condé's La Migration des Coeurs (1995), a rewriting of Wuthering Heights. I argue that both novels create a new creole identity by conversing with their original texts as well as by going beyond the official definition of creoleness. Using the concepts of obsessive memory and forced forgetfulness, I explore the tension betwee innate and constructed identity. First, I focus on the meaning of creoleness, then, I examine how memory plays a crucial role in the novels through topics …

Quelques Réflexions Sur Les Épilogues De Beloved Et De Célanire Cou-Coupé : Ariane Et La Mygale, Anne Debrosse

Présence Francophone: Revue internationale de langue et de littérature

This paper focuses on the links between Ariadne or Arachne on the one hand and Sethe and Célanire on the other hand, the protagonists of Toni Morrison’s Beloved and Maryse Condé’s Célanire cou-coupé. Weaving and sewing are often used as metaphors of the texts ; however, Condé and Morrison play with that metaphor and redefine this hackneyed common place.

Translation: "Standing Vigil For The Day To Come" By Michel Foucault, Robert Harvey, Elise Woodward

Cultural Studies and Comparative Literature Faculty Publications

Michel Foucault’s “Standing Vigil for the Day to Come” was a review of Roger Laporte’s novel, La Veille, published by Gallimard earlier that year. Although Laporte’s work never received the wide readership it deserved, Foucault held it in high esteem, praising it in his assessment as one of the “most original” and “most difficult” of his time and, subsequently, urging Derrida to read it. This article is most appropriately situated in the series of literary reviews Foucault composed between 1961 and 1966, in which his marked attempts to understand the relationship between language and thought drew him to the works …

Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel

The Quiet Corner Interdisciplinary Journal

Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:

“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?

Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, Kenna Jacobs

The Quiet Corner Interdisciplinary Journal

The representation of sin and sexuality in Marie de France’s Lais is a topic that continues to be debated among scholars, as the unexpected storylines – including adultery, bestiality, and physical violence – often clash with our preconceived notions concerning the medieval principles of modesty and restraint. The provoking, even disconcerting, nature of this work becomes quite apparent when examined in conjunction with their later adaptations in the thirteenth century, as King Hákon of Norway commissioned the translation of several lais into Old Norse as a means of promoting the courtly codes and conventions within French literature. Focusing on the …

Empathic Encounters: Negotiating Identity In 9/11 Fiction And Translation, Kirsty A. Hemsworth

The Quiet Corner Interdisciplinary Journal

Dominated by the polarized strategies of domestication and foreignization, conventional literary translation approaches tend to operate on the assumption that source and target cultures, and, by extension, their literary works, are fundamentally irreconcilable on the basis of linguistic, stylistic and ideological differences. Dislocated by the traumatic force of the event, only to be further uprooted by the translation process itself, the identities at stake in American works of 9/11 fiction cannot be so clearly differentiated and securely defined. Moreover, any attempt to fictionalize and translate this real-world trauma inevitably encounters the event as a visual singularity, whereby the image supersedes …

Notes On How To Rework A Ph.D. Dissertation For Publication As A Book, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Philosophy's Rarified Air: On Peden's Spinoza Contra Phenomenology, Steven Swarbrick

Publications and Research

No abstract provided.