Fine Arts Commons^™

Driftbone, Noémie Jennifer Bonnet

Theses and Dissertations

My multidisciplinary work is premised on the idea that the contemplation of mortality can foster life-affirming redirections beyond the self. My explorations include ethereal abstract paintings, sculptural works hybridizing human and nonhuman forms, and meditative sound pieces. The works seek to inspire a heightened awareness of corporeal and ecological dependency.

Reruns, Devann Donovan Gardner

Graduate Theses

My thesis explores memory from the perspectives of both the adolescent and the adult. I find there are a multiplicity of truths that live within each memory. I am a visual artist who creates immersive installations and artworks that explore the plurality of truths held within memory. I offer a childlike whimsy in my visual aesthetic to invite the viewer in and pose a question for their adult side to consider. I question where the line is drawn between the child's memory and the adult's knowledge, and allow the viewer to decide which of those to believe. Imaginary landscapes and …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

Boring Magic, Madison Svendgard

Graduate Theses and Dissertations

Boring Magic encompasses an interest in labor, boredom, and exhaustion. Simultaneously, I am exploring what relief and escapism from these things look like. Escapism acts as the core of my work- what escapism looks like and what creates the need for escapism. I create narrative pieces that are always slightly removed from reality as a way to reflect on what I view as present-day dystopias. The worlds built to create this work are a combination of my lived experiences and invented characters and stories, which culminate in an alternate timeline set in the late 1990s and early 2000s. Relating to …

Choppy Forgeries: A Vr Sculpting Game, Jonah Warren

Frameless

Choppy Forgeries is a fast-paced sculpting game made for virtual reality headsets. The game is intended to give players the opportunity to practice and appreciate the skills associated with artmaking and sculpture (Seeley and Kozbelt, 2008, 163–166) in a fun, light- hearted, competitive context. The game also requires players to closely examine and engage with famous classical sculpture from art history through its gameplay.

Inequality In Renaissance Art; A Study Into The Lack Of Female Representation, Kaitlyn Anderson

Honors College Theses

This paper explores how female biblical figures were under-represented during the Renaissance period. It explores possible reasonings, consequences, and then takes a physical exploration into the renaissance style through newly created artworks. It also explores in greater detail, two specific female biblical figures, their multifaceted stories, and their previous portrayals. Lastly homage is paid to the female artists throughout history who have been working to level the playing field in the art-world.

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

I Want To Go Home, Amber Boris

School of Art, Art History, and Design: Theses and Student Creative Work

The significance of a home lies within the memories of the space. I Want to Go Home is a body of work that explores this idea through a collection of sculptures and drawings depicting my childhood home. This house holds meaning to me not only because it is where I grew up, but because it was also my mother’s childhood home. Six generations of our family have passed through the house, creating a long history of associated stories, memories, and emotions.

I have constructed scaled down sculptures of rooms for these memories to live in. The spaces are left empty, …

The Materials Of Traditions, Victoria Jensen

Theses and Dissertations

The homes we grow up in have a great impact on the homes we create as adults. Many of the traditions I saw in my childhood home were expressions of love within our family. These everyday traditions helped not only to build bonds within my nuclear family, but also with the chosen family I have formed as an adult. Repeating these traditions, or at least my best memory of them, has helped me in building my own home now. The ways I interact with my friends often reflects those same traditions I learned from home. I brought a few of …

Ganges In Indian Sculpture And Literature: Mythology And Personification, Nalini Rao

Monsoon: South Asian Studies Association Journal

The river Ganges is a symbol of wealth, purity and eternity, and its sacred waters have inspired sages, philosophers, and artists in India who have immortalized its divine imagery. However, it has rarely been understood from a historical point of view, as to how it became so sacred and to view it from a multi-dimensional and interdisciplinary perspective with an accumulation of layers of historical thought and practices, provides a rationale for the living practices around the river. The paper explores the evolution of the concept of sacredness and eternity of River Ganges through art- historical and archaeological evidence. It …

Water Bearer, Whitney Harris

Theses and Dissertations

My work explores fantasy and mythological archetypes. The exhibition features works on paper depicting mermaids, and a fountain featuring two figures submerged in water, one spitting into the other's mouth. I use black ink and glazes to create variegated surfaces. In these works, I reimagine ideas about power and intimacy.

Play Among The Shadows, Xiong Wei

Theses and Dissertations

This article elaborates Xiong Wei's inspiration and experience from different cultural, political, social systems and art environment as a Chinese artist living in the United States, and the logic and methodology of how he went from a social realist sculptor to a contemporary artist.

Long Time, Jacob V. Reed

Theses and Dissertations

Jake Reed’s work is driven by the idea that architectural ornament can be imbued with meaning not native to its construction or use. To find that meaning, he deconstructs and reassembles elements from the architectural and ornamental histories he studies, using the growing climate crisis as a generative framework.

In The Landscape Of Her Life, Susan M. Sinitiere

Graduate Student Theses, Dissertations, & Professional Papers

To reconcile perceptions of female expectations in light of realistic outcomes, the idealized domestic space where formality and dilapidation coexist with botanicals is the aesthetic of the autobiographical context of Seeds Once Sown. The ‘home’ melds together an acknowledgement of matriarchal influence that formed my identity as a homemaker and mother, but also serves as a place of independent contemplation on a mid-life passage through a seasonal change of life, now separate from domestic adherences.

"Illumination The Sculpture Of James O. Clark" Catalogue, T. Michael Martin

Faculty & Staff Research and Creative Activity

It has been a challenging journey to mine and sift through the body of work of James O. Clark to select a representation of his studio practice and 50-year career. While curating "Illumination: the Sculpture of James O. Clark," I encountered more than the common curatorial concerns such as artwork availability, scale, aesthetic and conceptual themes, transportation and presentation issues. During my conversations with Clark, we found ourselves in an unprecedented pandemic – impacting travel, shipping, and studio visits.Throughout this process, Clark and I remained flexible to ensure a representation of his career could be exhibited without compromise. Selections for …

The Aesthetic Variable In Contemporary Sculptural Formation, Ahmed Jumaa Al-Bahadli

Journal of Art, Design and Music

The deviation in the formal idiomatic circulation of the body is nothing more than a response to the new currency; The (things) that surround us mean that they represent the new interests that the artist transforms into meanings and symbols after he invests them as aesthetic visual formations.

Art establishes a reality other than the one that was established by (the body), which is always subject to a system of deliberative relations, and in general we can diagnose it in three paths, it is either linked to what represents the changing objective reality with the change of general systems or …

Reflections From The In-Between: Visualizing The Mental Thresholds Of Dissociation, Katherine Virag

Theses - ALL

I am fascinated by the state of being in-between; by the mental spaces that are somehow neither here nor there, but also somehow both here and there. At a young age, I began to experience depersonalization and derealization, and this dissociated state left me feeling trapped somewhere on the threshold of reality and non-reality. My artistic practice is concerned with the psychological antitheses of dissociation – comfort vs discomfort, safety vs danger, and reality vs non-reality, and the continuum of space between these polarities. Often through large-scale installations, I create a physical space for the viewer to enter. These spaces, …

Reflections From The In-Between: Visualizing The Mental Thresholds Of Dissociation, Katherine Virag

Theses - ALL

I am fascinated by the state of being in-between; by the mental spaces that are somehow neither here nor there, but also somehow both here and there. At a young age, I began to experience depersonalization and derealization, and this dissociated state left me feeling trapped somewhere on the threshold of reality and non-reality. My artistic practice is concerned with the psychological antitheses of dissociation – comfort vs discomfort, safety vs danger, and reality vs non-reality, and the continuum of space between these polarities. Often through large-scale installations, I create a physical space for the viewer to enter. These spaces, …

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

Heartwork, Lance Taylor Loftin

Graduate Theses and Dissertations

Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.

Putting Myself Back Together, Kailan Counahan

Electronic Theses and Dissertations

Putting Myself Back Together is a collection of works created from poetry that is created from memories and phrases. The work is autobiographical in nature as it deals with my life and loved ones who have passed away. I have found the poems alone are not enough to fully represent or honor the memory or person they are about, leading me to create them three-dimensionally. I create from a large body of materials which is incred- ibly specific to my experiences while still allowing the viewer into the piece to connect with it through their own experiences.

Sculpture As Memoir, Tirzah Reed

Bachelor of Fine Arts Senior Papers

Questions guide my art practice, so they naturally guide the structure of this thesis.

Remember?

If I remember, what then?

What makes a memoir?

What is the work made of?

Nouns and adjectives—why have both?

What’s the role of sound?

How does the form of installation relate to memoir?

How do we take an installation from situation to story?

What happens in the studio?

What gets me to the studio in the first place?

What matters?

Objects have power. They hold the histories of their owners—or if they have not had previous owners, they at least carry the connotations of …

Saga Beyond The Gate: Chapter One, The Coming Of The Gate Ghost, Tristan B. Miller

Graduate Theses/Dissertations

“Saga Beyond the Gate: Chapter One, the Coming of the Gate Ghost” explores performance sculpture used as religious ritual. My work emphasizes ritual, creation myths, relics, physical manifestations of lived religion, and the power of narrative belief. One often turns to religion, science, or spirituality, to seek answers to questions about being a conscious entity, and one’s journey to the end. This saga uses scripts from all three of these schools of thought, placing the world of the Gate Ghost into tangible reality, as a play on a stage. Artefacts represent objects of power and mystery. Characters embody morality tales, …

Yo, Mi Persona Y México, Jaime Trinidad

Theses and Dissertations

For as long as I can remember, I have struggled with understanding who I am. What makes me is something I try to make sense of through art. When I started working on this my graduation show, the idea behind it was to make a portrait of the Mexico I know, but when the pandemic hit, I found myself locked down at home, completely alone in a new country for the first time. This led me to question my existence and the belief systems I espoused and prompted me to try to understand myself better in the context of a …

Tomorrow Is The Worst Day Since Yesterday, Matthew Carlson

School of Art, Art History, and Design: Theses and Student Creative Work

Susan Sontag wrote: “Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other space”.

This work addresses aspects of that citizenship. I used my experiences as a person living with a disability and as a parent to a son with Autism to explore the dichotomy of this dual citizenship. The …

Hamburger Helper Recipes, John Alex Goss

Theses and Dissertations

Hamburger Helper Recipes is a collection of essays and public addresses that aim to recuperate castoff and misfit material surrounding industries and tools which produce science-fiction fantasies, specifically videogames and television shows. The following essays confront the normative violence of capitalism, whiteness, and hetero-patriarchy that socially and technologically haunt these imaginary worlds and build hegemonic idealogy into their audiences. This collection takes industrial materials and software from their intended commercial purposes of production and “success” into places of abjection and quiet breakdown. The author’s own proximity to masculine and often toxic "work cultures'' within industrial spaces of coding and manufacturing …

De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay

The Goose

Les progrès technologiques modifient radicalement ce qui nous était autrefois familier. Ce sentiment troublant venu de l’ère Anthropocène met en lumière l’impact humain sur la nature. Mais la perte d’un monde naturel nous oblige à gérer notre environnement en tant qu’environnement artificiel. Face à cette mutation profonde du concept même de nature, l’art opère un processus d’artification, renouvelant la nature dans de nouvelles formes néoarchéologiques et de nouvelles esthétiques, par le « passage du non-art en art ».

Gut Feeling, Shelby Fleming

Graduate Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …

Entropy's Child, Brandon Reed Boulton

Theses and Dissertations

Art, process, and materials offer me an escape from the sometimes-crushing realities of my personal struggle with chronic mental illness. Escape is often my primary motivator for making art. However, personal meaning and understanding sometimes come while I'm working in the studio. Sometimes the meanings of the work only become clear years later. Personal experience and experimenting with materials and processes have led me to an appreciation and awareness of entropy--the second law of thermodynamics. My sculptures use spontaneity, abstraction, and process to dialogue with entropy.

Yours Always, Always Yours, Emery Kate Tillman

LSU Master's Theses

The body of artwork discussed in this paper deals with the navigational process of the actualization of my own desires and needs in an intimate capacity specifically relating to my own queer identity. In this paper I will address the use of certain forms throughout the work as well as color and material choices. Yours Always, Always Yours is a thesis project produced as the final requirement of Louisiana State University’s Master of Fine Arts in Studio Art program.