Fine Arts Commons^™

Discovery Through The Art Of Making, Andrew Daly

All Theses

Between growing up on a farm, and working in a saddle shop, I have been conditioned to understand my environment in an empirical and experiential manner. There is a certain kind of education that can only be achieved through working with your hands, and the knowledge obtained in that fashion cannot be sufficiently translated through the written word, or with the use of technology. It is important to me to keep this type of education alive.
I have disciplined myself to learning the traditional printmaking techniques of engraving and lithography for their laborious hands on qualities so that I can …

Between Friends., Greg Warren Howser

Electronic Theses and Dissertations

This paper correlates with a Master of Fine Arts graduate thesis exhibition held at Slocumb Galleries in Ball Hall at East Tennessee State University March 21 through 25, 2011. The exhibition contains a mixed media body of work including prints, metal point drawings, and quilts. These works are an exploration showing the artist's voyeuristic studies through line, texture, form, pigment, and wax.

This thesis goes into detail about how the artist came to create this group of art by discussing tools, printmaking processes, encaustic, metal point, and his influences.

A Matter Of Time, Rebecca Kreisler

LSU Master's Theses

We frame our experiences as narratives, and associate the narrative with the book. My work takes the form of an immersive installation of printed, paper polyhedrons that act for me as non-traditional book structures. The planes of the polyhedrons function as pages without prescribing a certain order of events. The focus has been to blur the linear narrative into a body of visual work that represents my particular human experience, one full of memories and dreams, contradictions and juxtapositions, chaos and calm. What began as an objective examination of concepts of time in physics, philosophy, and psychology has developed into …

Vessel Manifest, Jessie Marie Hornbrook

LSU Master's Theses

Vessel Manifest explores vessel forms and their pathways through time and experience. In using semiotic definitions to define the term vessel I investigate the ways in which it has become profound in my life. In seeking comfort and in searching for an explanation for the process of life and death, I look to the ways in which a vessel can manifest itself, physically, emotionally, mentally, and metaphysically. Memories of life spent on the water and theories and tenets of Tibetan Buddhist Philosophy are sewn together through images of physical vessels and abstract vessel forms. The large-scale intaglio prints incorporate multi-media …

The Latent Landscape, May Ann Babcock

LSU Master's Theses

I set a task to take a new look at local Louisiana landscape and to understand this place where I live. The spaces most powerful were leftover, abandoned and forbidden industrial places, including an old lock, stretches of the levee along the Mississippi River, highway underpasses and chemical, energy and sugar cane processing plants. Working from observational sketches and using local materials such as river mud and plant fibers for papermaking, I make prints on handmade paper, books and video that bring this latent landscape into view. Images and surfaces become primitive, disorienting, psychological, dark and changing landscapes.

Trials & Tributaries: Myth And Disaster In Southern Louisiana, Hannah March Campbell Sanders

LSU Master's Theses

Trials and Tributaries examines recent disasters occurring in southern Louisiana, interpreted through the Greek myths The Twelve Labors of Herakles. Mankind’s false sense of control over Louisiana’s resources leaves us vulnerable to nature’s powerful acts of reclamation: hurricanes, floods and the ground sinking beneath our feet. While researching the details and origins of The Twelve Labors, I found a plethora of similarities with local culture, politics and natural disasters. The characters in these narrative prints include hybrid monsters drawn from Greek mythology, which I have then further augmented with various forms of local south Louisiana fauna and contemporary political figures. …

Creatures Of Habit, Jennifer Miller

All Theses

My work reflects my interests in drawing, illustration, science, and culture. Being born and raised in desert suburbia, my environment consisted of small middle class homes in a grid of roads and sidewalks, punctuated by small pockets of natural landscape. However, as I watched then, and as I still see now, many of the things I have come to love and appreciate about this environment are disappearing before my eyes. As people's values change, so does the natural and unnatural landscape. The natural things are replaced with our own excess, everything needing to be larger, louder and flashier, all so …

Inscapes Of Unrequited Belonging, Debangana Banerjee

LSU Master's Theses

This thesis is about my journey through life—memories of the past, experiences of the present and premonitions of the future—and how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my …

Taken Of The Land., Charlesey Lee Charlton

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the Reece Museum at East Tennessee State University from April 28-June 25, 2009. The exhibition is comprised of 19 monotype prints on paper. The exhibition presents the artist's investigation using natural materials combined with traditional printmaking techniques. Subjects discussed include ideas, methods, influences, and process of integrating natural materials that evoke a sense of place, earth, and memory.

Recollection/Re-Collection: A Re-Positioning Of Artificial Nature In The Natural World, Martha Epp-Carter

All Theses

ABSTRACT
In this body of work I explore the division between our experiences with nature in a controlled environment versus the less frequent experience of true nature. I concern myself with the distance we create for ourselves by diminishing our interactions with nature, making them convenient, not messy or intrusive. I also attempt to resensitize the viewer to his or her own conscious or unconscious response to nature. By setting up situations that utilize both real and artificial objects, images and materials, I place the viewer in a relationship with the work that requires thoughtful attention.
Through the creation of …

Building Codes: Mapping Technology And Tradition, James David West

LSU Master's Theses

This thesis examines the crossroads between printmaking and digital technology as our culture shifts towards a more digital media focused existence. As technology shifts art-making more and more away from the analog creation process towards a more digitally mediated one, printmaking’s history stands out among other traditional mediums as well suited to embrace the transition whole-heartedly. By using the analogies of the matrix, the map, and the building, this body of work creates a bridge from the historical and time-tested approaches of printmaking towards the future of the art form; a chimera of technology and tradition.

In The Wake: A Louisiana Memoir, Ryan Lindburg

LSU Master's Theses

This thesis project was an exploration of narrative artwork through installation. Throughout the exhibit, I used multi-panel wall pieces, traditionally bound books, and fake walls to create an unbound book for the viewers to walk through. The pathway through the gallery provided my plotline; the works manipulated the pacing of this plot through their size and placement on the wall, with careful attention given to changing perspectives through the height of the hanging, as well as adjusting time by varying the space between the panels. Multiple print mediums were used in an effort to change the tone between pieces. This …

Overwhelming Systems, Meghan Oconnor

All Theses

My work portrays my own social and cultural desires, fears, and experiences. I employ a narrative format that shows childhood cartoon influences to attract viewers and visual complexity to sustain them. I depict fear, tension, struggle, and isolation to reveal deception, which stems from a response to structures of power. It is a representation, a questioning, and/ or a critique of the state of today's human nature and subsequent condition. I employ images of animals as a stand-in for the human figure, feeling or persona. Mechanical devices are metaphors of harmful systems of culture or power. The illusion of transparency …

Inevitable Forces: Deciphering The Environment, Jennifer Stoneking-Stewart

All Theses

My work is a response to my surroundings, the relationship between man and nature, and my perception of human impact on the environment. I compare the sprawl of cities that overtake the surrounding countryside to the spreading of microscopic bacteria and disease. My observation of the destruction of the environment and other uncontrollable events that perpetuate fear, such as passage of time, death, and growth, is visualized through the combination of two opposing forces: structure (controlled) and organic (uncontrolled). My use of printmaking processes parallels these concepts of control or lack of control. Lithography, intaglio, silkscreen and relief are closely …

Strange Yarns, Matthew Thomas Bourgeois

LSU Master's Theses

I leave a good portion of my art up to chance or my unconscious self, this shows me how closely my prints and drawings relate to the dream world. In dreams most of the physical laws are abandoned, reason and mind are not the dictators of the dream. Dreams have their own logic and are a perfect place to explore a narrative that leaves itself open for the viewer to put any number of meanings into.

On Being There, Donald Lawrence Simmons

LSU Master's Theses

ON BEING THERE is the physical embodiment of an emotional experience. The works are responses to stories told and memories of my two grandfathers, being made of images from their possessions and sketchbooks. The object was to explore the experience of loss and to create a record of that experience. The work is an investigation of the self through the history of my grandfathers’ lives and experiences told in the media of printmaking.

The Orthographic Characters (In No Particular Order), Alison Christina Frank

LSU Master's Theses

My work focuses on the development of playful and absurd combinations of small creatures that co-exist in a state of odd logic. The creatures share a vulnerable, somewhat fragile, quality, yet are assigned vital force in their existence. This juxtaposition is metaphorical for certain aspects of human existence. The Orthographic Characters is the title of a series of prints and paintings I have created that form a non-linear narrative. Each piece is inspired by the alliteration of one alphabet character. The writings form a bizarre, feverish context for the characters.

Zinnias, Carlyle Wolfe

LSU Master's Theses

Impermanence. Quiet. Words. Unfolding. Specificity. Abundance. Pattern. Compilation. Faithfulness. Vulnerability. Obedience. Atmosphere. Begun with a coffee can full of flowers, this work is an exploration of art making, self, and nature.

J.J. Lankes (1884-1960): Woodcuts Of Rural America, University Of Richmond Museums

Exhibition Brochures

J.J. Lankes (1884-1960): Woodcuts of Rural America

1994

Marsh Art Gallery, University of Richmond Museums

Introduction

In 1917, while working at the Newton Arms Company factory in Buffalo, New York, Julius John (J. J.) Lankes created his first woodcut. His only implements were a graver, used to score rifle stocks, and a block of apple wood he had cut from a fallen tree. The experiment proved a turning point in the life of the thirty-one-year-old laborer, draftsman, and erstwhile art student. Rapidly mastering the difficult white on black woodcutting technique, he went on to produce some 1,300 designs over the …

Womanthought (1990), Womanthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Alternative Spaces, Wright State University Art Galleries

Exhibition and Program Catalogs

Alternative Spaces was a collaborative exhibit of 4 artists on a variety of subjects that acted much like workshops for the graduate students of the respective colleges that hosted them between the years of 1979-1980. The artist that were included in this workshop exhibit were: Dennis Adams, Michael Brewster, Steve Davis, Joan Jonas. With a focus on storytelling, these artist sought to tell stories and ideas through the mediums of sculpture, painting, film, and so on sought to teach expression in a metaphorical method. The colleges that hosted these artist were: Creative Arts Center, Wright University, California State University, Long …

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …