Fine Arts Commons^™

Marshall University Music Department Presents A Senior Recital, Melody Cook, Piano, Melody Cook

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Chris Miller, Piano, Chris Miller

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Zachary Merritt, Saxophone, Assisted By, Pamela Johnson, Piano, Aaron Statler, Percussion, Zachary Merritt

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive, Guest Artist Concert Series, The Capital Trio, Chopin Bicentennial Concert, Duncan Cummings, Piano, Hilary Cummings, Violin, Şölen Dikener, Cello, Duncan Cummings, Hilary Cummings, Şőlen Dikener

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Alyssa Lauren Hughes, Clarinet, Accompanied By Dr. Leslie Petteys, Piano, Alyssa Lauren Hughes

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital Featuring Stephen Lawson, Horn, Assisted By, J. Steven Hall, Marimba, Percussion, Kay Lawson, Bassoon, Peggy Johnston, Piano, Stephen Lawson, J. Steven Hall, Kay Lawson, Peggy Johnston

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Emilea Burgh, Clarinet, Accompanied By, Mila Markun, Piano, Assisted By, Tessa Gore, Clarinet, Emilea Burgh

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, Featuring, Stephen Lawson, Horn, Assisted By J. Steven Hall, Marimba, Percussion, Kay Lawson, Bassoon, Peggy Johnson, Piano, Stephen Lawson, Steven Hall, Kay Lawson, Peggy Johnson

All Performances

No abstract provided.

Marshall University Music Department Presents A Guest Artist, Carol Ann Barry, Piano, Carol Ann Barry

All Performances

No abstract provided.

Marshall University Music Department Presents The Woman's Club Of Huntington, Music And Art Department, Presents "Fall Into Music", A Piano Recital, Featuring, Leslie Petteys And Alanna Cushing, And Their, Marshall University Students, Leslie Petteys, Alanna Cushing

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Chamber Series, Guest Artists Concert, "Music Of Barber And Beyond", Tűrev Berki, Piano, Tűrev Berki

All Performances

No abstract provided.

Marshall University Music Department Presents The Nevelson Duo, Elizabeth Reed Smith, Violin, Leslie Petteys, Piano, Assisted By Blake Racer, Voice, In "E" Is For..., Elizabeth Reed Smith, Leslie Petteys

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Joy Nicole Mccomas, Joy Mccomas

All Performances

No abstract provided.

Marshall University Music Department Presents Guest Artist, Alanna Cushing, Piano, Alanna Cushing

All Performances

No abstract provided.

Marshall University Music Department Presents The 2009 Competition, For The, Belle And Lynum Jackson And Paul A. Balshaw Awards, Austin Seybert, Melody Cook, John Galloway

All Performances

No abstract provided.

Marshall University Music Department Presents Evan Mack, Joan C. Edwards Distinguished Professor, Piano Masterclass, Nicole Mccomas, T.K. Lombardo, Melody Cook, Chris Miller, Mike Preston

All Performances

No abstract provided.

Marshall University Music Department Presents The Joan C. Edwards, Distinguished Professor Recital, Evan Mack, Piano, Evan Mack

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Michael Sidoti, Voice, Michael Sidoti

All Performances

No abstract provided.

Marshall University Music Department Presents A Children's Concert, From Bangkok To Bangor, Mary Wilson, Duncan Cummings

All Performances

No abstract provided.

Marshall University Music Department Presents A Graduate Recital, Elizabeth Kinder, Piano, Elizabeth Kinder

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, William Davidson, Piano, William Davidson

All Performances

No abstract provided.

Volume 69, Number 04 (April 1951), John Briggs

The Etude Magazine: 1883-1957

Dilemma in Detroit: Survivors of the Detroit Symphony Support Themselves with Odd Jobs and Look for a Successor to Sponsor Henry Reichhold

Zoltan Kodaly was my Teacher

How to Teach Adult Beginners

Music Has No Short-Cuts: Solid Careers Emerge Only for Unhurried, Systematic Training (interivew with Joseph Fuchs)

It's Free—It's Fun—It's Forum!

More About the Pharyngeal Voice: Widely-Used Method in the Golden Days of Italian Bel Canto

Class Piano Teaching Gets Results . . . A Successful Teacher Reveals the Formula She Has Developed Through Years of Trial and Error

Sing with Your Fingers

Volume 68, Number 03 (March 1950), John Briggs

The Etude Magazine: 1883-1957

Richards Strauss . . . Conducting is a Difficult Business

Modern Piano Musical Metaphysics . . . Its Cause and Cure

How to Build a Voice Psychologists

Evaluate Music

So You Want to be a Piano Teacher

Structure of Music Clarence Dickinson—Pioneer of Church Music

Let's Simplify the Liebestraum Cadenzas Master Lesson on Brahms' Intermezzo in E-Flat Major, Op. 117,

No. 1 Musical Medicos

For TV Thrillers

Volume 17, Number 10 (October 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Ages of One Hundred Famous

Singers

On Program Printing

Unprofessional Advertising

Dumb Pianos

About Tuning

How Leschetizky Teaches Memorizing

Little Knowledge

First Step in the Instruction of Young Children

To a Piano (poem)

Mechanical Music

Honesty in Advertising

Actual Effect of Music Upon an Imagination

Types of Teachers, or Mayburn's Madness

Music or Notes?

Development of the Artistic Sense

Lost Ideals

Value of the Musical Magazine

How to Memorize

What Makes Music Successful?

Studio Experiences: Experiences with the Pedal

Uninterested Pupil

Conservatory and Private Teaching: Another Phase of the Subject

Musical Don'ts

What are Musical Clubs For?

Volume 16, Number 01 (January 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Suggestions for the Musical Youth

How Shall We Teach Notation to Beginners

The Gospel of Work

Musical Memory in Its Relation to Pianoforte Playing

How to Make a Living

Problem of American Teaching

Song Writers of the Day

One-Sided Musicians

Nothing But a Name!

Success is the Reward of Toil

Musical Listener

Sight-Reading

Art of Self-Criticism

Helpful Letters to Young Musicians

Cost of Study Abroad

Factors of Musical Expression

Sight-reading in Pianoforte Instruction

Why Do You Take Music Lessons?

Principles of Musical Pedagogy

Thoroughness in Primary Work

Music Education

Moral Influence of Music

Convenient Maxims, Formulas, etc. for Voice Teaching …

Volume 15, Number 09 (September 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Would-Be Paderewski

Music No Hindrance to Getting On

Some Don'ts for Students Who are Going to Germany to Study Music

Playing in Public

From Recent Programmes

Neglected Essential: Music and Languages

Self-Exaltation

Time Values

Flowers by the Wayside

Not Yourself, But Your Art

Four Stages of Student Life

Physical Exercises an Aid to Artistic Piano Playing

How a Pupil Rose to Success

Should Piano Students Attend Piano Recitals?

For the Student's Encouragement

Reading New Music

Extracts from Reinecke's Hints to Music Students

Materials and Workmanship

Ear Training

Study on Phrasing

Reed Organ as an Aid in Piano Instruction

Musical Listener …

Volume 15, Number 08 (August 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Piano and Our Girls

For Juvenile Recital: When Malindy Sings (poem)

Protecting the Artistic Sense

Can a Poor Ear be Improved?

Pianoforte Study

Whither Are We Drifting: Realism in Music

Wit of Composers

Musical Stage Fright

Bach Anecdotes

Liszt and Tausig

Story Teller: For Summer Reading

Counting Time

My Fellow-Students

Aids in Teaching Time Values

Guide to Pianists

Musical Listener

Automatism in Technic

Promising Indication

Musical Inconsistencies

Day's Practice

Appreciative Audience

Plea for Pimary Instruction in Harmony

Thoughts about the Most Salient Features of Music Life—Teaching and Otherwise

Truly Great Musician

How Music Affects Some People

Remarkable Definitions

Study the …

Volume 15, Number 04 (April 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Modern Musical Definitions

Have I Talent?

Peculiarities of Popular Teachers

Mozart's Journey from Vienna to Prague: A Romance of His Private Life

Chat with Students on the Purpose of Study

Teachers Who Scold

How Do We Listen?

Ring-Finger

Hearing Colors

Musical Listener

Reading Course: Outline of Psychology

Leschetizky as a Teacher: Reminiscences of a Pupil

Keep Your Temper

Great Thoughts About the Hands

Dull Pupil

Concerning Practice and Other Points of Interest to Students

Calvé on American Musicians

Pianofore Study: Hints on Piano Playing

Volume 15, Number 03 (March 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Listener

Clayton Johns

On Choosing Music

First Lessons

Why We Have So Few Musicians

Some Wholesome Truths for Teachers

Sieveking's Mode of Practice

W.J. Henderson

Study the Nature of Melody

How Long Should One Practice?

Henry T. Finck

Soul of Music

Music Scrap-Book

Beginning and Development of Pianoforte Playing

Common Sense in Music

Mozart's Journey from Vienna to Prague: A Romance of His Private Life

Why Study Harmony?

Queer Traits of Great Musicians

Art of Programme-Making

Louis C. Elson

Backward Pupils

Volume 14, Number 11 (November 1896), Theodore Presser

The Etude Magazine: 1883-1957

Some Things Which the Musical Profession Owes Itself

Music Chats with Children

American Artists

Class in Ear-Training

Mendelssohn's Piano Playing

Art and Ease

Artist vs. Amateur

Modesty in Music

Chopin's Notes for a Method of Methods

Is the Study of Music Profitable?

Difference Between Studying and Cramming

As a Man Thinketh So Is His Work

Thoughts About the Most Salient Features of Music Life—Teaching and Otherwise

Musical Mischief-Breeders

Beethoven and the Ladies

How to Stimulate Practice

Playing by Ear

Rough and Musical Bülow

Some Mistakes of the Provincial Musician

Correction

Is Mendelssohn to be Ranked Among the Great Composers?

Some …