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Articles 121 - 150 of 354
Full-Text Articles in Fine Arts
The Marriage Of Art And Science, Mike Doyle
The Marriage Of Art And Science, Mike Doyle
The Transdisciplinary STEAM+ Journal
Art work that shows how the viewer translates visual cues into meaning
L, M, N, O, P, Matt Jones
L, M, N, O, P, Matt Jones
Theses and Dissertations
A meditation on my painting and drawing practice in relation to the work of Philip Guston, Nancy Spero, and Frank Moore, among others, just before and during the start of the Covid-19 pandemic.
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
Achieve
Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn No. 2, Alone (Not Alone), and The Inauspicious Present No. 2.
The Branch On Which The Blossom Hangs, Thomas Sterling Coffey
The Branch On Which The Blossom Hangs, Thomas Sterling Coffey
Graduate Theses and Dissertations
The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer
Faculty Works
Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn 2, Alone (Not Alone), and The Inauspicious Present No. 2.
Three Strikes: The Evolution Of A Creative Practice Through Discovery, Connection, And Structure Or We Should All Be Artists, Anthropologists, And Feminists, Anne Barnes
MFA in Visual Arts Theses
By identifying the three areas that merge to form my artistic practice: discovery, connection, and structure; this thesis uses my creative process as a way to form the link between my intellectual and material impulses, and to identify the connections I make between what abstract painting means to me, my feminist ideals and how they are informed by the gender inequality persistent in the art world today, as well as thoughts I have around the concept of the “feminine” as viewed through the lens of art history. In this way, I demonstrate how these elements are woven together and the …
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.
The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay
The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay
Honors Theses
This series of paintings focuses on red cockaded woodpeckers, an endangered species of bird and the longleaf pines forests which they live in and are reliant upon. I drew my inspiration mostly from personal experience with my family’s own efforts to restore one of these forests as well as my longstanding belief in the importance of protecting the environment. However, the point of these paintings is not to preach to people, but rather to show them the beauty of these trees and birds, so they can perhaps begin to care about them themselves instead of just being told that they …
Forest For The Trees, Anthony Prud'homme
Forest For The Trees, Anthony Prud'homme
CGU MFA Theses
These paintings show life’s swarming energy coalescing into form. They are propositions to make space for connection.
Bitter Fruit, Ronald J. Green
Bitter Fruit, Ronald J. Green
Theses and Dissertations
Pain is a phenomenon like fear, belief, and love -- among the forces that determine the course of our lives long before we are born. These conditions generate the layers of the human soul, marrying one life with others past, present and future.
There is an unconscious consensus on the linearity of time. Our lives, memories, dreams and reflections constantly present a challenge to this general agreement. Life, like time, is a series of interlocking awarenesses. Paths intersect, the actions of individuals deposit change into an internal pool of collective experience. Freud once believed that the past is not fixed …
Indigenous Woman., Annabelle R. Broeffle
Indigenous Woman., Annabelle R. Broeffle
Senior Art Portfolios
Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.
Observation, Beth Ann Hamilton
Observation, Beth Ann Hamilton
All Graduate Theses, Dissertations, and Other Capstone Projects
We have been conditioned by past generations in our understanding of portrait importance. On the contemporary side of portraiture, most pictures are concealed within tech devices. Among common society, these personal phone portraits of oneself are considered tactless, and taboo. Most do not exist in a tangible context. It is my mission to display these portraits with a sense of grandeur and appreciation. My work is a retaliation to the boundaries of what was and what is portraiture.
My work consists of heavily decorated mixed media portraits set in a domestic realm, focusing on blissful sensuality. My art projects range …
Tenacity, Angela Stevenson
Tenacity, Angela Stevenson
Electronic Theses and Dissertations
ABSTRACT
Creating my exhibition, Tenacity, was a labor of love that took place over the year and a half that I was a student in Stephen F. Austin State University of Texas’s Graduate Program. I explored new processes in painting, including the use of transfers, and did extensive research into the lives of female historical figures. This exhibition was born of a wish to share knowledge with others as well as to remind society that anyone can elicit change.
.Pause., Richelle M. Dorris
.Pause., Richelle M. Dorris
Electronic Theses and Dissertations
.Pause. is a series of fifteen abstract oil paintings that represent a visual inspection of changing mental/emotional states of being as we navigate life. My subject matter consists of natural and organic forms that twist, contort, overlap, and flow. These aspects—combined with dramatic and gradual shifts in color, movement, layering and lighting—create a bizarre environment of conflict and growth as well as a space for contemplation.
This series is a mixture of stylistic directions, including abstract representation, gestural, and nonobjective work. Perception is called into question as the visual information becomes more obscure. Outside elements, such as lighting and the …
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
Heather C. Lou Interview, Katie O’Reilly
Heather C. Lou Interview, Katie O’Reilly
Asian American Art Oral History Project
Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …
All The Small Things, Talia E. Levitt
All The Small Things, Talia E. Levitt
Theses and Dissertations
My paintings engage with the history of the still life as a marginalized and antiacademic genre. Rather than fool viewers into believing that there are real objects in front of them, as is the historical intention of trompe l’oeil, I use realistic rendering to emphasize the painting and painter.
Driving In Circles With Monsters, Melanie Klimjack
Driving In Circles With Monsters, Melanie Klimjack
MFA Statements
Abstract
Using the novel Frankenstein as a visual mentor and metaphor, I explore methods of creating both paintings and video works through a piecemeal procedure like that of Dr. Frankenstein's monster. In this paper, I discuss the limitations and successes of my artistic practice and how the aesthetics of failure, montage, and the art historical movements of Post-minimalism and Casualism informed my work during my course of study. I seek to outline my journey from my early paintings that relied on image-making and my subsequent transformation to abstract sculptural paintings to achieve an aesthetic that is in line with that …
Quiet Moments, Deitra Charles
Quiet Moments, Deitra Charles
CGU MFA Theses
I am a figurative artist who focuses on ordinary people and everyday objects. I paint moments. A moment of peace, a moment of tranquility, a moment of contemplation. It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of day-to-day life – that they give you the opportunity to experience life differently, stirring within you some sense of peace.
It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of …
Loop, Lap, Leap, Hannah Schutzengel
Loop, Lap, Leap, Hannah Schutzengel
Theses and Dissertations
My paintings use slow, subtle gestures to create experiences of quiet emotion: casual warmth and comfort, playfulness, ease. My focus is the irregularity of a poured liquid; the slow release of an ironed crease; the push and pull of care against things drooping apart.
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-2019
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …
Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway
Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway
Senior Honors Projects, 2010-2019
over certain undecidedness these heartstring intimations is the culmination of a two-year-long abstracted cycle of textured conversation, internal eye contact, and endless playlist-making. Hemingway’s work is based in process-oriented reflections on habitual behavior, manifestation of sentiment, and sense of self. Her paintings draw inspiration from the ways in which we approach and avoid our internal and external routines – how degrees of our subconscious considerations affect how we extend ourselves to others. Individual auditory preferences of different colliding souls have carved a space for her in a language of empathetic abstraction – attempting to elaborate the curious beauty and pain …
Trackable Painting, Jisoo Hur
Trackable Painting, Jisoo Hur
Theses and Dissertations
This paper describes how I suggest a way to read images in painting by supposing that the gap between paintings can have a new role in the reading. This process consists of three parts that go through references and titles of my paintings.
Arts And Craft: Pattern As A Verb, Evan A. Bellantone
Arts And Craft: Pattern As A Verb, Evan A. Bellantone
Theses and Dissertations
As an honorific term, mastery does not enjoy the same fixity in a fine arts context as it does in the context of arts and crafts. My paintings are a blend of fine art and craft traditions that yield insight into certain ways value is inferred from both.
Painting Down, Claire Stankus
Painting Intimacy: Art-Based Research Of Intimacy, Michal Lev
Painting Intimacy: Art-Based Research Of Intimacy, Michal Lev
Expressive Therapies Dissertations
This art-based research explores whether — and, if so, how — the process of painting, together with witnessing and reflection on the process and imagery, further an understanding of intimacy. The research also examines the conditions that favor intimacy, the obstacles to intimacy, and the particular features of artistic media, processes and reflection, through the editing of video footage, that can further the intimate experience. The participants in the study were five adults (including the researcher) between the ages of thirty and eighty who were familiar with the creation of visual art. Among them were three women and two men …
Aviary Of The Reverend William J. Long, Shae Lewis Warnick
Aviary Of The Reverend William J. Long, Shae Lewis Warnick
Theses and Dissertations
Humans perceive the natural world in a subjective and sensual way, yet over time science has turned the study of nature into a progressively objective pursuit. The Aviary of the Reverend William J. Long is an installation of anthropomorphic bird dolls that examines the roles of science and sentiment in our interactions with the natural world.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Words Are A Pipe, Kyle Michael Utter
Words Are A Pipe, Kyle Michael Utter
Theses and Dissertations
A painter retraces the steps he took in making one of his paintings from beginning to end. Rather than explicitly ascribing a series of concerns or goals to his studio practice in general, he recounts the material choices he made over an 8 month period of making a specific painting of an interior landscape. The essay begins with a consideration of the written word and its potential shortcomings in describing the creative process. Warned of writing’s pitfalls, the reader proceeds onto a meandering path of written introspection as the painter reflects on his art-historical references, his sources of imagery, his …
My Painting, Brian Byun
My Painting, Brian Byun
Theses and Dissertations
When the painting is done, it begins to ask me “Who are you?” and “What am I?” This ongoing conversation has fascinated me in making these paintings over the last several months and I’m hoping the viewer will have a similar experience.