Open Access. Powered by Scholars. Published by Universities.®

Fine Arts Commons™

Open Access. Powered by Scholars. Published by Universities.®

Installation

Discipline
Institution
Publication Year
Publication
Publication Type

Articles 121 - 141 of 141

Full-Text Articles in Fine Arts

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix Jan 2012

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix

Scripps Senior Theses

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …

Go to article

I Saw Life, David Clayton Williams Jan 2012

I Saw Life, David Clayton Williams

LSU Master's Theses

My thesis embodies the uncertainties and reservations that surround one’s mortality. Dealing with the loss of my father who suddenly passed away two and a half years ago has sparked an emotionally driven artistic process. The abruptness of my Dad being alive one second and with little or no warning deceased the next has impacted my work tremendously. My goal has been to evoke and share the very human emotions that occur during the erratic stages of grief. This research acknowledges the ‘black and white’ absolutes of living and dying, yet those ideas are juxtaposed with the many gray areas …

Go to article

Producto Centro Americano : Made In Honduras, Alma Leiva May 2011

Producto Centro Americano : Made In Honduras, Alma Leiva

Theses and Dissertations

PRODUCTO CENTRO AMERICANO: MADE IN HONDURAS By Alma Leiva Master of Fine Arts A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2011. Thesis Director: Robert Paris, Professor Kinetic Imaging / Photography and Film I was born in 1973 in Honduras, a country under military regime. In 1982 after 20 years of military rule, Honduras finally had democratic elections. During that decade, and as a consequence of the cold war, the kidnapping, torturing, murder and disappearance of civilians became common practices among the Honduran military. …

Go to article

Rewrite, Jamie Lawyer Apr 2011

Rewrite, Jamie Lawyer

Theses and Dissertations

“Rewrite” is a photographic project that utilizes the domesstic space as a stage for emotional projection of a traumatic memory. The work considers the relationship that exists between an individual and the rooms and objects within a home space in an attempt at understanding an individual’s mental state. “Rewrite” explores the ways in which we exist through our home and how a juxtaposition of objects and materials can create meaning. The photographs are a visual interpretation of the emotions surrounding sexual abuse/assault/rape as they have related to my own personal history and conversations I have had with women close to …

Go to article

A Matter Of Time, Rebecca Kreisler Jan 2011

A Matter Of Time, Rebecca Kreisler

LSU Master's Theses

We frame our experiences as narratives, and associate the narrative with the book. My work takes the form of an immersive installation of printed, paper polyhedrons that act for me as non-traditional book structures. The planes of the polyhedrons function as pages without prescribing a certain order of events. The focus has been to blur the linear narrative into a body of visual work that represents my particular human experience, one full of memories and dreams, contradictions and juxtapositions, chaos and calm. What began as an objective examination of concepts of time in physics, philosophy, and psychology has developed into …

Go to article

Site Unseen, David Christopher Carpenter Jan 2010

Site Unseen, David Christopher Carpenter

LSU Master's Theses

Site Unseen is a large-scale installation of seventy-three brightly screen-printed and painted house forms. The houses stack and interlock with one another, creating clusters of towers and archways. The forms appear to grow into one another, physically connecting the homes. Each house is printed with images of materials in various states: raw, processed and waste. These materials represent the cycle of community’s rise and fall. Beyond examining the construction of community, Site Unseen explores a moment when trust or foundation is lost in a community. In the center of the community is a gaping, spherical void. This void represents the …

Go to article

Schema., David B. Mazure May 2009

Schema., David B. Mazure

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the Slocumb Galleries in Ball Hall at East Tennessee State University, from February 23rd through February 27th 2009. The exhibition is comprised of eight graphite drawings, one ink drawing, eight vinyl prints, two hundred sixty lenticular prints, over fifty digital inkjet prints, and one video installation. The exhibition presents the artist's exploration into using drawings and prints as installation as they relate to quantum physics and universal scale. Subjects discussed, on a project-by-project basis, include thought, ideas, methods, influences, and process by which the work in the exhibition …

Go to article

Yours, Mine, & Ours, Mallory Lynn Feltz Jan 2009

Yours, Mine, & Ours, Mallory Lynn Feltz

LSU Master's Theses

Yours, Mine, & Ours utilizes found object assemblage, textiles, art multiples, and installation to present the theme of discovering personal identity through collecting, ownership, affiliations, cultural context, and transformation. This work presents to viewers a tactile experience to be investigated, touched, and transferred to their own lives. Centered on domesticity, the familiar and ordinary becomes transformed through labor-intensive processes into unique and personal works of art. Viewer participation, in all aspects of the making process, emphasizes the universal human experience of searching for comprehension of our culture. Each artwork is a metaphor for this search and how we are constantly …

Go to article

In The Wake: A Louisiana Memoir, Ryan Lindburg Jan 2008

In The Wake: A Louisiana Memoir, Ryan Lindburg

LSU Master's Theses

This thesis project was an exploration of narrative artwork through installation. Throughout the exhibit, I used multi-panel wall pieces, traditionally bound books, and fake walls to create an unbound book for the viewers to walk through. The pathway through the gallery provided my plotline; the works manipulated the pacing of this plot through their size and placement on the wall, with careful attention given to changing perspectives through the height of the hanging, as well as adjusting time by varying the space between the panels. Multiple print mediums were used in an effort to change the tone between pieces. This …

Go to article

Drift, Emily Jane Cook Jan 2008

Drift, Emily Jane Cook

LSU Master's Theses

Drift is a movement by, or as if by, a current of air or water . It can mean the depositing of debris by such a current. It can also connote a veering off from a projected path. What interests me about the word is that it suggests a slight loss of control, but not a devastating one. Most importantly, for this body of work, it implies a passive movement, a transition in which one is not able to control every part. We can perhaps choose the river we get into but not the direction of its flow. Using properties …

Go to article

Shiver, Jennifer Elaine Carson Jan 2008

Shiver, Jennifer Elaine Carson

Theses and Dissertations

Dissipating through growth; Solving within illusion; Resilience in vulnerability. Through enveloping strands of tenuous connections, translucent flesh-like layers, and subtle movement through touch, my thesis installation entitled "Shiver" makes reference to the Sublime as it asks the infinite question; What is my primordial self?

Go to article

Culturally-Constructed Barriers, Hae-Jung Lee Jan 2008

Culturally-Constructed Barriers, Hae-Jung Lee

LSU Master's Theses

I have traveled to and lived in many different countries outside my native country of Korea. These opportunities have allowed me to meet diverse people and learn about their unique cultures. While living in the United States, I have experienced culture shock in such everyday activities as observing students eating food during class, wearing pajamas at school, and other similar displays of informal behavior. I was taught to follow Confucian ideas; the basic principles being to respect one¡¯s elders and to be considerate of other people. Compared to Korean culture, Western culture seems very open-minded and individualistic. Adjusting to the …

Go to article

Discerning Lines Of Demarcation, Jennifer Dawn Poueymirou Jan 2007

Discerning Lines Of Demarcation, Jennifer Dawn Poueymirou

LSU Master's Theses

Discerning Lines of Demarcation is an investigation into the accumulated landscape of distressing times. Situations of mass destruction, loss of family, substance abuse, domestic violence, loss of friendship, and uncertain health have all been encountered within a steady progression in the last five to six years of my life. The digestion of these situations has been slow as the events overlap and intertwine each other. I have tweezed and distilled these circumstances. This is described through different types of terrains that create physical boundaries to represent psychological fears or events. Tied to Your Hate; How Much More Will Fall, Untitled, …

Go to article

Too Fast, Too Tight, Too Loud, Too Bright, David Martin Storlie Jan 2005

Too Fast, Too Tight, Too Loud, Too Bright, David Martin Storlie

LSU Master's Theses

It is difficult to imagine that others do not perceive and react to the cultural stimuli as I do when dealing with everyday sensory situations. Unlike most, I have struggled with many different responses to commonplace sensory events during my life. A recent diagnosis of certain symptoms has helped to explain not only my lifelong reactions to sensory stimuli, but also the resulting environments I have created for myself in which I live and work. The four terms I use that most fully describe the affects of this condition are; too fast, too tight, too loud and too bright. Although …

Go to article

One Is Concerned Because One Is A Human Being, Sayaka Suzuki Jan 2005

One Is Concerned Because One Is A Human Being, Sayaka Suzuki

Theses and Dissertations

I am a nomad. I have not had a place to call home in almost two decades. I wander around the world searching for a place to belong, only to discover the forgotten lives and silenced voices. I have come to realize that to find a "home," I need to first create a world in which to belong to. My recent works are investigations of possibilities for another world, a world of compassion, through a critique of our current society. I create as I rediscover the forgotten histories and lives. My work captures my process of remembering and celebrating while …

Go to article

True Image, Janet K. Link Jan 2004

True Image, Janet K. Link

LSU Master's Theses

A still-life is often the painted record of a complex arrangement of objects. My aim in making the visual portion of TRUE IMAGE is to turn this sort of still-life inside out. Rather than arranging a collection of objects and making a painted or drawn image of the set up, I made simple images of things and arranged them with actual objects into three larger tableaux. The subjects of the paintings and drawings are these: checkerboards, objects, portraits, and shadows. The subjects of the tableaux are work (LABOR), home (DOMUS), and church (ECCLESIA). Viewed as a whole the exhibition asks …

Go to article

Thick Skinned, Alair Dyan Wells Jan 2004

Thick Skinned, Alair Dyan Wells

LSU Master's Theses

“Thick Skinned” is a series of sculptures using the domestic structure as a metaphor for the body. Issues of sexuality, gender roles, and domesticity are explored in this mixed-media installation. Viewer interaction with the work is encouraged for a complete sensual experience. The body and home are protective, yet fragile and delicately vulnerable. My work confronts notions of beauty and cruelty, bodily function and presence, with a focus on gender-biased social conventions in our culture. Conceptually, the work is autobiographical in nature, as it pertains to my experiences as a woman. Universally, it deals with the merging of sexuality and …

Go to article

Elemental: Promise Of Plenty, Bill Wolff Jan 2004

Elemental: Promise Of Plenty, Bill Wolff

LSU Master's Theses

This body of work is about human nature, and centers on issues of aggression, consumption and collapse. Five materials make up the exhibition, and each carries a specific metaphor: wood is flesh, brick represents collective history, rope is a metaphor for human activity, metal is control and salt is a quintessential commodity. Craft is used as a means to explore the boundary between natural and synthetic phenomena, as well as elevating the status of the base materials. The work is arranged to provide an environment and context for the viewer to respond.

Go to article

Accelerate Into The Accident, Jeffey D. Hill Jan 2003

Accelerate Into The Accident, Jeffey D. Hill

LSU Master's Theses

The installation uses purely steel to describe the organic and chaotic nature of thought processes. It looks for a way to confront grief and anxiety. The procedure's purpose is to understand abstract, emotional thinking in immediate, familiar physical terms. By examining each fine strand, either steel rod or line of thought, I attempt to revel in the overwhelming complexity and irrefutable beauty of the mind. It is not a strategy to control mental imbalance. It is rather a humble acceptance of the organic chaos of thought.

Go to article

Chronophobia: Doing Time, Rosemary Stoltz Hill Jan 2002

Chronophobia: Doing Time, Rosemary Stoltz Hill

LSU Master's Theses

Chronophobia is the fear of time—characterized by panic, anxiety, and claustrophobia. Also known as prison neurosis, it may be the most common anxiety disorder in prison inmates. Sooner or later, almost all prisoners suffer chronophobia to some degree and become terrified by the duration and immensity of time. This is often called going “stir crazy.” The work in this installation subjectively explores interpretations of the passage of time through various multimedia experiences. Interactivity is a key feature of several installation components. There is also limited use of traditional print media graphics. References to time in music, literature and film are …

Go to article

Full, Leanne Rose Mcclurg Jan 2002

Full, Leanne Rose Mcclurg

LSU Master's Theses

As an artist I want to make my human experience sharable. I am interested in the connection between the act of consumption, the desire that leads to that act and the repercussions of fulfilling that desire on the body both social and intimate.I have chosen the hand made pot to express my thoughts of filling the vessel. It is in the arena of eating that I begin to understand larger philosophical issues about sentience. Using dishes I made, I have chosen to illustrate the experience of consumption by leaving remnants of a dinner on display during gallery hours. How much …

Go to article

First Prev