Fine Arts Commons^™

The Rug's Topography, Rana Young

School of Art, Art History, and Design: Theses and Student Creative Work

My complex relationship with photographs began when I was young. I remember tearing images out of publications and bringing them to my dad prepared with questions. Where I grew up, normative values defined by anatomy at birth impacted an individual’s gender perception and performance. Raised by a single father, I experienced a non-traditional family structure in my home. Seeing photographs portraying the “wholeness” of family contradicted my reality. Those psychological impressions provoked my curiosity and propelled me to solve the mystery of what existed beyond the scene depicted.

In retrospect, my search for missing context stems from an interest in …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Trace, Naomi Katy Louise Clement

LSU Master's Theses

The pots in the exhibition Trace speak both to my desire to belong, to connect to my beginnings, and yet to still trace my own path forward; they are about making connections and missing connections. Through these pots I ask questions of myself and the world around me in an attempt to negotiate the edges of my life. How do I feel connected and present in my own life and relationships? How do I feel connected to my family and my roots, while still finding my own path? What does it mean to belong in a family that is divided …

Collecting And Selecting, Masy Hebert

LSU Master's Theses

In Collecting and Selecting, I am exploring the way others adorn their lives and how these elements add up to emblematize the keeper of the treasures. With linoleum relief prints and drawings, I compose a unique type of portraiture that reveals the parallel identity between the way we dress ourselves and our living spaces. Within my process, I capture moments with photographs, draw, carve, print, and cut out the elements that hold a presence of the owner. Utilizing a heightened sense of contrast with black and white images, the textures and details of these objects come alive. Each gallery wall …

Restoration, Shannon M. Slaight-Brown

Theses and Dissertations

The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.

Happy Trails, Elizabeth A. Derby

LSU New Orleans Theses and Dissertations

My work uses hair as both a subject depicted in drawings, paintings, and prints; as well as a medium for sculpture, installation, and video created with synthetic hair pieces and wigs. I am interested in deconstructing gendered codes of appearance, and visions of the ideal woman and man as objects. I remove all identifiable traits from my characters, apart from their hair which appears to be consuming or erasing them. In doing so, I force the people viewing my work to rely on cultural stereotypes associated with hair to identify my characters. My work is heavily influenced by Drag culture …

The Exploration Of Self Construction Through Art, Pelumi Adegawa

Fine Arts Theses

This thesis investigates the different outlets of starting a conversation with people about our contemporary dilemmas, while exploring influences from historical and modern views. I do this by elaborating on the importance of discourse in making art and how these conversations can impact and widen our lives and understandings. Within these discourses, topics surrounding controversial issues such as gender disparities, social acceptability, race inequality and body images are brought up. My main arguments explore the importance of self-construction and the limitations and influences that the outside world might bring forth, the impact and results of speaking out and how it …

"To Deal", Kyle Peterson

Art and Art History Honors Papers

My objective in beginning this series was to, quite simply, deal with personal issues. I wanted to begin to dissect and make sense of my experiences through critical understanding of the different internal and external social pressures I was feeling. I did so by creating a series of life-size objects referencing and conflicting with both my own and other’s bodies in space. These objects in their scene have taken on a life of their own that places them in a dialogue beyond just my own experience, furthering to allow for other’s experiences to be reflected as well. The result was …

Ethics In Exhibitions: Considering Indigenous Art, Rachel Bonner

Richard T. Schellhase Essay Prize in Ethics

No abstract provided.

Grotesque Depictions And Seduction: Exotification Of Asian/American Women, Mabelle Bong

Scripps Senior Theses

My senior art project is an exploration of contemporary representations of women of Asian descent in the United States, specifically looking at issues of body image, sexuality, and exotification. I will examine the lack of representation of Asian women in America in media and art, specifically painting and mixed media. Ultimately, I will elucidate on why I chose this topic and used certain techniques and materials to explore the contemporary features and symbolic representations of Asian women in America.

The Veil, Eric Richard Euler

LSU Master's Theses

The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …

Avatar, Cyborg, Icevorg: Simulacra’S Scion, Guido E. Alvarez

Theses and Dissertations

I propose a theoretical framework that describes how avatars incorporate media as an inherent part of their nature and find a hosting body in cyborgs to navigate and spawn in media. I propose the birth of a new scion that combines avatar, medium and cyborg into a conceptual being that I call “ICEVORG.”

The ICEVORG expands beyond representation into the actual physical world by means of media transgression—more specifically, by the use of the Strange Loop also known as Metalepsis ICEVORG find an effective soil to thrive and interrogate our ideas of reality by means of iteration, expansion, fragmentation and …

Laboratory: Where Science Becomes Art, Amy Norton, Madeline Carpenter, Colton Weeks, Jae Lim

P-12 Lesson Plans

This is group of lessons for K-12 art classroom is connected to the artists in the ZMA exhibition Laboratory, on view November 14, 2014 - February 21, 2015. The exhibition worked to demystify artistic practice by revealing parallels between art and scientific research and methodology. These associated lessons include scientific concepts and principles paired with art.

“I No Longer Tremble.” A Choreographic Exploration Of Identity, Jeffrey Jacobs, Caroline Prohosky

Journal of Undergraduate Research

“How can I tell her I am thinking that transformations are not forever?” From the first time I read the final line of Susan Mitchell’s From the Journals of the Frog Prince, I knew I was in trouble. The imagery, the cadences, and the ideas it presented became such a part of me that I knew I had to create a dance based on the poem. Thus began my ORCA experience. The grant I received from the BYU Office of Research and Creative Activities provided the means for me to explore through modern dance ideas significant to the LDS community.

Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20^th and 21^st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …

La Sangre Llama, Alicia Perez

College of Graduate Studies: Theses & Dissertations

LA SANGRE LLAMA is an exhibition of paintings featuring works by Alicia Perez. The series of paintings are acrylic on canvas all 24" x 36", and explore the contemporary Latino immigrant experience that often involves instability, acculturation, and loss of identity. The attire found on the subjects all vary in patterns and colors to represent different nationalities that fall under the umbrella of Hispanic Culture. Intentionally concealed faces in the paintings emphasize the belief that many Hispanic immigrants are frequently viewed as stereotypes, rather than individuals. LA SANGRE LLAMA, which translates to "the blood beckons," affirms the notion that regardless …

Not Just A Symbol But A Status Symbol, Summer D. Winston

LSU New Orleans Theses and Dissertations

I create art, not out of a deep understanding of the world around me, but out of a lack of one. Human psychology, motives, behaviors, stressors, intentions and identity are the themes that boggle me the most. Therefore, it is only natural that my work would be fueled by the questions these themes pose. In the past I sought to understand what pushes people to make certain choices and how can the world around us affect the formation of identity. Currently I wonder about identity in terms of what do people use to form and reinforce identity both real and …

The Self In Multiple: The Lithographic Portraits Of L'Artiste (1832-34), Sean Delouche

Mid-America College Art Association Conference 2012 Digital Publications

Portraits, especially those outside the medium of oil-on-canvas, have been a neglected and often disparaged subject in nineteenth-century French art history, despite their overwhelming prevalence during the time period. This paper contributes to our understanding of the modern manifestation of the portrait by examining a suite of lithographic portraits of cultural celebrities that appeared in the newly established art journal L’Artiste during the July Monarchy (1830-1848), the constitutional regime long associated with both the social and political rise of the bourgeoisie as well as the development of an extensive commercial and celebrity culture. Executed in the sketchy and lively medium …

Journey, Hosik Kim

Electronic Theses and Dissertations

My ceramic sculptures are about my story as well as the stories of all of us. Through these children that were born from clay, I find myself remembering and returning to the long journey that I have been walking all along. Memories are often the inspiration for my work, whether they are good or bad. In Korean, we call this [Special characters omitted]. I preserve these memories by carving into the surface of the clay, revealing a tattoo-like effect. I tried to make my own tattoos through my artwork because tattoos have a story and stay forever. My thesis speaks …

Visual Translation: A New Way To Design A Chinese Typeface Based On An Existing Latin Typeface, Yifang Cao

LSU Master's Theses

The visual consistency of branding makes a significant difference when successfully introduced to another culture. My study focuses on how to facilitate a smooth visual transition in western branding from Latin letters to Chinese characters. To move beyond traditional Chinese type design, Visual Translation introduces a new method for designing Chinese typefaces using existing Latin typefaces. This web-based educational tool seeks to help Chinese graphic design students and type enthusiasts, with emphasis on designers who are working in a cross-cultural environment to maintain visual consistency for branding.

Of Reality: A Society Of Selves, Kelly C. Tate

LSU Master's Theses

Of Reality: A Society of Selves is a series of photographs that challenge the viewer’s perception of reality. Through digital image manipulation, costumed, multiplicitous self-portraits merge with handcrafted miniature environments. With the goal of illustrating the complexity of existing within society, the resulting images examine the psychological process of perception as it relates to social interaction and identity.

Showcase (Concerns Of The Southern Man: From Gatlinburg To Kaohsiung City), Samuel Davis

All Theses

ABSTRACT
One's daily life consists of collecting objects, images, ideas, fears and dreams. These items and concepts do not conjure themselves, but are selected like so many berries in a basket. I question what objects people choose to showcase in their homes, their trophies and shrines. These types of objects serve to validate their owner's beliefs and through their collection, elevate that person's status. In what items does one subconsciously invest their identity?
My work speaks to the value of the collected once transformed. In my practice I juxtapose ideals held separately and simultaneously about the value and import of …

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …

180 Degrees: An Extension Of Self In Photography, Bradly Dever Treadaway

LSU Master's Theses

180 Degrees is a conceptual body of digital photography and video that deals with self-portraiture, identity and change. Intended to serve as a form of therapy, the work analyzes who I have become over the last couple of years by illustrating issues of compulsion, obsession and insecurity. The investigation confronts unexpected and unsettling attributes of my character. Some of it is a little uncomfortable for me to reveal but if nothing else it is the truth.

These Things Add Up, Sara C. Hopp

LSU Master's Theses

These Things Add Up explores thoughts about time, accumulation and evidence. As time passes, there is a constant accumulation of tangible and non-tangible information which must be processed. Moments, conversations, thoughts, observations and sensations all contribute to this saturation of information and the creation of a layered space and time. Information which is consciously or unconsciously selected for notice becomes evidence of identity and personal history. In this same process, memory and the anticipation of the future are incorporated into the present.