Fine Arts Commons^™

One Two One, Brianna Morgan Ozanne

LSU Master's Theses

These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.

Negative Capability, Gabriela Vainsencher

Theses and Dissertations

Negative Capability is video installation inspired by a series of recorded interviews with my mother, a Uruguayan psychoanalyst. Our talks revolved around dream interpretation, how meaning arises out of chaos, what to do when one doesn’t know what to do, and how to tell when something must end.

Ceramic Apprenticeship With Professor Eddie Dominguez, Victoria E. Norton

UCARE: Research Products

The purpose of this research is to explore specific techniques and processes as employed by Eddie Dominguez through an apprenticeship in ceramic art in which I will be intimately involved in both the critical thinking and process of Professor Dominguez’ work. Topics of focus include building upon my skills of testing glazes and clays in order to discover which glaze and clay combinations cater best to the work. I also plan to investigate idea generation and art concept, an element of Eddie Dominguez’s work that is very important.

Many other vital studio practices were implemented during the apprenticeship. Skills such …

'Stillwater' : An Exhibition That Explores Touch And The Everyday Through Ceramic Objects And Photography, Lily Fein

Art - All Scholarship

The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addition to photographs by Ian Sherlock. Both Ian and myself use material and process in its raw form. The work that Sherlock exhibits in stillwater is a series of pinhole camera exposures of the sun passing. He sees this simple yet profound passing of time as an opportunity to gain tacit knowledge of the sun. In my work, I gain parallel knowledge in the medium of clay, as I am physically invested in every mark that I make. There is no smoothing over or correcting; every moment is …

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …

Gotta Catch 'Em All, Jennifer Lynn Lombardi

LSU Master's Theses

The ability to imagine is essential to shaping who we are, and is an important part of our humanity. Children have the ability to use aspects of their environment as their playthings, becoming the characters in their world through their sense of imagination. We lose this ability as we grow, leaving us with only memories and sentimentality. I have come to realize that my art is an expression of the longing and search to regain that ability to become fused with my imagination and my environment. I allow myself to become lost in a world of fantasy once more, and …

Artificial Kingdoms, Lindsey Elsey

All Theses

Fairy or folk tales and fantasy appear to be innocuous means of entertainment in contemporary society. Often relegated as pap for children, this view belies the gruesome origins, cultural significance, and means of personal expression and identity that is afforded to the author and reader/audience through the construction of fantasies. Through the creation of environments and experiences that center on porcelain vessels and sculpture, I explore the expression of uncomfortable desires and situations in the guise of fantasy. In some instances folk and fairy tales act as a means of escapism; an expression of desire for the fleeting and the …

With A Twist, Heather Marie Beckwith

Theses and Dissertations

My functional ceramic art takes into account the user, its intended function, and the spaces in which it should be used. The utilitarian object is important to our daily ritual. If successfully designed it can enhance the user’s experience. My exploration in sculptural clay work has carried over into the functional pieces I created. Careful attention is paid when designing the form, leaving a soft blank canvas for inlayed line work and deeply carved surfaces that will mesh well with the spontaneity of the firing process. I draw inspiration from the people and places that have graced my life. By …

Metaphors, Dean Mobley

Graduate Theses

This statement analyzes and reflects upon my Master of Fine Arts thesis exploration of material collision as a metaphor of my life experiences. The thesis exhibition, entitled “Equilibrium”, consists of six sculptural works constructed in glass, wood, metal, and repurposed heavy industrial objects. Within each individual piece I selected materials that would, when forced together under pressure and intense heat, bring attention to the utilization and exploitation of their inherent qualities. The manipulation of these material qualities has enabled me to express the complexity of human emotion. I am confident that all materials can convey certain emotional properties. During the …

Line Language, Albert Avi Arenfeld

School of Art, Art History, and Design: Theses and Student Creative Work

I consider utility and beauty in the functional pots that I make. In making pottery I continue a history of typography as ornament and a tradition of making objects by hand. My designs are informed by my personal background as well as cultural and historic influences.

The pots that I make are inspired by anthropomorphic form and architectural structure. I reference the geometry of the human body as well as buildings seen in my travels to Japan and the Middle East. The internal structure of the pot is both bones and framing, the surface of the pot is both skin …

Building And Firing A Ceramic Kiln With Alternative Fuels, Clay Sewell

Faculty Publications & Research

As high school budgets shrink and equipment becomes more expensive and as energy prices become less stable, why not build a kiln that is entirely off the grid? This session will investigate the logic for such systems, and the materials and technology that are required to build and run them.

Iterations, Thomas Lowell Edwards

School of Art, Art History, and Design: Theses and Student Creative Work

For millennia, pottery has facilitated the communal activities of eating and drinking. I use pottery as a placeholder, a metaphor for human interaction. The central core, the initial inspiration, of my sculpture is the diminishing level of connection our culture actively pursues.

I began to notice a trend of increasing disengagement in American culture after spending time abroad and observing the amount of time other cultures allotted for meals, coffee, etc. with companions. I make sculptures that comment on growing American disengagement using various formal principles of art (line, mass, scale, rhythm, and repetition). I am generally unsatisfied with a …

Closely Distant, Crisha Yantis

School of Art, Art History, and Design: Theses and Student Creative Work

Drawing upon my own experiences and observations of the world around me I use the figure to explore what it means to be human. This body of work addresses the universal experience of anxiety through the dynamics of both personal and interpersonal relationships, specifically focusing on fear of the unknown or what subconsciously lies just out of our comfort or understanding.

Often what is unknown is also what brings about questions of our own power and what we can or cannot control. In my work, I address ideas of power and powerlessness formally through what the figures lack. Their control …

Form In Place, Normandy Alden

School of Art, Art History, and Design: Theses and Student Creative Work

There is a 200 acre farm in central NY state where I am building a house, a business, a family, a life. My vision for these extends beyond my own capabilities and lifespan. It is a vision of elegance, simplicity and utility. My pots are reflections of this vision, and embody the qualities of the life I seek. They are both exuberant and quiet, expansive and constrained.

The landscape surrounding my farm swoops and recedes with grace. Lines of windrows curve over hayfields, beautifully articulating undulations in topography. Nothing about this agricultural landscape is incidental. The lines and textures I …

Carrying Water: A M.F.A. Thesis Exhibition By Aaron Sober, Aaron M. Sober

School of Art, Art History, and Design: Theses and Student Creative Work

For all of us, everyday life is punctuated by moments of victory, defeat, pride, and vulnerability. The process of welcoming gain and tolerating loss is a basic lesson in proportionality. My work is a personal reckoning with the contradictions that define this very human experience. Through animal imagery, symbol, and metaphor I explore the unpredictable circumstances that form a life lived.

We engage with, and understand our own place in the world through stories. By doing so, the avatars we create reflect the scope of our experiences, both sublime and damaged. The animal protagonists who inhabit my work are placeholders …

Ordinary Perspective, Autumn Rose Higgins

LSU Master's Theses

Ordinary Perspective is a body of ceramic work that shows a representation of a typical day, highlighting ordinary moments and creating a portrait of everyday life. This work distills down experiences into still images that sum-up the experience of the “In-Between” moments. These are the times that are not committed to memory, but are an essential part of our everyday lives. In this body of work I am addressing places where people are expected to take on the role of a loner. By observing people who are together, but not in a group allows me to observe the details of …

Fare Thee Well, Georgia L. Godwin

LSU Master's Theses

The common thread in all my work is time—its passage, effects, and remembrance. I have created a series of works that are meditations on time, the ephemeral quality of memory and the effects of aging, profession, and life decisions on our bodies, especially faces. The physical materials and my treatment of them reinforce these themes, showing the erosive qualities of earth, and drawing inspiration from natural features that signify the passage of time such as desert hoodoos, desert varnish, old wood, erosion and chemical oxidation, and from man-­‐made features such as old documents that have been written, erased, and rewritten. …

Layered Recollections, Jennifer Elizabeth Hager

LSU Master's Theses

Layered Recollections is an installation of functional pottery that evokes feelings of nostalgia and longing associated with the home environment. I am interested in creating memories through the use of pottery. It is my intention to make work that creates happiness in the user’s lives and brings joy to everyday routines through floral imagery. Each installation in the exhibition references an area in the home.

Built To Play, Forrest Sincoff Gard

LSU Master's Theses

Built to Play is an interactive art exhibition featuring four participatory installations. Each installation transforms non-playful objects and activities into handmade porcelain replicas used for exciting gallery made games. Focusing on the carry over from child’s play to adult play the exhibition emphasizes the importance of play in our adult lives. As gallery visitors risk breaking handmade ceramic objects for a moment of fun and a chance to win art as a prize, their interaction completes the exhibition.

[Implied Depth]*, Hope Thier

All Graduate Theses, Dissertations, and Other Capstone Projects

While snooping through my great grandmother's belongings, I found late 19th and early 20th century photographs and stories of untold familial histories, from that of my own family and others. I have taken to adopting these families, and I am attracted to these almost forgotten narratives and developing these incomplete truths about past relatives into fictionalized characters and false histories. I strive to develop a chaotic but structured quality in my work. While doing so, I explore relationships. The relationships evolve between myself and the material, myself and the characters, and the characters and the material. By observing and learning …

Subduer, Lauren B. Miller

Theses and Dissertations

By reclaiming and translating the use of material in my work, I speak of oneness on a basic physical level. As the body in the images slips in and out of focus in abstraction of material, the objects patiently wait to be interjected into the composition of the space as a whole.

Constructions, Sean Ryan Larson

School of Art, Art History, and Design: Theses and Student Creative Work

I have always been drawn to investigating the nature of ambiguous objects; objects whose role is unclear; objects that fall between distinct categories, and that exist in what appears to be transitional stages. The pieces I make provoke the imagination by building in experimental self-defined systems that refer to contemporary architecture, as well as comment on the ceramic and non-ceramic process. My pieces vary in form and intention just as the skyline carries changes in form and order. I want to make experimental objects that develop in front of me from the ground up, without a pre-planned result. Using fundamental …

Experiments And Undulations, Jackleen Kramer

All Graduate Theses, Dissertations, and Other Capstone Projects

I’m fascinated by the strengths and weaknesses of ceramic and metals. Traditionally ceramic objects have had a sense of sturdiness, as do industrial metals. My interest stems from utilizing both materials’ plasticity to my advantage. My work juxtaposes these concepts by embracing the fragility of both materials in a playful manner. This allows me to transform a static linear piece of metal or wire mesh into an undulating organic shape with curves and cast shadows that change from every angle. To accomplish this, I use small gauge wire mesh and thinly applied high fire paper clay, nylon clay, or Egyptian …

Ruminate, Violet L. Goode

All Graduate Theses, Dissertations, and Other Capstone Projects

Work and research conducted by Violet Love Goode between 2011-2013 as part of the Master of Arts curriculum for the Department of Art at Minnesota State University, Mankato.

Dessert, Glenna Worrell

Graduate Theses and Dissertations

From an early age craft played a major role in my development as a person and as an artist. The traditional 1950s-70s crafts such as quilting, knitting, and sewing as performed by my mother began to influence me as a child and are now what I draw upon in my artwork. This thesis exhibition addresses my future role as a nurturer and how it relates to my relationship with my mother. It is my way of forming a connection with the rich history of craft and that of the studio potter. I draw inspiration from historical and contemporary ceramics, the …

Liminal Space, Sara Beth Truman

Electronic Theses and Dissertations

Liminal Space is an installation that records time between my son's removal from my life and present day. These pieces are the manifestation of hope and loss; they tell the story of my experience of motherhood. They track time through the repetition of form and have become a physical expression of the days that have elapsed in my life since I last saw my son. Liminal space is defined as the space in-between a boundary or a threshold. In this work, I pose the questions: Can liminal space be crossed? How large can this space become? In anthropology, liminality is …

Journey, Hosik Kim

Electronic Theses and Dissertations

My ceramic sculptures are about my story as well as the stories of all of us. Through these children that were born from clay, I find myself remembering and returning to the long journey that I have been walking all along. Memories are often the inspiration for my work, whether they are good or bad. In Korean, we call this [Special characters omitted]. I preserve these memories by carving into the surface of the clay, revealing a tattoo-like effect. I tried to make my own tattoos through my artwork because tattoos have a story and stay forever. My thesis speaks …

A Voice From The Dust, Gian Pierotti

Theses and Dissertations

We shall not starve. We shall not lack shelter. We shall have a hearth. Awake self reliance! Our art is for feeding, warmth, protection. Ceramics– our temporal salvation. Clay– our material life-force. Transformed by fire we arise with the skills of the ancients! No longer will we live in obscurity. To the deskilled, your fate is at hand! You have chosen alienation, distraction, banality, and sloth. Embrace your digital false Gods and die or be reborn to the natural physical world. Now, together we complete our reason for being. We create a new world of kinship. A hope for the …

Enumerate / Construct, Andrew Gilliatt

LSU Master's Theses

I am fascinated how we define and personalize ourselves through the objects we own and accumulate. It is my goal to make a collection of utilitarian pottery forms that through the use of color, form, and pattern, are cohesive in their variety, and are accessible as objects for daily use.

Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch

LSU Master's Theses

The six sculptural works that comprise my thesis exhibition emerged from a prolonged series of investigations into the intricately interconnected phenomenon of embodied experience in the world as we know it. These works explore the connections between mysteries in our inner and outer worlds, taking as inescapable fact the notion that our bodily vessels, in all their complexity and subtlety, are the vehicles through which we encounter the world. As such, this work posits embodiment as both frame and anchor for all knowledge and experience. These sculptures, made from ceramic materials and mixed media such as sugar, salt, string, and …