Fine Arts Commons^™

A Handful, Prathna Nirav Patel

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

I created this drawing for my Drawing I class, where I was introduced to the cross-hatching method. Through this technique, I aimed to physicalize emotion through the beauty and expressiveness of the human hand. The title, A Handful, represents not only the literal handful of hands shown, but also the handful of emotions and experiences behind each one.

Good Taste No Waste: A Solution For Managing Food Waste In Newly Independent Young Adults, David Eppinger

Masters Theses

Consumers are the biggest contributors to food waste in the United States and in other developed countries, though most of them don’t realize it. American young adults living independently for the first time lack education on responsible food management in the areas of planning, preparation, and preservation. This lack of skills results in excessive waste of food, money, and energy, and leads to significant damage to the economy and the environment. Ample research exists identifying this issue and the changes that need to be made, yet effective visual solutions have not yet followed. Through a comprehensive topical survey, along with …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

Swine & Symphonies, Dilara Miller

Graduate Artistry Projects and Performances

Dilara Miller’s work critique’s and reflects on the social/cultural effects of being a Turkish-American Muslim woman in today’s society. Through referencing antiquities and how they are presented today, she identifies patterns of hierarchies that exist in human history through an eco-feminist lens. Miller’s work reflects on the role of the artist and the historical testimony we leave behind; like her Girl Birds, she seeks to record her experiences within our Anthropocene as colored by mythic and Islamic teachings. Miller pulls from historic epochs to generate a foundation from which to examine our contemporary treatment of women as related to our …

Welcome To The Apocalypse, Demetrius E. Wilson

Theses and Dissertations

DW’s abstract, vibrant, and bipolar paintings stem from a place of personal biography and collectively shared experience. In this paper, he examines the apocalypse, human nature, tragedy, and the demise of adolescence in our era in the face of increasing technological advances.

Feeble Transmitters, Indranil Choudhury

Theses and Dissertations

Feeble Transmitters is a series of electroacoustic sculptures made using ceramics, plexiglass, and home audio components like speakers, transducers, and amplifiers. The sculptures occupy a space between manufactured objects and organic forms. Drawing on the material culture of industrial design in audio, the series explores people’s relationships and rituals with consumer technology. When installed together in temporary installations, the sculptures activate their environment with a spatial soundscape.

Generations, Jayla Watkins

Student Projects

Understanding your family can be the starting point of understanding your personal identity. Coming of age, you begin to view your family members as individuals as opposed to their titles of “Mother” or “Grandmother” names that once seemed to elude that she possessed some sort of supernatural power. As Jayla Watkins looks across 3 generations of her family, she sees different versions of the same person affected by life experiences, environments, and choices. Some oddly similar and some worlds apart. Understanding the generations of woman before her helps inform the woman she is becoming.

With influences such as Deana Lawson …

Passages, Arden Carlson

Graduate Theses and Dissertations

Passages is a collection of wood sculptures and drawings by Arden Carlson, exploring a mesh of southern intimacies and queer musings; underpinned by the logics of belief, grief, and love. The result is a tender field of angelic birds fixed in flight over gnawed surfaces of grain and graphite. The following dissertation details the artist’s logic during the construction of the visual art thesis exhibition, Passages. The writing is composed in an autoethnographic format, backed by supporting anecdotes and creative methodologies that help to route the operational modes used. Near the end of this writing, you’ll find an additional addendum …

Pillowfort Logic, Victoria Barquin

Graduate Theses and Dissertations

I use textiles, everyday objects, and my own studio archive to create assemblages that are both abstract and familiar. I follow my body, operating without preconceived notions as to what the materials are or how they should act, creating a liberatory practice of working intuitively, embracing play, and challenging my own conceptions of what’s possible. In my thesis exhibition, Pillowfort Logic, this methodology of reimagining what already exists is fundamental. The construction of these pieces mimic the act of building a fort in the living room where chairs are walls and blankets are roofs. The parts may return to work …

Porous, Janice A. Agustin

Graduate Theses and Dissertations

Porous presents sensory modalities to convey the theme of memories, creating an active site that resists erasure as an immersive art installation. Through a collage of multichannel video performances, Porous is an assemblage of fragmented, abstract, and non-linear aspects of memory. These videos are portals to sites of resistance, collaged and entangled as the essence of memories. All videos touch slightly on the wall, displaying their interconnectedness. The videos coexist with layered audio and live water ambient noise.

My Body Adorned, Marie Y. Peterson

Art and Art History Honors Projects

My studio art honors project is an autobiographical body of work expressed through a ceramic-based installation. Further exploring the hybridized identity of being an Asian-American adoptee, My Body Adorned aims to juxtapose the contentious history of body modifications using the familiar and prestigious visual language of South Korean-inspired celadon-ware. My Body Adorned showcases a collection of vessels inspired by Korean ceramics with “tattooed” exteriors. Reinforced and informed by my tattooing practice, my work exposes the visual, linguistic, and technical skills that intertwine clay and skin and establishes a conversation between my physical human body and body of work.

From Field To Fashion: A Journey In Sustainable Design And Regional Understanding, Lily Turner

Individually Designed Interdepartmental Major Honors Project

As the fashion industry became globalized over the past century, it has become a major environment polluter and exposed laborers to hazardous conditions. This honors project considers sustainability in the textile industry at large and at the regional scale of the Upper Midwest. Its scholarly component offers an overview of the current textile production, details how the industry may become sustainable, and suggests practices of environmentally-conscious and ethical design. The creative component is a soil-to-soil seasonless capsule collection titled From Field View that incorporates biomimicry and interrogates the concept of place by referencing the Midwest’s flora, wool, and linen fibers.

Hózhó + Art Heals, Eugene Tapahe

Theses and Dissertations

The land where I grew up gives me a sense of purpose and belonging. It embodies the Navajo concept of hózhó, which represents harmony, beauty, and balance. Being in tune with this spiritual connection inspires me to bring people together through art and healing. I use natural materials like sand, sage, cedar, tree twigs, and yellow and blue cornmeal to create my art. To maintain the spirituality of my work, I employ traditional and ritualistic harvesting methods passed down from generation to generation. These techniques are deeply connected to the land and are essential to my identity as an artist …

Sometimes Windows Break, Samantha Snyder

Theses and Dissertations

The sensation of detachment and reclusion frequently gives rise to an uncanny and dreamlike space. Enveloped within this dimension, the quirks of memory become a fragile lifeline to bygone, intangible ideas of reality. Fixated on this threshold, my artistic explorations in print, collage, and assemblage navigates these elusive realms, rendering fragmented and distant shapes and figures in stark contrast to elements that evoke an eerie sense of familiarity. In this manner, my work invites viewers to embrace the disconcerting and unsettling aspects of the in-between, all the while establishing an unsettling connection to reality through the lens of nostalgic objects …

Validating Boyness: How Art Education Allows Male Adolescent Students A Space For Authenticity, Vulnerability, Empathy, And Connection, Stephanie Behlke-Mcfarland

Theses and Dissertations

This thesis examines societal norms and unwritten rules for boys as they mature. It is hypothesized that most boys deal with emotional suppression or dissociation in varying degrees of severity due to traumas during their developmental years. This dissociation creates an inability to express their own emotions adequately and therefore affects their ability to empathize with others. A lack of vulnerability may also be a common challenge among boys society still considers vulnerability weakness. This pattern continues into adulthood and is then perpetuated through posterity and future generations. This thesis explores through a qualitative case study how using art integration …

Still Life Happens, Mary Ann Crabtree

Theses and Dissertations

After dedicating over two years to pursuing an MFA degree focused on ceramics and sculpture, I find myself transported back to a familiar setting from my past: a tableau reminiscent of what remained in the dining space after four young children finished a meal and exited the room. Revisiting the scene recalls happy times despite the disorder. What helped maintain my sanity during the relentless repetition of the every-day-long task was the realization that every day, innocents are learning to become aware of the world around them. For my thesis exhibition, I created a tableau as a loud reminder of …

As If It Were One Day, Megan Rowley Stern

Theses and Dissertations

As If It Were One Day is a multimedia art installation that chronicles patterns of light, movement, and sound, channeling the fluidity of time within the newborn phase of familial living. After giving birth to my daughter, I spent the next seven weeks observing these elements and recording them via video. The resulting art installation acknowledges my efforts to navigate my current life as an artist and a mother, my past battle with postpartum depression, and my consequent gravitation toward light.

“Making The Bed”: Challenging Ideologies Of Ownership, Nonlocality, And Romanticism In The Age Of The Anthropocene, Ainsley P. Foster

[Archive] Belmont University Research Symposium (BURS)

The current Age of the Anthropocene marks a recent and rapid transition into a period in climate history that is notably defined by human impact. Modern Western sentiments of grief, frustration, and romanticism as a result of the interplay between domestic and corporate spaces seem to culminate in an overall attitude of apathy and acceptance of the Age of the Anthropocene. Various art forms collaborate to create the current conversation of the causatory and reactionary relationship that humans have with the Anthropocene, offering interpretations of how individuals and corporations view ownership of and responsibilities to the environment. There is a …

Value And Form Exploring Wrinkles And Folds In Clothing In Drawing, Jackson Venski

Senior Art Portfolios

Portfolio of Jackson Venski, Senior Art Exhibition 2024.

Fr1: Comics, Cyborgs, And “In Between” Identities, Ella Lehavi

Scripps Senior Theses

As a queer Jew who grew up surrounded by immigrant cultures and communities, I find myself in a liminal space between my identities and the dominant culture of my country– one where my perspective on gender and my cultural experiences aren’t fully understood by the world I exist in. Comics and cartoons are an explorational platform for concepts of reality and identity; they are one of very few spaces where I see my identities explored with so much depth and care.

Cartoons and comics exist in between realistic depictions and abstraction. This makes them a great place to express all …

Paths To The Abstraction: Kandinsky And Rothko, Vera Schueler

MA Theses

This thesis explores the artistic journeys of Kandinsky and Rothko, focusing on underlying motivations that led them towards the realm of abstraction. Kandinsky and Rothko played pivotal roles in the development and advancement of abstraction in the art world. They shared the belief that only non-figurative art had the power to convey deep meaning and evoke profound emotions, going beyond mere representation of the physical world. Despite their divergent artistic paths, artists were united by the idea of the transformative power of artistic expression and aimed to transcend to the viewer the energy and concepts of their vision through delving …

Material And Making: An Exploration Of Georgia Wild Clays, Nina Samuels

Honors College Theses

Wild clay is an abundant and diverse material that has a long history with both utilitarian and decorative uses. Since the industrial revolution, processed and manufactured clay bodies have become commonplace. However, there has been a recent resurgence in the use of wild clays in contemporary ceramic practices for the purposes of material connection, accessibility, and sustainability.

This thesis explores the abundant wild clays of Georgia including the sourcing, processing, testing, of these materials. It also shows examples of the portfolio of work that was created with this research.

Retrospective Exhibition Evansdale Section, Sally Brown, Colleen Moretz, Frankie Tack, Jason Lee, Ruth Yang

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the exhibitions that have taken place at the WVU Evansdale Library.

Retrospective: Health Sciences Section, Sally Brown, Beth Mccormick, Anne Mcfarland, Renee Nicholson, Sheila Price, Manuel Vallejo, Misbah Muzaffer, Dana Gray, Jamie Shinn, Jennifer Momen

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibit includes a summary of exhibitions and projects that have been based at the WVU Health Sciences Library.

Lights And Shadows - 2024, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Retrospective: The Beginning, Section 1, Sally Brown, Linda Blake

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibition includes the history of the Art in the Libraries Program, including the first exhibitions and the forming of the committee.

Retrospective Awards Section, Sally Brown, Stephanie House-Niamke, Chansotheary Dang, Qazi Arka Rahman, Lara Farina, Colleen Moretz

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of awards given by the program to students, faculty and staff.