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Articles 511 - 540 of 592
Full-Text Articles in Fine Arts
Inevitable Forces: Deciphering The Environment, Jennifer Stoneking-Stewart
Inevitable Forces: Deciphering The Environment, Jennifer Stoneking-Stewart
All Theses
My work is a response to my surroundings, the relationship between man and nature, and my perception of human impact on the environment. I compare the sprawl of cities that overtake the surrounding countryside to the spreading of microscopic bacteria and disease. My observation of the destruction of the environment and other uncontrollable events that perpetuate fear, such as passage of time, death, and growth, is visualized through the combination of two opposing forces: structure (controlled) and organic (uncontrolled). My use of printmaking processes parallels these concepts of control or lack of control. Lithography, intaglio, silkscreen and relief are closely …
Ua68/5/1 Senior Art Show Catalog, Wku Art
Ua68/5/1 Senior Art Show Catalog, Wku Art
WKU Administration Documents
Exhibition catalog showcasing the artwork of senior art students in a variety of mediums.
Fiction Fix 05, Troy Puls, Vicki Winslow, Todd Kincaid, Christine Utz, Ann Marie Byrd, Mark Fields, Shane Horn, Joseph Derepentigny, Kristen Iannuzzi
Fiction Fix 05, Troy Puls, Vicki Winslow, Todd Kincaid, Christine Utz, Ann Marie Byrd, Mark Fields, Shane Horn, Joseph Derepentigny, Kristen Iannuzzi
Fiction Fix
No abstract provided.
Taking In: Aib Photography 2007, Aib Students
Taking In: Aib Photography 2007, Aib Students
Taking In
Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2007. The book in your hands is the end result of a collective effort by those in the class.
Strange Yarns, Matthew Thomas Bourgeois
Strange Yarns, Matthew Thomas Bourgeois
LSU Master's Theses
I leave a good portion of my art up to chance or my unconscious self, this shows me how closely my prints and drawings relate to the dream world. In dreams most of the physical laws are abandoned, reason and mind are not the dictators of the dream. Dreams have their own logic and are a perfect place to explore a narrative that leaves itself open for the viewer to put any number of meanings into.
I Met You, Momoko Kimura
I Met You, Momoko Kimura
LSU Master's Theses
My goal for the work documented in this paper was to create and install an immersive multimedia environment, using animation and interactivity to express and communicate ideas drawn from personal experience of how people may meet, influence each other and enrich each other’s lives. With my projects over the past few years, I learned that sharing personal stories is a powerful tool for communicating with others. The I MET YOU piece provided the perfect opportunity for me to pull together all my thoughts and tell people who have made difference in my life “I’m so glad I met you.” I …
Outside Inside Out: Perspectives On Social Anxiety, Kevin Andrew Hagan
Outside Inside Out: Perspectives On Social Anxiety, Kevin Andrew Hagan
LSU Master's Theses
“Outside Inside Out” is a study of how the visual perspective of an installation design can be used to create interaction, animation, and multiple messages. Traditionally, graphic designers have tended to present their messages either as flat printed materials, such as newspapers and billboards, or as videos/animations on television and the Internet. While both of these mediums provide an adequate means to convey a message, they fall short in presenting information to the audience in a non-obtrusive, interactive form. By using a technique I developed called “Passive Interactivity,” designers can use a viewer’s visual perspective to create interaction, animation, and …
Taking In: Aib Photography 2006, Aib Students
Taking In: Aib Photography 2006, Aib Students
Taking In
This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …
On Being There, Donald Lawrence Simmons
On Being There, Donald Lawrence Simmons
LSU Master's Theses
ON BEING THERE is the physical embodiment of an emotional experience. The works are responses to stories told and memories of my two grandfathers, being made of images from their possessions and sketchbooks. The object was to explore the experience of loss and to create a record of that experience. The work is an investigation of the self through the history of my grandfathers’ lives and experiences told in the media of printmaking.
Lights And Shadows - 2006, University Of North Alabama
Lights And Shadows - 2006, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Fiction Fix 04, Melissa Milburn, Sarah Clarke-Stuart, Kristen Iannuzzi, Vanessa Wells, Nathan Holic, Joshua Kreis Mctiernan, Ron Perline, Tina Helvie, Gavin Lambert, Jamie Hughes, Tim Gilmore, April Fisher
Fiction Fix 04, Melissa Milburn, Sarah Clarke-Stuart, Kristen Iannuzzi, Vanessa Wells, Nathan Holic, Joshua Kreis Mctiernan, Ron Perline, Tina Helvie, Gavin Lambert, Jamie Hughes, Tim Gilmore, April Fisher
Fiction Fix
No abstract provided.
Taking In: Aib Photography 2005, Aib Students
Taking In: Aib Photography 2005, Aib Students
Taking In
This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …
Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene
Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene
LSU Master's Theses
My work is inspired by my immediate environment. I am especially interested in places which exhibit visual evidence of history, of industrial, natural and human life and the corresponding cycles of building, abandonment, destruction and salvage. In Baton Rouge, these relationships are dramatic, the lush vegetation, birds and overwhelming presence of industry make this interplay constantly tangible. My current work began with the phenomenal concerns within the struggle of nature and industry. Newly built industry is highly ordered, the perfect symbol of not only technology, but also control. However, older industry is more chaotic, with the initial order obscured over …
The Everywhere Chronicles, Jamie Brownell Baldridge
The Everywhere Chronicles, Jamie Brownell Baldridge
LSU Master's Theses
The Everywhere Chronicles is a body of work that has been perambulating through my mind since the halcyon days of childhood. It is not intended as any sort of catharsis, metaphorical or otherwise, nor is it any forum of self discovery, accidental or intentional. These Chronicles are quite simply a journey into imagination, an exercise in "what ifs?". They confront the theory that Columbus was actually on a munchies run to an Indian Takeaway in Ipswich and simply took a wrong turn at the Antilles, and that the Lost City of Atlantis is alive and well somewhere outside of Duluth …
Lights And Shadows - 2005, University Of North Alabama
Lights And Shadows - 2005, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Fiction Fix 03, Thelma Young, Tim Gilmore, Sarah Stuart-Clarke, Jeff Geloneck, Blake Mccorkle, David Jordan, M. J. Howe, Stephanie Ouellette, Laura Havice, Christopher Sylvester, April Fisher, Gavin Lambert
Fiction Fix 03, Thelma Young, Tim Gilmore, Sarah Stuart-Clarke, Jeff Geloneck, Blake Mccorkle, David Jordan, M. J. Howe, Stephanie Ouellette, Laura Havice, Christopher Sylvester, April Fisher, Gavin Lambert
Fiction Fix
No abstract provided.
Taking In: Aib Photography 2004, Aib Students
Taking In: Aib Photography 2004, Aib Students
Taking In
This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.
Lights And Shadows - 2004, University Of North Alabama
Lights And Shadows - 2004, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Review Of The Bronze Horseman: Falconet’S Monument To Peter The Great, By Alexander M. Schenker, Wendy Salmond
Review Of The Bronze Horseman: Falconet’S Monument To Peter The Great, By Alexander M. Schenker, Wendy Salmond
Art Faculty Articles and Research
Wendy Salmond reviews Alexander M. Shenker's The Bronze Horseman: Falconet's Monument to Peter the Great.
The Orthographic Characters (In No Particular Order), Alison Christina Frank
The Orthographic Characters (In No Particular Order), Alison Christina Frank
LSU Master's Theses
My work focuses on the development of playful and absurd combinations of small creatures that co-exist in a state of odd logic. The creatures share a vulnerable, somewhat fragile, quality, yet are assigned vital force in their existence. This juxtaposition is metaphorical for certain aspects of human existence. The Orthographic Characters is the title of a series of prints and paintings I have created that form a non-linear narrative. Each piece is inspired by the alliteration of one alphabet character. The writings form a bizarre, feverish context for the characters.
Zinnias, Carlyle Wolfe
Zinnias, Carlyle Wolfe
LSU Master's Theses
Impermanence. Quiet. Words. Unfolding. Specificity. Abundance. Pattern. Compilation. Faithfulness. Vulnerability. Obedience. Atmosphere. Begun with a coffee can full of flowers, this work is an exploration of art making, self, and nature.
Pulse, Janet L.U. Rudawsky
Pulse, Janet L.U. Rudawsky
LSU Master's Theses
This video is an abstract audiovisual narrative. It relies heavily on its lush compositions to seduce the viewer. “Pulse” depicts humanity not as the strong rational rulers of the earth but instead as a tormented figure that struggles to find security in an uncertain world. The three characters, Blood, Lava, and Electricity, represent the human animal, the natural world, and civilization respectively. Blood struggles against both Lava and Electricity in their rivalry for control. The plot shows humanity developing a relationship with civilization, all the while being harassed by unpredictable nature. Civilization at first is a path to security. As …
Fiction Fix 02, Sarah Howard, April E. Fisher, Danielle Dieger, Robert Orndorff, Thelma Young, Gavin Lamert, Jeff Geloneck, Tim Gilmore, Melissa Gollegly, Shannon Mcleish, Robert Panaro
Fiction Fix 02, Sarah Howard, April E. Fisher, Danielle Dieger, Robert Orndorff, Thelma Young, Gavin Lamert, Jeff Geloneck, Tim Gilmore, Melissa Gollegly, Shannon Mcleish, Robert Panaro
Fiction Fix
No abstract provided.
Taking In: The Best Of Aib Photography 2003, Aib Students
Taking In: The Best Of Aib Photography 2003, Aib Students
Taking In
Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …
Fiction Fix 01, Sarah Howard, Nate Eldon, Robert Orndorff, Shannon Mcleish, Darren Longley, Robert Panaro, Melissa Gollegly, M. J. Howe, Melissa Milburn, Amy Quincy
Fiction Fix 01, Sarah Howard, Nate Eldon, Robert Orndorff, Shannon Mcleish, Darren Longley, Robert Panaro, Melissa Gollegly, M. J. Howe, Melissa Milburn, Amy Quincy
Fiction Fix
No abstract provided.
William Morris At The Huntington. Exhibition Review, Wendy Salmond
William Morris At The Huntington. Exhibition Review, Wendy Salmond
Art Faculty Articles and Research
Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.
Lights And Shadows - 2003, University Of North Alabama
Lights And Shadows - 2003, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Lights And Shadows - 2002, University Of North Alabama
Lights And Shadows - 2002, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Judith Dinham : Hybrid Space, Judith Dinham
Judith Dinham : Hybrid Space, Judith Dinham
Research outputs pre 2011
Judith Dinham is a mid-career artist who combines an art practice with her position as Senior Lecturer in Visual Art Education at Edith Cowan University in Perth, Western Australia. Her art and research interest centres on conceptions of landscape. The desert from a feminine perspective and the role of travel are of particular interest. To this end she has worked in the Australian desert over many years (primarily Meeline Station, near Mt Magnet where her sister and family live) and had residencies in the USA and Italy. She has been the recipient of a number of prizes and awards including …
Lights And Shadows - 2001, University Of North Alabama
Lights And Shadows - 2001, University Of North Alabama
Lights and Shadows
Art and Literature Magazine