Fine Arts Commons^™

Fiction Fix 11, Russell Turney, William Northrup, David Press, Petra Press, Scott David, David Livingstone Fore, Masha Sardari, Marianne Langner Zeitlin, Bily Simms, Emily Zasada, Joe Ponepinto, Nathan Holic, Michael Cocchiarale, Mimi Lipson, Suzanne Ushie, Jonathan Baylis, Thomas Boatwright

Fiction Fix

No abstract provided.

All That We See(M), Alison H. Vanvolkenburgh

School of Art, Art History, and Design: Theses and Student Creative Work

Born open-eyed, ready to take stock of our surroundings from the first breath, no other sense so largely informs our understanding of the world as sight. The ability to visually process our environment may seem extremely straightforward to those long accustomed to its instinctive use. However, there is more to seeing than the pure mechanics of visual perception. Since we live, not in a static environment, but one of constant change and motion, our knowledge of the world around us comes in fragments, shifting flashes of color, shape, and movement that coalesce through the active process of vision. In these …

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

“Untitled 2007” (Primitive Cool), Sarawut Chutiwongpeti

SPECS journal of art and culture

No abstract provided.

Pinkfish, Doug Mcnamara

SPECS journal of art and culture

No abstract provided.

From Excess Exhibit, Zach Kleyn, Amaranth Borsuk, Kate Durbin

SPECS journal of art and culture

No abstract provided.

Untitled, Jesse Glass

SPECS journal of art and culture

No abstract provided.

Lexical Sand, Jesse Glass

SPECS journal of art and culture

No abstract provided.

Graphic Score, Jesse Glass

SPECS journal of art and culture

No abstract provided.

Re-Enactment Casualties, Philip Ewe

SPECS journal of art and culture

No abstract provided.

The Forming, Barb Bondy

SPECS journal of art and culture

No abstract provided.

Simple Post Hoc Architecture, Jorgen Nicholas Trygved

SPECS journal of art and culture

No abstract provided.

Stephen Chang Kim Mfa Thesis Statement, Stephen C. Kim

CGU MFA Theses

Stephen Chang Kim Thesis

Ua68/5/1 Potter College Of Arts & Letters Art Publications, Wku Archives

WKU Archives Collection Inventories

Publications created by and about the Art Department, particularly posters, brochures, and catalogs for art exhibitions.

Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:

• A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
• Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
• Surveys, or on-the-ground …

Russian Art In The Second Half Of The Twentieth Century, Ekaterina Dyogot

Russian Culture

This essay concerns Russian art in the second half of the twentieth century, yet any such description requires constant reference to the Russian avant-garde and the Soviet art system. The country's isolation made Soviet art such a specific, aesthetic, and particularly institutional phenomenon that it becomes critical to any understanding of art in the post-Stalinist period.

Vestige, Gina Hunt

All Graduate Theses, Dissertations, and Other Capstone Projects

The work in Vestige alludes to aging and the physical deterioration of the human body through time. My interests in early radiography and X-ray technology, paired with a recent exploration of spirit photography, have become the conceptual basis for this body of work. The relationship between medical imaging and spirit photography deals with technological efforts to document the elusive and less tangible. In this work, the artistic process has become a metaphor for existence and ephemera. Utilizing monotype printmaking with spray paint, I create marks that are traces. This quality becomes a metaphor for the transient, similar to watching a …

From Here To There, Dana Statton

LSU Master's Theses

The photographs in the series From Here to There are not a description of a place; instead, the images are about engaging in a particular type of looking. Elements of “here” and “time” are included in the work; by photographing a moment that will never exist again, transitory objects are imbued with importance. A tree branch drifts, a puddle evaporates, and light shifts, slowly, but immediately. In the midst of this change, my photographs represent specific moments. Integral to the work is the act of finding the photograph, as is the act of framing, taking, and making the photograph. Each …

Peacocking, Margaux Hymel

LSU Master's Theses

My work attempts to express personal experiences and external observations of the present day western female ethos. Through visual depictions of forms with mixed media, my paintings convey females exposing themselves as sexual beings yet displaced in reality, as the illusion of their character is a projection based on environment and other people. Dressed in intimate garments with different hairstyles or wigs, I reference myself and create various extensions of my persona. Through these facades I investigate aspects of womanhood dictated by a cultural paradigm. I aim to create sexually charged scenes and explore the concept of perception, the internal …

Mfa12 (Mfa 2012), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Patricia Olynyk, Ifeoma Ugonnwa Anyaeji, Je Baker, Natalie Baldeon, E. Thurston Belmer, Lauren Cardenas, Megan Sue Collins, Adrian Cox, Maya Durham, Erin Falker, Jieun Kim, Howard Krohn, Robert Long, Marie Bannerot Mcinerney, Nikki Mcmahan, Michael T. Meier, Katie Millitzer, Reid G. Norris, Kathleen Perniciaro, Emily Squires, Jamie Presson Wells, Whitney Lorene Wood, Andrew Woodard, Kelly K. Wright

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum May 4-Aug. 6, 2012. Contents include Introduction / Buzz Spector -- Think, make, show and tell / Patricia Olynyk -- Ifeoma Ugonnwa Anyaeji -- J.E. Baker / Elissa Yukiko Weichbrodt -- Natalie Baldeon / Emily Hanson -- As in a turning gear : E. Thurston Belmer / Rickey Laurentiis -- Lauren Cardenas / Nicholas Tamarkin -- Megan Sue Collins / Catherine Chiodo -- Adrian Cox -- Maya Durham / Dolly Laninga -- Erin Falker / Melissa Olson -- St. Louis dreamscape : Jieun Kim / Caitlin …

Magic Meat, Adam Stewart

All Theses

Have you ever been really secure in what it means to be? If not, it's ok. If so,
don't be delusional. Either way, I have created a series of devices that present the
challenges of self-division and fluctuation, and reveals this complicated human
characteristic not as a product of being broken, fractured, and dysfunctional, but as an
advantageous ability to adopt complex multiple perspectives, sometimes simultaneously.
These devices can be thought of as 'gym equipment' to exercise the more
immaterial, invisible portions of ourselves. Strengthening the connections between
physicality and the mental/emotional aspects of our bodies demonstrates an ability to …

Discovery Through The Art Of Making, Andrew Daly

All Theses

Between growing up on a farm, and working in a saddle shop, I have been conditioned to understand my environment in an empirical and experiential manner. There is a certain kind of education that can only be achieved through working with your hands, and the knowledge obtained in that fashion cannot be sufficiently translated through the written word, or with the use of technology. It is important to me to keep this type of education alive.
I have disciplined myself to learning the traditional printmaking techniques of engraving and lithography for their laborious hands on qualities so that I can …

The In-Between, Derrick Logan

All Theses

This body of work explores my perception of the landscape. I traverse spaces that exist in the in-between. My work functions on a personal level in that I am seeking a reconnection with my surroundings through a physically intense interaction with the land. It is an attempt to reengage the land, to form knowledge, awareness, and a sense of belonging.
Through performance I explore transcendent potential within the landscape. These performances of slow walks through the landscape are documented through video. Viewing of the documentation grants points of projection for the viewer. The videos both engage and undermine how people …

Fiction Fix 10, April E. Bacon, Lindsay Oncken, Anna Pennington, Dewitt Brinson, James Claffey, Clarence Young, Joe Kilgore, Marty Correia, Alex Miller, Brad Hall, Lauren Liebhaber, Brandon Bell, Grant Tracey, Jj Cromer, Andrew Gretes, Scott Laudati, Ron Ennis, Merlin Flower, Marisa Roman, Jim Miller, Robert Wexelblatt, Malachi King, Julie Hayward, Jennifer Falkner, Kevin Roberts, Jonas Mueller, Sarah Barnett, Michael Clough

Fiction Fix

No abstract provided.

Review Of Art Full Text, Rebecca Tolley

ETSU Faculty Works

Review of Art Full Text. 2011.

A Voice From The Dust, Gian Pierotti

Theses and Dissertations

We shall not starve. We shall not lack shelter. We shall have a hearth. Awake self reliance! Our art is for feeding, warmth, protection. Ceramics– our temporal salvation. Clay– our material life-force. Transformed by fire we arise with the skills of the ancients! No longer will we live in obscurity. To the deskilled, your fate is at hand! You have chosen alienation, distraction, banality, and sloth. Embrace your digital false Gods and die or be reborn to the natural physical world. Now, together we complete our reason for being. We create a new world of kinship. A hope for the …

Producto Centro Americano : Made In Honduras, Alma Leiva

Theses and Dissertations

PRODUCTO CENTRO AMERICANO: MADE IN HONDURAS By Alma Leiva Master of Fine Arts A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2011. Thesis Director: Robert Paris, Professor Kinetic Imaging / Photography and Film I was born in 1973 in Honduras, a country under military regime. In 1982 after 20 years of military rule, Honduras finally had democratic elections. During that decade, and as a consequence of the cold war, the kidnapping, torturing, murder and disappearance of civilians became common practices among the Honduran military. …

Eulogy., Megan Renee Levacy

Electronic Theses and Dissertations

The artist discusses the search for identity which underlies her Master of Fine Arts exhibition, Eulogy, hosted by the Carroll Reece Museum on the campus of East Tennessee Sate University, Johnson City, Tennessee, from March 8 to May 6, 2011. This exhibit contains works which explore the artist's relationship with the natural world, ornithology, philosophy, psychology, poetry, and related personal influences.

The artist's thesis work consists of paintings, drawings, and photographs. The artist references her own investigation of poetry, philosophy, psychology, and personal history which have shaped a private sense of awareness. Also reviewed are the influences of artists …

The Anxious Fields Of Play, Luther Kroman

Theses and Dissertations

I see myself as a maker. Most of what I do is make paintings, but to define myself as a painter puts other projects at a critical disadvantage, labeling them as “side projects.” Robert Morris once said that although visually his work may vary a great deal, he felt the ideas flowed throughout the work. I like this idea. The role of the studio and the idea of play as both diligent investigation and a way of playing a game with the viewer is part of what I will discuss. In addition, I use game spaces as a surrogate to …

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing the work of senior art students in a variety of mediums.