Fine Arts Commons^™

Lights And Shadows - 2016, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …

Jasmine Greenwaldt: Continuum, Jasmine Elise Greenwaldt

All Graduate Theses, Dissertations, and Other Capstone Projects

I create in order to explore. I welcome the unexpected, not only in my art but in my life as well. The process of creation and exploration have just as much importance as the finished product itself. I seek to express emotion in my work, whether that be through color, brush strokes or simply the movement of paint. My thesis reflects all of the exploration I have done not only throughout graduate school but during my life. It has become a written book of my journey, demonstrated through the use of paint.

Concerning The Interaction Of Forms, Luke Splinter

All Graduate Theses, Dissertations, and Other Capstone Projects

"Concerning the Interaction of Forms" is exactly what is in my mind when creating and thinking about work. I am concerned with all of the interactions that can be made when thinking about and looking at forms. How do the forms interact with one another? How do they interact with the space they are placed in? How do they interact with the viewer? These are the questions that concern me the most when creating work

When making work I do so with the help of basic geometric shapes, mathematic ratios, and the feeling I get from the form as it …

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

American Splendor, Christina Ehmann

Theses and Dissertations

Artist Statement

My photographs and paintings are reflective of a simpler and slower paced, rural life. This focus is in high contrast to what contemporary urban life often requires. I depict scenes of tranquil landscapes, farm animals, old barns, fields of grasses, and growing crops.

I alter my digital photographic images with computer software. I use various filters that transform color, clarity, and value to give the photographs of nature an intentionally peaceful mood. These photographs are a basis for my paintings where I soften nature’s contours and emphasize tranquility. My desire is that viewers will look at my work …

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

The Room Without A View, Antione L. Leonard

CGU MFA Theses

My work excites conversation about the creation of aesthetic sensations on the human eye while confronting ideas about the pervasive effects of beauty on the mind, body, and emotional sensitivities. Imagination is integral to my work, both in terms of how I make paintings and how they demand to be seen by viewers. I create individuality with the use of an anti-institutional spray paint next to institutional oil paint. I search my everyday lived experiences to find information that has been taken for granted to enhance my art, through natural behaviors within and outside of my studio environment, physically drawing …

Leon Sun, Linda Hanes

International Faculty Researchers

Living and working in two countries provided a cultural contrast that has greatly inspired and influenced the art and design of Yuanliang (Leon) Sun, an associate professor of art at Western Michigan University.

Intermediate Realities, Brady Forrester

Theses and Dissertations

I experiment with constructions of light, glass, paint, and everyday materials to create photographs which are intended to stir within the viewer a meditative uncertainty. When these translucent collages are back-lit and photographed, the resulting images appear spatially ambiguous, and resemble superimposed realities. The images in this series were inspired by ideas concerning the elusive and vulnerable nature of our emotional and creative wellsprings. I arrive at these stages through processes that subvert my preconceived ideas and allow the materials to suggest evolving compositions. The scenes are transitory, therefore the photograph serves as their point of inscription.

Light Sensitive, Andrew Thompson

Electronic Theses, Projects, and Dissertations

I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …

Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan

Theses and Dissertations

Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.

Mfa15 (Mfa 2015), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Heather Corcoran, Patricia Olynyk, Andrea Coates, Margaux Crump, Brandon Daniels, Addoley Dzegede, Vita Eruhimovitz, Carling Hale, Amanda C F Helman, Michael A. Helms, Ming Y. Hong, Sea A Joung, Stephanie E. Kang, Dayna J. Kriz, Thomas C. Moore, Jacob Muldowney, Laurel Panella, Caitlin Penny, Eric Lyle Schultz, Jeremy Shipley, Emmeline Solomon, Kellie Spano, Michael A. Williams, Austin R. Wolf

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 1 - August 2, 2015 . Introduction / Heather Corcoran and Patricia Olynyk -- Diana Casanova / Emily J. Hanson -- Andrea M. Coates : in the operating theater / Stephanie Dering -- Margaux Crump -- Brandon Daniels -- Addoley Dzegede : do you prefer answers or truth? / Aaron Coleman -- Vita Eruhimovitz -- Carling Hale -- Amanda Helman -- Mike Helms / Ming Ying Hong -- Ming Ying Hong / Emily J. Hanson -- Sea A Joung / Ervin Malakaj -- Stephanie Kang …

The Representation Of Non-Traditional Bodies, Elizabeth J. Perkins

Undergraduate Theses—Unrestricted

My work largely addresses the close-minded Western ideals of the human body, particularly those related to females. Stemming from struggles with my own sense of security, I strive to create accessible works of art that both challenge and expand these ideals by representing figural imagery beyond such social constraints. Though my works may seem to serve the purpose of mockery at first, the urgency of the issues portrayed becomes apparent as the pieces are studied more carefully. I explore how exposure, vulnerability, grotesqueness, and intimacy within my work serve as a means to expand our cultural ideals for the human …

"To Deal", Kyle Peterson

Art and Art History Honors Papers

My objective in beginning this series was to, quite simply, deal with personal issues. I wanted to begin to dissect and make sense of my experiences through critical understanding of the different internal and external social pressures I was feeling. I did so by creating a series of life-size objects referencing and conflicting with both my own and other’s bodies in space. These objects in their scene have taken on a life of their own that places them in a dialogue beyond just my own experience, furthering to allow for other’s experiences to be reflected as well. The result was …

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Taking In: Raw The Best Of Lesley University College Of Art And Design Undergraduate Photography 2015, Lucad Students

Taking In

Taking In: RAW is a juried annual student run publication and exhibition that showcases the best of 2015 LUCAD undergraduate photography and video. For over ten years, creative minds have come together to produce not just a display of brilliant work, but a celebration. A celebration of the most extraordinary work LUCAD has to offer.

Code Of Best Practices In Fair Use For The Visual Arts, College Art Association, Patricia Aufderheide, Peter Jaszi

Copyright, Fair Use, Scholarly Communication, etc.

The mission of the College Art Association (CAA) is to promote the visual arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners. CAA contributes to the visual arts profession as a whole through scholarly publications, advocacy, exchange of research and new work, and the development of standards and guidelines that reflect the best practices of the field. The Code of Best Practices in Fair Use for the Visual Arts is based on a consensus of professionals in the visual arts who use copyrighted images, texts, and other materials in their creative …

02. Dance, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

04. Multimedia Design, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

06. Theatre, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

01. Art, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

03. Design, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

05. Music, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

The Quiet Conversation, Samantha Weisend

Williams Honors College, Honors Research Projects

No abstract provided.

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …

More Is The Same, Tyler Reeves Nansen

Graduate Student Theses, Dissertations, & Professional Papers

Nansen, Tyler, M.F.A. Spring 2015

More Is The Same

Chairperson: Associate Professor Trey Hill

More is the Same is the result of my examination of the perception of space in relation to architecture and landscape. By embracing modern concepts of the grid, formalism and design, this compilation of personal experiences and memories, manifests as post-minimal sculptures. However, when considering the hierarchy of importance in my work this involves pure visual perception over any specific narrative. The final product is an exhibition which elicits a perceptual experience for its viewer.

My work is about space and the creation of visual interactions, …

Paint And Sound: A Dialogue, Alyse M. Emanuel

Departmental Honors Projects

This project is an exploration of the confluence of visual and musical artistic processes. As well as exploring how music and visual arts can inform each other and create dialogue, a central part of the project is an attempt to reach a synesthetic state in my own artistic processes for which my training as a visual artist and musician laid the groundwork. Through active, creative experimentation with making music in response to artwork and vice versa, I undertook to achieve a union of the senses. The project includes historical research that places my work in the context of other artists …

Lights And Shadows - 2015, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

She Pricked Her Finger, Veronica Kay Hallock

LSU Master's Theses

She Pricked Her Finger transports the viewer into a landscape of the bucolic and the macabre. Large scale sculptures and drawings create a panorama-environment which explores ideas of familial and geographical identity through themes of mortality and loss. Her work utilizes a self-generated folktale as a vehicle for expressing her experiences with new landscapes and many family deaths. Ultimately Veronica’s work reconciles the transition of home; the journey we take from our childhood home to the new homes we build.