Fine Arts Commons^™

De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay

The Goose

Les progrès technologiques modifient radicalement ce qui nous était autrefois familier. Ce sentiment troublant venu de l’ère Anthropocène met en lumière l’impact humain sur la nature. Mais la perte d’un monde naturel nous oblige à gérer notre environnement en tant qu’environnement artificiel. Face à cette mutation profonde du concept même de nature, l’art opère un processus d’artification, renouvelant la nature dans de nouvelles formes néoarchéologiques et de nouvelles esthétiques, par le « passage du non-art en art ».

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Achieve

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn No. 2, Alone (Not Alone), and The Inauspicious Present No. 2.

Pedestrian, Marissa Albrecht

Theses and Dissertations

My feet are my transportation while living in the college town of Provo, Utah. When walking, I am drawn to designs found at construction sites and office workplaces, methods of labor that are executed sequentially. These designs lead me to think about laborious jobs that I have had and time performing mundane, repetitive tasks. Walking, photographing, gathering, and transporting used material to a workspace are the preliminary actions for my art practice. Creation emerges by relating material from varying environments through their inherent patterns, sizes, and shapes. I organize elements of the everyday in a new harmonious context with each …

Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

This article explores the merit of using Organic Inquiry, a qualitative research approach that is most effectively applied to areas of psychological and spiritual growth. Organic Inquiry is a research approach where the psyche of the researcher becomes the instrument of the research, working in partnership with the experiences of participants and guided by liminal and spiritual influences. Organic Inquiry is presented as a unique methodology that can incorporate other non-traditional research methods, including intuitive, autoethnographic and creative techniques. The validity and application of Organic Inquiry, as well as its strengths and limitations are discussed in the light of the …

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Gut Feeling, Shelby Fleming

Graduate Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …

The Branch On Which The Blossom Hangs, Thomas Sterling Coffey

Graduate Theses and Dissertations

The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Faculty Works

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn 2, Alone (Not Alone), and The Inauspicious Present No. 2.

Entropy's Child, Brandon Reed Boulton

Theses and Dissertations

Art, process, and materials offer me an escape from the sometimes-crushing realities of my personal struggle with chronic mental illness. Escape is often my primary motivator for making art. However, personal meaning and understanding sometimes come while I'm working in the studio. Sometimes the meanings of the work only become clear years later. Personal experience and experimenting with materials and processes have led me to an appreciation and awareness of entropy--the second law of thermodynamics. My sculptures use spontaneity, abstraction, and process to dialogue with entropy.

Chemistry In Art: The Science Of Dye, Madeleine Gray Burland

Honors Projects

Fabric arts, and the practice of dyeing fabric using various resist techniques, is a tradition that goes back centuries, and is unique among art mediums in its relation to science, as the innovations in dye production have directly affected the art form. The development of synthetic dyes in the 1800’s greatly affected the way fabric is dyed, and subsequently the way clothes were made and consumed. As opposed to dyes made of natural materials, synthetic dyes cam in more colors, were brighter, easier to make in large quantities, and lasted longer since they didn’t fade with repeated washings. The practice …

The Life And Struggles Of Red Cockaded Woodpeckers, Michaela Gay

Honors Theses

This series of paintings focuses on red cockaded woodpeckers, an endangered species of bird and the longleaf pines forests which they live in and are reliant upon. I drew my inspiration mostly from personal experience with my family’s own efforts to restore one of these forests as well as my longstanding belief in the importance of protecting the environment. However, the point of these paintings is not to preach to people, but rather to show them the beauty of these trees and birds, so they can perhaps begin to care about them themselves instead of just being told that they …

Cat & Mouse, Leah Flook

Art Theses and Dissertations

An early and pervasive paranormal experience cements my interest in the invisible link between predator, prey, and bait. My sculptural installations and drawings create spaces to evade, lure, misdirect, and trap my elusive phantom. I divide my research into three sections; The Stadium, The Players, and The Game. The Stadium is a separate world, one that holds different laws and physics. Here, I explore the correlation between Slapstick Comedy and Horror genres and their ability to bend reality in order to create a story arch. The Players references tropes played out within these genres, Ophelia and the Final Girl, and …

An Exploration Of Provenance And Ownership History And The Critique Of Curatorial Practice., Sacra J. Fallen

Electronic Theses and Dissertations

In the art world, the artwork is under evaluation to determine its worth from its historic value to its monetary value. One of the primary strategies used to evaluate the artwork is the work's provenance which can be broken down into the work's collector history and the authenticity of its authorship. The first question to be addressed is: does knowing an artwork's collector history and provenance add to its historic value? The second question to be addressed is: does knowing an artwork's collector history and provenance add to its monetary value? These questions will be supported by two case studies …

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Hysteria, Fear, And/Or Delight, Alessandra Ferrari-Wong

Bachelor of Fine Arts Senior Papers

My Bachelor of Fine Arts thesis statement, Hysteria, Fear, and/or Delight, establishes the forms and concepts of my art practice as it stands as of May, 2020: performance-based and interdisciplinary. My practice implies narrative while acknowledging the audience. Physical language, in both dance and gesture, can be a means of communication or subversion. Pieces exist as ephemeral, often private, performances and then separately in archival forms ranging from video, to photography, to installation. The body of the statement details my thesis project, a remaking of Giselle, a 19th century Romantic-era ballet, into a performance series and video trilogy. …

Modeling Disability: Softly Making The Invisible Visible, Libby Evan

Bachelor of Fine Arts Senior Papers

“I am not asking for pity. I am telling you about my disability.” -Eli Clare

In the following Bachelor of Fine Arts thesis statement, you will not find someone overcoming their disability. You will not find a tale of inspiration. You will not find a cure for ableism. You simply will find an individual's experience of disability— my experience of disability.

My invisible disability puts the medical model and social model of disability in constant tension as I navigate everyday life living with Chronic Fatigue Syndrome and severe arthritis. Both models seek to find blame for disability, whether in searching …

Drawing Under Construction, Nathalie V. Alfonso

Art Theses and Dissertations

Abstract

The thesis, Drawing Under Construction navigates notions of invisible labor, repetition, and endurance. I explore aspects of labor and movement through the use of drawing, installation, performance, and video. Unseen work, an exercise of emotional control, is central to this investigation, transforming notions of invisibility and visibility into tools to explore three concepts; "Unfolding the Line,", "The Line Under Construction," and "Locating the Line." It is through these three areas of study that I further analyze “my hand” versus “the universal hand” and “my body” versus “the universal body” and create a system where my body and work live …

Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin

The Goose

In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …

Forest For The Trees, Anthony Prud'homme

CGU MFA Theses

These paintings show life’s swarming energy coalescing into form. They are propositions to make space for connection.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Noah Fidlin Senior Art Portfolio, Noah J. Fidlin

Senior Art Portfolios

An art, photography and design magazine that combines analog and digital media.

Indigenous Woman., Annabelle R. Broeffle

Senior Art Portfolios

Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.

The Museum Of Queer Curiosities, Reba "Feliks" Kay Pyron

Graduate Theses, Dissertations, and Problem Reports (ETD)

This paper documents the research, personal motivations, and processes that make The Museum of Queer Curiosities (TMOQC). The installation, exhibited in the Paul Mesaros Gallery, uses the manipulation of traditional techniques in printmaking, sculpture, and craft, to create a space in which authority, labels, confusion, and compassion are discussed. Through the synthesis of familiar visual art installation techniques and museum display, the work attempts to provide a foothold for the viewer to navigate queerness and ephemeral identity. The body of work that occupies TMOQC creates the surreal simulation of a scientific museum, transforming the art gallery into a stage where …

Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy

Special Collections

In 2020, LSU Libraries Special Collections presented the exhibition “Louisiana’s Natural Treasure: Margaret Stones, Botanical Artist” at Hill Memorial Library, featuring selected original watercolor paintings and archival materials related to the Native Flora of Louisiana project.

A native of Australia, Margaret Stones (1920-2018) achieved an acclaimed international career that spanned three continents. Commissioned by LSU and funded by private donations, more than 200 watercolor drawings of Louisiana plants produced by Stones during the 1970s and 1980s are among the most treasured holdings of LSU Libraries Special Collections.

The Native Flora of Louisiana project was grounded in a long historical tradition …

Ecological Art Exhibition As Transformative Pedagogy, Stacey Skold

College of Education and Human Sciences: Dissertations, Theses, and Student Research

Environmental degradation is considered one of the biggest issues facing humankind. The problem is deep and global with fast fashion playing a significant, yet underrealized role. Scholars have established that developing the sustainable behaviors necessary to mitigate the effects of environmental degradation is a complex process, that knowledge of environmental degradation alone is insufficient to develop sustainable behaviors, and that both attitudinal and behavioral transformations are necessary for global environmental action and stewardship. As a result, researchers have called for new approaches to environmental education to promote transformative learning.

Art experiences can function as a powerful tool in learning and …

Accumulation, Erin Mccarty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written Thesis is the supporting documentation for Accumulation, a Master of Fine Arts Thesis Exhibition at West Virginia University. This exhibition creates an environment in which a viewer can enter. This installation environment is created based on formal elements combined with fantastical elements from the imagination of the artist. The formal choices in the work provoke a positive otherworldly and whimsical response in the viewer. The environment is designed to provide relief from problems in the everyday world through patterns, forms, colors and surfaces. These elements are harvested from the natural world and recombined in a fantastical way. …

Visual Feast, Makaili J. Taylor

College of Graduate Studies: Theses & Dissertations

This body of work, Visual Feast, explores the infatuation we have with sweets. Throughout my thesis, I discuss how this universal shared experience contributes to the art world, explaining how our culture today has turned a simple requirement to survive into a source of entertainment. I use my work to show the absurdity of our desires to overindulge, and the ways we fetishize food. By creating a visual feast for the viewers, my goal is to challenge perceptions of what is acceptable and what is absurd.

.Pause., Richelle M. Dorris

Electronic Theses and Dissertations

.Pause. is a series of fifteen abstract oil paintings that represent a visual inspection of changing mental/emotional states of being as we navigate life. My subject matter consists of natural and organic forms that twist, contort, overlap, and flow. These aspects—combined with dramatic and gradual shifts in color, movement, layering and lighting—create a bizarre environment of conflict and growth as well as a space for contemplation.

This series is a mixture of stylistic directions, including abstract representation, gestural, and nonobjective work. Perception is called into question as the visual information becomes more obscure. Outside elements, such as lighting and the …

Honor The Precariat, Natalie Barnes

Academic Labor: Research and Artistry (2017-2022 archives)

Honor the Precariat is an art installation conceived and executed to acknowledge and honor the significant contributions of non-tenure track faculty, particularly those colleagues teaching at Colorado State University. The exhibition and accompanying article recognize faculty who work in anonymity and often without security, teaching, advising, and mentoring hundreds of students and representing millions of dollars in tuition revenue.

The essence of the artwork captures the 20+ year struggle of the artist to come to terms with the value of a career in which she has been viewed as a second-class faculty member – and this dichotomy facing all members …