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Articles 481 - 510 of 740
Full-Text Articles in Fine Arts
The Masculine Way, Jessica Asuquo
The Masculine Way, Jessica Asuquo
be Still
This painting was conceptualized after a particularly impactful patient visit. During the visit, the patient described a traumatic event in greater detail, stating that the doctor and I were the first people he had ever spoken to about the event.
I felt both honored and disheartened by this statement. I was honored that this man trusted us with this knowledge. Still, I was immensely sad that he dealt with the trauma of this event alone for decades. I believe he released some of the grief, pain, anger, fear, and hurt when he shared his burden with us, and I will …
A Child’S Oath, Nozimakhon K. Omonullaeva
A Child’S Oath, Nozimakhon K. Omonullaeva
be Still
"A Child's Oath" reflects the transformative journey of a young girl shaped by her personal experiences with healthcare inequities, both in her home country of Uzbekistan and in the United States. This piece explores the emotional impact of these experiences and how they inspired a lifelong commitment to healing and serving underserved communities. It is a testament to the resilience born from hardship and the sacred promise to bring compassion and equity to medicine.
The Glacier, Emily Rodman
The Glacier, Emily Rodman
be Still
The Glacier discovers the inner workings of a medical student's mind as she devotes years of her life to eventually partake in the "sacred oath of healing." She knows that these years of medical training - filled with strife and joy alike - will eventually lead her to fulfill the career of her dreams, serving others.
The Sacred Healing Of A Little Warrior, Adrianna M. Zambrano
The Sacred Healing Of A Little Warrior, Adrianna M. Zambrano
be Still
As a hopeful pediatrician, I find my sacred oath of healing to be inspired by the radiant positivity and resilience of children. My goddaughter was not even three years old when she had her first major surgery, and I was so worried about her future recovery. Then, she was just a few hours post-op and already cracking a smile. Her innocence and purity extended to the point where she made sure that she wasn't the only one being taken care of; after all, her "baby" Julie needed to be taken care of, too.
The Heart Of Healing, Madison Prieto
Nourishing The Body, Nurturing The Soul, Vidhi Raval
Frankenstein Colorized, Marianne Koleng
Frankenstein Colorized, Marianne Koleng
be Still
One of my favorite novel's growing up was Mary Shelley's Frankenstein. I see Frankenstein's desire to create a "Monster" as a way to grasp at the fundamental human drive for connection, and healing through connection. In this piece, I attempt to bring that inner yearning for fundamental connection to paper.
Beyond Myself - Healing Through Pain, Marianne Koleng
Beyond Myself - Healing Through Pain, Marianne Koleng
be Still
In this piece I reflect on the importance of setbacks, non-linear growth, injuries, and pain and their ability to provide self-reflection, a platform for growth, and an crucial reminder of the fragility of life. I have often been self-critical for not following a "traditional" path in life, and reflecting on my experiences allows me to show myself grace and hopefully may influence others to do so as well.
The Orchard Of Golden Apples, Ambika Kapil, Brendan Ginsberg
The Orchard Of Golden Apples, Ambika Kapil, Brendan Ginsberg
be Still
This poem was written collaboratively by Ambika Kapil and Brendan Ginsberg, reflecting our shared journey through the challenges and rewards of medical school. The inspiration for this piece comes from a pivotal time in Ambika's journey, when she found herself balancing the demands of medical education with personal struggles. During this period, she often turned to the lectures and guidance of various faculty members, including Dr. Lori Dribin, whose wisdom and support provided a sense of stability and hope. The guidance of these mentors became a beacon, helping Ambika navigate through uncertainty.
As many students face an array of challenges …
Death Is Not The End, Marianne Koleng
Death Is Not The End, Marianne Koleng
be Still
In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.
Pathos, Spring 2025, Portland State University. Student Publications Board
Pathos, Spring 2025, Portland State University. Student Publications Board
Pathos
Editor: Adriana Stanzione
Dotphotozine, Issue 14, 2025, Students Of The Csusb Art Department, Francis Almendarez
Dotphotozine, Issue 14, 2025, Students Of The Csusb Art Department, Francis Almendarez
Dotphotozine
No abstract provided.
“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister
“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister
Selected Honors Theses
World War II had a profound and significant impact on American life and culture. Hollywood and film production was one area that was notably different after the war with themes and settings that promoted patriotism and American values being seen more frequently. Film lends itself to analysis due to its recorded and preserved nature that allows audiences today to view the same thing that audiences in the early 1950s were seeing, albeit with a different worldview. Western movies made in the late 1940s and early 1950s perfectly encapsulate the feelings of most Americans during the postwar period. Additionally, a new …
Orpheus, Spring 2025: Porchswing, University Of Dayton
Orpheus, Spring 2025: Porchswing, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
From Melina Blank, literary editor: Porchswing: According to Google, it’s “a swing on a porch usually made of wood leaving space for two people to sit and swing.” To Orpheus, it is the warm breath of familiarity that hums in one’s soul. The soul knows just about everything that inspires it, transfixes it, guides it. Home, a word we make sense of in terms of physical place, is not so definitively tangible. Instead, what inspires and transfixes and guides us could very well be a person, a song, a belief, a feeling.
If I didn’t know any better, I would …
Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna
Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna
Akda: The Asian Journal of Literature, Culture, Performance
The Philippines as locus of both specific experience and shared sympathy with regard to climate change allows for an investigation of the complex factors that describe a realm of experience unique to this present age: catastrophic weather in both its scorching and diluvian iterations. In this paper, I argue that the atmospheric delusions in the artistic practices of Mark Orozco Justiniani’s Arkipelago and the Vargas Museum’s Fever Dream point to a more expansive relationality with climate that forces us to re-evaluate precisely what ecocritical scholars have called the derangements of everyday modern life. The experience of exceptional heat and rain, …
Community Engagement For The Children's Theatre, Lindsey R. Guilford
Community Engagement For The Children's Theatre, Lindsey R. Guilford
Undergraduate Theses
Community Engagement for the Children’s Theatre examines how children’s theatres across the United States build and sustain mutually beneficial relationships with their surrounding communities. In a field where community support is essential, but resources are often limited, long-term success depends on meaningful, reciprocal engagement. This research draws on surveys and interviews with theatre professionals to investigate strategies used by organizations of varying sizes to connect with local audiences, educators, and families. Findings highlight key practices such as sharing resources, aligning programming with community needs, valuing both internal and external stakeholders, and maintaining transparent, ongoing communication. By consolidating these insights, the …
The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy
The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy
Regards
This article examines the outlaw figure in modern Egyptian fiction
through the lens of the conceptual framework of social banditry and classical
tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific
works that emerges in times of growing political anxiety following the Egyptian
Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The
Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-
political uncertainty of the post-revolution Nasser era, this paper considers the
outlaw figure within the condition of social alienation. Using the conceptual
borders set by Eric …
A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid
A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid
Regards
In 1951, Salah Abu-Seif directed Lak Yūm yā ẓālim (Your Day Is Coming) – scripted by Naguib Mahfouz – adapting Émile Zola’s Thérèse Raquin (1867). In their third collaboration, Abu-Seif and Mahfouz went beyond merely adapting Zola’s novel – they also incorporated traits and techniques from film noir, creating what this article terms a “polyphonic adaptation” that draws from multiple sources. While their partnership is often credited with pioneering realism in Egyptian cinema, this article argues that the film’s crime-thriller elements invite a reassessment of that narrative. Although adapting French novels was common in pre-1952 Egyptian cinema, their …
The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti
The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti
Regards
This paper examines on-screen representations of female criminals. It focuses on Rayyā and Sakīna, two sisters who were arrested in Egypt in 1920 and executed in 1921. Since 1953, the sisters have inspired movies and TV series that have entrenched their myth in popular culture. Rayyā and Sakīna are at the core of narratives that bear moral imperatives on societal issues, such as the place of women in society and the relation of the nation to its margins. I will argue that, until a recent off-screen resignification, Rayyā and Sakīna have not been deeply resignified in Egyptian movies. Instead, they …
A Conversation With Loe Gino, Loe Gino, Seb Taylor
A Conversation With Loe Gino, Loe Gino, Seb Taylor
Digital Laboratory: Publisher of Internet Journal
LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …
Contributors, Amelie Sandoval
'Scatter' & 'Divine', Victoria Dai, Margaret Mallow
'Scatter' & 'Divine', Victoria Dai, Margaret Mallow
.RAW Journal of Art and Design
No abstract provided.
'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen
'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen
.RAW Journal of Art and Design
No abstract provided.
'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye
'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye
.RAW Journal of Art and Design
No abstract provided.
'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta
'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta
.RAW Journal of Art and Design
No abstract provided.
'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara
'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara
.RAW Journal of Art and Design
No abstract provided.
'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel
'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel
.RAW Journal of Art and Design
No abstract provided.
'Pink Party' & 'West', Kelli Ayon, Kennedy Ray
'Pink Party' & 'West', Kelli Ayon, Kennedy Ray
.RAW Journal of Art and Design
No abstract provided.
'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez
'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez
.RAW Journal of Art and Design
No abstract provided.
'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen
'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen
.RAW Journal of Art and Design
No abstract provided.