Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Review: The Anarchivist: History, Memory, And Archives, Greg Mcnamara

Provenance, Journal of the Society of Georgia Archivists

Book Review: The Anarchivist: History, Memory, and Archives. By Geof Huth (New York: AC Books, 2020. 145 pp.). Reviewed by Greg McNamara.

Between The Garden And The Gardener, Sara Lynne Lindsay

Theses and Dissertations

My work uses plant material and soil as a record of personal, cultural, and ecological history. History is not only held in the buildings and monuments, but in the soil itself. I gather this soil and foliage from both cultivated and uncultivated locations for my artwork. Using traditional domestic techniques of drying and canning, I preserve the materials that I have gathered. These will then be sewn together, cooked, and encrusted into objects. Despite my labor of preserving, these organic art supplies are transient. When made into works of art, they can be viewed in their vulnerable state, fighting against …

Untethering The “Other”: Creating Spaces For Black Autonomy And Community, Kaylyn Webster

Bachelor of Fine Arts Senior Papers

By complicating viewers’ relationships to my painted figures through the application of the gaze, my work analyzes how America’s colonial past affects our current landscape to find ways to break the cycle, and to make space for Black autonomy. Blackness should be free to exist without being tethered in a position of inferiority to Whiteness. Radical defiance, resiliency, and expressions of agency have been used by Black people for centuries, and their employment must continue to combat systems of oppression. Our history has been one of division, but mutual respect and cooperation are needed for our communities to stand against …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D.

Teacher Education, Educational Leadership & Policy ETDs

The purpose of this study was to capture the student voice regarding the value, importance, and relevance of visual and performing arts education in public schools. The host institution for the study was an urban school district in the southern central United States serving 75,000 students, with 55% students identified as Hispanic, and 52% of students experiencing poverty. Graduating seniors responded via questionnaires with forced choice and open-ended items regarding several topics, including what they do in their free time, how they perceive the value of arts classes at school, access to arts classes and the match of their interests …

Save And Continue?, Douglas Boyd Johnson

Theses - ALL

The purpose of this thesis is to describe the research I completed and the body of work produced during the course of my Master's studies. The paper begins by briefly recounting early influences and the nature of my practice at the time I began the program. Then elaboration follows on the development of my work across various media, both traditional and digital. The work centers on formal questioning of pictorial media and draws conclusions on the nature of picture making, and the motivations I have for pursuing pictorial art.

Carrying The Longings, Shuoran Zhou

Theses - ALL

The objective of this paper is to reveal the origin and evolution of the work I have made, thereby establishing the foundation for my future practice. The core purpose of my work is to provoke introspection and to question, if not reverse, entrenched and stereotypical assumptions toward women. I derive inspiration from my confrontational relationship with my mother, who is a prominent female figure in my life. Our confrontations arise from our differing perspectives and beliefs regarding the roles and aspirations of women. These unpleasant confrontations are the origin of my practice, which is based on questioning assumptions and norms …

Forget Forgot Forgotten, Kevin J. Frazier

Theses - ALL

The purpose of this thesis is to support a series of works that represent different ideas on my life experiences through memory, attachment to social media use, and digital appearance. By showcasing these works together, viewers can experience the ways in which I choose to visualize how digital content alters our memories, as well as our own opinions of ourselves.The paper begins with a background of myself, detailing how I arrived at this project and why I am interested in the relationship between memory and social media. It then provides examples of previous work I created to inform the reader …

The Psychological Experience Of Astronauts And How It Can Be Depicted In Artworks, Xuan Liu

Theses - ALL

The aim of this thesis is to investigate the psychological phenomena that astronauts experience during long-term space missions and to find their relationship with space-themed artworks. By analyzing the psychology of space exploration, this thesis finds that by inserting those phenomena into an appropriate plot and exaggerating it can create compelling and imaginative work. Secondly, this thesis categorizes several plot types that are frequently found in space- themed sequential artworks. This thesis also reflects on the impact of the current Covid-19 epidemic on human psychology, similar to long duration solitude impact on cosmonauts. Finally, this thesis discusses the visual thesis …

To Have And To Hold, Michael Kalish

Theses - ALL

The relationship between mere objects, richly aesthetic objects, and the emotional structure ofexperience is considered in three parts. The first part attempts to develop the relationship between object-ness and art-ness from the intellectual tradition of ordinary language philosophy. The first part ends with the death of my wife. The second part provides a view of the emotional structure of grief-experienced in the form of a poem. The third part attempts to reconcile the lost and the kept, as intellectual and emotional structures are re-aligned. The thesis therefore attempts to both show and tell the origin and nature of the material …

Energy Portraits For Flute, Clarinet In B-Flat, Violin, Cello, Piano, And Percussion, Luis Solis

Music Theses and Dissertations

Energy Portraits is a 25-minute work for flute, clarinet, violin, cello, piano, and percussion based on the nine Enneagram personality types. The Enneagram system delves into underlying motivations and thought patterns of different people rather than only external behaviors, so this piece incorporates the typical overall energy of each number as a miniature portrait. The movements are not in the same order as the nine types from the Enneagram but are reordered and renamed for musical reasons. This allows the listeners who are not familiarized with the Enneagram to still understand the theme and energy of each movement.

Flourish is …

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

More Than Just Food, Haden King

Masters Theses, 2020-current

Our relationship with the natural world--as it relates to our production of food--is complex. Drawing inspiration from principles of regenerative agriculture, my paintings explore the dynamics and perceptions surrounding food, health, and a sustainable future. I deliberately use idealized images--some of which comes from corporate marketing campaigns--to examine the tension between what is real and what is fake.

Monuments Are For The Living: The Confederate Mound Monument And The Falsehood Of Reconciliation Statues, Janelle O'Malley

Student Projects

In 2015 the Southern Poverty Law Center (SPLC) began tracking Confederate symbol usage in the United States, namely focusing on confederate flags and monuments. That same year a white supremacist fatally shot nine Black worshippers at the historic Emanuel African Methodist Episcopal Church in Charleston, S.C. The shooter in this case had confederate symbols all over their home. This sparked conversation nationally about confederate symbolism and its true purpose. In turn, the conversation led to highly contested debates on confederate monuments and statues. Between 2015 and 2020, 148 confederate statues were removed from the public eye. But the most shocking …

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.

Spinning Plates, Anikó K.L. Sáfrán

Masters Theses, 2020-current

Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

There Is Sometimes A Buggy: Queering The Cowboy, Kelsey Gavin

Art and Art History Honors Papers

For my honors thesis project and body of work for the Annual Student Exhibition 2022, I will be interpreting stills from David Lynch's movie Mulholland Drive, sourcing from a singular four-minute scene referred to as The Cowboy scene. I will be recreating this scene in various mediums focusing on three central parts of the scene: The Cowboy, The Skull, and Adam Kesher. This project will examine and delve into the overall theme I have been exploring in my studio practice over the course of the past several years about how film and painting intertwine. For the Annual Student Exhibition it …

Buzz Buzz, Sarah Heinemann

Theses and Dissertations

Taking the form of a series of notes and notations, this document serves as an account of color in my painting practice as it intersects through personal memory, research, and my studio and professional practices.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

New Animals, Alina Iakirevitch

Theses and Dissertations

To transfer the rhythms of the body into the earth, in Lippard’s language, one has to engage in a non verbal, illogical action. Art is the sphere of this action. Staying engaged with the unpredictable in us, the random, the primal, is the core of art making and encountering art.

Break Time, Quinlan Maggio

Theses and Dissertations

In this graduate thesis artist Quinlan Maggio describes their two-part art project in which they create site-specific private/public spaces and encounters within a larger public, specifically, that of the Hunter MFA community and its art-viewing audience.

Scene By Scene, Katita Miller

Theses and Dissertations

Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

Head, Shoulders, Knees, And Toes, Pol Morton

Theses and Dissertations

My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.

Contested Cosmopolitanism: William And Elizabeth A. Sharp’S Glasgow Herald Reviews Of The Paris Salons 1884-1900, Michael Shaw

Studies in Scottish Literature

Discusses William Sharp's attempt as a fin-de-siecle art critic to accommodate local particularism and national identity within his "outsider" cosmopolitanism, through his contributions to The Evergreen and the regular reviews he and his wife Elizabeth A. Sharp wrote of the Paris Salons for the Glasgow Herald, unsigned but identifiable through their correspondence, and argues that these reviews show how "the Sharps resisted the growing tendency to see the particular and the cosmopolitan as irreconcilable opposites."

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Glass House S1:E1 “Sweet Temptations”, Taylor Middleton

Honors Theses

Sweet Temptations tells the story of the Price family navigating their new lives in Cape Huron. Enticed by the opportunity of a new job with great benefits, the Price family moves to Cape Huron, Maine, a small town with mysterious goings-on. While father, Paul, starts work at the factory in town, twins Seth and Samantha start their senior year of high school. Everything in the town is perfect at surface level, the houses are all the same cookie-cutter design with the exception of the different color palettes and furniture styles. The perfect All-American façade comes crashing down when Seth and …

Infinite Instruments, Betsy Ellison

Bachelor of Fine Arts Senior Papers

Last login: Fri May 6 17:00:00 on console

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Whether building websites from scratch, generating abstract video portraits with recursive machine-learning AI, mounting steel plate carvings with fishing hooks, or painting portraits of schoolgirls on skinned and tanned bunny hides, I seek to infiltrate the strange spaces where rationality and empiricist philosophy collapse into delirium and drift.

Machines and animals are both organized bodies. All knowledge can be broken down to constituent parts: cells, atoms, grids and codes. All constellations of these fundamental parts are fictions. Fragmentation and re-organization are frontiers for new knowledge.

By treating the objective …

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …