Fine Arts Commons^™

Terjemahan Beranotasi Buku Tokoh Tionghoa Dan Identitas Indonesia: Dari Tjoe Bou San Sampai Yap Thiam Hien (2010) Karya Leo Suryadinata Dari Bahasa Indonesia Ke Dalam Bahasa Tionghoa, Lu Xuanyi

Paradigma: Jurnal Kajian Budaya

This research is an annotated translation study. The author conducted an Indonesian- Chinese translation of two chapters of the biography named Tokoh Tionghoa & Identitas Indonesia: dari Tjoe Bou San sampai Yap Thiam Hien and gave annotations to important and necessary parts. The specific purposes of this research can be described as follows: (1) find the appropriate method to translate this source text; (2) find out proper translation techniques and provide reasons for choosing equivalence. In translating this biography, the author uses communicative translation (Newmark, 1988) and considers the dynamic equivalence theory of Nida and Taber (1982) as the main …

Out Of The Box: Hiraeth: The Nostalgia Within Abandoned Homes, Jessica Mcdaniel

The Journal of Purdue Undergraduate Research

Student researcher Jessica McDaniel explains why abandoned houses obtained a reputation for horror, as well as how this fear is not all that remains in what were once homes.

Thomas Kong Interview, Jon Lovisetto

Asian American Art Oral History Project

Artist bio: Thomas Kong is an artist working in collage and assemblage, using advertising, packaging and other surplus material from his convenience store, Kim's Corner Food, located in the Rogers Park neighborhood of Chicago.

Kim's Corner Food features an evolving installation of Kong's work, and is open to customers and visitors 7 days a week from 8AM - 8PM at 1371 W. Estes Ave, Chicago, IL 60626.

The Back Room, an experimental project space in the store's former stock room, operated from October 2015 – March 2019, and has now closed. Bio from: https://thomaskong.biz/

Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward

Comparative Literature Faculty and Student Scholarship

A translation of「なぜ作陶を志したか」、北大路魯山人著、1933年

Source, Aozora Bunko (a digital archive of public-domain Japanese-language works):

General website: https://www.aozora.gr.jp

Current text: https://www.aozora.gr.jp/cards/001403/files/55082_54782.html

All rights reserved, Christopher Southward, 2019

Children Shouldn't Play With Dead Things, Sarah Adcock

Graduate School of Art Theses

I view my creative process as alchemy, the transformation of materials through experimentation. I use wax as a material that transcends its historical use as a sculptural process for casting and instead, use it for its transmutable qualities to inform content. Because of its plasticity and duality as fragile and resilient, wax is symbolically submissive and assertive. By applying heat, wax can be molded and formed into new shapes. Once it cools, wax reverts back to its natural state; solid and impermeable. I use objects to explore desires of origin and life. Transitional objects, the first “me not me” possession …

The Role Of Band For Former Military-Connected Students When Transitioning Schools: A Phenomenological Study, Beverly Purifoy Goehring

Doctoral Dissertations and Projects

The purpose of this transcendental phenomenological study was to understand the role of wind band for former military-connected (MC) students that graduated Carn Schools (pseudonym) in the past five years who experienced a transition to a new school. The theories guiding this study were Gates’ music participation theory as it describes reasons and explanations of why people actively participate in music and Vygotsky’s social constructivist theory as it relates to learning in a social context. The central research question for this study was as follows: How do former MC children describe their experiences in wind band during a transition to …

Pantomime: The History And Metamorphosis Of A Theatrical Ideology, Karl E. Toepfer

Open Educational Resources

This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern …

So . . . We're Going For A Walk: A Placed-Based Outdoor Art Experiential Learning Experience, Priscilla Anne Stewart

Theses and Dissertations

Schools in the United States often emphasize making children competitive in a global economy while neglecting the importance of developing citizens who are ecologically responsible. Problems of climate change, loss of biodiversity, mass extinctions and degradation of the natural environment, are often ignored. Some researchers have suggested that children lack unstructured play time in nature, have an increased amount of screen time, lack mindfulness, and are insulated from the natural world. Many children rarely have significant experience with nature's wildness. It is common for people to experience a sense of placelessness in the hyper-mobility of present times where "globalizing" agendas …

Visual Teaching Of Geometry And The Origins Of 20th Century Abstract Art, Stephen Luecking

Journal of Humanistic Mathematics

As a group, the artists educated near the turn of the 19^th and 20^th centuries possessed greater mathematical knowledge than expected of artists today, especially regarding constructive skills in Euclidean geometry. Educational theory of the time stressed such skills for students in general, who needed these to enter the workplace of the time. Mathematics teaching then stressed the use of manipulatives, i.e., visual and interactive aids thought to better fix the student’s acquisition of mathematical skills. This visual training, especially in geometry, significantly affected the early development of abstraction in art. This paper presents examples of this visual …

Reflections On The Number Seven, Grace Sneesby

Art Journal

No abstract provided.

Antithesis, Jessica Rogers

Art Journal

No abstract provided.

MíMica, Amy Pineda

Art Journal

No abstract provided.

Spelunking: The Exploration Of A New World, Marcus Karamanolis

Art Journal

No abstract provided.

Anachronists, Liv D'Elia

Art Journal

No abstract provided.

But First: Let Me Take A Selfie, Catherine Day

Art Journal

No abstract provided.

The Ordained Time, Isabella Christilles

Art Journal

No abstract provided.

Art Journal 2019 - Perspectives

Art Journal

No abstract provided.

Walkowitz, Abraham, Collection, 1925-2002, Special Collections, Leonard H. Axe Library, Abraham Walkowitz

Finding Aids

A collection of research materials, newspaper clippings, photographs, publications, and correspondence of American Modernist artist, Abraham Walkowitz. Abraham Walkowitz was born March 28, 1878, in Tyumen, Russia and died January 27, 1965, in New York City. In 1889, at the age 11, Walkowitz emigrated to America with his widowed mother and three sisters. By 1894 he began attending art classes at the Cooper Union and the Educational Alliance, both in New York City. It was not until 1898 that Walkowitz decided to pursue art as a profession, enrolling at the National Academy of Design and the Art Students League, also …

Kazua Melissa Vang, Justin Beales

Asian American Art Oral History Project

Kazua Melissa Vang is a Hmong American filmmaker, visual artist, photographer, teaching artists, production manager, and producer based in Minnesota. Melissa is currently a lead artist as well as a teaching artist for In Progress. Her most two most recent photography works were showcased at In Progress under the exhibit, “NEXUS: Honoring the Self-Taught Photographic Artist” (2016), and “Hmong Tattoo,”(2017). Her current photography project is taking portraits of Hmong refrigerators and freezers. From her collection “F R I D G E S,” was featured in the exhibit, “Foodway”(Summer 2018) at the Minneapolis College of Art and Design and is currently …

Hypha, Emily Ruth-Diehl Brooks

Masters Theses & Specialist Projects

For hundreds of years, Ona and her people have been unknowingly enslaved. Ona has given everything she is to the spiritual people on the mountain, including her own son. So when rumors spread through the swamp’s magical mycelium that she and her people are slaves, Ona must find the truth and, if possible, reunite with her son before he becomes as evil as those who raised him. Meanwhile, her son has his own doubts after his people leave his friend to die. As he and Ona journey separately to save the people they love, they find everything they believed to …

Fistful Of Shovel, Marcee Wardell

Masters Theses & Specialist Projects

My thesis project is a draft of a novel. It is literary/realistic fiction telling the story of a single father of a young daughter who struggles with navigating complicated relationships and building a meaningful life for himself and his daughter in their small town. In this draft, the protagonist, Clint, deals with developing new romantic relationships while managing his relationships with his daughter’s mother, her family, and his, as well as recognizing his portion of the blame in the dissolution of his romantic relationship with his daughter’s mother and the biases and expectations that prevent his healing and development.

The Sad Kitchen And Song Of Neon: Two Novellas, John Paul King

Masters Theses & Specialist Projects

The Sad Kitchen, a work of magical realism, tells the story of a saintly woman named Helen. She opens an underground kitchen where people who feel guilty can come to be comforted and nurtured in the middle of the night. The story is, at its heart, a reflection on forgiveness. Song of Neon, also of the magical realist genre, is an existential work about a nurse named Avery and her husband, an owl house maker, named Saul. Their town, Milliard, is under a trance. Avery and Saul struggle with their respective identities in the quiet, vacuum the town has become.

Kentuckiana, And A Dash Of Cambodia: A Collection Of Short Stories, Brodie Lee Gress

Masters Theses & Specialist Projects

The following is a collection of five short stories set in regions familiar to me: “Dewberry Park,” “YouLead,” and “The Color Violet” in Indiana; “Mens Rea” in Kentucky; and “Tory Ride” in Cambodia. Gay identity plays a role in many of these stories, and other themes explored include family, region, socioeconomics, gender, mentality, and change. These stories are concerned with people on the brink, failing and surviving all the same. Some of them are intended to weigh, and some to satirize. I hope they all nick their readers.

Sky Cubacub Interview, Spencer Nieto

Asian American Art Oral History Project

Artist Bio: Rebirth Garments are designed and made by hand by Sky Cubacub. Sky is a non-binary queer and disabled Filipinx human from Chicago, IL with life long anxiety and panic disorders. Sky first dreamed of this collection while in high school and couldn’t find a place where they could buy a chest binder as a person who was under 18, and who didn't have access to a credit card to buy one online. Sky is especially interested in Rebirth Garments being accessible to queer and disabled youth and is working on creating a program for making free/reduced priced garments …

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …

Heather C. Lou Interview, Katie O’Reilly

Asian American Art Oral History Project

Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …

Nicole Sumida And Alex Yu Interview, Laraib Malik

Asian American Art Oral History Project

Bio: Nicole Sumida is a co-founder and co-publisher of Riksha Magazine, an online magazine featuring creative work by and about Asian Americans. Alex Yu is a co-publisher of Riksha and both have been involved in community arts organizing since the 1990s in Chicago.

“Riksha provides a space for capturing the Asian American experience through compelling writing, commentary, and artistic expression. We curate an online magazine that presents poetry, fiction, non-fiction, fine arts, and video and audio pieces. We also comment on and curate the bric-a-brac and ephemera of Asian American life.”

Chamindika Wanduragala Interview, Vincent To

Asian American Art Oral History Project

Chamindika Wanduragala is a Sri Lankan American visual artist, cook, DJ ( DJ Chamun), puppeteer and stop motion animation filmmaker based in Minneapolis. Her work deals with personal experience through mythic stories. She is also the founder and Director of Monkeybear's Harmolodic Workshop, which supports Native/POC in developing creative and technical skills in contemporary puppetry.

Bio from: http://chamindika.com/index.html

Ada Cheng Interview, Zishuo Wang

Asian American Art Oral History Project

Bio: Ada Cheng is the host of the storytelling show Pour One Out, a monthly storytelling series at Volumes Bookcafe. She is also the producer and host of the show Am I Man Enough? a storytelling/podcasting show, where people tell personal stories to critically examine the culture of toxic masculinity and the construction of masculinity and manhood. In addition, she is the co-producer and co-host of Talk Stories, an Asian American/Asian diaspora storytelling show, along with Randy Kim, a show where they showcase Asian/Asian American storytellers and performing artists.

There's Enough For Everybody: User Generated Content Post-Posting, Rebecca Forstater

Theses - ALL

Experiencing the evolution of the contemporary digital space has led to an inevitable awe and skepticism of technology that penetrates through my bodies of work. Wonderment is usually succeeded shortly after by a contemplation of how this shiny newness will potentially change the way we experience everyday life. This point of view and gravitation towards the digital as an artistic material is specific to being born in the late 1980’s, where there are glimpses of early memories before computers and a corresponding growth of technology with personal cognitive development. It is an active and learned inclination to engage with new …