Fine Arts Commons^™

Dyeing With Morinda Citrifolia: In Pursuit Of Sustainable Future, Sudha Dhingra

Textile Society of America: Symposium Proceedings

Green and sustainable practices are the future of fashion. It aims to nurture the environment through effective use of resources in order to minimize the cruel impact for both producer and customer. It employs techniques of environmental friendly ways of growing, extracting, producing and processing fabrics. Fashion industry as such involves highly unsustainable practices as there is always an urgent need to get faster and uniform results. It has a high carbon footprint as each stage of clothing lifecycle generates environmental and occupational hazards. Socially committed fashion takes into account the place of production, producers well-being and conditions under which …

“Meshed With A Million Veins”: Seafaring Networks & The Norfolk Sampler, Joanne Martin Lukacher

Textile Society of America: Symposium Proceedings

The title of this article is taken from a line of a poem by the 19th-century Georgia poet Sidney Lanier and is presented as an homage to the location of the 2016 TSA conference. “And the marsh is meshed with a million veins” is Lanier’s description of “The Marshes of Glynn” in his poem of the same name, Glynn being one of the Atlantic coastal counties south of Savannah. I have taken this alliterative evocation of the sinuous verge of land and sea as a metaphorical point of embarkation for a discussion of the distinctive needlework of another, more distant, …

The Power Of Color: Anatolian Kilims, Sumru Belger Krody

Textile Society of America: Symposium Proceedings

The kilims of Anatolia are great contemplative and minimalist works of art as stated by a kilim enthusiast.1 Created by women who had a magnificent eye for design and an awesome sense of color, these textiles are prized for the purity and harmony of their color, the integrity of their powerful overall design, their masterfully controlled weave structure, and their fine texture. The kilims are large tapestry-woven textiles. The visually stunning and colorful Anatolian kilims communicate the aesthetic choices of the village and nomadic women who created them. Yet, while invested with such artistry, Anatolian kilims first and foremost were …

For What It’S Worth: The French Knot As A Basic Trade Commodity, Jeana Eve Klein

Textile Society of America: Symposium Proceedings

For nearly twenty years, my primary studio production has been in the form of mixed media quilts. These quilts draw—both visually and conceptually—on the abandoned houses that color the landscape of my North Carolina mountain home. They are constructed using traditional quilting techniques married with digital processes and acrylic paint—a hybrid product that lands at the intersection of fibers, photography, painting and digital media. Although their conceptual purpose is to investigate the narrative past, present and future of these homes and their values, the questions with which I am most often quizzed at exhibitions focus purely on time and technique: …

Here And There, Now, Sandra Heffernan

Textile Society of America: Symposium Proceedings

A textile installation shaped by traditional embroidery, geographical differences, technology and novel natural dye is the focus of this paper. ‘Through the globe’ [Através do globo] is the result of a six week artist in residency at Contextile 2016 in Guimarães, Portugal.1 It builds upon environmental pest invasive weed dye research, interprets ‘traditional’ embroidery illustrating the poetics of place.2 The essence of Guimarães embroidery provides the narrative along the fourteen metre length and is the physical embodiment of the antipodal link between and Wellington, New Zealand. The challenge offered by Contextile 2016 was to collaborate with Oficina embroiderers to learn, …

Some National Goods In 1871: The Rebozo, Marta Turok

Textile Society of America: Symposium Proceedings

The history of rebozos and jaspe (ikat) in Mexico still presents many enigmas and fertile field for research. Public and private collections in Mexican and foreign museums preserve a variety of rebozos from the mid-18th through the 20th centuries. However, it has been complicated to correlate these extant pieces with exact places of production and dates. Other sources such as written accounts and images focus mostly on their social uses, sometimes places of production or sale are merely mentioned yet techniques and designs are the information least dealt with. Virginia Davis mentions this problem while analyzing the Frederick Church collection …

The Merchants And The Dyers: The Rise Of A Dyeing Service Industry In Massachusetts And New York 1800-1850, Linda Jean Thorsen

Textile Society of America: Symposium Proceedings

Histories of dyeing in the United States have tended to emphasize home craft processes, early textile manufacturing, or the growth of synthetic dyes. But in the first decades of the nineteenth century, a vibrant independent dyeing service industry emerged in U.S. port cities. Using natural dyes, working with a variety of fibers, colors, and finishing processes, and developing sophisticated skills and equipment, these dyers served import merchants, retailers, elite households, and businesses such as hotels. They received cloth, garments, or home furnishings, cleaned, bleached, and/or dyed them, and then returned them “like new.” To satisfy customers, these businesses had to …

Artist At Sea: Codes And Cargo, Kelly Thompson

Textile Society of America: Symposium Proceedings

The themes of land, labor and the port resonate for me and particularly in recent voyage experiences and digital weaving research, which I will attempt to bring together in this talk. These activities converge in new and evolving artwork, generating more questions than answers on the relationships between digital and analog materiality. Trades routes, and the movement of people and goods through ports, notions of networks, flow, circulation, has parallels and resonance with our contemporary digital systems and also, correlations with political issues, namely power and control. The Container Shipping world is fascinating to drop in on, a world so …

A Morenada Dance Costume: An Example Of The Interconnection Of The Americas, Spain And Africa, Nancy B. Rosoff

Textile Society of America: Symposium Proceedings

This paper will explore the interconnection of the Americas, Spain and Africa as exemplified by a 19th century festival costume in the collection of the Brooklyn Museum, worn for the Moreno or Morenada, a dance developed after Spain’s conquest and colonization of the Inca Empire in the 16th century. Two other costumes were also examined, one in the collection of the American Museum of Natural History in New York City, and the other in the collection of the Museo Nacional de Etnografía y Folklore in La Paz, Bolivia. Today, the Moreno or Morenada is one of the most popular dances …

Velvet And Patronage: The Origin And Historical Background Of Ottoman And Italian Velvets, Sumiyo Okumura Dr.

Textile Society of America: Symposium Proceedings

Velvets are one of the most luxurious textile materials and were frequently used in furnishings and costumes in the Middle East, Europe and Asia in the fifteenth to sixteenth centuries. Owing to many valuable studies on Ottoman and Italian velvets as well as Chinese and Byzantine velvets, we have learned the techniques and designs of velvet weaves, and how they were consumed. However, it is not well-known where and when velvets were started to be woven. The study will shed light on this question and focus on the origin, the historical background and development of velvet weaving, examining historical sources …

Non-Specific: Ubiquity, Invisible Labor And The Moving Blanket, Callen Zimmerman

Textile Society of America: Symposium Proceedings

“A textile is not simply a binary system of spun, twisted or spliced fibres, but first and foremost a result of complex interactions between resources, technology and society.” Eva Anderson Strand The crash of metal on asphalt as the back of a truck lowers its lift, a grunt of exertion, a buoyant step on the platform, the shuffling of work boots in calculated motion, the crumbled sigh of fabric folding falling on itself. This observed situation is typical to the daily ins and outs of the moving blanket, a complicated dance to aid objects of importance in transit. Even if …

From Function To Fashion To A Contemporary Art Process, Journey’S Within A Fisherman’S Rib Jumper, Christine Wiltshier

Textile Society of America: Symposium Proceedings

This paper investigates a number of journeys discovered within a fisherman’s rib jumper. The thread of each journey was unravelled whilst considering the notion, Could a process of unmaking become a form of making. This question framed a process lead studio research that centred on haptic experimentation. The vehicle chosen to investigate this question was that of the unravelling of a knitted garment. Along side a studio investigation, a number of threads were followed that connect a 1980’s fashion garment with historic coastal fishing economies in the United Kingdom. Connections were also unravelled between the machine construction of the garment …

Sumptuary Synergy: British Imperialism Through The Tartan And Slave Trades, David Loranger, Eulanda A. Sanders

Textile Society of America: Symposium Proceedings

Sumptuary laws have been a useful tool for various national powers in regulating subjects and to promote class differentiation and business interests. The genesis of this study was one such law, entitled the South Carolina Negro Act of 1735, stipulating that slave garments could only be made of low-quality textiles. These fabrics were reflective of slaves living in chattel environments, thus also representing a slave’s status in society. This law forbade slaves from wearing “any sort of garment or apparel whatsoever, finer, other or of greater value than Negro cloth, duffels, coarse kerseys, osnabrigs, blue linen, check linen, or coarse …

Veiled In Ignorance And Clothed In Reason: Jimmie Durham’S 2014 Exhibition Traces And Shiny Evidence, Andrea Feeser

Textile Society of America: Symposium Proceedings

In the 2014 London exhibition “Traces and Shiny Evidence,” Jimmie Durham showed on one floor brightly colored oil barrels, car parts, pcv pipes, and reproduction animal skeletons covered with or leaking ooze that shimmered with rainbow hues. On a floor one level up, Durham exhibited wall size drawing-prints he made by throwing stuffed animals coated with charcoal at very large pieces of paper. In the video that recorded Durham making the drawing-prints, the artist wears a workman’s vest labeled “Steiner. Maison de la Paix.” A video that is featured in the exhibition itself shows Durham in a business suit seated …

Hagiografía Del Fuego, Marco Antonio Rodríguez Murillo

Open Access Theses & Dissertations

Hagiografía del fuego es un poemario que se conforma de cinco partes, que tratan de mapear la ciudad de El Paso, Texas, histórica como geográficamente.

Performing The Uncanny: An Exploration Of Self Through Alternative Process Photography, Caroline Thomas

Scripps Senior Theses

This paper considers how the tradition of self-portraiture and alternative process photography can be used in conjunction with one another to perform the uncanny. I discuss the "uncanny" through three theoretical lenses: Sigmund Freud, Hal Foster, and Rosalind Krauss. I then go on to discuss how the "uncanny" has been used in alternative processes of contemporary work by examining Robert Heinecken and Joyce Neimanas. Finally by looking at Francesca Woodman's self-portraiture, I address how self-portraiture can be a type of performance and how this influenced my own series during my 2015 Fall semester. As a whole this paper addresses how …

Gotta Catch 'Em All, Jennifer Lynn Lombardi

LSU Master's Theses

The ability to imagine is essential to shaping who we are, and is an important part of our humanity. Children have the ability to use aspects of their environment as their playthings, becoming the characters in their world through their sense of imagination. We lose this ability as we grow, leaving us with only memories and sentimentality. I have come to realize that my art is an expression of the longing and search to regain that ability to become fused with my imagination and my environment. I allow myself to become lost in a world of fantasy once more, and …

Intimate Immensities, Jonathan Walker Wright

LSU Master's Theses

The works in the “Intimate Immensities” series of landscape paintings function as “aporia,” or irresolvable contradictions. Using two aspects of Charles Sanders Peirce’s semiotic designations of the sign: the “icon” and “index,” these paintings function as both iconographic representations of mankind’s spiritual connection with nature and indexical relics of the creative process as ritual. The foundational view out of which the work emerges is grounded in the Kagyu lineage of Tibetan Vajrayana Buddhism. This thesis correlates Vajrayana Buddhism, ritual and the creative process, by explaining the parallels between ritual and the cognition that occurs during the creative process. To do …

Co-Ward: Records Of A Fugitive Heart, Melodie Serena Reay

LSU Master's Theses

Co-ward: Records of a Fugitive Heart is a collection of objects that are themselves collections of events both internal and external. Each object, hand-made and/or un-made, is a record of a moment of vulnerability, in regards to moving away from, or towards, another.

Truss Damage, Hira Tariq

LSU Master's Theses

Truss Damage examines negative cultural restrictions are imposed on family structures. It is an exploration of experimental and interactive narratives formed within virtual and real spaces. My research and implementation includes creating multisensory experiences through immersive technologies. With the use of devices such as Microsoft's Kinect controller, large LCD panels, and framed digital prints I am to bringing forth fragments of my past in order to create an interactive experience through movement and discovery of symbolic features.

Momentary Eddies, Leah Marie Hamel

LSU Master's Theses

Our lives are in a constant state of change, from the most intimate scale physically and emotionally to the world surrounding us externally. The relationships we build with ourselves, others, and the world surrounding us are important structures we carry with us throughout life. Momentary Eddies is a visual poem about the interconnectedness of our inner and outer landscapes. I have created a hauntingly dreamlike space that explores a landscape of emotions that are an entangled part of personal intimate relationships and how the emotional and physical topographies of these relationships connect to the environment surrounding us. These paper sculptures …

This Is Only Temporary, Melanie Robyn Wall

LSU Master's Theses

This is only Temporary examines my personal history of homes as reimagined spaces. The series of prints in the exhibition depicts reconstructed memories of houses. These visual narratives give context to the installation constructed from handmade paper and raw materials. The framework is reminiscent of housing plans that converge into a labyrinth. Participants actively engage the space, navigating the confined structure. A playful nature runs throughout the prints and installation reflecting upon reinterpreted memories within transitional spaces.

A Crow And A Hanger, Kelsey Ann-Morgan Livingston

LSU Master's Theses

A Crow and A Hanger is a body of work that explores and illustrates the nature of life and death through the use of mixed-media drawing and printmaking techniques. My intention for this work, and this thesis paper, is to explain my thought process and how the imagery came to be. For me it is not at all important for every viewer to fully understand each image and the thoughts that went into the body as a whole. I let the images and their titles lead the viewer in a general direction and allow for their personal history and biases …

Lights And Shadows - 2016, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

The Laureate, 15th Edition (2016)

The Laureate

Table of Contents

• I Ache in Portuguese, Cristal Cardoso Sao Mateus
• Halloween, Drew Heuermann
• December 12th, Jared Sebastian
• Gravity, June Rose
• Letters I Never Sent, Heaven Barlow
• Harris Ave After Church, Mary Maroste
• Rapture, Ben Koval
• Love in the Other Places, Danielle Kropveld
• When The Person You Love Treats You Badly, Emily W. Recchia
• Rinse Cycle, Miranda Lopez
• When My Sister Was A Girl, Heaven Barlow
• Cocktail Hour in East Berlin, Mary Maroste
• I am Wild, Courtney Bedrosian
• Self Portrait with Booze and the Kamasutra, Heaven Barlow
• RAM, Jack Marsden
• Cracks in the Pavement, Ben Koval
• Looking out a Window, …

The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.

Flow And Performance Competency In Modern And Ballet Dancers, Ella Wilson

Scripps Senior Theses

A qualitative investigation is proposed to examine flow experiences in professional ballet modern dancers in order understand the nature of this psychological experience. It is not well understood where and when professional dancers experience flow, and whether or not their subjective experience is correlated to what an audience evaluates in a dancer’s performance. The study of performance quality and subjective experience of the dancer has not been studied within the dance movement analysis literature. This is an important topic to research to further understand what factors facilitate or debilitate a professional dancer’s well-being. This study aims to determine any facilitating …

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …

Work It: A Study In Fashion Photography Portraiture, Dominic J. Iudiciani

Williams Honors College, Honors Research Projects

Fashion is a device with which the perception of one’s appearance is manipulated. It is a device that is used across all cultures to identify, symbolize, isolate, and appropriate. It is figuratively and literally woven into the fabric of humankind as a whole. Fashion has the ability to reinforce gender or create dissonance within it through androgynous silhouettes. It can express strength and confidence or emphasize vulnerability.

Through this study, the use of specific studio lighting techniques accentuates design elements of a highly curated collection of avant-garde, 21^st century garments. Drape, texture, form, and luster are but a few …

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.