Fine Arts Commons^™

The Final Frontier: Navigating From Material To Virtual, Alexandra Neuman

Undergraduate Theses—Unrestricted

Humankind’s continual creation of and progression into virtual space is a hugely significant event on our evolutionary timeline, one that signifies a sort of imminent and already in-process departure. While the more popular notion of our species’ eventual exodus is linked to outer space and planetary exploration, our existing conceptualization of cyberspace connotes an identical unknowable vastness and sense of discovery, with its depiction relying on nearly identical imagery. The projection of a virtually based human future is thereby left with an already carved out spot in the collective imagination. The lone floating astronaut locked into a suit unable to …

It Begins With You And Me, Sea A Joung

Graduate School of Art Theses

This thesis conceptualizes the conditions of the Korean division, including the realization of the political and cultural gap between North and South Korea, lack of education about the Korean division and the role of media. The Korean War, also known as the “Forgotten War,” is erased from the consciousness of contemporary societies. This thesis describes a history about how the artificial division created during the Korean War continuously affects the lives of modern Koreans. For more than sixty years, North and South Korea did not have any form of communication except through government negotiations and regulated media. As a result, …

Landmarks For Sleepwalkers, Isaac S. Howell

Undergraduate Theses—Unrestricted

Abstract:

In my recent work I have been interested in thinking about notions of instability. In order explore these notions, in this paper I will like to explore the relevance of postmodern literary theory and the color black in my work, as well as think about the importance of the grid as a tool for organization and ontological delineation.

I will be examining writing by Alain Robbe-Grillet, as well as art work by Mark Manders, Giorgio de Chirico, Kay Sage, and Ad Reinhardt.

The Disinheritance Of Power, Jared Stein

Undergraduate Theses—Unrestricted

Patriarchy as a system of cultural organization is entering a new period of existence where the notion of masculine predominance is challenged and the power of maleness is redressed. This shift is extremely slow and just begun, but felt nonetheless by men. Masculine identity has long been dependent on patriarchy for definition. Modern masculinity, shaped by the tenants of patriarchy, emphasizes the power of the masculine over the feminine and perpetuates the supposedly inherent entitlement of the male condition. As cultural power is rebalanced the inherited power of masculinity will diminish. The inheritance of power that has allowed men to …

Bodies In Space, Nancy Congrove

Senior Honors Projects, 2010-2019

Looking to ritual, costuming, and drag, while still using traditional craft processes, my practice reflects imagery from my own narrative with inspiration from history and counterculture movements. I am interested in creating environments and costumes that reference the function and architecture of the body, especially when thinking about interior spaces.

Inner Sound: Contemporary Abstract Photography In The Wet-Plate Collodion Process, Brian Barger

Masters Theses, 2010-2019

My work is Neo-Romantic in nature. This description implies a rejection of all that is tedious, mundane, and ugly in the modern world, in favor of looking to history, nostalgia, and mystery for inspiration. I intend for the work to be dreamlike and evocative of fantasy, to be poetic rather than prosaic, and to be beautiful rather than purposeful.

To this end, I am investigating abstraction in photography through the use of the wet-plate collodion process. The work is intended to reference spirituality and the subconscious, through the use of the abstraction of nature and natural forms, using the inherent …

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses, 2010-2019

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …

Immersion, Jennifer M. Tremblay

Masters Theses, 2010-2019

The focus of this paper is on a body of work created between 2014 and 2015. This series, titled Immersion, deals with the pollution of a local body of water, Blacks Run, and with my own bodily illnesses that occurred during this time period. Using large-scale cyanotypes, video, and large format photography I explore the attitudes that lead to environmental pollution and reference my own struggle with depression and anxiety.

My work examines traditional gendered views of the landscape and female figure, and the intersections and interactions between these two ‘bodies’. By using my illness as a way to …

Marshall University Music Department Presents A Piano Ensemble Class, Spring 2015, Final Performance, Henning Vauth, Johan Botes

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Scott Nibert, Clarinet, Scott Nibert

All Performances

No abstract provided.

Marshall University Music Department Presents A Marshall University Cello Ensemble, In Concert With Guest Artist, Hannah Whitehead, Cello, Hannah Whitehead

All Performances

No abstract provided.

Unmonumental Moment, Amy Holbein

Graduate Theses

This thesis statement investigates the coexistence of joy with grief, light alongside darkness, and the intersection of the divine with the ordinary, as they express themselves in my thesis “Unmonumental Moment.” In it, painting merges with sculptural forms to create a three-dimensional work that addresses the idea of duality. The exhibit is marked by the on going common elements in my work, namely the use of a saturated color palette, the incorporation of papier-maché with everyday detritus, dream imagery, and portals alluding to a parallel spiritual world. This statement analyzes the thesis components and examines them in light of art …

Vulnus, Charlotte Ashley Coolik

Graduate Theses

This thesis statement is a reflection on my thesis installation work, Vulnus: Wanna’ Go for a Ride Little Girl?, The Shack, and My Tara. This statement describes the background motivation, influences, and processes that led to its completion. Vulnus originates from the Latin meaning wound or injury. The Vulnus body, a trinity of dollhouses transformed by found objects, comprises the constructed assemblage. As an artist employing precision placement and thereby composing miniature theatrical tableaus, I weave a theme in this triptych. Vulnus represents memories of vulnerability, danger, and trauma. Vulnus embodies found objects that speak of people’s lives. Items and …

Situating Urban Moving Images: Illuminating Place, Annie Dell'aria

Graduate Student Publications and Research

No abstract provided.

Path To Equilibrium, Foozhan Kashkooli

Graduate Theses

This statement outlines the theoretical, historical, and conceptual influences that shape my Master of Fine Arts thesis at Winthrop University. It further describes and analyzes the series of paintings that compose my thesis Equilibrium, each one a reflection of my aesthetic experience as I evolved as an artist. As I will illustrate, the aesthetic experiences reflected in my work are intertwined with the artist or movement that inspired me at the time. The series consists of seven large-scale, abstract paintings, where I explore balancing form, shape, and color. In this thesis statement, I am asserting my progression as an evolving …

Metaphors, Dean Mobley

Graduate Theses

This statement analyzes and reflects upon my Master of Fine Arts thesis exploration of material collision as a metaphor of my life experiences. The thesis exhibition, entitled “Equilibrium”, consists of six sculptural works constructed in glass, wood, metal, and repurposed heavy industrial objects. Within each individual piece I selected materials that would, when forced together under pressure and intense heat, bring attention to the utilization and exploitation of their inherent qualities. The manipulation of these material qualities has enabled me to express the complexity of human emotion. I am confident that all materials can convey certain emotional properties. During the …

Pollataggle: An Exhibition And Photo Book, Kaitrin R. Acuna

University Scholar Projects

Pollataggle is a series of photographs by Kaitrin Acuna that explores childlike imagination and the unreal. The imagery may be viewed at KaitrinAcuna.com and the following is a reflection on the process and outcome of creating the series. This paper reflects on the process of photographing each component of the final images, the inspiration, the process in Photoshop, and the exhibition of the work.

Marshall University Music Department Presents Music Alive Faculty & Guest Artist, Collaboration Series, "Russian Soul", With The Members Of Freya String Quartet & Johan Botes Şőlen Dikener, Johan Botes, Şőlen Dikener

All Performances

No abstract provided.

Standing Still, Young Tseng Wong

CGU MFA Theses

I am drawn to the in-between — to movement at the corners of the eyes, to the moments between one breath and the next. When we want to catch such moments we stand still, we pause, we wait, "with bated breath." At such moments, I believe, the potential exists for taking on different perspectives and for finding other points of view.

Standing still, in a state of stillness, is an action that encapsulates many of my concerns. My work takes form in objects and architecture that collaborate with bodies moving inside them. The space is structured, not as a system, …

Fan Letter, Summer 2015, Illinois State University, College Of Fine Arts

FAN Letter

Newsletter of the College of Fine Arts

Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan

Theses and Dissertations

Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.

Breaching, Margaux Crump

Graduate School of Art Theses

I make objects that behave like bodies—graceful hybrids that are effortlessly cultural and natural, masculine and feminine, plant and animal. Shifting and slipping between unfixed identities, they exist as multiplicities. When these bodies touch, power and pleasure are fluidly exchanged. However, power is not structured here as a binary and pleasure is not finite; both have the potential to flow between bodies, blurring boundaries and rendering individuality delicate.

My work is primarily rooted in the relationship between desire, intimacy, and control, with the body acting as a site of power play. This body may be plant, animal, sculpture, or material. …

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …

The Representation Of Non-Traditional Bodies, Elizabeth J. Perkins

Undergraduate Theses—Unrestricted

My work largely addresses the close-minded Western ideals of the human body, particularly those related to females. Stemming from struggles with my own sense of security, I strive to create accessible works of art that both challenge and expand these ideals by representing figural imagery beyond such social constraints. Though my works may seem to serve the purpose of mockery at first, the urgency of the issues portrayed becomes apparent as the pieces are studied more carefully. I explore how exposure, vulnerability, grotesqueness, and intimacy within my work serve as a means to expand our cultural ideals for the human …

In-Betweeness On Stage, Qiyuan Liu

Undergraduate Theses—Unrestricted

It all started with the question of “where are you from”. Coming from China and making art in America, I have been confused by people’s question about where am I from and, more importantly, where I identify myself belong. By using installation as the main format, I created works with strong theatrical quality to restage and reenact my social and cultural experiences that finally led to my understanding of the “in-betweeness” of myself: I reside in neither of the two cultures but rather moving back and forth between them. I carry influences from both sides with me and present them …

Mfa15 (Mfa 2015), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Heather Corcoran, Patricia Olynyk, Andrea Coates, Margaux Crump, Brandon Daniels, Addoley Dzegede, Vita Eruhimovitz, Carling Hale, Amanda C F Helman, Michael A. Helms, Ming Y. Hong, Sea A Joung, Stephanie E. Kang, Dayna J. Kriz, Thomas C. Moore, Jacob Muldowney, Laurel Panella, Caitlin Penny, Eric Lyle Schultz, Jeremy Shipley, Emmeline Solomon, Kellie Spano, Michael A. Williams, Austin R. Wolf

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 1 - August 2, 2015 . Introduction / Heather Corcoran and Patricia Olynyk -- Diana Casanova / Emily J. Hanson -- Andrea M. Coates : in the operating theater / Stephanie Dering -- Margaux Crump -- Brandon Daniels -- Addoley Dzegede : do you prefer answers or truth? / Aaron Coleman -- Vita Eruhimovitz -- Carling Hale -- Amanda Helman -- Mike Helms / Ming Ying Hong -- Ming Ying Hong / Emily J. Hanson -- Sea A Joung / Ervin Malakaj -- Stephanie Kang …

The Artist, The Workhorse: Labor In The Sculpture Of Anna Hyatt Huntington, Brooke Baerman

Renée Crown University Honors Thesis Projects - All

Anna Hyatt Huntington (1876-1973) was an American sculptor of animals who founded the nation’s first sculpture garden, Brookgreen Gardens, in 1932. Hyatt Huntington, whose personal papers are housed at Syracuse University, is an important yet understudied artist. Focusing on Hyatt Huntington’s sculptures in Brookgreen Gardens and on the gardens themselves, which also included a zoo, this paper will examine themes of labor in the artist’s oeuvre.

Hyatt Huntington placed an emphasis on hard work as she fought to distinguish herself as a sculptor in a male-dominated field. The products of her labor often venerate the work of animals, from bulls …

Power To The People: A Comprehensive Look At Crowdsourcing Initiatives In Cultural Institutions, Danielle Pace

Seton Hall University Dissertations and Theses (ETDs)

Today, crowdsourcing has become an integrative approach to completing projects using the help of the general populous. These projects aid museum staff by processing large quantities of data, which otherwise could not be completed due to time and/or staff restraints. Through crowdsourcing, cultural institutions have the ability to outsource these tasks to volunteers, who can complete them at much faster rates. Although staff members are needed to validate and supervise these projects, crowdsourcing remains a useful tool in increasing public interactions and project efficiency.

This thesis presents a thorough outline of what crowdsourcing is, how it is being utilized, and …

Facing Technology : Creative Solutions To Real-World Problems., Taylor Juanita Beisler

College of Arts & Sciences Senior Theses

We are shaped by technology. This simple idea has become more familiar to social scientists, technical engineers, and some tech users. The first section of this thesis finds unfavorable consequences of constant social media usage, such as unawareness, behavioral and cogitative modifications, and disconnection as societal ills. The second part of this thesis explains how these social side effects can be best ameliorated by “serious” designers, or those whose work is conceptual with real world applications (McLuhan, 8). The final section proposes a creative expression as it relates to bringing awareness to the social side effects of tech usage, linking …

Enduring Peripheries, Anna Yeroshenko

MFA in Photography and Integrated Media Theses

In the 80s when Russian state-sanctioned architectural production consisted of standardized buildings that deplored any unnecessary ornament or decoration, an architect functioned only as an interpreter of numerous limiting factors. As an act of protest against the stagnation in architecture, a group of young architects began to create projects that existed only on paper. For them ‘Paper Architecture‘ became a way of bypassing restrictions and dissenting, a way to critique the dehumanizing nature of the architectural style that prevailed at that time. Spatial compositions, which were hard to comprehend visually, elements of inverse perspective, and impractical, idealistic environments depicted a …