Fine Arts Commons^™

The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle

Articles

A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …

Similarity And Difference: The Appearance Of Suffering At The Strokestown Famine Museum, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Carolee Schneemann: Within And Beyond The Premises, Carolee Schneemann, Brian Wallace

Library Staff Books

Includes the following essays: "Introduction," by Brian Wallace; "Painting, What It Became," by Maura Reilly; "Depth of Place: An Interview with Carolee Schneemann," by Emily Caigan.

Selections From The Uni Permanent Art Collection, Charles M. Adelman

Faculty Book Gallery

The University of Northern Iowa (UNI), specifically the Department of Art and its Gallery of Art in the College of Humanities and Fine Arts, has been the home of a substantial collection of pieces of art for many years. Better known as the Permanent Collection, the Gallery of Art is the repository of paintings, etchings, drawings, lithographs and other artistic modi. The Collection holds objects donated by alumni, benefactors and faculty from the famous masterpiece to the not so well known. Still, all the pieces in the Collection, from Rembrandt to Rauschenber and from Dali to Grosz, are precious in …

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …

Pathos, Winter 2010, Portland State University. Student Publications Board

Pathos

Editors: Joel Eisenhower and Richard Hernandez

Issue 11

Commonthought (2010), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Over The Rim Where Do We Come From? What Are We? Where Are We Going?, Jungrim Yea

LSU Master's Theses

My paintings are about the short span of human existence in comparison with the rhythms of the eternal cosmos based on Christianity. To illustrate this, I explored the icons of the moon (soul) and the iceberg (physical body). The painting technique used is the juxtaposition of passages of heavy impasto with thin glazes of earthly monochromatic colors, which represent time and age. I am seeking a depth of spiritual space. My works consists of ten large-scale oil paintings on masonite/canvas, and a series of small oil paintings on panels. In order to represent the unpredictable fate of human beings, I …

Becoming: Transformation And The Body, Melissa Mcdonald Graves

LSU Master's Theses

My intention is to focus on human flesh concentrating both on its imperfections as well as its beauty. Beauty is seen in the marks of age and imperfection as time forms the deepest wrinkle to the darkest mark. Cycles come in and out growing dark to light as cleansing takes place. Veils of material cover and hide inner feelings and thoughts as a shape unfolds itself in my hands. The forms soften and grow from one small stitch to a more complete shape. Successive layers of marks, represent hidden truths and human growth through the passage of time. Memories are …

Faining Pain And Care, Lindsey Elizabeth Maestri

LSU Master's Theses

Simple repetitive actions such as rocking or jumping paired with garments that contain, heighten, or limit the movements of such actions are the focus of my thesis work. Through the pieces in the show, I track these actions and plot them over a course of a lifespan, looking at the ways they define moments, change in meaning, and sometimes come to contradict themselves.

Longing: Places I Desired And Couldn't Find, Ashley Kathleen Bell

LSU Master's Theses

Ephemeral. Nostalgic. Absence. Transient. Transformation. Movement. Temporary. Skeleton. Momentary. Fleeting. Landscape. Cityscape. Southern Landscape. Baton Rouge. Louisiana. I paint the feeling of wearing time and the earth on my skin. The scars on the landscapes tell stories and truths marked by past generations. The imagery in my work is inspired by local places and reveals the wavering condition of the natural landscape and civilizations. Everyday places and repetitive acts make up the components of miracles. As I create, I examine ideas beyond the current condition of a specific location. Through my imagination I bring the unseen into the artworks. The …

Western Interpretation Of The Other: How The Perpetuation Of Negative Stereotypes Against Blacks Have Shaped Our Culture, Katrina M. Andry

LSU Master's Theses

This thesis examines the history and nature of stereotypes propagated against blacks from the African Exploration to present day. Therefore by understanding the nature of these stereotypes one can better understand the consequences they’ve had on the black community and they’ve helped to maintain racism in America. This thesis further investigates the media’s role in maintaining racist attitudes towards blacks and how separating people in categories ranking from superior which consequentially breeds inferiority is advantageous to the majority rule in America. In conclusion the problem presented in this thesis has no concrete solution other than the viewer’s perspective after engaging …

Play Pretty, Brad Wreyford

LSU Master's Theses

No abstract provided.

Put The Bunny Down, And Other Short Stories, Jacqueline Mersereau Lincoln

LSU Master's Theses

I have always been interested in stories, and parts of every story I have heard has shaped who I am as an adult. If I’m not telling others an anecdote of a moment turned into an adventure, I am inventing adventures to tell myself. Three characters developed from the mixture of the stories I heard from true life, books and television, and what I made up for myself. Originally I simply intended these characters of a little girl, a rabbit, and a few raccoons to interact with one another and show moments of individual stories—like illustrations in an anthology that …

Site Unseen, David Christopher Carpenter

LSU Master's Theses

Site Unseen is a large-scale installation of seventy-three brightly screen-printed and painted house forms. The houses stack and interlock with one another, creating clusters of towers and archways. The forms appear to grow into one another, physically connecting the homes. Each house is printed with images of materials in various states: raw, processed and waste. These materials represent the cycle of community’s rise and fall. Beyond examining the construction of community, Site Unseen explores a moment when trust or foundation is lost in a community. In the center of the community is a gaping, spherical void. This void represents the …

Believing Is Seeing, Robin Akkerman

LSU Master's Theses

Fantasy art is often described as being connected to the imagination. My work defines fantasy themes in combination with modern culture and real life experiences. During the creative process I have overcome a struggle with composition development and color relationships. Paintings mimic a puzzle strategy. I come up with a basic idea by inserting and taking away imagery in order for the whole image to be cohesive. Subject matter includes women of different cultures in dress, animals, pattern, sweets, and childhood experiences from the 80’s. My characters are a personification of myself as I often dream of being dressed up …

Branding The Bear, Veni Harlan

LSU Master's Theses

Harlan, Veni S, B.F.A., Louisiana State University, 1981 Master of Fine Arts, Fall Commencement, 2010 Major: Graphic Design Branding the Bear Dissertation directed by Professor Rod Parker Pages in dissertation, 64. Words in abstract, 350. ABSTRACT Currently due to successful restoration efforts, the Louisiana Black Bear sub-species is rebounding. Correspondingly this increase in numbers accompanies the rise of human-bear conflict. Fiction, misinformation, resentment, and devaluation of the bear as a valuable asset stand to undermine the tremendous strides made by multiple public and private agencies over the course of twenty years. Discovery revealed a lack of knowledge by the public …

This Doorknob Is On The Ceiling, Cody Tyler Arnall

LSU Master's Theses

This Doorknob is on the Ceiling is a thesis exhibition of sculptural works that explore the fusion of various domestic, industrial and commonplace objects. Some are new, but most of them are used and outdated. I explore and take advantage of the baggage that comes along with them, their history, their functions and what they suggest. My intention with these items is to both exploit and subvert the contextual boundaries which define them. I manipulate these objects in opposition to the way they are normally presented, encountered and understood, while leaving them recognizable. I am interested in obstructing function and …

Pensively, Kenneth L. Lantz

LSU Master's Theses

Pensively, uses toys and solar powered drawing machines to present elements of movement, time, and scale. Each of the works in this exhibition invites or implies action through automation or viewer interaction. The works in this exhibit creates an environment of wonder and excitement that triggers memories of childhood and the pleasure of learning. The works investigate and discuss the responsibilities attained through maturation that keep us from recovering the sense of accomplishment we achieved with play.

Flower Symbolism As Female Sexual Metaphor, Andrea Frownfelter

Senior Honors Theses and Projects

The watercolor paintings that I created from September 2009 to March 2010 use flowers as metaphorical subject matter to address issues and emotions associated with the topic of female sexuality. My goal was to use the long-standing tradition of flowers as symbols of female genitalia (which will be thoroughly explained in part two of this thesis) to allude to my personal attitudes, experiences, observations, and worries in a manner that would be easier for me to express and less abrasive for my audience to accept. Creating these watercolors was certainly therapeutic for me; I hope that other women who have …

Angst, Anthony Ferguson

The Messenger

No abstract provided.

Jordania, Irena Stanisic

The Messenger

No abstract provided.

Underwater Outerspace, Irena Stanisic

The Messenger

No abstract provided.

Untitled, Kate Houk

The Messenger

No abstract provided.

Untitled, Kate Houk

The Messenger

No abstract provided.

Bad Day, Ali Eaves

The Messenger

No abstract provided.

Candlelight, Lourdes Figueroa

The Messenger

No abstract provided.

The Chance For Love Has Passed Me By, Alexander J. E. Szajko Iv

The Messenger

No abstract provided.

Untitled, Amy Mathis

The Messenger

No abstract provided.

Diptych 4, Amy Mathis

The Messenger

No abstract provided.