Fine Arts Commons^™

Holes In Fences, Matthew John Apol

Theses - ALL

This thesis relates my experiences associated to hardcore music (a sub-genre of punk rock) to the aesthetics, intentions, and motivations of guerrilla artwork with my practice as a visual artist. I apply the intentions, motivations, and activation mechanisms from these two art forms to work in conjunction with personally significant images and materials to create space and affectations to consider alternative systems of value. The format of the paper is explored through two distinct voices. One is a "formal artist voice" used for the explanation of research. The other is an "inner voice" describing my train of thought during different …

Finding My Feet: A Documentation Of The Ambiguity Of Cultural Displacement, Aanchal Raisahib

Theses - ALL

The aim of this thesis is to describe my studio practice and expound on the ideas that inspire my projects. First, the thesis demonstrates the ambiguity that arises from a displacement of cultural context from being an international student in America. Then, it goes on to describe how themes of nostalgia and cultural identity are explored through individual projects. It investigates the decision-making process in terms of material and technique used for making the artwork. Finally, the thesis concludes with how the work has potential for existing in more than one narrative and lays a foundation for further investigation.

Reflections From The In-Between: Visualizing The Mental Thresholds Of Dissociation, Katherine Virag

Theses - ALL

I am fascinated by the state of being in-between; by the mental spaces that are somehow neither here nor there, but also somehow both here and there. At a young age, I began to experience depersonalization and derealization, and this dissociated state left me feeling trapped somewhere on the threshold of reality and non-reality. My artistic practice is concerned with the psychological antitheses of dissociation – comfort vs discomfort, safety vs danger, and reality vs non-reality, and the continuum of space between these polarities. Often through large-scale installations, I create a physical space for the viewer to enter. These spaces, …

The Journey From Somewhere To Anywhere: The Interchange Of Two Worldviews, Qinyu Chen

Theses - ALL

This thesis discusses the worldview of conservative Somewhere People and open-minded Anywhere People put forward by David Goodhart in his book The Road to Somewhere: The New Tribes Shaping British Politics. It reveals that under the trend of globalization, Anywhere common-sense challenges the Somewhere worldview and partly replace it. Anywhere People's mobility is the key to maximizing their benefits.

By analyzing the living environment, educational background, and psychological activities of these two kinds of people in the first part, the thesis revealed the relatively higher social mobility helps Anywhere People better seek fortune and opportunities. The most significant difference between …

"Let Me Show You Around": The Domestic As A Site For Personal And Political Transformation, Brett Morgan

Theses - ALL

This thesis seeks to contextualize and describe my art making practice through my personal experience and professional research. I begin by referencing a childhood memory to craft a metaphor for my current work. Through storytelling, I weave together the ideas of home, comfort, and alienation to describe the influence that domestic objects have on the construction of identities. Using disidentification as a queer method, the works described herein act as visual (and visible) evidence to imagine queered futures and complicate the traditional divisions between public discourse and personal narrative. In conclusion, the importance of this queering as a sustained and …

The Art Of Reconstruction, Kristina Starowitz

Theses - ALL

The objective of this thesis paper is to highlight my artistic process, current projects, and research strategies emerging from my studio practice. First, this thesis describes and elaborates my practice of "reconstruction," the reasons I find it effective, and the personal history behind it. I also discuss the goals of my work and how I intend to carry it forward into the future. Throughout my work I seek to tell a story that resonates with my personal history, communicating to audiences both the vulnerabilities and transitions of life experience. My work invites the viewer into a collective space where the …

Stern In German Means Star, Stern In Yiddish Also Means Star, Maya Stern

Theses - ALL

As an artist, I explore my family's complicated history of lost Jewish identity and the contrary involvement. I engage in this history by reflecting on the current political climate using an archive developed by my ancestors. I use components of these varying objects, photographs, and writings to deconstruct - utilizing materials and techniques that can be unwound, discolored, or aged to depict, if not honor, the mutable nature of memory. It is the tension within my ancestry that drives me to make work to ensure that genocidal tragedies like the Holocaust do not happen again. I aim to portray the …

Thank You For Tody, Britton Thorp

Theses - ALL

The objective of this thesis paper is to describe my current projects and research within my studio practice. First, this thesis illustrates my personal journey from addiction to recovery and therefore sets the tone of gratitude for the rest of the paper. Next, the paper discusses my methodology and processes within the ceramics medium. Then, the thesis goes on to draw conceptual parallels between fine art and the culinary arts, leading the reader back to core concepts within recovery and art making. Finally, the paper concludes by discussing core values discovered throughout my tenure as a maker and reaffirms why …

Shangles: A Stream Of Consciousness, Joshua David Baker

Theses - ALL

The purpose of this thesis is to explore the Shangle. Shangle is a term devised by my grandfather during the course of a practical joke. Years after his death, I look to define and explore the ramifications and possibilities of a shangle. I describe how the pursuit of a shangle has allowed for an evolution of my art-making methodologies and concerns. My artwork draws from my interests in humor, culture, materiality, personal anecdotes, and a pervasive need to find the edge of my artwork. My artwork toes the line between fictional narrative and the violent reality of everyday life. I …

The Journey From Somewhere To Anywhere: The Interchange Of Two Worldviews, Qinyu Chen

Theses - ALL

This thesis discusses the worldview of conservative Somewhere People and open-minded Anywhere People put forward by David Goodhart in his book The Road to Somewhere: The New Tribes Shaping British Politics. It reveals that under the trend of globalization, Anywhere common-sense challenges the Somewhere worldview and partly replace it. Anywhere People's mobility is the key to maximizing their benefits.

By analyzing the living environment, educational background, and psychological activities of these two kinds of people in the first part, the thesis revealed the relatively higher social mobility helps Anywhere People better seek fortune and opportunities. The most significant difference between …

Finding My Feet: A Documentation Of The Ambiguity Of Cultural Displacement, Aanchal Raisahib

Theses - ALL

The aim of this thesis is to describe my studio practice and expound on the ideas that inspire my projects. First, the thesis demonstrates the ambiguity that arises from a displacement of cultural context from being an international student in America. Then, it goes on to describe how themes of nostalgia and cultural identity are explored through individual projects. It investigates the decision-making process in terms of material and technique used for making the artwork. Finally, the thesis concludes with how the work has potential for existing in more than one narrative and lays a foundation for further investigation.

The Art Of Reconstruction, Kristina Starowitz

Theses - ALL

The objective of this thesis paper is to highlight my artistic process, current projects, and research strategies emerging from my studio practice. First, this thesis describes and elaborates my practice of “reconstruction,” the reasons I find it effective, and the personal history behind it. I also discuss the goals of my work and how I intend to carry it forward into the future. Throughout my work I seek to tell a story that resonates with my personal history, communicating to audiences both the vulnerabilities and transitions of life experience. My work invites the viewer into a collective space where the …

Situationships: Creating Situations And Relationships For And With Material, Catherine Spencer

Theses - ALL

The ability to heal, adapt, and evolve is essential to thriving within new circumstances. These characteristics, which are so easily observed in nature, have been the visual guide to not only the methodology behind my practice but also in how I have learned to make sense of unimaginable emotional pain. By examining each visual and material ingredient that goes into my process, I reveal my imagined world and the systems of power that influence the “situationships” between each object. This paper aims to reflect the essence of my process and art, where chaos is embraced and the precarity of life …

Reflections From The In-Between: Visualizing The Mental Thresholds Of Dissociation, Katherine Virag

Theses - ALL

I am fascinated by the state of being in-between; by the mental spaces that are somehow neither here nor there, but also somehow both here and there. At a young age, I began to experience depersonalization and derealization, and this dissociated state left me feeling trapped somewhere on the threshold of reality and non-reality. My artistic practice is concerned with the psychological antitheses of dissociation – comfort vs discomfort, safety vs danger, and reality vs non-reality, and the continuum of space between these polarities. Often through large-scale installations, I create a physical space for the viewer to enter. These spaces, …

Stern In German Means Star, Stern In Yiddish Also Means Star, Maya Stern

Theses - ALL

As an artist, I explore my family's complicated history of lost Jewish identity and the contrary involvement. I engage in this history by reflecting on the current political climate using an archive developed by my ancestors. I use components of these varying objects, photographs, and writings to deconstruct - utilizing materials and techniques that can be unwound, discolored, or aged to depict, if not honor, the mutable nature of memory. It is the tension within my ancestry that drives me to make work to ensure that genocidal tragedies like the Holocaust do not happen again. I aim to portray the …

“Let Me Show You Around”: The Domestic As A Site For Personal And Political Transformation, Brett Morgan

Theses - ALL

This thesis seeks to contextualize and describe my art making practice through my personal experience and professional research. I begin by referencing a childhood memory to craft a metaphor for my current work. Through storytelling, I weave together the ideas of home, comfort, and alienation to describe the influence that domestic objects have on the construction of identities. Using disidentification as a queer method, the works described herein act as visual (and visible) evidence to imagine queered futures and complicate the traditional divisions between public discourse and personal narrative. In conclusion, the importance of this queering as a sustained and …

Thank You For Tody, Britton Thorp

Theses - ALL

The objective of this thesis paper is to describe my current projects and research within my studio practice. First, this thesis illustrates my personal journey from addiction to recovery and therefore sets the tone of gratitude for the rest of the paper. Next, the paper discusses my methodology and processes within the ceramics medium. Then, the thesis goes on to draw conceptual parallels between fine art and the culinary arts, leading the reader back to core concepts within recovery and art making. Finally, the paper concludes by discussing core values discovered throughout my tenure as a maker and reaffirms why …

There's Enough For Everybody: User Generated Content Post-Posting, Rebecca Forstater

Theses - ALL

Experiencing the evolution of the contemporary digital space has led to an inevitable awe and skepticism of technology that penetrates through my bodies of work. Wonderment is usually succeeded shortly after by a contemplation of how this shiny newness will potentially change the way we experience everyday life. This point of view and gravitation towards the digital as an artistic material is specific to being born in the late 1980’s, where there are glimpses of early memories before computers and a corresponding growth of technology with personal cognitive development. It is an active and learned inclination to engage with new …

There's Enough For Everybody: User Generated Content Post-Posting, Rebecca Forstater

Theses - ALL

Experiencing the evolution of the contemporary digital space has led to an inevitable awe and skepticism of technology that penetrates through my bodies of work. Wonderment is usually succeeded shortly after by a contemplation of how this shiny newness will potentially change the way we experience everyday life. This point of view and gravitation towards the digital as an artistic material is specific to being born in the late 1980’s, where there are glimpses of early memories before computers and a corresponding growth of technology with personal cognitive development. It is an active and learned inclination to engage with new …