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Articles 181 - 210 of 231
Full-Text Articles in Fine Arts
Cultivating Parallels, Sangduk Yu
Cultivating Parallels, Sangduk Yu
LSU Master's Theses
I create ceramic objects that are simple, geometrical and methodical. The design of these tile-like objects initiated from the idea of serving plates. Although the functional aspect of the work in this show has evolved into a tile piece, function is a part of tile. The series of each pattern was created by repetition and enlarging a small original unit that measured one inch by one inch. This repetition with small and simple units shaped by handmade templates created complex pieces. This coexistence of simplicity and complexity led me to a deep feeling of boundlessness on the tiles. The pattern …
The Chemistry Of My Affections, David Scott Smith
The Chemistry Of My Affections, David Scott Smith
LSU Master's Theses
Although I have always been interested in the origins of my thought processes and the methods and compulsions that motivate my work, in past work I have avoided self portraiture, or blatant explorations into my own sense of self. With my thesis project I wanted to conduct an express exploration into the psychology of my motivations. My initial goal was to create an environment, a sense of place, where both the viewer and myself are drawn into the work, and confronted with a unique experience of personal expression. The focal point is a bath enclosed within a grotto, which symbolizes …
Persona, Joanna Norcross Coke
Persona, Joanna Norcross Coke
LSU Master's Theses
The narrative oil paintings in this show illustrate one or two female characters set in domestic interior spaces. The scenes bring with them allusions to suggest that something unusual has just happened or is about to happen by heightening the psychological emotional moments. The subject matter is intimate and painted on small supports to reinforce these feelings. The images go beyond the observed visual aesthetic or representation by shifting the picture plane and using dramatic color palettes and lighting to create deeper interior spaces, adding to the tension.
Full Circle, Elizabeth Cowhig
Full Circle, Elizabeth Cowhig
LSU Master's Theses
My paintings are a result of a mainly intuitive process that evolves out of the combination of shape, color, and texture and originates from personal ideologies involving health phobias and religious beliefs. The imagery in the paintings is of biological origin, cells that fill up with matter, dense spheres that recall cancerous build up, the compositions and colors are inspired by Italian Renaissance paintings. The tangible is inserted into the realm of the ethereal.
In The Garden, Christopher B. Hutson
In The Garden, Christopher B. Hutson
LSU Master's Theses
This body of artwork is centered on the idea of a garden as a space in between the two systems of human and natural order. The ambiguities of this in-between space tie together ideas pertinent to both worlds, using the ancient “doctrine of signatures” as an intermediary. These ideas are explored in fourteen artworks, including large-scale and smaller drawings, lithographs, and etchings.
Places Common: Encountering Nature In Time And Place, Stacey Jo Harms
Places Common: Encountering Nature In Time And Place, Stacey Jo Harms
LSU Master's Theses
There are some moments in time that imprint in a lasting but unremarkable way. These memories are not always profound but yet are sometimes the most enduring. They come forward in our thoughts again and again with no particular rhyme or reason and with the randomness of a field of wildflowers. My memories often come back to me disguised as the flowers themselves.
Too Fast, Too Tight, Too Loud, Too Bright, David Martin Storlie
Too Fast, Too Tight, Too Loud, Too Bright, David Martin Storlie
LSU Master's Theses
It is difficult to imagine that others do not perceive and react to the cultural stimuli as I do when dealing with everyday sensory situations. Unlike most, I have struggled with many different responses to commonplace sensory events during my life. A recent diagnosis of certain symptoms has helped to explain not only my lifelong reactions to sensory stimuli, but also the resulting environments I have created for myself in which I live and work. The four terms I use that most fully describe the affects of this condition are; too fast, too tight, too loud and too bright. Although …
The Everywhere Chronicles, Jamie Brownell Baldridge
The Everywhere Chronicles, Jamie Brownell Baldridge
LSU Master's Theses
The Everywhere Chronicles is a body of work that has been perambulating through my mind since the halcyon days of childhood. It is not intended as any sort of catharsis, metaphorical or otherwise, nor is it any forum of self discovery, accidental or intentional. These Chronicles are quite simply a journey into imagination, an exercise in "what ifs?". They confront the theory that Columbus was actually on a munchies run to an Indian Takeaway in Ipswich and simply took a wrong turn at the Antilles, and that the Lost City of Atlantis is alive and well somewhere outside of Duluth …
Happy Cake Meltdown, Joshua Spahr
Happy Cake Meltdown, Joshua Spahr
LSU Master's Theses
This group of work addresses the complexities that come as a result of stimulation overload. The breakdown of singular focus triggers the demand that everything in your reality be considered simultaneously. The result is a Happy Cake Meltdown, a visual and auditory coping mechanism with no beginning, no middle and no end. It’s about fragmentation and choosing flexibility over specialization. It’s about everything.
Felt, Yvonne Pierce James
Felt, Yvonne Pierce James
LSU Master's Theses
My work is largely autobiographical and the way I express myself is the product of memories and life experiences. I grew up as one of a family of ten children and learned early the values of sharing and helping others. We were also taught not to waste anything. We learned to recycle as part of our daily life. As you will see in my work almost all of the materials I use are found objects or recycled materials. In growing up as part of a large, rural, southern family, there was also a tradition of ‘women’s work’. Nearly all of …
The Still Beat, John Harlan Norris
The Still Beat, John Harlan Norris
LSU Master's Theses
The Still Beat is an exhibition that combines still-life painting with original pop music in a gallery setting. This written thesis examines the process of developing these two distinct bodies of work into a unified exhibition.
Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene
Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene
LSU Master's Theses
My work is inspired by my immediate environment. I am especially interested in places which exhibit visual evidence of history, of industrial, natural and human life and the corresponding cycles of building, abandonment, destruction and salvage. In Baton Rouge, these relationships are dramatic, the lush vegetation, birds and overwhelming presence of industry make this interplay constantly tangible. My current work began with the phenomenal concerns within the struggle of nature and industry. Newly built industry is highly ordered, the perfect symbol of not only technology, but also control. However, older industry is more chaotic, with the initial order obscured over …
This Is What I Meant When I Told You, Ryan David O'Malley
This Is What I Meant When I Told You, Ryan David O'Malley
LSU Master's Theses
THIS IS WHAT I MEANT WHEN I TOLD YOU is a quest to visually decipher the complexities of "self." The goal is to form a relationship of honesty between my mind and my hand, the art and the viewer. The work investigates reoccurring ideas, threaded through each day, in order to create narratives based on the immediacy of emotion, and the struggle between self-realization and uncertainty. Or as one commented during my show, "A celebration of the dark side of life."
The Southern Predicament, Todd Hines
The Southern Predicament, Todd Hines
LSU Master's Theses
The Southern Predicament is an exhibition that explores aspects of self-awareness and identity in the modern south.
180 Degrees: An Extension Of Self In Photography, Bradly Dever Treadaway
180 Degrees: An Extension Of Self In Photography, Bradly Dever Treadaway
LSU Master's Theses
180 Degrees is a conceptual body of digital photography and video that deals with self-portraiture, identity and change. Intended to serve as a form of therapy, the work analyzes who I have become over the last couple of years by illustrating issues of compulsion, obsession and insecurity. The investigation confronts unexpected and unsettling attributes of my character. Some of it is a little uncomfortable for me to reveal but if nothing else it is the truth.
A Painting Process: A Journal, Kenneth Alexander Mcashan
A Painting Process: A Journal, Kenneth Alexander Mcashan
LSU Master's Theses
This thesis is presented in journal format and represents a process of painting initiated September 2001 at Louisiana State University. The basis of my paintings can best be described as image oriented mark making. Initially figural images are taken from life drawings then used as starting points to investigate the forms through changes made to their visual properties. Fragments of the images are traced onto paper, manipulated, and then reassembled. This process provides a spring board, a shift from what was recorded earlier by direct observation to images not confined by the requirements of representation.
(Re)Solution, Benjamin M. Dillon
(Re)Solution, Benjamin M. Dillon
LSU Master's Theses
This thesis report explains the process of creating the work in (Re)solution. The relationship between transferred digital prints and paint is described in relation to the intent of the work. Finally, there is a discussion of the questions and dilemmas posed by the working process as well as the completed work.
Thick Skinned, Alair Dyan Wells
Thick Skinned, Alair Dyan Wells
LSU Master's Theses
“Thick Skinned” is a series of sculptures using the domestic structure as a metaphor for the body. Issues of sexuality, gender roles, and domesticity are explored in this mixed-media installation. Viewer interaction with the work is encouraged for a complete sensual experience. The body and home are protective, yet fragile and delicately vulnerable. My work confronts notions of beauty and cruelty, bodily function and presence, with a focus on gender-biased social conventions in our culture. Conceptually, the work is autobiographical in nature, as it pertains to my experiences as a woman. Universally, it deals with the merging of sexuality and …
Inter-An Evolving Installation, Lyman Landreth Edwards
Inter-An Evolving Installation, Lyman Landreth Edwards
LSU Master's Theses
Inter- An Evolving Installation is an interactive site specific installation designed and constructed in the School of Art Gallery at Louisiana State University. This installation explores the interplay between the ideas of order and change by presenting the visitor with a very structured environment that by nature of its design and materials changes with each footstep. Sand, granulated carbon, and clay cover the floor of the gallery in a geometric pattern inspired by the Fibonacci Sequence and Buddhist sand paintings. As a person enters the installation it immediately changes from its original design simply through disturbance by the visitor's footsteps …
Guanajuato: A Virtual Exhibit, Norma Elena Gonzalez
Guanajuato: A Virtual Exhibit, Norma Elena Gonzalez
LSU Master's Theses
This thesis will present a virtual exhibition of a tourist destination in Mexico, Guanajuato City. By applying my previous experiences and the knowledge and skill acquired during this MFA program, I developed a Multimedia exhibition that encompasses a new virtual experience of the Mexican culture. This exhibition demonstrates my proficiency in the area of motion graphics.
Memories Near And Far, Merrie Marie Wright
Memories Near And Far, Merrie Marie Wright
LSU Master's Theses
Memories Near and Far depicts the transformation, emotionally and psychologically, that occurs when childhood meets adulthood. The loss of naiveté, accumulation of experiences and memories, and the release of memory necessary to move on to new experiences mark this transition. The events that occur during this time period are represented through seven installations: Incubation, I Am What I Fear, Consumed, An Offering: Gifts for Healing, Between Realities, The Self as a House: Self-Confinement, and Gleanings. The work portrays memories of my personal journey through this time, the struggles I encountered, and lessons I have learned. Color, accumulation, and repetition of …
Zinnias, Carlyle Wolfe
Zinnias, Carlyle Wolfe
LSU Master's Theses
Impermanence. Quiet. Words. Unfolding. Specificity. Abundance. Pattern. Compilation. Faithfulness. Vulnerability. Obedience. Atmosphere. Begun with a coffee can full of flowers, this work is an exploration of art making, self, and nature.
The Orthographic Characters (In No Particular Order), Alison Christina Frank
The Orthographic Characters (In No Particular Order), Alison Christina Frank
LSU Master's Theses
My work focuses on the development of playful and absurd combinations of small creatures that co-exist in a state of odd logic. The creatures share a vulnerable, somewhat fragile, quality, yet are assigned vital force in their existence. This juxtaposition is metaphorical for certain aspects of human existence. The Orthographic Characters is the title of a series of prints and paintings I have created that form a non-linear narrative. Each piece is inspired by the alliteration of one alphabet character. The writings form a bizarre, feverish context for the characters.
True Image, Janet K. Link
True Image, Janet K. Link
LSU Master's Theses
A still-life is often the painted record of a complex arrangement of objects. My aim in making the visual portion of TRUE IMAGE is to turn this sort of still-life inside out. Rather than arranging a collection of objects and making a painted or drawn image of the set up, I made simple images of things and arranged them with actual objects into three larger tableaux. The subjects of the paintings and drawings are these: checkerboards, objects, portraits, and shadows. The subjects of the tableaux are work (LABOR), home (DOMUS), and church (ECCLESIA). Viewed as a whole the exhibition asks …
Push And Pull, Tessa Ann Mouton
Push And Pull, Tessa Ann Mouton
LSU Master's Theses
“…motion means…passing through time and through space.” “Pushes and pulls seem to be the cause of motion.” - Richard Wolfson. “Push and Pull” is about exploring process. While trying to locate my form of expression and process, I rediscovered my mother’s form of expression and process – crochet. I decided in order to continue forward, I must explore the past.
Growth, Lori Penn
Growth, Lori Penn
LSU Master's Theses
Every living being encounters growth. As humans, our experiences help to shape our mental and emotional development. Each of these experiences provides an opportunity for growth. In my work, apes, monkeys, and lemurs serve as visual metaphors for human growth. The body of work that I created for my thesis project reflects different emotions and experiences that facilitate growth and maturity.
Pulse, Janet L.U. Rudawsky
Pulse, Janet L.U. Rudawsky
LSU Master's Theses
This video is an abstract audiovisual narrative. It relies heavily on its lush compositions to seduce the viewer. “Pulse” depicts humanity not as the strong rational rulers of the earth but instead as a tormented figure that struggles to find security in an uncertain world. The three characters, Blood, Lava, and Electricity, represent the human animal, the natural world, and civilization respectively. Blood struggles against both Lava and Electricity in their rivalry for control. The plot shows humanity developing a relationship with civilization, all the while being harassed by unpredictable nature. Civilization at first is a path to security. As …
Elemental: Promise Of Plenty, Bill Wolff
Elemental: Promise Of Plenty, Bill Wolff
LSU Master's Theses
This body of work is about human nature, and centers on issues of aggression, consumption and collapse. Five materials make up the exhibition, and each carries a specific metaphor: wood is flesh, brick represents collective history, rope is a metaphor for human activity, metal is control and salt is a quintessential commodity. Craft is used as a means to explore the boundary between natural and synthetic phenomena, as well as elevating the status of the base materials. The work is arranged to provide an environment and context for the viewer to respond.
Bathroom Issues, Craig Edward Clifford
Bathroom Issues, Craig Edward Clifford
LSU Master's Theses
"Obscenity is a human manifestation. The toilet has no central nervous system. No level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible." Lenny Bruce How to Talk Dirty and Influence People Things that make people uncomfortable intrigue me and I find that these same things are very ones that make us laugh the hardest. The fact that sex and bodily functions both make people laugh in addition to making them feel uncomfortable is no accident.
Led Into Temptation, Pamela Elizabeth Caskanett
Led Into Temptation, Pamela Elizabeth Caskanett
LSU Master's Theses
I am leading the viewer to experience a room full of sinful, sensual and guilty pleasures through a visual feast of sugary excess. I create a tactile environment of anticipation, desire and delight. Using sugary sweet colors, smooth curvaceous forms dressed with spikes, nipples, bumps and knobs, and objects of scale. The objective is to make the viewers salivate, confusing desire with need, leaving them to question, "What is temptation?" A visceral visual sugary landscape is created where food and vessel co-exist, each relying on the other to be complete and fulfilling.