Fine Arts Commons^™

Breaking The Fourth Wall: Avenues For Empathy Through Participation And Interaction, Grace Zajdel

Bachelor of Fine Arts Senior Papers

Abstract:

Theater is used as a lens through which I view the act of role play in participatory and interaction based artworks. I examine the elements of Action – in participatory or performance works—and Set—in immersive installation works – for their effectiveness in creating avenues for empathetic relations in my own work and that of contemporary artists. I distinguish between the overblown spectacle of Peter Brook’s Deadly Theater and connect the mission of the Holy Theater to that of my own art practice. Performance, immersive installation, participation and interaction thereby serve to allow the artwork’s participants to engage in role-taking …

Black Stereotype, Rashonda Daniels, Blaize'b Daniels

Bachelor of Fine Arts Senior Papers

In my work, I create my own narrative regarding the stereotyping of Black people. The body of work that is discussed focuses in on the history of the Black stereotypes that dates as far back as the slavery era. Through my art practice, I address how the contemporary mistreatment of Black people stems from the historical foundation of negative Black stereotypes that were imposed upon us by Europeans. My hope is that by confrontingour history we can eliminate so called “Black behavior” or bad behavior and accept it as simply normal human behavior.

A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee

Bachelor of Fine Arts Senior Papers

This art statement is rooted in an idea that the existential quality is independent of absence and presence (synonymous to appearing and disappearing, and real and recognition) and distilled physicality of human body creates a parallel relationship between the two. In search of a proof and logic for articulating the central idea, –that the absence does not define evanescence of existence— the application of physical interactivity in my art, also known as relational aesthetic, enables the work to invite viewers in a way that the interactors leave their traces by physically interacting with the work. These individual traces are eventually …

Material Memory, Merry Sun

Bachelor of Fine Arts Senior Papers

Memory may be implicitly embedded into an artwork through explicit material triggers. Materials can evoke memory through material past life and through physical denotations of the past. The former carries with it the weight of existence; the latter demonstrates tangibly what cannot be captured by words. The material triggers act as semantic memories that can be used to construct an experiential, episodic memory in the mental faculties of the viewer. The memory that is contained within the work must be implicit in nature to carry experience, for explicit memory can only be read semantically. As the viewer strives to reach …

Feeling Blue, Katherine Ewald

Bachelor of Fine Arts Senior Papers

“Feeling Blue” discusses the intersection between art and science as it relates to my thesis body of work entitled Bed/Room. I delve into the sensory world of art, diving into how our environment can have an effect on our neurological and emotional state of being. This is explored through different pathways, namely the color blue, seasonal affective disorder, and the senses. The artwork reflects these ideas, providing a multi sensory environment with the goal of promoting tranquility. Through my process of creating the piece, my intentions shifted to removing Bed/Room from the fine arts context and transferring it into the …

Skin, Bones + Bags: Investigating The Death Of Marine Ecosystems, Rylie Walter

Bachelor of Fine Arts Senior Papers

Plastic has become ubiquitous in the oceans. Although a convenient and cheap way to distribute goods around the world, plastic is also a leading cause for the death of many marine ecosystems. Walter explores her personal connection to the ocean, researches the relationship between plastic pollution and the ocean, and examines art as a means for inciting social change to protect and restore ocean environments. By using plastic as her main material for making art, Walter transforms the material from one that harms into one that can be calming and peaceful, while still representing the destruction it causes.

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

For Cheryl: The Long And The Short Of It, Rachel Lebo

Graduate School of Art Theses

Short stories are an indirect way of creating a truth by showing instead of telling. They are a way to observe and communicate a single idea. A short story for me is a vehicle for hiding my truth behind a character, exploring myself in the safety of an identity that is not my own. When I read Chunky in Heat, author A.M. Homes and I hide together behind her character, Cheryl, and find solidarity.

The following writings, paintings, and sculptures are collaborations between myself and the women of short story fiction. Those women being the authors, the subjects, and …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

Books / Vessels / Hours, Lara Head

Graduate School of Art Theses

My thesis works two vessels, book : 300 hours and book : terrain explore and enact states of meditation, focusing on the process of making and the specificity of materials used. The meditative aspects of my process of making correlate to an anticipated meditation in the observer's time spent viewing. I hope to spark in the viewer the same response and state that I myself was in while making. In this text I explore my artistic process and what I hope for the viewer to experience while they are spending time with my works. I discuss how spending time making …

One Country, Two Systems, Faith S. Pang

Bachelor of Fine Arts Senior Papers

As Hong Kong approaches 2047—the year that China will formally commandeer the government—fear looms over our city. Since 2014—the emergence of the Umbrella Revolution—thousands of protests occur every year, as citizens continue to fight against the policy changes that China has imposed upon the city. Our freedom and our future hangs in a delicate balance; no one know what China will do next as the Communist government is too unpredictable. I left Hong Kong eight years ago but since these riots began, I have felt an urgency to understand the exact nature of Hong Kong’s identity, to tell our story …

Deconstructing The Present || (Re)Constructing The Past, Hugh Hoagland

Bachelor of Fine Arts Senior Papers

Though we live only in the present, our every experience will eventually fade into the depths of memory. Deconstructing the Present || (Re)constructing the Past introduces my artist practice on a broad level, one that is preoccupied by the difference between present experience and its memory, as well as the ways we weave memory into the physical environments of architecture and material objects. This thesisestablishes a specific signal memory for the body of work, the memory of a structure that, for a brief time, was a sanctuary for myself and many others. The paper then follows the arc of …

The Impossible Tasks, Rachel Kalman

Graduate School of Art Theses

In this thesis I unpack the still life genre and its relation to my painting practice, examining the ways in which banal objects project influence and disrupt the notion of a linear, narrative history. Through the contextual lenses of close observation, propagandistic agendas, and the transgressive history of pattern, I explore the inherent contradiction contained within still life painting; working to balance an empathic respect for objects, as such, with my deeply seated desire to metaphorically interpret and empower visual imagery. I am fascinated by the impossible tasks we ask of weak, inanimate, decorative objects and work to generate still …

Time, Space, And Reality, Hugo Patao

Graduate School of Art Theses

I am a mixed media artist working primarily within painting. I make layered, photo-based works that come from dreams and my own photographic archives. At the moment I am making oil paintings on board. What interests me the most is the nature of reality, including perception, memory, time, and dreams. I create environments that I like to call my own mindscapes; imagined places that have the potential to become real. I am engaged in creating worlds that are “in-between” reality and the imagined, dreams and waking life, conscious and unconscious.

My work engages and expands within the tradition of Western …

The Rupture Repeats, Jennifer Everett

Graduate School of Art Theses

Rupture repeats without regard. Occurring on macro and micro scales, these historical, financial, and social upheavals continue throughout our lives, remaking our worlds and leaving us to respond as best we can. Rupture is a condition of human existence. For marginalized communities and Black Americans specifically, rupture is familiar and precarious. Historically, Black people respond to the space that rupture makes through a rigorous, interdisciplinary, creative tradition which serves as a strategy for survival and a way to produce and transmit knowledge. These methods of knowledge production exist in excess of formal training and are evident of quiet and expansive …

Bodies Of Empathy, Eunyoung Rosa Jang

Bachelor of Fine Arts Senior Papers

Trauma is defined as the emotional and or psychological response to a deeply disturbing event. When looking at domestic, familial and generational trauma, however, it is not a singular event but a thread through a lifetime or even generations. When it accumulates and goes beyond one person or body, that trauma can embed itself deeply and go neglected and unaddressed. Despite this, trauma is not invisible, and it is not silent. It festers in the mind and surfaces on the body. In Bodies of Empathy, I discuss my body of work which attempts to come to terms with my …

Learning Culture: Cultural Relationship In Masked Lanterns, Yuxuan Ding

Graduate School of Art Theses

Culture shock, or culture conflict, is the unfamiliarity or disorientation an individual experiences after encountering a culture different than their own. To better understand the people around us who share a different culture and the way of life it creates, we need to first respect and understand their culture. In general, Chinese culture stresses that individuals must see themselves as part of a larger group for the benefit of society, while American culture stresses the importance of individualism.

Based on my experiences in graphic design, I decided to further my studies in a studio art context to understand how the …

Body; Broken Things, Seohyung Kay Lee

Bachelor of Fine Arts Senior Papers

Our bodies are the first of everything. They’re the first thing we encounter, and first space that we inhibit. Life ends when we leave the body behind. They’re our only means to reach with the world, with everything. From the beginning of time, we have strived to interpret the body and the its place in the world. However, the female body was never fully appreciated nor acknowledged. It is impossible to understand the body of women without considering the pain and violence they encounter, which is often easily overlooked.

In my body of work that I’ve produced this semester, Body; …

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

I'M Sorry For Everything, Hille Sennott

Bachelor of Fine Arts Senior Papers

My work is rooted in the fact that women are practically conditioned to apologize for everything, and tells the intimate story of my life. By recording my apologies for several months and deeply examining my behavior, I noticed themes and made work based on these — work that exposed my private moments. I noticed a disconnect between times I needed to apologize, and this compulsive need to take on the blame for every little thing. I examine the feminine battle of soft and strong, eventually coming to the conclusion that there are occasions calling for both. Women are taught to …

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

The Memorial, Sihyun Max Shin

Bachelor of Fine Arts Senior Papers

When people die from political movements, their deaths are used by other people, often painted and printed on the piquets aggressively held by angry protesters. Being the visible evidence of social suppression, the images of the deceased is capable of easily arousing people’s anger and hatred against the source of malice, which, in many cases, is the government. Indeed, their deaths can be the effective stimulators for public activism. People would justify their exploitation by saying that they are expressing their lamentation for deaths by attacking back what caused the tragedy in the first place.

In the following essay, I …

Chinese-American Landscape, Jessica Wen

Bachelor of Fine Arts Senior Papers

Cultural hybridity is an unwillingness to succumb to the notion of choosing sides when it comes to mixed heritage and culture. The approach taken to identity has a place in the artistic sphere as well. Through an investigation of my art practice in painting alongside a contemporary and historical context, the hybrid space between Chinese and Western landscape painting is explored and determined. The goals of nature depicted through distorted perspective, abstraction and simplification of objects, and emphasis on texture are techniques employed by both artistic spheres. By utilizing these goals and mixing materials of both Chinese and Western painting, …

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences with the …

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

(Fear Of) (An Exploration Of Empathy), Caroline Schmidt

Bachelor of Fine Arts Senior Papers

How much can you understand what another person is feeling? How much can they understand what you feel? This is the territory that my capstone investigates. Utilizing a mixture of informal and formal language and experimental footnotes, I describe the concepts and process behind my most recent body of work, the (Fear Of) series of animations, and its relationship to empathy. I follow this discussion with an explanation of my choice of fears and eyes as vehicles for this project, and end with an appendix featuring a sample of the interview-based monologues and my notes on which the project was …

It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom

Graduate School of Art Theses

My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.

In my video and installation work, I use a “sickeningly” …

The Nature Of My Nature; A Story About Relationships, Andrew Mcilvaine

Graduate School of Art Theses

Abstract

As a second generation Hispanic, I am a painter whose work is informed by my personal experience of displacement and longing to belong. In turn, I hope, this longing inspires an important dialogue about place, memory, otherness and belonging. I work in small, intimate scale, evoking narratives of vastness yet also of solitude. The landscape and the natural environment I represent, become populated by anonymous creatures. Both animal and human, posed in semi-natural and semi-artificial settings.

I was born in Texas and grew up in Missouri. The images I produce are often tranquil and surreal yet are grounded through …

Invisible Territories, Lydia Seaman

Bachelor of Fine Arts Senior Papers

Layering geography, space and time, my work urges viewers to embrace the equivocal and create a desire for the impossible. To explore this notion, Invisible Territories is an analysis of my practice, examining how I mediate specific references into abstract and universal interpretations. My work employs subjects that document the world by analyzing the layers and simulacra that form our visual information; focusing on the intervals between “things” as the subject matter themselves. Looking to the words of Italo Calvino as a conceptual guide, this paper discusses the practice of mapping through drawing, etching and painting.

Mediated: An Investigation Of Print Media's Impact Of Self, Rachel Hertzman

Bachelor of Fine Arts Senior Papers

In the 21^st Century print media is often overlooked for the masses of images available at everyone’s fingertips on the internet. This thesis is an exploration of the ways in which those original forms of mass produced images, specifically fashion/ beauty magazines and newspapers, alter one’s sense of self. The magazines have a proven negative effect on women consumers who internalize the singular thin beauty ideal persisted in this media. A similar internalization happens with the constant viewing of news papers, creating a sense of shared cultural memory. The Artist takes an in depth look at how these ideas …