Fine Arts Commons^™

Facing The Real: Arman’S Accumulations, Jennifer Watson Wester

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No abstract provided.

Rodin: The Human Experience, Arthur J. Difuria

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No abstract provided.

Howardena Pindell: What Remains To Be Seen, Alyssa Bralower

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No abstract provided.

Michelangelo: Divine Draftsman & Designer, Marjorie Och

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No abstract provided.

Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco

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No abstract provided.

Fictive Kinship In The Aspirations, Agency, And (Im)Possible Selves Of The Black American Art Teacher, Gloria Wilson

Journal of Social Theory in Art Education

In this paper, I explore the pairing of the concepts of fictive kinship and agency in order to explore racial identity narratives of the Black American art teacher. Expanding on the anthropological concept of fictive kinship, where bonds of connectedness between people help to shape selfhood, I consider the powerful impact that visual culture has on shaping identity narratives and the professional aspirations of Black American art teachers. I identify fictive kinship connections as salient in creating spaces which affect agency in the conceptualization and achievement of the self as an artist. I further use the concept of fictive kinship …

Prime, Perform, Recover, Patrick Harkin

Theses and Dissertations

This thesis examines the formal and conceptual framework of my artistic practice as it culminated in the installation of my thesis exhibition, Prime, Perform, Recover. My exhibition seeks to operate as an analysis and critique of the separation inherent in media presentation and rhetoric surrounding natural disasters.

I utilize the aesthetics and vocabulary of disaster capitalism and prepping culture in order to pose direct questions about ecological and social change. I examine the role of images within mass media image production as an all encompassing Now-Time. In this paper I describe frameworks that my practice proposes as potential solutions to …

Drawings For Paintings In The Age Of Rembrandt, Saskia Beranek

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No abstract provided.

Walter De Maria: Meaningless Work, Amanda Dalla Villa Adams

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Book review of Walter De Maria: Meaningless Work, by Jane McFadden.

Front Matter

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No abstract provided.

An Interview With Eloisa Guanlao, Karissa Bushman

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No abstract provided.

American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon

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Book review of American Women Artists, 1935-1970: Gender, Culture, and Politics, edited by Helen Langa and Paula Wisotzki.

Dispatches, Sunny Spillane

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No abstract provided.

Laban For The Actor: The Mind/Body Connection, Margaret C. Buckner

Theses and Dissertations

When it comes to actor training in higher education, an extremely strong emphasis is placed on understanding the voice and interpreting the text. While some institutions do incorporate movement courses into the curriculum of the students, many do not serve the learning actor in the most effective way. The work of Rudolf Laban is a way to strengthen the curriculum taught to actors, specifically in regards connecting actors to their bodies. This thesis discusses and analyses the use of Laban’s movement theory in the movement classroom, and focuses on the most effective way of presenting the material to the student. …

Love Learning In Porous Skin, Sarah Coote

Theses and Dissertations

My thesis questions our construction of identity through objects. In small sculptures and paintings with collage and various found materials, I insist on the touch and intimacy that our bodies afford us in the world saturated with surface content, screens, and digital profiles. My criticism is self-reflective and curious, an attempt based in research and process in hopes of understanding further the complexities of absorbing in a body and dressing a surface. I have been focused on the formative years of growing up with objects and tools that shaped a concept of individual self and how the imposition of the …

Construction Of An Album For Oneself, Maria Tinaut

Theses and Dissertations

My work focuses on the construction and validation of images assembled from fragments of found photographs, generating new narratives that hover between “reality” and fiction. Archive and Fiction: Construction of the past and the self is the result of two years of artwork exploring my family archives and my relationship to my family through them. I understand the family as a place of identity in continuous change, serving as a container of history and memory. Conceiving of my family albums as material allows me to approach my family history as a visitor. Mediated memory and constructed memory intertwine in the …

Wake The Devil, Ricardo Ruiz

Theses and Dissertations

You could only bury a body so deep before the seasons decided you would join it . Topsoil so desperate for affection it shakes to remind me that I was once and am loved .

I linger in the southwestern sky , burgundy to violet , with Neil Young playing faintly in the distance as my father calls me home .

Planar Refrains, Stephen Anthony Nunes

Theses and Dissertations

My practice explores phenomenal poetic truths that exist in fissures between the sensual and physical qualities of material constructs. Magnifying this confounding interspace, my work activates specific instruments within mutable, relational systems of installation, movement, and documentation. The tools I fabricate function within variable orientations and are implemented as both physical barriers and thresholds into alternate, virtual domains. Intersecting fragments of sound and moving image build a nexus of superimposed spatialities, while material constructions are enveloped in ephemeral intensities. Within this compounded environment, both mind and body are charged as active sites through which durational, contemplative experiences can pass.

Reverberation, …

Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy, Jiacheng Xu 4159187

Theses and Dissertations

There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know what you see?” and “Can we only know half of the truth?” Unable to provide adequate answers, his father instead offers his son a camera. Later in the film, the same boy presents his uncle with a picture he took of the back of his head. When asked why, the boy responds …

A Window The Color Of Her Sunburn, Joana Stillwell

Theses and Dissertations

I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.

This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …

Below The Neck, Above The Knees, Desiree Dawn Kapler

Theses and Dissertations

My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given.

This work is created in spite of the labels my …

Re-Exploring My Identity As A Japanese Woman, Fumi Amano

Theses and Dissertations

This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.

We, Wesley B. Chavis

Theses and Dissertations

Here is an exploration of the intergenerational Southern Black American Body, a complex collection of persevering souls of the past, present, and faith-driven future. Through the sensorial physical encounters of my body, sometimes recalled through the physicality of another, I locate the labor to belong, the complexity of submission, sensual awakening, displacement, absence, and the expansive spiritual force of the collective body.

Using documentary additions of archived family photos and journal entries, I expand and abstract the occurrence of my presence through non-linear time, connecting the personal to the complex communal. These documents are the slippery prophecies of my being, …

Synergy: Game Design + Qur'an Memorization, Sultana Jesmine Moulana

Theses and Dissertations

The rise of digital technology has transformed nearly every part of our daily lives, including the way we learn and memorize. Such transformations raise interesting questions for one of the most long-standing and demanding memorization tasks in the world: the memorization of the Islamic holy book, The Qur’an. For Muslims, The Qur’an is a timeless, sacred text, cradling within its covers many profound images, stories, and parables. Despite rigorous research in the fields of game design and memorization techniques, very little work has been done in combining these two areas of research to create a game-based memorization experience of The …

Adventures Close To Home, Ryan Syrell

Theses and Dissertations

My work articulates experiences of intimacy and porosity with regard to domestic space. I think of these paintings as fields of interrelatedness which work to dismantle the perceived thresholds between things. The following text brings together the research of my studio practice and a survey of artists, writers, and filmmakers who have charted related spaces of the ordinary, domestic, and porous.

Sub For More, Chelsea Lee

Theses and Dissertations

This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.

D Is For The Most Cherished Sense (Whence It Comes And Wither It Goes), Hallie S. Mcneill

Theses and Dissertations

A transcript of the audio that constitutes the work by the same title, along with an introduction and relevant bibliography.

Restoration, Shannon M. Slaight-Brown

Theses and Dissertations

The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.

Monstrous Allure: Polyphemus In Pompeii, Glenda Swan

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No abstract provided.

Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani

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No abstract provided.