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Articles 151 - 180 of 200
Full-Text Articles in Fine Arts
Untitled, Sameer Chinoy
Untitled, Sara Truitt
Son House, Rich Mitchell
Don't You See? I Am Beautiful, Too, Sheila Dawson
Untitled, Ann Burkholder
Victoriously Hung, Eric Townsend
Raven Raven (Cover), Inga Clough
Untitled, Jeff Hall
The Boy In The Bubble, Chrissie Poole
Untitled, Jeff Hall
Spirits Engaged In Purgatorial Dance, Eric Townsend, Sallie Hirsch
Spirits Engaged In Purgatorial Dance, Eric Townsend, Sallie Hirsch
The Messenger
Sculpture by Eric Townsend; Photograph by Sallie Hirsch
Untitled, Inga Clough
Ukiyo-E: Japanese Prints Of The Floating World, University Of Richmond Museums
Ukiyo-E: Japanese Prints Of The Floating World, University Of Richmond Museums
Exhibition Brochures
Ukiyo-e: Japanese Prints of the Floating World
March 3 to April 17, 1994
Marsh Art Gallery
Introduction
This ukiyo-e exhibition reveals the tantalizing range of images in Japanese prints of the floating world. A seventeenth-century Japanese writer described that world as: "singing songs, drinking wine, and diverting ourselves just in floating, floating ... like a gourd with the river current." Reflecting a sense of the world as an ephemeral place of no lasting value, the floating world was an escape from the present into fantasy and pleasure. Hopefully, our exhibition will entice you to pursue your own escape into that …
J.J. Lankes (1884-1960): Woodcuts Of Rural America, University Of Richmond Museums
J.J. Lankes (1884-1960): Woodcuts Of Rural America, University Of Richmond Museums
Exhibition Brochures
J.J. Lankes (1884-1960): Woodcuts of Rural America
1994
Marsh Art Gallery, University of Richmond Museums
Introduction
In 1917, while working at the Newton Arms Company factory in Buffalo, New York, Julius John (J. J.) Lankes created his first woodcut. His only implements were a graver, used to score rifle stocks, and a block of apple wood he had cut from a fallen tree. The experiment proved a turning point in the life of the thirty-one-year-old laborer, draftsman, and erstwhile art student. Rapidly mastering the difficult white on black woodcutting technique, he went on to produce some 1,300 designs over the …
Daniel Serra-Badué: Dreamt Reality, University Of Richmond Museums
Daniel Serra-Badué: Dreamt Reality, University Of Richmond Museums
Exhibition Brochures
Daniel Serra-Badué: Dreamt Reality
1994
Marsh Art Gallery
Introduction
Daniel Serra-Badué is an artist of uncompromising vision who dwells upon memory as if it were tangible. "All that we see or seem - Is but a dream within a dream," wrote Edgar Allan Poe , and Serra-Badué seeks to place his audience within that dream. His evocative images compel us toward experiences that combine described reality with surreal impossibilities and dreamlike remembrances. Serra-Badué's world is a world of dreamt reality.
The lithographs in this exhibition, ranging in date from 1964 to 1992, demonstrate Serra-Badué's mastery of clarity of line, exactitude …
Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums
Ephraim Rubenstein: The Rilke Series, University Of Richmond Museums
Exhibition Brochures
Ephraim Rubenstein: The Rilke Series
January 28 to February 27, 1994
Marsh Art Gallery
Introduction: Rilke and Rubenstein
The first time I met Ephraim Rubenstein, some eight years ago, and looked at his early paintings I immediately sensed a powerful poetic quality coming out of his paintbrush. This ambitious exhibition not only confirms my initial feeling, but surpasses anything I could have thought of at that time. It is rare these days to find a young artist inspired, not by pop culture or the mass media, but by a classic of literature. I find it interesting and refreshing to …
Deaths Of Art: David Carrier's Metahistory Of Artwriting, Gary Shapiro
Deaths Of Art: David Carrier's Metahistory Of Artwriting, Gary Shapiro
Philosophy Faculty Publications
This essay is a critical examination of David Carrier's Artwriting (1987), which offered a philosophical account of the implicit strategies of narrative and presentation deployed by a wide range of art historians and critics. Here, this author raises some questions concerning Carrier's attempt to describe or define a genre of 'art-writing' distinct from philosophical aesthetics; he also discusses Carrier's views in the context of those writers whom Carrier examines in Artwriting.
Ray Ciarrochi: Landscapes 1978-91, University Of Richmond Museums
Ray Ciarrochi: Landscapes 1978-91, University Of Richmond Museums
Exhibition Brochures
Ray Ciarrochi: Landscapes 1978-91
November 15 to December 15, 1991
Marsh Art Gallery, University of Richmond Museums
Introduction
While apparently showing us a particular place, Ray Ciarrochi's landscapes are more about the exquisite moment of being in that place. His landscapes are at once aesthetic and metaphysical, achieving a unity of viewing nature with the transcendent power of that experience. His light, color, and paint carry us into a reflective mood where nature is calm and triumphant and we stand in harmony with our environment.
This exhibition covers the artist's involvement with the landscape over a span of thirteen years, …
Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums
Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums
Exhibition Brochures
Voyaging: William Bennett and Elizabeth Schoyer
February 14 to March 07, 1991
Marsh Art Gallery
Introduction
For both William Bennett, sculptor, and Elizabeth Schoyer, painter, art is a voyaging: invoking, acknowledging, celebrating the forces and mysteries of life's passages.
Bennett builds up, with stone, glass, copper, lights, and wood, exquisitely crafted monumental forms: The Voyage, The Boat over Ocean over Ocean, Stigmata, Bed of Dreams, Belly Scepter among them. The titles signal the theme of quest, while axial forms draw the viewing into ritual alignment. One come to Bed of Dreams as an altar; Stigmata, part anchor and part …
Fountain Perspective, Kris Shonk
Sculptures, John Schoew
She's Got Her Ticket, Jennifer Massey
Egg Carton, Rebekah Barnett
Laura Shechter: Recent Oils, Watercolors, And Drawings, University Of Richmond Museums
Laura Shechter: Recent Oils, Watercolors, And Drawings, University Of Richmond Museums
Exhibition Brochures
Laura Shechter: Recent Oils, Watercolors, and Drawings
September 6 to October 6, 1991
Marsh Art Gallery
Introduction
For painter Laura Shechter the subject of still life is one that is charged with deep significance. Since the 1970s she has explored the manifold complexities of form and idea it necessarily involves for her with considerable success. As one of this country's leading interpreters of still life's revelatory aspects, Shechter has specialized in bringing out the subject's rich potentials for meditative and symbolic statement with a refreshing directness that is distinctively American in the emphasis on the special illuminating role played by …
Window Perspective, Logan Helman
Self-Portrait, Jennifer Massey
Sculptures, Charley Foley
Male Nude, Kris Shonk
Le Musee De Vie, Joseph Aranyosi
Untitled, Colleen Phelon