Fine Arts Commons^™

The Beehive, The Favela, The Castle, And The Ministry: Race And Modern Architecture In Rio De Janeiro, 1811–1945, Luisa Valle

Dissertations, Theses, and Capstone Projects

This dissertation deploys a multidisciplinary and decolonial framework to investigate the architecture of cortiços, the Favela Hill, the Castelo Hill, and the Ministry of Education and Public Health (MES) building as constitutive of the history of modernization and modernity in the Centro (city center) of Rio de Janeiro, 1811-1945. The first three chapters investigate the distinct geographies, formal and material qualities, and populations of cortiços, the Favela Hill, and the Castelo Hill, as well as their racialization and essentialization by the “unsanitary” and “degenerate” labels bestowed upon these landscapes by the state. Traditional narratives and practices of modern architecture and …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Buzz Buzz, Sarah Heinemann

Theses and Dissertations

Taking the form of a series of notes and notations, this document serves as an account of color in my painting practice as it intersects through personal memory, research, and my studio and professional practices.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

New Animals, Alina Iakirevitch

Theses and Dissertations

To transfer the rhythms of the body into the earth, in Lippard’s language, one has to engage in a non verbal, illogical action. Art is the sphere of this action. Staying engaged with the unpredictable in us, the random, the primal, is the core of art making and encountering art.

Break Time, Quinlan Maggio

Theses and Dissertations

In this graduate thesis artist Quinlan Maggio describes their two-part art project in which they create site-specific private/public spaces and encounters within a larger public, specifically, that of the Hunter MFA community and its art-viewing audience.

Scene By Scene, Katita Miller

Theses and Dissertations

Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

Head, Shoulders, Knees, And Toes, Pol Morton

Theses and Dissertations

My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Slaying The Dragon: Dances Created During The Time Of The Pandemic, Regina Nejman

Theses and Dissertations

Regina Nejman’s paper details a dance artist’s negotiation of art-making in a global pandemic. It focuses on her improvisational dance films that were combined with live performance and animation in a gallery-like viewing environment. She situates herself among the many screendances and digital archives shared during NYC’s lockdown.

Bodyverse, Colin B. Stilwell

Theses and Dissertations

This paper supports the MFA dance thesis film BodyVerse. Exploring the intertwining relationship of body systems with the natural world, it brings somatic principles such as Body Mind Centering and dance improvisation together with film legacies and digital platforms.

Driftbone, Noémie Jennifer Bonnet

Theses and Dissertations

My multidisciplinary work is premised on the idea that the contemplation of mortality can foster life-affirming redirections beyond the self. My explorations include ethereal abstract paintings, sculptural works hybridizing human and nonhuman forms, and meditative sound pieces. The works seek to inspire a heightened awareness of corporeal and ecological dependency.

I Still Love You, Despite Everything, Amy Bravo

Theses and Dissertations

My practice seeks to reconcile the family—be it a found, queer family, or blood relatives. Addressing ancestral conflict, the complications of US/Cuba relations and my physical and cultural distance from the island I hail from, my work offers another world for communing with those you cannot physically reach.

“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin

Theses and Dissertations

This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

Cultural Predicaments: Neorealism In The Netherlands, 1927–1945, Stephanie Huber

Dissertations, Theses, and Capstone Projects

This dissertation takes as its subject Dutch Magic Realism, also known as “Neorealism,” an unsettling style of figurative painting developed by Dutch painters Pyke Koch, Carel Willink, Charley Toorop, Raoul Hynckes, Dick Ket, and Wim Schuhmacher during a moment of rising totalitarian regimes in neighboring countries and the Nazi Occupation of The Netherlands. Like their European counterparts, these Dutch Magic Realists conveyed the experience of modern alienation by perversely appropriating stylistic characteristics and iconographic motifs of revered national schools of painting – in their case, Early Netherlandish and Northern Renaissance traditions.

The fortunes of Neorealism exemplify the pressures brought to …

Hellenikotita — Greekness: Constructing Greek Genre Painting, Visualizing National Identity, 1850–1900, Olga Zaferatos Karras

Dissertations, Theses, and Capstone Projects

In 1828, following a seven–year war waged against the Ottoman Empire and its nearly 400 years of subjugation, the newly–formed nation–state of Greece, “Hellas”, faced the daunting challenge of uniting a population that was as diverse as its multiple dialects. By mid–century, genre painting began to take shape. Eventually it was known in Greek as “ηθογραφία (“ethographia”) or “ethography,” from the word ήθος (ethos) or morals, referring to the guiding beliefs or ideals that characterize a community, nation, or ideology. Inspired by a literary vogue of the same name that predated genre painting, the anecdotal vignettes of …

Water Bearer, Whitney Harris

Theses and Dissertations

My work explores fantasy and mythological archetypes. The exhibition features works on paper depicting mermaids, and a fountain featuring two figures submerged in water, one spitting into the other's mouth. I use black ink and glazes to create variegated surfaces. In these works, I reimagine ideas about power and intimacy.

Play Among The Shadows, Xiong Wei

Theses and Dissertations

This article elaborates Xiong Wei's inspiration and experience from different cultural, political, social systems and art environment as a Chinese artist living in the United States, and the logic and methodology of how he went from a social realist sculptor to a contemporary artist.

Dream/Reality, Mercedes Llanos

Theses and Dissertations

Mercedes llanos explores the surreal aspect of dreams as they concern with waking life issues, mainly focusing on power-roles in domestic partnerships embedded in a South American patriarchal upbringing. In her dreams, she subconsciously navigates the repression of freedom firsthand experienced, and that of the transgenerational woman collective.

Long Time, Jacob V. Reed

Theses and Dissertations

Jake Reed’s work is driven by the idea that architectural ornament can be imbued with meaning not native to its construction or use. To find that meaning, he deconstructs and reassembles elements from the architectural and ornamental histories he studies, using the growing climate crisis as a generative framework.

Capallaries Of Care: Pato Hebert In Conversation With Alex Juhasz, Alexandra Juhasz, Pato Hebert

Publications and Research

Discussion about art show, Lingering: No Silver Linings, about longhaul COVID with artists and organizers, Pato Hebert and Alex Juhasz.

Aiming For The Trees: Random Access Information And Paik’S Video Study, Alexandra Juhasz

Publications and Research

Public lecture and paper presented for the 13th international symposium, The Gift of Nam June Paik, attending to his dreams of random access information and the inauguration of his Video Study.

Dear Maliha,, Na-Eela Djemil

Capstones

Dear Maliha is a short documentary film exploring the complexities of spiritual abuse through Maliha Fairooz. Spiritual abuse is a form of abuse that uses spiritual or religious beliefs to control or manipulate others. In some cases, spiritual abuse can be used to describe a religious leader who abuses their platform. But in Maliha’s story, we explore the concept of parental spiritual abuse. However, we learn more about this through Maliha Fairooz and the creative use of her journal.

For Maliha journaling is a form of therapy she uses to process her feelings and days. She also uses it as …

We Miss Each Other, As In We Are Missing Each Other, Lily L. Randall

Theses and Dissertations

I am interested in the way metaphors efface the terms of their comparison and what utility COVID-19 has when positioned within a metaphor. In Lacanian psychoanalysis, metaphors touch the subject, symbolized by the plus sign (+) or the crossing of the signifier into the signified. In the fall of 2019, I presented a performance in which three participants strategically shared saliva, nasal, ear, and vaginal swabs to therapeutically address my chronic illness. Currently in 2021, our conceptions of bodily sharing revolve around the extreme contagiousness of COVID-19. There is a demand to visualize this contagion as if “respiratory droplets” were …

Do You Feel Me? A Study On Synthetic Companionship And Digital Escapism, Camille S. Breslin

Theses and Dissertations

This thesis explores the human experience and the landscape surrounding atypical methods of connection within the doll community. First hand testimonies of loss, isolation, depression and how dolls, synthetic companionship, and AI technology might be the saving grace for emotional stability.

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

The Curtain Fell, Opal M. Ong

Theses and Dissertations

Opal Ong’s paintings and drawings are rooted in but larger than memory. The work is flat and graphic. With this practice, Ong makes do with the living memories that haunt her. This process is not nostalgic or sentimental. Instead, it is a meditation on a kind of loss without resolve.

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.