Fine Arts Commons^™

Vienna, Paris, Berlin: The Golden Age Of European Cabaret, Agnieszka Taborska, William Damkoehler, Anne Johnson, Susan Sellers, Georgie Stout, Mark Borok, Michael Zimmerman, Bill Gold, Charles Oestreicher, Edward Guttman, Caroline Provost, Ed Hemingway, Holly Heerens, Eugene Mollica, Susan Unger, Michelle Talbot, Sarah Bishop, Malcom Coelho, Heather Frith, Charles Baudelaire, Paul Verlaine, Jacques Prevert, Don Keefer, Emliy Cohen, Martha Crawford, Susan Becker, Hanns Eisler, Molly Komacker, Vivienne Cho, Carsten Stehr

Programs

Program for the second annual RISD Cabaret held in the Cellar in the Pit. Design and layout by Anne Johnson, Susan Sellers and Georgie Stout.

View the Performance Recording.

From St. Petersburg To Krushchev's Boot, James O. Barnhill, Justin Kerr, Edward Guttman, Caroline Provost, Jennifer Bull, Marguerite White, Nancy Bach, Steve Overman, Josh Pearson, Jean Wasil, Mark Borok, Vivienne Cho, Karen Frishmann, Heather Firth, Lisa Hurwitz, Treva Offutt, Beth Whitney, Sarah Bishop, Richard Ross, Cara Reische, Walter Clarke, Rene Dimanche Jr., David Ross, Malcom Coelho, Andrew Sklar, Michael Wodkowski, Susan Ockerse, Paul Scagnetti, Martha Crawford, Holly Su Heerens

Programs

Program for the first annual RISD Cabaret held in Memorial Hall. Design and layout by Justin Kerr.

View the Performance Recording.

A Comparison Of Selected Critical Writings Of Jean-Georges Noverre And Theophile Gautier And Their Continuing Influence On Dance, Kathleen Carol Tenniswood

Masters Theses

This thesis compares selected critical writings of Jean-Georges Noverre and Theophile Gautier and the impact these writings have had on dance and dancers. It also illustrates that the influence of these writings helped to shape the attitudes of the public concerning dance.

Research included primary sources, Noverre's Letters on Dancing and the Ballets and Gautier's The Romantic Ballet, and secondary sources which related to the specific area of dance. This study has contributed to the literature concerning Noverre and Gautiur and has examined their influence from their lives to the present time.

Principles Of Choreography As Exemplified In The Works Of George Balanchine, Virginia E. Bird

Masters Theses

This thesis presents an examination of George Balanchine's choreography. The examination is directed to three principles which are discussed in relation to his choreographic works.

The thesis is composed of six chapters and a summary including an introductory chapter. The second and third chapters discuss the historical background of George Balanchine as it relates to his choreographic development. The subject of the fourth chapter is Balanchine's musicality: how it was developed and how it is exemplified in his ballets. The fifth chapter is devoted to a discussion about Balanchine's neo-classical style. The last chapter examines Balanchine's ability to elucidate the …

Ua68/1/2/2 Fine Arts Festival, Wku Potter College Of Arts & Letters

WKU Administration Documents

WKU Fine Arts Festival brochure listing events for the 1975-76 school year. Includes information about Eugene Fodor, the New Shakespeare Company, the Multigravitational Experiment Group, Emlyn Williams, the Prague Madrigal Antigua, the Pittsburgh Symphony Chamber Orchestra, the City Center Acting Company and Garrick Ohlsson. It also gives a list of exhibitions, films and theatrical productions to be presented through the year.

Ua68/1/2/2 Fine Arts Festival, Wku Potter College Of Arts & Letters

WKU Administration Documents

Scrapbook documenting the first WKU Fine Arts Festival which commemorating the opening of the Ivan Wilson Fine Arts Center. Includes clippings and event programs.

Ua68/1/3 Ivan Wilson Center For Fine Arts, Wku Potter College Of Arts & Letters

WKU Administration Documents

WKU Potter College of Arts & Letters brochure regarding the construction of Ivan Wilson Fine Arts Center and the Russell Miller Theatre. The brochure also highlights the departments of Speech & Theatre, Foreign Languages, Music and Art.

Marshall Artists Series Presents The Midnight Lamp Company, Morris Carnovsky In "Lamp At Midnight", Tyrone Guthrie

All Performances

No abstract provided.

Letter From Meredith Monk To Richard Carlyon, 1968 February 29, Meredith Monk

Bang Arts Festival Documents

Typewritten letter from Meredith Monk to Richard Carlyon [misspelled Carline in the letter], dated February 29, 1968. Monk inquires about performing at RPI, per suggestion of Yvonne Rainer. Enclosed are several news clippings reviewing Monk's work.

Performance Notes, R. Carlyon, Bird Park Lake: A Vue Gram, Bang Arts Festival 1966, Richard Carlyon

Bang Arts Festival Documents

A single page of performance notes from Richard Carlyon about the March 22, 1966 performance of "Bird Park Lake: A Vue Gram." Typewritten text with handwritten marginalia. Transcription of handwritten notes: "(From R. Carlyon's Notes), projectionists: Carlton Gunn, Sam West, Robert Barefoot, Carlton Gunn, Sam West, William Livingston were students at RPI, C.A. & D. Dept."