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Volume 26, Number 10 (October 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Profitable Physical Exercises for Piano Students

About the Metronome

Paul Wachs: A French Composer Whose Drawing Room Pieces Have Been Exceptionally Successful

How the Masters Waited and Worked for Success: Tales of Persistence and Patience that Paid in the End

How a Musical Note-Book Helps Children

How to Play Chopin

Important Musical Activities Abroad

Musical Magazine and the Village Student

Self-Help Hints on Etude Music: Practical Explanatory Notes for Ambitious, Progressive Teachers and Students

Volume 26, Number 09 (September 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Influence of Chopin

Life of Dr. William Mason

Journalistic Comment on Dr. Mason's Death

What is Gipsy Music?

Appreciation of Dr. Mason

Dr. Mason's Genius as a Teacher

William Mason Model Teacher

Pithy Sayings by Dr. Mason

Dr. Mason's Personality

With Dr. Mason in the Studio

Music in the Old World: What the Masters of Europe are Thinking and Doing

Basis of Music Memory

Passing of the Square Piano

Eccentric Moods and Manners of the Great Composers

Volume 26, Number 08 (August 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Should Amateurs be Given a Different Course of Study Than Professional Students?

Class Teaching Versus Private Teaching

False Stories in Musical History

Importance of Music in the Home Life

Rimsky-Korsakov: 1844-1908

Musical Libraries

Piano Lessons by the Great Masters: Franz Liszt

Practical Church Music

Increased Valuation of Music in our Government

How Music May Alleviate Suffering

Bach Becoming Popular

Volume 26, Number 07 (July 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Dr. Robert Goldbeck, Prominent German-American Musician and Educator, Deceased

Lessons with Kullak: How the Great German Pedagogue Taught

Questionable Advantages of Foreign Study

Is the Piano a Disadvantage in Early Musical Education? (Symposium)

Correct Pronunciation of the Names of Well-Known Musicians

Acquisition of a Loose Wrist

How the Music Teacher is Hampered by Pupils' School Work

Necessity of a Vacation for Musicians and Students

Musical Development Late in Life

Educational Value of Musical Postal Cards

Egotism in Music

Reginald de Koven upon Night Work

Volume 26, Number 06 (June 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Child Who Can't

Some Eccentricities of Musical Genius

Self-Made Masters in Music: How Schubert, Haydn, Raff, Wagner, Elgar and Others Taught Themselves—Practical Advice for Students Who are Forced to Carve Out Their Own Careers Without the Assistance of a Teacher

How Public School Music Should Help the Private Music Teacher

Should Music be Studied by High School Pupils?

Is the Piano a Disadvantage in Early Musical Education? A Symposium Upon a Vital Subject by Many Well-Known Teachers and Artists

How Correct Accenting Helps the Student

Making the Summer Profitable: Opinions of Practical Teachers upon Rest and Study in the Torrid …

Volume 26, Number 05 (May 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Student Days in Weimar With Liszt: Reminiscences of an American Virtuoso and Teacher Who Won the Interest of the Greatest Master of the Keyboard

Extending the Compass of a Hand Without Injury

Securing Pupils

Helpful Ideas for the Younger Piano Teacher

Difficulties of Teachers in Small Towns

Leopold Godowsky on Natural Technic

Retaining the Loyalty of Old Pupils

Rise of the Virtuoso

Necessity of Credentials for Music Teachers

Some Essentials of Pianoforte Tone Production

Good Way to Teaach Odd Rhythms

Mothers as Assistant Teachers

Volume 26, Number 04 (April 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Newly Discovered Sketch by Mozart with its Musical Explanation

Sustained Finger Exercises

Co-öperation of Teacher and Student

Stimulating the Pupil's Ambition

Autobiography of a Rhapsody of Liszt

Suggestions Relating to Scale Fingering

Some Factors that Aid Good Teaching

Thirty-minute Lesson

Wagner's Witty Remarks on the Oratorio in England

Difficulties of the Young Music Teacher

What Should the Amateur Pianist be Taught of Harmony

Allow the Student to Develop His Own Ideas

Remodeling the Old Teacher's Work: How Great Tact Should be Used in Making Changes

Volume 26, Number 03 (March 1908), James Francis Cooke

The Etude Magazine: 1883-1957

MacDowell and His Mission

Why We Should Support American Music

Bach at the Organ

Poor Pay for Musicians

Harold Bauer on Technic

Rembrandt and Wagner

How to Study Chopin's Nocturne, Opus 9, Number 2

H. Engelmann

Brahms and the Waltz

Trying for a Church Position

Slow Practice

Volume 26, Number 02 (February 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Teaching Young Boys

Placate the Parent

Piano Duet Practice

Technic as It Should Be

Teachers' Auxiliary Work

What is Music?

So-Called Natural Piano Technic

Carl Heins

Musical Degrees in American Colleges

Why the Masters Died Poor

Brahms and Nikisch

Contrasted Character of Major and Minor Music

Volume 26, Number 01 (January 1908), James Francis Cooke

The Etude Magazine: 1883-1957

Some of Reinecke's Famous Pupils

Home Life of Reinecke

Courses of Self-Study for Piano: Suggestions as to How It May Best Be Pursued

What Music Owes to Dancing

Paderewski on Music Teaching

Career of a Concert Singer: Opinions and Experiences of the Noted Concert Soprano Miss Emma Thursby

Private Teacher in His Relation to Music in the Public Schools

How I Teach the Scales

How Long Shall Be the Lesson of a Child Under Twelve Years?

Chances of the Music Teacher in the Southwest

Volume 25, Number 11 (November 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Education of the Masters

Making the Lesson Hour More Profitable

Bach's Sons

Liszt as a Composer and as an Artist

Letter from a Teacher in New Zealand

How to Select a Piano

Teaching New Materials

Famous Italian Pupil of Franz Liszt

Advice to Young Teachers

Some Trials and Experiences of a German Teacher

Volume 25, Number 10 (October 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edvard Grieg

Eulogy Upon Grieg

Grieg's Twelve Most Popular Piano Pieces

Story of the Gavotte

Joseph Joachim: A Tribute to the Great Teacher, Artist, Man, Who Stood at the Educational Head of Musical Life in Berlin for a Half Century—His Remarkable Violin School and His Influence Upon His Pupils and Friends

Should Recital Music be Memorized?

Sevcik and Joachim

How Rubinstein Played the Piano

Edvard Grieg

Volume 25, Number 09 (September 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Man and Good Music

Technical Exercises, Etudes and Pieces: How to Use Them

Palestrina

Fallacy of Music Study Abroad

Practice that Develops Technic

Practical Hints by Bülow

To Teachers Who Do Not Play

Volume 25, Number 08 (August 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Business Side of Making an Artist

To Protect Sheet Music

Study of Mozart's Sonata in F Major

Musical Education of the Blind

Henry Parker

How I Teach the Piano

Nicolas Rimsky-Korsakoff

Development of the Pianoforte

Enthusiasm in Teaching

High School Music Courses and College Requirements

Hans Sachs

Géza Horváth

Volume 25, Number 07 (July 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

From Schumann's Workshop

How to Read Music

Beethoven's Fondness for Out-of-Door Life

Hint for the Sight Reader

Success and Failure in Music: A Symposium

Anton Rubinstein in His Classes

Grading Music for Teaching Purposes

Young Pupil and Elementary Musical Theory

Teaching Material for Children

Beethoven's Personal Appearance

Notes on the Study of Scales

Arthur Foote

Environment a Factor in Teaching

World's Greatest Pianists

Emotional Appeal in Instrumental Music

Paderewski's Minuet in G

Study of Program Music

Volume 25, Number 06 (June 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Johannes Brahms: The Classical Spirit in Music

Some Sayings of Brahms

Estimate of Brahms' Work

Brahms as a Practical Joker

How Liszt Taught

Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music

Edvard Grieg: The Scandinavian Spirit in Music

Jacques the Dreamer: The Story of a Musician, with a Moral in It

Charles Camille Saint-Saëns: A Representative of French Music

Story of the Minuet

History Questions for Music Students

Importance of Finger Training

Cornelius Gurlitt

Monument to Stephen Heller

Volume 25, Number 05 (May 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musician's Holiday in Central Europe: Summer Music in Germany

Liszt's Love for the Piano

TTo the Graduates in Music: A Baccalaureate

Scales and Scale Playing: Their Place in Modern Piano Playing (Prize Essay)

Minnesinger

Education of the Masters

Conservatory Musical Society—What it Can Do for Members

Suggestion to Stimulate American Composition

Teaching Pieces by Godard

Some Leipzig Teachers of Fifty Years Ago

Volume 25, Number 04 (April 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Maiden's Wish (Chopin Story)

Weber a Dramatic Composer

Control of Nervousness in the Musician

Making a Community Musical

Some Considerations on Foreign Study

Some Modern Technical Delusions and a Suggested Remedy

Dangers of Thoughtless Automatic Practice

Aim and Scope of Music for the Left Hand Alone

Shakespeare and Music: Some Interesting Quotations

Are the Keys with Flats in the Signatures Easier to Play than the Keys with Sharps? Why? (Symposium)

Beethoven's Love for Nature

Secret of Rosenthal's Technic

Artist's Revenge (A Story of Liszt and Chopin)

Anton Rubinstein in His Class Room

Keep the Eyes on the Music

Fraud Music …

Volume 25, Number 03 (March 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Easter at St. Peter's, Rome

Notes for the History Teacher

Pioneers in Music

Keyboard and the Hand

Incident of Schumann's Last Days

Hints for the Duet-Player

Rhythm and Meter in Music

Nature's Symphony: An Incident of Beethoven's Youth

Songs without Words

Sigismond Thalberg

Volume 25, Number 02 (February 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chopin as I Knew Him

Lesson on a Phase of Technic: The Thumb and Second Finger

Repertory and How to Acquire It

Reminiscences of Schubert

Life of the Virtuoso

Few Thoughts Concerning the Musical Ear

Anton Rubinstein in His Classes

18th Century Tribute to Bach

Plan for the Teacher Who Wishes to Give Her Pupils Both Private and Class Lessons

French View of the American Musical Future

Evolution of a Country Church Choir

Some Common Errors of Piano Pupils: How to Correct Them

Volume 25, Number 01 (January 1907), Winton J. Baltzell

The Etude Magazine: 1883-1957

Lessons From Haydn's Life

Some Appreciations of Haydn

Joseph Haydn: A Man and Artist: As He Lived

Haydn's Contribution to Instrumental Music

Study of Haydn's Pianoforte Compositions

Joseph Haydn and His Work

Haydn, the Child, Youth and Man

Musician's Masquerade: A Story of Haydn's Youth

Mystery of Early Engilsh Music

Volume 24, Number 11 (November 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Richard Strauss: A Short Story of the Composer Whom James Huneker Calls An Anarch in Art

Hungarian Music and the Gipsies

Education of the Masters

Music and Mental Science

Babylonian Origin of Music as an Art and Science

Touch in Pianoforte Playing

Musical Education: What It Means

What is Good Taste in Music?

Volume 24, Number 10 (October 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of a Russian Pianist (interview with Josef Lhévinne)

Qualities that Deterine Musical Worth

Two Remarkable Modern Compositions

Music Among the Hindoos

Study of Piano Technic from Bach to Clementi, Field and Cramer

Study of Piano Technic from Beethoven to Rubinstein

Thoughts on Modern Piano Technic

Manuel Garcia: His Life and Works

Interpretation of Bach's Works

Hindoo Air in the Sunday-School

Place of the Talking Machine in Music Teaching

Place of Mechanical Instruments in Musical Culture

Menace of Mechanical Music to a True Art

Volume 24, Number 09 (September 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Study of Sir Edward Elgar

First Steps in Teaching Technic

Festival in the Small Town: Its Value and How to Run One

Some Principles of Leschetizky's Teaching

Mozart as a Teacher, Player and Piano Composer

Interpretation of Bach's Works

Teaching Scales

Those Fits of Discouragement

Types of Concertgoers

Rubinstein on the Concert Platform

Volume 24, Number 08 (August 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Exercises for the Sight Reading Class

Reminiscences of Celebrated Singers (interview with Giovanni Sbriglia)

Significance of Bach to Modern Music

Public Taste in Music as Shown by Summer Orchestra Programs

Teaching of the Minor Scales

Bach Awakening

Aphorisms from the Manuscript of the Late C.H. Richter

Story of Johann and Joseph Strauss

Pupils' Rhythmical Problems

Volume 24, Number 07 (July 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edouard Risler and His Playing of Beethoven's Sonatas

Suggestions for Chord Playing

Soirée at Richard Wagner's

What Does the Layman Hear in Music?

Making of an Artist: The View of Alfred Reisenauer

How an Opera Was Written

Schumann's Fantasy Pieces, Op. 12

Suggestions for Sight Reading Practice

Plea for Broad-Mindedness

Value of Imagination

Modern Virtuoso

Selection of Teaching Music

Volume 24, Number 06 (June 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: The Views of Alfred Reisenauer

Louis Köhler

Köhler's Technical Scheme

What is American Music?

Gluck and Lavater: How the Great Physiognomist Predicted the Composer's Career

Qualities of the Pianistic Hand

Notes on Rubinstein's Teaching

Handling of Piano Technic for Very Young Children

Study Value of the Pedal

Isadora Duncan and Her School for Classic Dancing

Studies in Prejudice: A Phase of Modern Art

Care to Practice, Then Careful Practice

Volume 24, Number 05 (May 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chorus Conducting and Music Festival Organization: Talks with Mr. Emil Mollenhauer and Mr. George W. Stewart

Who Shall Select the Pupils' Music

Monument to Stephen Heller

Self-Control

Sigismond Stojowski and His Views on Piano Study

Evolution of the Leschetizky Method

Some of the Elements of a Good Teacher

Program Novelties for Music Clubs

More Extensive Pianoforte Repertoire

Necessity of Theoretical and Historical Study to the Pianist

Reading at Sight: Some Practical Suggestions

How Improvements in the Piano Affected Composition

How the Great Musicians Practice

Mozart's Manner of Composing

Volume 24, Number 04 (April 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Life in New Orleans

How Tchaikovsky Composed

Experiences of a Music Student in Germany in 1905

Cultivate the Taste

Helps for Young Teachers

Position of the Hand in Piano Playing

Do We Play Enough for Our Pupils!

Small Conservatory

Tact in Teaching

Method of Gaining Speed in Playing

Piano and Its Influence on the Growth of Music

Do Musical Prodigies Last?

Music in Mexico

Volume 24, Number 03 (March 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making a Modern Conservatory of Music: What an Endowment is Doing for the Institute of Musical Art, New York City

Polyphonic Music as Related to Modern Art and Education in Music

John Knowles Paine: The First of the Great American Composers

Medieval Musical Entertainment

Pianoforte Four-Hand Compositions

Secret of Successful Work

Some Mistakes in Teaching

How to Prepare and Conduct Class Meetings

Abt Vogler

Poems a Musician Should Know, with Suggestions for Their Study