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Articles 241 - 270 of 526
Full-Text Articles in Fine Arts
Engaging Visitors With Conservation: The Key To Museum Sustainability, Megan Crutcher
Engaging Visitors With Conservation: The Key To Museum Sustainability, Megan Crutcher
Graduate Student Research Symposium
What is museum conservation and why does it matter? Increasingly, museum professionals are having to answer this question not only for themselves, but for the public as well. I argue that conservation’s definition is twofold, encompassing the actual work, as well as public engagement and presentation. First, conservation is the act of preserving and protecting cultural heritage to improve its structural integrity and historical significance. Second, conservation’s ultimate effectiveness lies in its ability to leave the public informed and passionate. Two of the best examples of these programs are the conservation of the Star Spangled Banner at the Smithsonian in …
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Theses and Dissertations
This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.
The "I" Of The Artist-Curator, Natalie Musteata
The "I" Of The Artist-Curator, Natalie Musteata
Dissertations, Theses, and Capstone Projects
This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …
The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux
The Settlement In The Salt Meadow: Housing In Steinway Village, 1873–1890, Anne Vuagniaux
Art Inquiries
No abstract provided.
David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk
David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk
Art Inquiries
No abstract provided.
How Art Works: A Psychological Exploration, Julia A. Sienkewicz
How Art Works: A Psychological Exploration, Julia A. Sienkewicz
Art Inquiries
Book review of How Art Works: A Psychological Exploration, by Ellen Winner.
Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins
Where You Come From Is Gone: Reinhabiting The Ruins Of The Native South, Catherine Wilkins
Art Inquiries
No abstract provided.
Berthe Morisot: Woman Impressionist, Kathryn Mcfadden
Berthe Morisot: Woman Impressionist, Kathryn Mcfadden
Art Inquiries
No abstract provided.
Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik
Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik
Art Inquiries
No abstract provided.
In Memoriam
Art Inquiries
In Memoriam: Charles (Randy) Mack, long-time SECAC member and past president of the organization, died in Columbia, SC on October 31, 2018. He was 78. Here, four SECAC members offer memories of Randy, to whom this issue of Art Inquiries is fondly dedicated.
Art Inquiries, Xvii:4, Full Issue
Second Sight: Women Artists Of The South, Melissa Yes
Second Sight: Women Artists Of The South, Melissa Yes
Art Inquiries
No abstract provided.
Delacroix, Joyce Carol Polistena
Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa
Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa
Art Inquiries
No abstract provided.
The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage
The Noisemakers: Estridentismo, Vanguardism, And Social Action In Postrevolutionary Mexico, Andrea Lepage
Art Inquiries
Book review of The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, by Lynda Klich.
Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts
Leonardo: Discoveries From Verrocchio’S Studio, Lindsay Alberts
Art Inquiries
No abstract provided.
An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston
An Interview With Karen Graffeo, Sonja Rieger, And Carolyn Sherer, Kerr Houston
Art Inquiries
No abstract provided.
Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt
Wicked, Hard And Supple: An Examination Of Suzanne Valadon’S Nude Drawings Of Young Maurice, Courtney Hunt
Art Inquiries
No abstract provided.
Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown
Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown
Art Inquiries
Book review of Word Embodied: The Jeweled Pagoda Mandalas in Japanese Buddhist Art, by Halle O’Neal.
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof
Artl@s Bulletin
How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.
Taking Cues From Online Learning Offline In The Visual Classroom, Kimberly Datchuk
Taking Cues From Online Learning Offline In The Visual Classroom, Kimberly Datchuk
Art History Pedagogy & Practice
Theories of online learning can inform how academic museums provide a student-centered approach to teaching. Technology has four main advantages for teaching in the museum: it is open-ended, self-paced, collaborative, and empowering. In order to activate the art works and encourage students to contribute their ideas, I have drawn on the best practices of online teaching tools when designing university class visits. The chance to discuss works among themselves enables students to make personal connections to the works and each other. The informal environment of the class visit helps to produce a student-led experience. Encouraging students to ask questions, following …
The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh
The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh
Textile Society of America: Symposium Proceedings
The textile field, while not “local” in the geographic sense, is a community: a group of people with a shared language, history, and practices that date back thousands of years. As deeply-rooted as those materials and practices are, textiles is also an area that has historically experienced enormous disruptions due to changing technology and globalization. In the 21st century, we are undergoing something like a second Industrial Revolution. Advances in digital and robotic technologies and shifting labor markets are driving a revolution in where and how things are made. Global climate change, lack of food security for much of …
Timberline Textiles: Creating A Sense Of Place, Annin Barrett
Timberline Textiles: Creating A Sense Of Place, Annin Barrett
Textile Society of America: Symposium Proceedings
Timberline Village holds an iconic place in popular culture, serving as a symbol of Western U.S. mountain tradition. Stanley Kubrick’s The Shining was filmed there, dozens of ski-wear advertisements feature it as background, and it has even been used for an immersive horror game setting. During the early 20th century, other great mountain lodges were built in the West, but what makes Timberline unique is its textiles. It receives almost two million visitors a year who come from around the world to admire this handcrafted building perched at 6000 fee elevation on Mt. Hood in Oregon. The Lodge was …
Wrapped In Wool: Coast Salish Wool Weaving, Vancouver’S Public Art, And Unceded Territory, Alison Ariss
Wrapped In Wool: Coast Salish Wool Weaving, Vancouver’S Public Art, And Unceded Territory, Alison Ariss
Textile Society of America: Symposium Proceedings
Coast Salish blankets, lovingly woven with hand dyed, home spun, and commercially produced yarns, adorn the walls of an international airport, museum, universities, and national broadcasting studio, and a mixed-use development project in Vancouver. All of these publicly accessible sites are located in unceded Coast Salish territory, upon which this city exists. These weavings present a conundrum. Simultaneously viewed as public art and symbols of cultural revitalization, their recognition as fine art has been limited, as most discourse about Coast Salish blankets has occurred outside of the discipline of art history. How then, have these weavings found their way into …
Schoolgirl Embroideries: Integrating Indigenous Motifs, Materials, And Text, Lynne Anderson
Schoolgirl Embroideries: Integrating Indigenous Motifs, Materials, And Text, Lynne Anderson
Textile Society of America: Symposium Proceedings
Hand embroidery was an integral part of female education in Europe, America, and their colonized territories until the late 19th century. All girls embroidered at least one sampler and many stitched more than one. Because needlework was part of the school’s curriculum; a sampler’s composition, technique, and text communicate a great deal about the teacher’s goals, as well as community and family expectations, including those of indigenous students. This presentation explores ways in which indigenous motifs, materials, and text were integrated into schoolgirl samplers and other girlhood embroideries, leaving visible evidence of cross-cultural accommodations. Motifs are recurring patterns or …
Eliza Calvert Hall, A Book Of Hand-Woven Coverlets, And Collecting Coverlet Patterns In Early Twentieth Century Appalachia, Philis Alvic
Eliza Calvert Hall, A Book Of Hand-Woven Coverlets, And Collecting Coverlet Patterns In Early Twentieth Century Appalachia, Philis Alvic
Textile Society of America: Symposium Proceedings
In her 1912 book, Eliza Calvert Hall describes looking out of her window and seeing coverlets thrown over tobacco wagons on way to market. She would run out and try to bargain with the owner for the coverlet. She collected coverlets, their design names, and their patterns. Since Hall supported herself with her writing, she counted on her coverlet book appealing to the wide audience of people interested in the Colonial Revival in home decoration. Although hall published the book, she was just the more visible of those interested in coverlets during the early twentieth century. Throughout Appalachia, there were …
Chilean Arpilleras: Writing A Visual Culture, R. Darden Bradshaw
Chilean Arpilleras: Writing A Visual Culture, R. Darden Bradshaw
Textile Society of America: Symposium Proceedings
This paper highlights a recent inquiry into the contemporary visual culture of the Chilean arpillera from a cross-global perspective. This art form derived from political, social, and economic conditions of the times yet contemporary manifestations do not address these origins. Arpilleras, historically created in the home and sewn by hand, are constructions in which bits of discarded cloth and burlap were used to compose pictorial narratives. The art form arose in Chile during a period of intense political oppression. This manifestation of women’s fiber art has and continues to serve as both seditious and reconstructive forms of visual culture. While …
The Embroidery Artisans Of The Kashmir Valley: Cultural Imports And Exports From Historical And Contemporary Perspectives., Deborah Emmett
The Embroidery Artisans Of The Kashmir Valley: Cultural Imports And Exports From Historical And Contemporary Perspectives., Deborah Emmett
Textile Society of America: Symposium Proceedings
On a visit to the Kashmir Valley in northern India during the winter months I was given a pheran to wear. This long woolen garment is the customary apparel worn by Kashmiri men and women in cold weather. While the men’s are plain, the women’s pherans are embroidered on the front and sleeves. The skills of those Kashmiri artisans who hand embroider clothing such as the pherans, shawls, and other textiles including rugs, curtains, and cushions are well recognized in India and beyond. Considering the Kashmir Valley’s geographic position surrounded by the Himalayan Mountains, I presumed that their embroidery crafts …