Fine Arts Commons^™

A Pastor's Fine Art Collection: From Down-To-Earth To World-Renowned, Lily Hampton

Undergraduate Theses

Art collecting and the methods of acquiring art are constantly changing with the times. While some world-class collections are filled with a wide range of art types-- paintings, sculptures, ceramics, photographs--the public has little knowledge of how these pieces are chosen and accumulated. Competition in the art scene is undoubtedly a factor, but an argument can be made about whether some collectors choose works for highly personal reasons. The subject of this thesis is a local fine art collection, the Mary and Al Shands Collection of the Great Meadows estate based in Crestwood, Kentucky. This stunning in-home art gallery is …

Analysis Of The Integration Of High-Tech Virtual Technology To Improve The Audience's Experience: Taking China Exhibition Hall As Examples, Zizhou Guo

MA Theses

The existence of an exhibition hall is nothing more than to display the works of art, and the design of an exhibition hall is nothing more than to let the audience better understand the works of art. In order to do this well, the design of exhibition space, as a container for artworks, plays an important role. This paper starts with the exhibition space of the exhibition hall, analyzes some new features and existing problems of the exhibition space of the contemporary exhibition hall, and takes space scale, space sequence, exhibition and display methods, and multimedia as the research objects. …

Collecting An Empire: Stolen Heritage Of Indigenous Australians, Kyla Moore

MA Theses

Exploring the importance of the protection and preservation of Australian Aboriginal
cultural heritage, this thesis seeks to examine a need for change in the way
governments approach cultural heritage repatriation from a legal and ethical
perspective. By analyzing binding and non-binding laws of the United Kingdom and
Australia, this paper suggests the need for the improvement of legal frameworks and legislation currently in place regarding cultural heritage repatriation. It also identifies challenges Indigenous communities face in the quest to reclaim control over their cultural heritage, history, and identity. Examining contrasting case studies of repatriation, the impact legislation has on the …

No Canvas, No Rules, Francisca B. Ugalde

Proceedings from the Document Academy

This presentation activity is a creative exploration of the concept of DIS-EASE, as in the absence of ease, uneasiness, or discomfort.

Conceptually, I am exploring DIS-EASE in three ways:

1. As you can see, I am painting directly onto the gallery wall. As the keeper of these galleries, I can assure you that this is a big no-no. I mean how dare anyone disturb these pristine surfaces?! The rationale behind my discomfort is rooted in the idea that the gallery is a sacred space, and that these walls ought to be kept pristine so that the objects displayed against them …

The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski

Senior Honors Projects

No abstract provided.

Selling Transcendence: The Rise Of Experience And The Big Business Of Immersive Art, Emeline Callaway

MA Theses

There has been an explosion of immersive art experiences over the past few years. Even as the pandemic has taken a toll on tourism, immersive art ventures and experimental museums have expanded around the world, drawing significant crowds and offering investors an inside into a new, emerging industry. This thesis ties these new experiential businesses to the history of art through an analysis of immersive artistic exploration over time and connects the current forms of investment to the history of immersive art patronage. Exploring the relationship between major economic shifts and the development of the art market, this thesis explains …

Lauder Art Collections: Two Brothers, Two Collections, One City, Carol Bradford Abruzzo

MA Theses

This thesis highlights two New Yorkers who donate a plethora of art treasures to their beloved hometown. The value of these collective materials provides a permeance to the history of civilization. Art works within these institutions provides visual history and allows for an immediacy to learn and a simple way to connect with the past. However, the art is as good as it is culled into a meaningful collective with easy accessibility for all. The Leonard A. Lauder Cubist Collection at the Metropolitan Museum of New York and the Ronald S. Lauder Neue Galerie are two of the most distinguished …

Constructed Memories: A Study Of How The Arts And The National Museum Operate Within Power Structures And State Interests In Postcolonial Morocco, Evan Antonakes

Independent Study Project (ISP) Collection

The Moroccan national museum as an institution has a long and complicated history. A product of colonialism, the state has historically used the museum, and the art housed within it, to construct narratives of progress and images of modernization. Doing so is largely at the expense of contemporary artists who have long been neglected by the state and failed by the museum. This paper will communicate how museums, art, and the state intersect in postcolonial Morocco. The paper will examine the inner workings of the Mohammed VI National Museum for Modern and Contemporary Art in Rabat, attempting to contextualize the …

The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward

LSU Master's Theses

This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …

Museum Studies 2021 Strata Exhibition Curatorial Seminar Presentation, Kristen Cooney, Justin Mitchell, Katie Sanfield

Art and Art History Presentations

Strata, a multi-sensory installation by Canadian artist Shannon Collis on display at the Berman Museum of Art, immerses visitors in an environment of deep sonic resonance and dynamic moving images that travel above and through Alberta’s Boreal Forest, the Athabasca River, and Fort McMurray to underscore the scale of the Fort Hills Suncor Oil Sands and Syncrude Oil Plant, the third-largest known crude bitumen reservoir on the planet. As part of the programming for the exhibition, each student enrolled in the Curatorial Seminar course (MS-200B-A) planned and carried out a creative project, reached out to other communities to get them …

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano

Honors Theses

Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.

Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea

Art Inquiries

Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.

Jordan Nassar: The Field Is Infinite, Megan Bickel

Art Inquiries

No abstract provided.

An Interview With Tony M. Bingham, Mysoon Rizk

Art Inquiries

No abstract provided.

Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams

Art Inquiries

No abstract provided.

Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart

Art Inquiries

Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.

Iconoclasm And The Museum, Catherine Chastain-Elliott

Art Inquiries

Book review of Iconoclasm and the Museum, by Stacy Boldrick.

Art Inquiries, Xviii:2-3, Full Issue

Art Inquiries

No abstract provided.

Julie Mehretu, Jessica Stephenson

Art Inquiries

No abstract provided.

Bertha Palmer And Anna Wintour: How Does Private Patronage Impact Identity-Building Within Cultural Institutions?, Marie Redetzki

MA Theses

Founded to provide a young nation with cultural foundations and dedicated to educating its public, the large historic cultural institutions of the United States find their origin in private initiatives and of private-public-partnerships for the benefit of the communities they serve. This thesis outlines that, at its core, museums and their funding structures in the United States exist in the format we find today because of the active and informed contributions of their patrons. It is these contributions that have shaped the American museum landscape over the course of its history. Two case studies – Bertha Palmer and her bequest …

Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño

Art Inquiries

No abstract provided.

Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig

Art Inquiries

No abstract provided.

Commonwealth, Clare Van Loenen

Art Inquiries

No abstract provided.

Dyani White Hawk: Speaking To Relatives, Sara Stepp

Art Inquiries

No abstract provided.

Frank Duveneck: American Master, D. Bryan Schaeffer

Art Inquiries

No abstract provided.

Back Matter

Art Inquiries

No abstract provided.