Fine Arts Commons^™

A Formidable Female Network: The Role Of Women In William Henry Fox Talbot’S Establishment Of Early Photography, Rose Teanby Phd

Art Inquiries

This paper explores how women assisted William Henry Fox Talbot (1800-1877) to establish his Photogenic Drawing and Calotype photographic processes in Great Britain and Europe. Utilising preserved contemporary correspondence as a primary source of unedited transcribed conversations, the genesis of photography can be revisited from an alternative viewpoint of extensive familial collaboration. Letters between Talbot and his female relatives exposed a sophisticated network of interconnected mid 19^th century social elite, providing multiple opportunities for informal advocacy and timely dissemination of the new scientific art.

Epistolary exchanges from 1839 to 1858 provide new insights into women’s subtle, less visible influence …

Review - Shahzia Sikander: Collective Behavior, Annie Dell'aria

Art Inquiries

Shahzia Sikander’s work spans traditions from multiple continents, eras, and media. Trained in the traditional miniature painting of South Asia and Persia, yet creating monumental pieces that command space both inside and outside the gallery, this artistic polymath maintains a signature style rooted in sumptuous detail and motifs that drip with layers of meaning. In Collective Behavior, a multi-part, career-spanning traveling museum exhibition of works made over the past 35 years, Sikander’s full array of talent and artistic evolution is on display.

Art Inquiries Volume Xx No 1 2025 - Full Issue, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Exhibition Review - Sung Tieu: 1992, 2025, Lina Alam

Art Inquiries

Over the last decade, we have witnessed the ascendancy, consolidation and mobilization of far-right movements around the world – not least in Germany. The Vietnamese-German artist Sung Tieu lives there and produces mixed-media work on recent histories of state violence, racism, migration and surveillance. In her solo show 1992, 2025 at the KW (Kunst Werke) Institute for Contemporary Art in Berlin, Tieu expanded on her previous projects about the 1980 labor recruitment agreement between the German Democratic Republic (GDR) and the Socialist Republic of Vietnam that resulted in nearly 70,000 Vietnamese workers relocating to Germany. Her new body of work …

Review: Luna Luna: Forgotten Fantasy, Jessica J. Stephenson

Art Inquiries

In 1987, Luna Luna, a fairground/immersive art installation, opened in Hamburg, Germany. A decades-long project in the making, it was conceived and realized by André Heller, a Vienna-based avant-garde artist, musician, film-maker, and author favoring multimedia work including circuses, parades, variety shows, firework displays and poetic gardens. Over the course of three months, about 300,000 attendees traversed Heller’s Luna Luna’s exuberant space with performances, music, and rides on art works that took the form of Ferris wheels, carousals, infinity mirror rooms, puppet shows and other theatrics. The works were created by more than 30 artists including notable 20 …

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Pressing Into Absence, Linda Sok

Masters Theses

Pressing into Absence traces the materials, processes, and works I have engaged with between March 2023 and May 2025, positioning historical and contemporary narratives in dialogue with one another. This book interweaves colonial-era source materials (from 1864- 1928) - writings, etchings, and paintings of Cambodia produced by persons from the United States of America and France - with personal anecdotes from my travels to Cambodia in 2024. These accounts are layered alongside speculative reflections in the form of text, sketches, mind maps, and material explorations. These archival remnants and personal experiences are folded together and positioned as equally reliable sources. …

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez

Departmental Honors & Graduate Capstone Projects

This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.

Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …

Encountering The Imaginary: Félix Régamey In Japan And The Legacy Of Japonisme, Nicolas Moiseyev

Art and Art History Honors Projects

This thesis critically examines Félix Régamey’s transformative role in the development of Japonisme, highlighting his pivotal contribution to bridging Western perceptions and authentic Japanese culture during the late nineteenth century. Through an exploration of his firsthand experiences in Japan, Régamey emerges as a multifaceted and paradoxical figure—an artist, educator, and author—whose pursuits reshaped the narrative of Japanese art and cultural exchange in France amid the fervor of Japonisme. His immersion in Japanese society enabled him to engage directly with its artistic traditions, which he skillfully translated for European audiences. This study reveals Régamey’s efforts to challenge the prevailing Orientalist stereotypes …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

Piecemeal, Max J. Eisenberg

Theses and Dissertations

Exploring the history of photographic manipulation both inside and outside of the camera from the late 19th century until today. My work plucks out cultural and local signifiers from the state of Florida, and the American South as a whole, and disseminates them using a constructed symbolic vernacular in the form of in-camera collaging on large format film.

Held On By A Thread, Annie M. Hutchins

Electronic Theses and Dissertations

The artist, Annie Hutchins, discusses her Master of Fine Arts thesis exhibition, Held on by a Thread, which was installed at Tipton Gallery in Johnson City, TN, from March 6, 2025, through March 28, 2025, with a public reception held on March 7, 2025. The exhibition is a collection of textile works containing repurposed material artifacts of the life she shared with her maternal family since childhood. The artwork incorporates found objects from the artist’s home, including domestic textiles, clothing, handmade sewing projects, family photographs, and sewing notions. The artworks are made using the printmaking technique of photo emulsion screen …

Recollections Of A Tejana Life, Carolina Yáñez

Art Theses and Dissertations

This thesis encompasses the life of a young woman navigating life in Texas through various political and social barriers. My interdisciplinary practice analyzes the historical context of Mexicans in Texas from its Revolutionary period into current injustices. Through fiber, printmaking, and photography I create a visual diary to illustrate what the political has made personal. These works display the beauty of Tejano culture, but also the power struggles that threaten communities I care for, as well as my own existence that persists against far-right wing agendas.

Current politics and government leadership in Texas have inspired me to make artwork calling …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Decolonizing Java: Rethinking Gamelan, Bodies, And Cultural Authenticity, Citra Aryandari

Paradigma: Jurnal Kajian Budaya

This article critically examines the complex interactions between Javanese identity, colonial influence, and karawitan (traditional Javanese music) through an autoethnographic methodology. By introducing the innovative concept of the ‘body as archive,’ the research explores how embodied experiences function as repositories of cultural memory and resistance. It deconstructs colonial interventions in karawitan, uncovering how documentation, standardization, and systematic recording processes altered the transmission and cultural significance of the art form. The research traces the transition from oral traditions to written documentation, highlighting the commodification of Javanese artistic expressions and the emergence of cultural stereotypes. A central focus of this study …

The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss

Art & Art History ETDs

The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …

Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas

SANE journal: Sequential Art Narrative in Education

The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …