Fine Arts Commons^™

Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk

Art Inquiries

No abstract provided.

God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri

Art Inquiries

No abstract provided.

Gunther Gerzso: A Mexican Master, Carlos A. Colón

Art Inquiries

No abstract provided.

The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards

Art Inquiries

No abstract provided.

Art Inquiries, Xvii:1, Full Issue

Art Inquiries

No abstract provided.

Back Matter

Art Inquiries

No abstract provided.

The Urbanism Of Frank Lloyd Wright, Michael Lewis

Art Inquiries

Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.

Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger

Art Inquiries

Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.

The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner

Art Inquiries

No abstract provided.

Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton

Art Inquiries

Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.

David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker

Art Inquiries

No abstract provided.

Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe

Art Inquiries

No abstract provided.

Interview With Duane Paxson, Dorothy Joiner

Art Inquiries

No abstract provided.

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell

Theses and Dissertations

This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature and their nsibidi scripts within are argued to provide a connotative …

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

The Sober Joy Of Thieving, Jennifer Stob

Criticism

Radical Prototypes: Allan Kaprow and the Invention of Happenings by Judith F. Rodenbeck. Cambridge, MA: MIT Press, 2011. Pp. 312, 47 illustrations. $34.95 cloth, $17.95 paper.

Pricing In Opaque Markets: Paintings Old And New, Sharon V. Thach

Atlantic Marketing Association Proceedings

Pricing is one of the more difficult aspects of marketing management and poses interesting problems for economists trying to account for what are really a collection of microsales that are not well reflected in aggregate macroterms. The developed models and processes work best for mass produced products but grow increasingly problematic when products are intangible services or unique goods. This paper looks at paintings as a product within a specific “industry” , but many of the issues are similar to those in the professional services (law, medicine, education) and auxiliary services (consulting, IT outsourcing, insurance). There are also aspects of …

Pigs Feet, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

My sculpture “Pigs Feet” has literal foundations upon casts of live pig’s feet. I locally sourced the pig’s feet before casting them. My sculpture makes use of a once cutting edge casting technology, alginate. Alginate molds were once the standard in dentistry. Alginate is an appealing casting material as it is refined from brown seaweeds, is both food and skin safe, it is suitable for educators, for artists and engineers alike.

Art Journal 2015 - Vantage

Art Journal

No abstract provided.

It Begins With You And Me, Sea A Joung

Graduate School of Art Theses

This thesis conceptualizes the conditions of the Korean division, including the realization of the political and cultural gap between North and South Korea, lack of education about the Korean division and the role of media. The Korean War, also known as the “Forgotten War,” is erased from the consciousness of contemporary societies. This thesis describes a history about how the artificial division created during the Korean War continuously affects the lives of modern Koreans. For more than sixty years, North and South Korea did not have any form of communication except through government negotiations and regulated media. As a result, …

Landmarks For Sleepwalkers, Isaac S. Howell

Undergraduate Theses—Unrestricted

Abstract:

In my recent work I have been interested in thinking about notions of instability. In order explore these notions, in this paper I will like to explore the relevance of postmodern literary theory and the color black in my work, as well as think about the importance of the grid as a tool for organization and ontological delineation.

I will be examining writing by Alain Robbe-Grillet, as well as art work by Mark Manders, Giorgio de Chirico, Kay Sage, and Ad Reinhardt.

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses, 2010-2019

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …

Situating Urban Moving Images: Illuminating Place, Annie Dell'aria

Graduate Student Publications and Research

No abstract provided.

Traces Of The Hand., Molly F. Passafiume 1989-

Electronic Theses and Dissertations

This body of work, titled “Traces of the Hand,” consists of a series of mixed media pieces that are made up of one or more clay forms that act as vessels to contain handmade paper. Each piece is a cross section or artifact that I created through abstraction and repetition. The clay acts as a frame for preserving these artifacts. The paper is arranged in a manner which abstracts natural patterns that mimic each other: the flow of water, the grain of wood, the strata of rocks, and the swirls of fingerprints. Each individual work captures and enhances a natural …

The Process Of Curating Trace Of A Body : Creating Relationships And Building Experiences., Bailey Marie Mazik 1990-

Electronic Theses and Dissertations

As the title suggests, this document details the course of curating an exhibition titled Trace of a Body and addresses larger themes of curating contemporary art. During spring semester 2015 the entire researching, planning, and implementation of the exhibition portion of this Master’s thesis project took place. Trace of a Body was exhibited from March 12, 2015 – April 5, 2015 in Gallery X, Schneider Hall, Hite Art Institute, University of Louisville. The exhibition was a monographic show of work by Chris Radtke, a prominent contemporary artist working in Louisville, KY. It was a great opportunity to bring together the …

Displacement : A Reckoning Of Internal Affairs : Curatorial Practice Following Artist Praxis., Stacey Reason 1987-

Electronic Theses and Dissertations

By utilizing the flexibility and sensitivity of the curatorial role through possibilities of collaboration and reaction between artist and curator, curating has the potential to explore territories previously reserved for the artist’s studio. The exhibition Displacement, A Reckoning of Internal Affairs was a two-part curatorial project that demonstrated parallels in studio praxis and curatorial process. It was born out of a reaction to and consideration of the increasingly globalized art world, and an application of the multi-layered driving forces inherent to contemporaneity on a local scale. It was developed using a delicate mixture of planning and intuitive response. It models …

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …