Back Matter

Art Inquiries

No abstract provided.

Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea

Art Inquiries

Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Robert Adam Interiors And Wakehurst's Yellow Drawing Room: Imported Period Rooms In The United States, Isabella Margi

Pell Scholars and Senior Theses

No abstract provided.

The Power And Attraction Of Transgression: John Martin's Depiction Of Lucifer, Kseniia Krivileva

Dissertations and Theses

No abstract provided.

Earth Tone Sigh Spell, Martha Glenn

Theses and Dissertations

A written accompaniment to the artist’s thesis exhibition titled Earth Tone Sigh Spell, conceived during the years 2020-21 and installed at The Anderson Gallery, Richmond from May 1–15, 2021.

The following thesis explores themes of personal memory, geo-theory, myth, symbol, and historical event. The artist uses research and stream of consciousness writing methods as a way to weave these concepts together and tie them back to her own practice with installation, sculpture, and new media.

Appealingly Unpeeled: The Layered Lemons In Dutch Golden Age And Contemporary Art, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

In seventeenth-century Dutch painting, the lemon holds a prominent visual, economical, socio-cultural, and moral position. This trend would then be repeated in contemporary art, beginning in roughly the 1970s. This thesis, in two parts, will explore the significance of the prevalence of the lemon and their recurrent presence in both Dutch Golden Age art and modern and contemporary artwork. This multivalent approach will look at lemons as not only a visual representation of fruit, but a symbol of larger concepts such as globalization, commercialism, colonialism, sexuality, religion, linguistics, mythology, and pop culture.

Drowning In Our Tears, Kelley-Ann A. Lindo

Theses and Dissertations

Drowning in our Tears is a series of works – installation, print media, and sculpture that explores themes of precarity, ephemerality, collective memory, and vulnerability. The need to create and preserve an archive has been the of the driving forces behind the works. I am interested in this notion of creating new language and perspectives from past trauma and hardships. The archive presents us with a site where excavation of meaning can occur, identities preserved, and new identities formed. In my work, I try to bridge the gaps, using the fragments of memory, the past and present experiences to create …

Optics In Art: Ways Of Seeing, Christian J. Baker

P-12 Lesson Plans

In this lesson, which relies on art from the ZMA Collection and the exhibition it's your world for the moment displayed in fall 2020, students will learn about the basic mechanics of the eye and its similarities to the camera, explore the history of the camera obscura and its use in art and early photography, learn about perspective as a principle of photography, and learn to relay information on major artists by way of their relationship or impact on photography as an artistic medium.

Botanical Tour Of Christian Art At The National Museum Of Ancient Art (Lisbon, Portugal), Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria De Fátima Nunes, Miriam Lopes, Maria Vlachou, Paula Nozes, Ana Maria Costa

International Journal of Religious Tourism and Pilgrimage

Christian works of art, from the middle XIV to early XIX centuries, were studied in order to contribute to a new perspective of the cultural history of plants in Portuguese and European art displayed at the National Museum of Ancient Art (NMAA). The symbolic use of trees, leaves, flowers and fruits in painting, sculpture and tapestry were compared with theological data from the Bible, Apocrypha Gospels and codes of symbols from the XVII to XX centuries, as well as pictorial data from academic literature and photographic databases. We found 40 botanical taxa used as symbols that aimed to reinforce moral …

Karya Siri Sejadah Fatimah Chik Mengikut Konsep Keindahan Dalam Melayu, Maruti @ Ezani Ellina

Student Works (2020-2029)

Kajian tentang karya Siri Sejadah mengikut konsep keindahan Melayu ini bertujuan untuk mencapai objektif kajian iaitu memahami makna dan juga mesej yang terdapat dalam kesenian seni reka sejadah. Kajian yang berfokus kepada enam karya Siri Sejadah oleh Fatimah Chik dilaksanakan dengan menggunakan kaedah deskriptif kualitatif. Data dan informasi yang diperoleh melalui teknik pengumpulan data primer dan diperoleh dari data sekunder. Data dianalisis dengan menggunakan teknik analisis dengan menjadikan teori Konsep Keindahan dalam Melayu daripada Ruzaika Omar Basaree sebagai rujukan analisis. Hasil kajian menunjukkan bahawa kepentingan motif dan corak Seni Melayu adalah sesuai untuk diimplementasikan sebagai ragam hias pada sejadah. Kajian …

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Gut Feeling, Shelby Fleming

Graduate Theses and Dissertations

Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …

The Expressive Forms Of Xu Bing’S Neo English Calligraphy, Jinfu Xie

Student Works (2020-2029)

Xu Bing is active in the contemporary art world and a famous calligraphy artist and painter who held many individual art exhibitions in New York New Art Museum, Czech National Museum and other famous international art institutions. In 1999, he was the recipient of a MacArthur Fellowship in recognition of his "significant contribution to society, particularly in printmaking and calligraphy". Xu Bing created a kind of new square character which combined English alphabets with Chinese calligraphy strokes and named it Neo English calligraphy. A series of Neo English calligraphy artwork was produced which theoretically influenced by the Chinese traditional philosophy …

Being In The Place Of Possibility, Laura Domencic

MFA in Visual Arts Theses

This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …

A Shift In The Articulation Of Urban Society’S Working Space, Ardianti Permata Ayu, Danny Eko Sulistyo

International Review of Humanities Studies

Swift technological development has caused shifting habits and changing behavioral pattern or lifestye in all respects, notably among urban society, including in terms of work and self-identity production. Members of society now have elevated flexibility to have their own working spaces. Work now can be carried out independently by a mere piece of gadget anywhere within the virtual room. It is co-working space which facilitates independent workers with a flexible, open-space, relaxed, cozy, entertaining, eye-catching, and now even instagrammable space organizing system. Now that plenty of co-working spaces have been produced, the spatial design of co-working space is gaining much …

Artistic Gaze Of Two Papuan Choreographers: Visual Perspectives Rooted In The Oral Traditions Of The Kamoro And Asmat Tribe, Madia Patra Ismar, Rahayu Pratiwi

International Review of Humanities Studies

This article is based on the artistic practice of two Papuan choreographers trained in the Jakarta Institute of the Arts Dance Study Program. Both based their choreographies on their traditional roots which were presented as site specific performances in their respective villages. The choice of visuals and dramatic bodily expressions created by them, though a new dance design, was based on their deeply ingrained roots as indigenous Papuans. The roots called upon to be re-interpreted as choreography were based on the oral traditions they grew up with as part of their identity. The focus in this article is on the …

Cultural Policy And The Rise Of Multiculturalism Study Of Fine Arts Exhibition In The 2000s, The National Gallery Of Indonesia, Citra Smara Dewi

International Review of Humanities Studies

This study focuses on the role of cultural policy in the rise of multiculturalism with a case study of the Indonesian Art Exhibition, Pameran Seni Rupa Nusantara (PSRN) 2000s, which was initiated by a cultural institution, the National Gallery of Indonesia (GNI). PSRN exhibition is one of the important programs of GNI because it gives space to the artists of the archipelago - not just Java and Bali - to present works of modern-contemporary art rooted in local wisdom. As a nation that has the characteristics of pluralism, the spirit of multiculturalism in art has become very significant, especially in …

Kuasa Atas Ruang Pembebasan’: The Resilience Ofwomen In Sasak Culture, Lucky Wijayanti

International Review of Humanities Studies

The Sasak tribe on Lombok island - West Nusa Tenggara, have traditional values and are applied through the social structure of their communities in daily life. Some existing customary values place women in irreplaceable positions. Even so, the existence of financial needs makes them work abroad as laborers, which indirectly results in the occurrence of divorce and early marriage. This is a problem for Sasak women in terms of survival in the Sasak culture. An ethnographic approach derived from Malinowski, the opinion of Svasek, and the value system framework from Kluckhohn are used in this study. This research concludes that …

Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale

Theses and Dissertations

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

Tracing The Past, Drawing The Present, Sixue Yang

Graduate School of Art Theses

The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic …

Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton

Senior Honors Projects, 2020-current

Guided by the Director of the Madison Art Collection and Lisanby Museum, Virginia Soenksen,I served as the Curatorial Assistant for the Lisanby Museum’s forthcoming exhibition Savoring the Moon: Japanese Prints of the Floating World. The exhibition will highlight the Madison ArtCollection’s impressive Japanese woodblock prints in the ukiyo-e style. Ukiyo-e translates to“pictures of the floating world.” This style proliferated in Japan during the Edo period (1603 - 1868) and Meiji period (1868 - 1912), with visual themes that ranged from flora and fauna, Japanese ceremonies, kabuki actors, mythology, courtesans, and cultural pastimes. The estate of Charles Alvin Lisanby gifted over …

Guilt Free Homecoming, Ruby Elliott Zuckerman

Art and Art History Honors Projects

No abstract provided.

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

The Complexities Of Intimacy, Brie Henderson

Graduate School of Art Theses

Through my research I have discovered there are many complexities that exist within the topic of intimacy. Of these complexities, I chose to explore the topics attachment and codependency in my final series. Attachment and codependency are deeply rooted in psychology, poetry, and many artist’s practices. The relationship between poetry and my work has become deeply intertwined. I combine poetry with my work as a way to document my feelings and to inspire the titles for my paintings. Through a series of intimate watercolor paintings, I reference bodies, intimate interactions and the ambiguity within the two. This ambiguity asks viewers …

An Exploration Of Provenance And Ownership History And The Critique Of Curatorial Practice., Sacra J. Fallen

Electronic Theses and Dissertations

In the art world, the artwork is under evaluation to determine its worth from its historic value to its monetary value. One of the primary strategies used to evaluate the artwork is the work's provenance which can be broken down into the work's collector history and the authenticity of its authorship. The first question to be addressed is: does knowing an artwork's collector history and provenance add to its historic value? The second question to be addressed is: does knowing an artwork's collector history and provenance add to its monetary value? These questions will be supported by two case studies …

Requisitioned: American War Art Of The Second World War, Spenser Carroll-Johnson

War, Diplomacy, and Society (MA) Theses

The United States requisitioned artists to assist with military objectives and servicemen requisitioned art as a form of rhetoric. This research reexamines the role of “official artists” and thereby extends its definition to include the multitude of art they produced during the Second World War. The underpinnings of this thesis reside during the economic crises of the 1930s that brought about American emergency relief initiatives for artists under the direction of Holger Cahill and, by extension, Edward Bruce. For the first time in history, the American public engaged with state-sponsored art. Due to a symbiotic relationship that formed between the …

Embodying Resistance: The Performance Art Of Ma Liuming, Zhang Huan, And He Yunchang, Jianda Wang

Art and Art History Honors Projects

Chinese performance artists Ma Liuming, Zhang Huan, and He Yunchang produced works in the 1990s that responded to various forms of oppression prevalent in the Chinese society at the time. Relying on critical theories of Michel Foucault and Giorgio Agamben, this project interrogates the biopolitical domination of the Chinese Communist Party, revealing the strategies these three artists deployed to retaliate against government-sanctioned subjugation. Examining their works within China’s unique sociopolitical reality, this project places Ma, Zhang, and He within transnational cultures of dissent and contends that their performances constitute forces of political resistance that effectively undermine the sovereignty of the …

Gems Of Gods And Mortals: The Changing Symbolism Of Pearls Throughout The Roman Empire, Emily Hallman

Armstrong Undergraduate Journal of History

Born in the wombs of shells and polished by mother nature herself, pearls were regarded as gifts from the gods. For millennia, the creation of pearls was credited to the tears of heavenly creatures or the formation of sun-touched dewdrops. Countless civilizations, both Western and Non-Western, have their own myths and legends surrounding the pearl, a mark of their mysterious allure. The artform of jewelry, favored by the Roman aristocracy, took advantage of naturally perfected pearls to create stunning pieces with staggering prices. The pearl’s meaning evolved throughout the Roman Empire and into Early Christian Rome, setting up a contradictory …