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Articles 901 - 930 of 931
Full-Text Articles in Fine Arts
Pathos, Fall 2011, Portland State University. Student Publications Board
Pathos, Fall 2011, Portland State University. Student Publications Board
Pathos
Editor: Joel Eisenhower
Issue 16
Pathos, Spring 2011, Portland State University. Student Publications Board
Pathos, Spring 2011, Portland State University. Student Publications Board
Pathos
Editor: Joel Eisenhower
Issue 15
Pathos, Winter 2011, Portland State University. Student Publications Board
Pathos, Winter 2011, Portland State University. Student Publications Board
Pathos
Editor: Joel Eisenhower
Issue 14
Sacramento, Marlena Fitzpatrick
Sacramento, Marlena Fitzpatrick
Open Access Theses & Dissertations
Inspired by entertaining, opinionated voices with debatable, controversial messages I wrote "Sacramento." EVA RIVERA, a 32 year old Honduran poet is captured and incarcerated by the "Maduros Guerrilla" due to her controversial political activism through a network called "Las Hijas Del Maiz." After being held captive, tortured and raped, she miraculously escapes. She manages to return home, gather her belongings and cross the border, all the way to New York via Canada. FATHER MARTIN RODRIGUEZ, a 35 year old Chilean Catholic Priest has disgraced his faith by keeping a promise he made his brother on his death bed: he will …
Pathos, Fall 2010, Portland State University. Student Publications Board
Pathos, Fall 2010, Portland State University. Student Publications Board
Pathos
Editor: Joel Eisenhower
Issue 13
馬家寶之藝術, Ni Na, Camellia Ng
馬家寶之藝術, Ni Na, Camellia Ng
Lingnan Theses
馬家寶(1925-1985)是1949 年後香港第一代油畫家,他活 躍於五十年代中至八十年代中的香港畫壇,以寫實風格的油畫著稱。 傳統藝術史一直關注代表不同地區及時代的主流藝術風格,而六十至 七十年代的港英政府和社會大眾均較為注重現代主義藝術的發展,馬 氏寫實風格的藝術創作與之相比有點守舊,所以他的藝術一直未能得 到研究香港史的學者和藝術家們足夠的關注和深入的研究。
雖然從傳統藝術史的角度來看,馬家寶的藝術只是六十至七 十年代少數、不具代表性的藝術創作,但是從藝術社會學和意識形態 學看來,驅使馬家寶畢生採用寫實的形式來創作藝術,和社會環境對 他的藝術創作所造成的影響,卻是個值得探索的問題。因此,此次研 究會將馬氏之藝術按時序分為三個階段,結合歷史、文化和社會背景 並進行對比,從而探索他堅持以寫實風格為終生藝術創作形式的原 因、藝術的觀點和藝術的追求。籍著對馬家寶藝術的個案研究,希望 本論文能為關注香港本地藝術發展史的學者和藝術家,提供一份參 考,從一個新的角度回顧及審視香港藝術史。
Pathos, Spring 2010, Portland State University. Student Publications Board
Pathos, Spring 2010, Portland State University. Student Publications Board
Pathos
Editors: Joel Eisenhower and Richard Hernandez
Issue 12
Dislocations: Participatory Media With Refugees In Malta And Ireland, Anthony Haughey
Dislocations: Participatory Media With Refugees In Malta And Ireland, Anthony Haughey
Books/Book chapters
Malta is located in the Mediterranean Sea between North Africa and Europe, a receiving country for significant inward migration. For most migrants the goal is to reach mainland Europe. However, every year a significant number of smuggler boats inadvertently drift into Maltese territorial waters often in severe distress, resulting in rescue by the Maltese Navy and an uncertain future.
Whilst working in Malta I was struck by the similarities between Ireland and Malta. Both islands’ are peripheral locations on the western and southern edges of Europe. Historically both countries have experienced significant outward migration of its citizens who live all …
Pathos, Winter 2010, Portland State University. Student Publications Board
Pathos, Winter 2010, Portland State University. Student Publications Board
Pathos
Editors: Joel Eisenhower and Richard Hernandez
Issue 11
Pathos, Fall 2009, Portland State University. Student Publications Board
Pathos, Fall 2009, Portland State University. Student Publications Board
Pathos
Editors: Richard Hernandez
Issue 10
Pathos, Spring 2009, Portland State University. Student Publications Board
Pathos, Spring 2009, Portland State University. Student Publications Board
Pathos
Editor: Nataliya Pirumova
Issue 9
The Spirit Of Stuff: What I Learned When I Sold (Almost) Everything, Rachel Tamsen Perry Schrank
The Spirit Of Stuff: What I Learned When I Sold (Almost) Everything, Rachel Tamsen Perry Schrank
Electronic Theses and Dissertations
The following document is a report submitted in conjunction with a video project. The video is a personal documentary, filmed in Denver, Colorado and Mexico City, Mexico, which explores the spiritual connection that people have with their material objects. The report is comprised of a project proposal and a post-production report. The proposal discusses the theoretical underpinnings of the project, and offers a plan for the film's production. The post-production report discusses my filmmaking process in retrospect, reviews production problems and solutions, and includes a final schedule and budget.
Please visit my website at http://www.upupintothesky.com, or contact the author at …
Pathos, Winter 2009, Portland State University. Student Publications Board
Pathos, Winter 2009, Portland State University. Student Publications Board
Pathos
Editor: Nataliya Pirumova
Issue 8
Pathos, Fall 2008, Portland State University. Student Publications Board
Pathos, Fall 2008, Portland State University. Student Publications Board
Pathos
Editor: Nataliya Pirumova
Issue 7
Pathos, Spring 2008, Portland State University. Student Publications Board
Pathos, Spring 2008, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 6
Pathos, Winter 2008, Portland State University. Student Publications Board
Pathos, Winter 2008, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 5
Three Screenplays, Geoffrey Abruzzi
Three Screenplays, Geoffrey Abruzzi
Open Access Theses & Dissertations
Three original screenplays set in a fictional southwestern town, dealing with subjects of hope, desire, truth and deception.
Pathos, Fall 2007, Portland State University. Student Publications Board
Pathos, Fall 2007, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 4
Pathos, Spring 2007, Portland State University. Student Publications Board
Pathos, Spring 2007, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 3
Frankenstein: Man Or Monster?, Leigh P. Mackintosh
Frankenstein: Man Or Monster?, Leigh P. Mackintosh
Undergraduate Theses and Capstone Projects
Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …
Towards A Bibliography Of Critical Whiteness Studies, Tim Engles
Towards A Bibliography Of Critical Whiteness Studies, Tim Engles
Faculty Research & Creative Activity
As the title implies, this book offers a multi-disciplinary overview of the explosion of work in scholarly critical whiteness studies. The contributing bibliographers acknowledge that this work follows and builds upon a great deal of whiteness critique previously provided by African American writers, and by those writing from other racialized positions. Each section provides a solid introduction to key concepts and practices regarding whiteness in a particular field, including: philosophy, history, literature, cinema, the visual arts, psychology, education, media studies, qualitative inquiry, personal narratives, and international and comparative approaches.
Pathos, Fall 2006, Portland State University. Student Publications Board
Pathos, Fall 2006, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 2
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Kinetic Imaging Publications and Presentations
The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf between a screening and an exhibition, the theater and the art gallery. There is a subtle maturity and movement in the animation art world that not only continues but also extends the often-overlooked legacy of independent animation while engaging the conceptual dialogue of contemporary art. This tradition of an art aesthetic is passed from the early inventors who fashioned the necessary tools and images. The myriads of techniques and concepts evidenced throughout this history inform the current practitioner, just as digital technology and the …
Pathos, Winter 2006, Portland State University. Student Publications Board
Pathos, Winter 2006, Portland State University. Student Publications Board
Pathos
Editor: Laura Pieroni
Issue 1
Content And Meaning In Abstract Animation, Pamela Turner
Content And Meaning In Abstract Animation, Pamela Turner
Kinetic Imaging Publications and Presentations
Talking about the content and meaning of abstract animation, for the practitioner or enthusiast, is like discussing why one eats chocolate or why we stand at the edge of the ocean, experiencing the sensation of the sand being sucked out from under our feet by the pull of the receding wave. Or why listening to a beautiful adagio can create such a stirring response. These experiences stand for themselves and need no explanation.
For the uninitiated, or the viewer who has little to no encounter with abstract animation, however, these moving images can be initially disconcerting and hard to understand. …
Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums
Reconstructions: The Video Image Outside Of Time, University Of Richmond Museums
Exhibition Brochures
Reconstructions: The Video Image Outside of Time
November 08 to December 17, 1995
Marsh Art Gallery
Introduction
Co-organized by the Marsh Art Gallery, University of Richmond, and the Virginia Museum of Fine Arts, Richmond, the exhibition is traveling throughout the Commonwealth through the Virginia Museum's Department of Traveling Exhibitions and Media Services (Eileen Mott. Statewide Exhibition Coordinator) following its venue at the Marsh Art Gallery (November 8 to December 17, 1995).
The exhibition, Reconstructions, The Video Image Outside of Time (1994), comprises a continuously-running single-channel videotape and twenty-seven photographs. All the photographs are Cibachrome prints, 8 x 10 inches, printed …
Film Alchemy: Interviews With Direct-On-Film Animators, Leah Bosworth
Film Alchemy: Interviews With Direct-On-Film Animators, Leah Bosworth
Milne Library
Direct-on-film animation refers to any imagery created on film without a camera. An interchangeable term is "cameraless animation." Since the days of the direct-on-film pioneers Norman McLaren and Len Lye, the medium has evolved from a method of special effects to a broad range of artistic expression. The work of the four artists I interviewed illustrate the wide range of processes that can be considered direct-on-film animation from straightforward drawing and painting on film frame by frame, to altering the film's surface with chemicals.
Ua68/1/2/2 Fine Arts Festival, Wku Potter College Of Arts & Letters
Ua68/1/2/2 Fine Arts Festival, Wku Potter College Of Arts & Letters
WKU Administration Documents
WKU Fine Arts Festival brochure listing events for the 1975-76 school year. Includes information about Eugene Fodor, the New Shakespeare Company, the Multigravitational Experiment Group, Emlyn Williams, the Prague Madrigal Antigua, the Pittsburgh Symphony Chamber Orchestra, the City Center Acting Company and Garrick Ohlsson. It also gives a list of exhibitions, films and theatrical productions to be presented through the year.
Letter From Meredith Monk To Richard Carlyon, 1968 February 29, Meredith Monk
Letter From Meredith Monk To Richard Carlyon, 1968 February 29, Meredith Monk
Bang Arts Festival Documents
Typewritten letter from Meredith Monk to Richard Carlyon [misspelled Carline in the letter], dated February 29, 1968. Monk inquires about performing at RPI, per suggestion of Yvonne Rainer. Enclosed are several news clippings reviewing Monk's work.
Children's Emotional Response To Color, Rodney H. Buffington
Children's Emotional Response To Color, Rodney H. Buffington
Masters Theses
No abstract provided.