Fine Arts Commons^™

Le Cinéma Politique Et Engagé Turc, Mehmet Ozturk

Regards

This article is about Turkish political cinema. The cinema, which began with the authorization of the state during the fall of the Ottoman Empire, did not have an important political role during the construction of the Kemalist Republic. In the 1950s, it entered its golden age in pro-American Turkey. At the end of the 1960s, especially in the lead years (1970), political cinema was used on several occasions as part of the ideology of the far right and the revolutionary left. After the violence of the military coup of 1980, it remained rather cynical and disengaged. Political interpretations represented the …

Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz

Regards

Le cinéma militant dans le monde arabe, des années soixante du siècle dernier à maintenant, est tributaire d’un contexte historique marqué par le conflit israélo-palestinien et, par induction, israélo-arabe. Ce contexte s’inscrit à son tour dans la Guerre froide et le bras de fer entre le bloc communiste, mené par l’URSS, et le bloc occidental, parrainé par les États-Unis...

Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince

Regards

Lamine Ammar-Khodja's first feature film, produced in 2012, Demande à ton ombre (Ask your shadow) is part of the so-called "creation" documentary. A diary and political chronicle, this film which runs from January to March 2011 plunges us into the news of the Arab uprisings seen from Algeria. While distinguishing itself in several respects from a militant cinema, Demande à ton ombre does not deny certain processes of the tradition of cine-tracts. In order to measure this distant, even distanced, proximity to the resources of militant and engaged cinema, it is proposed here to analyze their function and …

From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp

Regards

This article presents a case study detailing the creative process of Iranian artist Rene Saheb. It analyzes the various stages, developments, and challenges Saheb went through while she explored the medium of clay, which was new to her artistic repertoire. Rather than focusing on outward properties of ceramics such as style or technique, the artist’s inward experiences of her medium and creative process are foregrounded by means of interviews.
As Saheb frequently turns to Islamic mysticism and poetry as conceptual anchorage throughout her creative process, her engagements with the ceramic medium will be discussed in light of relevant Islamic discourses …

Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat

Regards

The eminent Samir Sayegh has contributed substantially to Arab modernism as a critic, historian, and artist himself.¹ His writings in Arabic are well known, through numerous journal articles, interviews, and most notably his 1988 book, Islamic Art: A Speculative Reading of Its Philosophy and Aesthetic Particularities.²
Further, his thinking impacted scores of students and colleagues in architecture or graphic design from the American University of Beirut, where he lectured from 2003 to 2007.
However, his voice has not been heard loudly in English. This transcript amalgamates multiple sittings with Sayegh, between 2009 and 2022. He kindly allowed us to …

History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi

Regards

This article argues that since the 1970s a duality divides the concept of Islamic Art. On the one hand, we have Islamic Art as the subject matter of a modern mode of historical inquiry, invented and developed in the colonial period in Europe but then taken up by scholars from around the world, including Muslim academics. This is the Islamic Art of Islamic Art History as a field of secular scholarship.
But then, in the decolonization period, and more pronouncedly since the 1970s, we witness the birth of another concept of Islamic Art that is not focused on the past. …

The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier

Regards

A review of Basel Abbas and Ruanne Abou-Rahme’s installation Oh shining star testify at the 12th Berlin Biennale (2022), where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestine’s ongoing obliteration.
The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the installation within a lineage of cultural productions that respond to the histories of genocide.

"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn

Regards

The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the curators argue is the fragility of the narrative surrounding Beirut’s “Golden Age” – the period leading up to Lebanon’s civil war.
This review traces the genesis of the exhibition and presents its displays at Berlin’s Gropius Bau and the MAC Lyon. Several works are showcased to demonstrate how the curators constructed the exhibition’s five sections, which focus on place, body, form, politics, and the Civil War.
The review offers contextualization for an exhibition rich in diverse artworks and archival materials that contain a multitude of narratives.

Vedantic Basis And Praxis Of The Integral Advaita Of Sri Aurobindo, Debashish Banerji

Monsoon: South Asian Studies Association Journal

The integral nondualism of Sri Aurobindo can be traced to the great pronouncements (mahāvākya) of the Upanishads and later commentaries. This study examines teachings on the Supermind (vijñāna) and the other four kinds of consciousness that define human reality: Matter (annaṃ), Life (prāṇaḥ), Mind (manaḥ), and Bliss (ānanda). Through Yoga and Tantra, one learns and embodies the pathway to the divine.

Digital And Spatial Humanities Mapping: Eurasia-Pacific Early Trade And Belief Linkages, Igor Sitnikov, David Blundell

Monsoon: South Asian Studies Association Journal

The Eurasia-Pacific is a dynamic region of rapid economic growth, cultural awareness, natural resource exploration, and military buildup. The concept of the region is relatively new, featuring contested vast areas of geo-resource space of numerous cultures and languages. The current findings in anthropology and archaeology and even its more specific subfields such as folklore are important contribution to the understanding of periodic environmental changes and technical innovations were the main forces of transformations in social structures that have determined the mechanisms and levels of cross-cultural trade activity across the region. We have traced early trade and belief linkages across Eurasia-Pacific …

Tusha Hiti: The Origin And Significance Of The Name, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

In this article, the author examines the royal bath called Tushā Hiti located in Sūndari Chowk (Beautiful Courtyard) of Pātan Durbar Square, using six different methods of investigation. The question: What is in a name? started the ball of investigation rolling and along the way were added more supporting blocks such as history, iconography, function and purpose, notion of purity and impurity, and finally the hiti in popular culture to get a complete picture of the subject in question.

Diversity, Equity, And Inclusion: Perspectives From Contemporary India And 6th Century Jain Yoga, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Times New Roman

Ganges In Indian Sculpture And Literature: Mythology And Personification, Nalini Rao

Monsoon: South Asian Studies Association Journal

The river Ganges is a symbol of wealth, purity and eternity, and its sacred waters have inspired sages, philosophers, and artists in India who have immortalized its divine imagery. However, it has rarely been understood from a historical point of view, as to how it became so sacred and to view it from a multi-dimensional and interdisciplinary perspective with an accumulation of layers of historical thought and practices, provides a rationale for the living practices around the river. The paper explores the evolution of the concept of sacredness and eternity of River Ganges through art- historical and archaeological evidence. It …

Cultural Predicaments: Neorealism In The Netherlands, 1927–1945, Stephanie Huber

Dissertations, Theses, and Capstone Projects

This dissertation takes as its subject Dutch Magic Realism, also known as “Neorealism,” an unsettling style of figurative painting developed by Dutch painters Pyke Koch, Carel Willink, Charley Toorop, Raoul Hynckes, Dick Ket, and Wim Schuhmacher during a moment of rising totalitarian regimes in neighboring countries and the Nazi Occupation of The Netherlands. Like their European counterparts, these Dutch Magic Realists conveyed the experience of modern alienation by perversely appropriating stylistic characteristics and iconographic motifs of revered national schools of painting – in their case, Early Netherlandish and Northern Renaissance traditions.

The fortunes of Neorealism exemplify the pressures brought to …

The Epic Journey Of Pepe The Frog: A Study In Post-Truth, Jaq Webb

[Archive] Belmont University Research Symposium (BURS)

Abstract

The internet meme Pepe the Frog is an excellent avenue for exploring the relationship between post-truth politics, new media, and viral ideas. While memes as conceptualized by Richard Dawkins are essentially timeless components of human society, internet memes as exemplified by the hijacking of Pepe the Frog by the Alt-Right and the Trump campaign are a novel force with uniquely dark implications for liberal democracy. In this study, I attempt a leftist analysis of the best thinking about Post-Truth Trump-era politics and the communication tactics of the Alt-Right, which suggests that some of the same cultural and material forces …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

A Dancer's Image, Sydney Baker

Undergraduate Honors Theses

Dancers are amazingly dedicated athletes who train for hours a day to try and perfect their craft. In doing so, they can become hyper focused on the details, picking apart every aspect of themselves and their technique. With so much time spent training, it can be difficult to take a step back and analyze the role the mirror plays in a dancer’s training and everyday life. There are many factors that can affect a dancer's body image, including the social environment between educators and peers, social standards and social media, dance clothing, and so much more. This report and creative …

Countercode: Bodies Un-Becoming, Aaron Reynolds

Graduate Thesis Exhibition Catalogue Gallery, 2022

In COUNTERCODE: BODIES UN-BECOMING, my intent is not to present a cohesive map or identify a single, primary mode of resistance. Rather, the five artists I have selected —Shana Moulton, Cooper Gibson, Amy Yeager, Jazmine Morris, and Clara Wouters—explore the socio-cultural implications of identity expression and persona play, particularly as it relates to the encoding of subjectivity in contemporary forms of digital media and pop culture. Their works glitch codes, find slippages, and create opacities in the fabric of capitalist realism, a term used by theorist Mark Fisher to describe the widespread acceptance of capitalism as the only viable economic …

Tangled Roots: Exploring Appalachian Feminisms, Magenta Palo

Graduate Thesis Exhibition Catalogue Gallery, 2022

Women have long been overlooked as key figures in the cultural history of Appalachia. The exhibition Tangled Roots: Exploring Appalachian Feminisms seeks to examine the ways in which women artists across the region have kept traditions alive while redefining creative practices that were once seen strictly as “women’s work.” In particular, the exhibition aims to explore how women have reimagined “craft” through skillful attention to materials, manual dexterity, and application of critical and conceptual rigor. The concept of craft is defined in this context to include all hand-made work that requires developed skills, whether they belong to traditional craft-based practices …

Pathos, Winter 2022, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggel

A Stillness In The Desert? Engaging The Public Through An Immersive Exploration Of Southwest Soundscapes, Julian Kilker, Thomas Bjelic

Creative Collaborations

The pandemic highlighted the anthropocentric nature of soundscapes, while the recent popularity of electric cars, quadcopters, and “noise cancellation” earbuds demonstrated how consumer products can rapidly change our awareness of sound. While light pollution is already extensively addressed in scholarly research, popular works such as The End of Night, and public engagement such as The International Dark Sky Association, the complex interplay of sound, natural resources, and public engagement is still emerging, particularly in creative fields.

Two UNLV scholars and artists are collaborating on this project: Julian Kilker, who specializes in visual and emerging technology research, and Tom Bjelic, who …

Aiming For The Trees: Random Access Information And Paik’S Video Study, Alexandra Juhasz

Publications and Research

Public lecture and paper presented for the 13th international symposium, The Gift of Nam June Paik, attending to his dreams of random access information and the inauguration of his Video Study.

Medieval Minstrels In Media: A Comparative Study Of Minstrelsy In The Robin Hood Tale, Medieval Society, And Media, Heather Sounik

Theses and Dissertations--Music

The minstrel character Alan-a-Dale, as well as other variations of the minstrel, have been effectively ingrained into the history of the Robin Hood tale through screen media interpretations. This study seeks to investigate the origins of the minstrel character in the medieval through present day texts and analyze the interpretations of these characters in a collection of the present day screen media sources that involve this character. Topics to be addressed within this survey include medieval minstrel performance practices and their overall reception in medieval society, as well as the variety of roles the on-screen minstrel characters take, both as …

Tradition-Innovation [In Arts, Design, Media Higher Education]: A New Peer-Reviewed Open Access Journal, Yvonne Houy, Maryrose Flanigan

Creative Collaborations

How can we build a future for teaching/mentoring creative work and research that honors and enhances core disciplinary traditions? This new peer reviewed open access eJournal—collaboratively brought to life by the international Alliance for the Arts Research Universities network (a2ru), and a2ru member UNLV—provides a forum to address this question by exploring the intersection of teaching, creative work and emerging research practices.

In the challenging crucible of the pandemic, educators forged new techniques and innovative practices. Faculty in disciplines underserved by typical digital learning tools—such as in the Arts, Design and Media disciplines—explored and developed creative solutions as they shifted …

Until One Resembles The Other, Chad E. Mundie Jr.

Theses and Dissertations

A written accompaniment to Chad Mundie’s thesis exhibition titled Until One Resembles the Other, conceived during the years 2021-22 and installed at The Anderson Gallery, Richmond from April 9-22nd.

The following writing explores themes of labor within the home, generational knowledge, interiority, exteriority, and emotional residue through a series of essays surrounding areas of interest within my practice. The writing concludes with documentation of the show and an accompanying explanatory text.

Ecstasy, Confession, Image, And Silence In Buber, Bergman, And Godard, Karl E. Toepfer

Open Educational Resources

This essay discusses the contrasting attitudes toward ecstatic experience as described in Martin Buber's book Ekstatische Konfessionen (1909). Ingmar Bergman's film Persona (1966), and Jean-Luc Godard's film Weekend (1967). The attitude toward ecstasy depends heavily on the use of language and confidence in language to represent ecstatic experience. Buber, Bergman. and Godard share little, if any, perception on the relation between language, speech, and ecstasy.

Dear Maliha,, Na-Eela Djemil

Capstones

Dear Maliha is a short documentary film exploring the complexities of spiritual abuse through Maliha Fairooz. Spiritual abuse is a form of abuse that uses spiritual or religious beliefs to control or manipulate others. In some cases, spiritual abuse can be used to describe a religious leader who abuses their platform. But in Maliha’s story, we explore the concept of parental spiritual abuse. However, we learn more about this through Maliha Fairooz and the creative use of her journal.

For Maliha journaling is a form of therapy she uses to process her feelings and days. She also uses it as …

Unmasking The Mouse: Cultural Appropriation In Disney Films, Rebecca Domas

Honors Student Research

The artworld has largely revolved around traditional institutions like museums for centuries, however with the age of technology quickly evolving new artforms have risen to challenge these traditional spaces. Large corporations like The Walt Disney Company, have revolutionized the world of art and have become a prominent voice in representing cultures to a large population of the public. The two forces may be comparably different on the surface; however both are going through a progressive change as they enter the discussion of inclusive representation and accusations of cultural appropriation. The act of cultural appropriation concerns the negatively generated adaptations of …

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

The Uncanny Desire In American Animation And Film., Kristen Hankins

Electronic Theses and Dissertations

Although surrealism was short lived, the impact on popular culture is ongoing. Analyzing this impact is quite interesting because it set a standard for American animation and film. In this thesis, Freud’s theories of psychoanalysis and the uncanny are investigated through the lens of the camera in American cinema and animation. This thesis looks at cartoons and films that were made after Breton’s surrealist manifestos were published. This thesis aims to show the viewer the lasting impact that Breton had on American popular culture. This thesis is divided into three chapters with an introduction and conclusion. Chapter one discusses Fleischer …