Fine Arts Commons^™

On October 29th, Jared Buchholz

The Echo

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Gold Star, Lizzy Coyle

The Echo

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There Is No Cookie Butter When You Die, Maddie Depree

The Echo

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Fire, Emily Matthews

The Echo

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Fallen Sparrow, Paul Bryant

The Echo

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The Day I Chose Buddhism Over Baseball, Jared Buchholz

The Echo

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Clutch Of The Sea, Reilly Mahan

The Echo

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This Isn't The Ball Cinderella, Ben Gamble

The Echo

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Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett

The Echo

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Big Brother, Meg Gillogly

The Echo

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Preface & Table Of Contents

The Echo

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Cover

The Echo

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Echo 2017 - Complete Issue

The Echo

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Ivy Leaves, Volume 92, Ivy Leaves Editorial Staff

Ivy Leaves

The 2017 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jenni Harris, Grant Looper, Shelby Swing, Ruthie Snow, Randi Adams, Cara Ann Hendsbee, Haley Schvaneveldt, Caitlyn Lamb, Jennifer Bowers, Meredith Lyons, Michaela Staon, Tara Stewart, Ben Boerma, Jennifer Jefferson, Matt Swank, Shelby Kenrick, Lindsay Higgins, Cameron Ohls, Anna Tabor, Dr. Randall Wilhelm, and Tim Speaker.

Pathos, Spring 2017, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 3

Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …

Orpheus, Spring 2017, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

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Wesley Sun Interview, Chad Novotny

Asian American Art Oral History Project

Bio: BA, 2004, Stetson University, DeLand, Florida; M.Div, 2008, The University of Chicago. Both Wesley Sun and his brother (Brad Sun) were born and raised in Orlando, Florida, by their parents who are Chinese immigrants from Malaysia. Wesley serves as the Director of Field Education and Community Engagement at the University of Chicago Divinity School and is a volunteer chaplain at Cook County Jail. He also does creative writing for graphic novels that both he and his brother have collaborated on. His completed graphic novels include: Chinatown, Apocalypse Man, and Monkey Fist. Eisegesis: Kings + Queens is expected to be …

Blowing Off Ste(A)M: The Value Of The Creative Arts For Gifted Stem Students (Iagc 2017), Tracy A. Townsend, Michael W. Hancock, Michael P. Dean

Faculty Publications & Research

The following is a collection of teaching documents, including classroom activities and assignment prompts, used in the Illinois Mathematics and Science Academy’s Graphic Novels, Creative Writing, and Modern Theater classes. These materials are easily included in courses with broader topical focuses, however, either as single-day activities or units of study. The specific materials included here are especially beneficial as means of encouraging student creativity, building up a variety of communication skills, rewarding experimental work, and providing new outlets for critical thinking and social-emotional development.

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

Inscape 2017, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2017 edition of the Inscape: Literary and Art Magazine.

Photograph Of Mikhail Baryshnikov Dancing "A Cloud In Trousers", White Oak Dance Project, 1996, Steven Caras

be Still

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Healing The Soul With Yoga, Bhavik Upadhyay

be Still

Second year osteopathic medical student Gavin Yseth conducting yoga session for fellow classmates.

The Laureate, 16th Edition (2017)

The Laureate

Table of Contents

Dangle, Megan Murphy

Redamancy , Danielle Favorite

A Lesson, Mark Majcher

Sink in the Morning, Andrew Heuermann

Lie, Kaylie Hanson

Suffragette Colors, Tenley Sablatzkey

The Big Community, Jackson Freeman

Small Thing, Jared Sebastian

Untitled, Casey Grooten

The Diary of a Young Girl and Jeff Mangum, Andrew Heuermann

Prescribed Meaning, Ali Orlandi

An Open Letter to the Father Who was There, Amber Slack

Genesis and Chance, Austin Wines

The Morning Pachamama was Born, Megan Murphy

Her Black Braids Broke Down, Casey Grooten

Toes and Paint, Nick Alti

Rest, Maura Sands

Money is a Crime; Rape is a Personal …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Volume 2, Issue 1

be Still

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Musings From The Dean, Elaine Wallace

be Still

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Guest Editor's Introduction, Steven Caras

be Still

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Editor's Introduction, Janet Lynn Roseman-Halsband

be Still

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Photograph Of Mikhail Baryshnikov, 1996, Steven Caras

be Still

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