Livin' The Dream, Addison Billmeier

Allusions

No abstract provided.

And Again, Colin Freeman

Allusions

No abstract provided.

Mental Lagoon, Saige Jones

Allusions

No abstract provided.

Supper Of A Cannibal, Sarah Bragg

Allusions

No abstract provided.

Where Did The Wild Cows Go?, Tessa Williams

Allusions

No abstract provided.

Overpopulated, Aubrey Arms

Allusions

No abstract provided.

Gallery, Michael Glover

Allusions

No abstract provided.

Weathered, Michael Glover

Allusions

No abstract provided.

Ivy Leaves, Volume 98, Ivy Leaves Editorial Staff

Ivy Leaves

The 2023 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Lily McNamara, Adam Jobson, Taylor Merner, Emma Miller, Canon Allen, Katelyn Flower, Johnathan Sorce, Zoe Dubiski, Carson Cawthon, Maeve Foote, Taylor Merner, Brianna Elwell, Abbie Vanasse, Lindsay Blumenfield, Knoxie Le Roux, Rebecca Thompson, Jocelin Flora, Caroline Reynolds, Julia Hewitt, Emily Miller, Lindsay Gatlin, Isabella Rigsby, Jennifer Hollifield, Dr. Derek Updegraff, and Tim Speaker.

Inscape 2023, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2023 edition of the Inscape: Literary and Art Magazine.

Dedication

PULSE: A Student Publication of Literary & Artistic Works

No abstract provided.

Pulse, Vol. 2 Spring 2023

PULSE: A Student Publication of Literary & Artistic Works

No abstract provided.

Wylder And Wynona: A Graphic Novel Retelling Of The Grimm's Fairy Tale "The Little Brother And Sister", Abigail W. Pannell

Children's Book Writing and Illustrating (MFA) Theses

This thesis provides insight on the psychoanalysis of fairy tales, namely the Grimm fairy tale, “The Little Brother and Sister.” The critical analysis defines theories about the human mind popularized by Sigmund Freud and especially Carl Jung. Modern psychologist Paul Moxnes applies Jung’s theories about character archetypes in fairy tales to his modern study about “deep roles” which solidifies the important relationship between human psychology, fairy tales, and fairy tale retellings. With a deeper understanding of the psychological implications of character archetypes, the creative retelling portion of this thesis rewrites the old version of the brother and sister characters from …

Yes, Baby: Essays, Amy Gault

Graduate Theses/Dissertations

This creative thesis includes thirteen flash nonfiction pieces and one fiction short story exploring emotions and experiences that have changed who I am today. These writings are personal experiences or are inspired by personal experience. These creative works interrogate deeply transformative events and situations, such as familial relationships, trauma, poverty, living in the Midwest, patriarchy, and the beauty in existing. In the thesis’s critical introduction, I examine how my flash nonfiction pieces employ Milan Kundera’s theory of the appeal of play and Charles Baxter’s concept defamiliarization. I analyze how the succinct form of the flash essay allows my nonfiction writing …

Pathos, Winter 2023, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Stick With Me: Essays, Clay Shields

Theses and Dissertations--English

A small-town Appalachian deviant confronts the frequent, recurrent grief of the opioid crisis and its mortal, psychological, and communal consequences. This collection endeavors to explore substance use, addiction, geopolitical exploitation of Kentucky, central Appalachia, and surrounding areas, while also celebrating the lives of individual loved ones lost to deaths by suicide, drug overdose, and alcoholism. Here, the common narrative of depravity surrounding addiction is challenged through the rendering of full characters capable of love, trust, friendship, humor, mental health management, and personal growth. Time and place factor fundamentally into the stories told here—whether based in central Kentucky or central Appalachia, …

Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee

Theses and Dissertations

Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.

What An Interesting Video To Put On The Internet (An Amusing Economic Indicator), Dahlia S. Bloomstone

Theses and Dissertations

My exhibition reconciles representations of domesticity, labor, and morality through the lens of sex-work (SW). It consists of video work, a video game, and free-to-take objects, where donation, the strip club, and the fish tank converge. My work concludes that SW is a timeless construct that will always exist even after reimagining multiple worlds.

Shooting Scars: A True Story (More Or Less), Trent C. Jonas

Open Access Theses & Dissertations

When putting together this collection, it made sense to me to view it as a carnival, or a variety show, in which each flight of fancy - or vignette - is accompanied by a kernel of truth, like a ringmaster who introduces a contortionist, or a magician, or a carful of clowns. Because of the "holes in [my] family history" (Sikelianos), this work is necessarily autofiction, but I wanted to ground it firmly in reality so as to create a blend of truth and fiction that is imperceptible to readers, who would likely see it as memoir. I don't mind …

The School Of The One: A Mystery On Canvas, Noah Salomon

Regards

In late 20th century Sudan, a new school of visual art emerged that sought to bridge what it saw as a gulf between contemporary Islamic renewal and the arts. Lamenting that the latter had gone in the direction of secular life, while the former had taken on a deeply anti-aesthetic bent, the school looked to Sufism’s aesthetic archive to revitalize Islamic artistic practice for the 21st century. Calling itself “The School of the One” (Madrasat al-Wāhid), its artists sought to harness the power of beauty inherent in Islamic theological and ritual traditions while suturing it to new ends …

Imagining Lebanon With Islamic Art: The 1974 Exhibition At The Nicolas Sursock Museum, Sarah Sabban

Regards

Focusing on the first exhibition of Islamic art in Lebanon, organized by the Nicolas Sursock Museum in 1974, this article shows how the construction and the operationalization of the concept of Islamic art overlapped with postcolonial endeavors to foster national identity. By closely examining the making of the art exhibition and tracing material histories intersecting in Beirut, it elicits constructions of the national, the secular, and the spiritual via the notion of art. It contributes to the growing scholarship on the historiography of Islamic art, regional museums, and nation-building in the second half of the 20th century.

Résumé

S'intéressant à …

"This Is Not An Exhibition. And This Is Not Beirut" A Free-Format Curatorial Platform Exploring The Space Of Beirut In The Aftermath Of The August 4 Explosion, Philippa Dahrouj

Regards

This is not an exhibition. is a platform for experimentation in the public spaces of the city through timely interventions in the form of installations, performances, discussions, walks, etc. These interventions aim to question and contest established artistic and curatorial practices by transgressing the normalization of social, political, and urban dynamics in the spaces in which they take place. They invite the audience to participate in the production of the works.
The pilot version, This is not an exhibition. And this is not Beirut., engages with Beirut in the aftermath of the August 4 explosion through artistic interventions in …

"In This Place: Reels Of Beirut" Une Installation Filmique De Hady Zaccak, Entre Nostalgie Et Amertume, Yara Nashawaty

Regards

“My Government Did This”: Exploring The Erasure Of The Beirut Port Wall, Lara Sabra

Regards

This paper draws on ethnographic fieldwork to examine the affective and agentive power of graffiti in Beirut after the August 4 Beirut explosion, specifically the graffiti on the port wall: “My government did this.” The paper investigates the whitewashing of the port wall, the erasure of this phrase, and the subsequent policing that took place.
It studies how graffiti holds an emotional or affective grip on civilians and is intrinsically tied to the practice of agency. In short, the paper discusses how graffiti opens a space for the transgression of dominant or hegemonic systems of power.

Résumé

Cet article s’appuie …

"Hady Zaccak: 'In This Place: Reels Of Beirut'" La Scénographie Comme Chassé-Croisé Entre Plusieurs Espaces/Temps, Joanna Raad

Regards

Ce compte-rendu tente d’inscrire l’installation de Hady Zaccak, In This Place: Reels of Beirut, dans un concept théâtral de « scénographie d’exposition ». L’article conjecture un dialogue entre l’espace-temps des films et celui de l’observateur/spectateur. Pourquoi la fiction peut-elle jouer le rôle d’archive ? Comment le passé dialogue-t-il avec le présent ? L’ancien Beyrouth, la « Suisse de l’Orient », est-il un mythe ou une réalité ? Autant de questions abordées dans un langage interdisciplinaire.

Theorizing The Spiritual-Secular Binary In Modern And Contemporary Art Of – And By Artists From – The Swana Region, Valerie Gonzalez

Regards

The present article critically examines the spiritual–secular binary in modern and contemporary art from the SWANA region and by artists with heritage from that region who live or have lived elsewhere. Given this binary’s origin in the European Enlightenment’s view of religion, and its epistemic canonization through post-Enlightenment ideas on art and culture in the colonial era, this examination is carried out within the framework of current decolonizing art historical discourses and their postcolonial background.
The reflection begins with a key moment of global modernism, underpinned by the colonial diffusion of secularism. It then proceeds to explore the cultural shifts …

Volume 6, Nova Southeastern University

be Still

No abstract provided.

Introduction From The Dean, Elaine M. Wallace

be Still

No abstract provided.

From The Editor, Janet I. Roseman

be Still

No abstract provided.

Hell On Earth, Elaine M. Wallace

be Still

No abstract provided.