Fine Arts Commons^™

Review Of Notes On Bakya And Other Essays, Jose Monfred C. Sy

Perspectives in the Arts and Humanities Asia

No abstract provided.

Review Of Everything Is Fiction: Essays, Mark Anthony S. Angeles

Perspectives in the Arts and Humanities Asia

No abstract provided.

Rereading Nick Joaquin As A Devil’S Advocate “La Naval De Manila” (1943) In Context, Luisa L. Gomez

Perspectives in the Arts and Humanities Asia

Nick Joaquin characterized himself as a “devil’s advocate” for taking contrarian positions in Philippine cultural history. His early essay “ La Naval de Manila” is taken as an example of such. A re-examination of the essay within its original context of the Japanese Occupation of the Philippines, however, reveals that Joaquin’s early historical imagination must be understood less as an act of rebellion and more as a product of negotiation. It navigates multiple audiences and overlapping empires—the Spanish past it venerates, the American period whose language it uses, and the Japanese present that enabled its publication. Its power lies not …

Review Of Mapping New Stars: A Sourcebook On Philippine Speculative Fiction., Roy Tristan B. Agustin

Perspectives in the Arts and Humanities Asia

No abstract provided.

Tributes To Gregorio Brillantes, Jonathan Chua

Perspectives in the Arts and Humanities Asia

No abstract provided.

Review Of Oha: A Story Told In One Eternal Second, Celeste Aida Abad Jugo

Perspectives in the Arts and Humanities Asia

No abstract provided.

Post-Lecture Forum With Cristina Pantoja Hidalgo, Mara Coson, Cristina Pantoja Hidalgo

Perspectives in the Arts and Humanities Asia

No abstract provided.

Review Of The Sixth Setouchi International Art Festival In Japan, Summer Session, Midori Yamamura

Perspectives in the Arts and Humanities Asia

No abstract provided.

Storytelling In A Time Of Exigency, Kaisa Aquino

Perspectives in the Arts and Humanities Asia

No abstract provided.

Infografía: El Nexo De Unión Entre Ciencia Y Diseño Gráfico, Ángel Serrano Valverde, Almudena Torres Pardo

GDI. Revista de investigación de Género, Diseño e Innovación

En la divulgación científica, tanto en la que se realiza en congresos de alto impacto y nivel académico, como en la que encontramos en los museos, en los libros de texto o en las redes sociales, se están utilizando infografías. Principalmente, para explicar procesos complejos y sucesos no observables sin el uso de instrumentación específica, o no reproducibles con sencillez.

Este artículo investiga esa relación entre ciencia y diseño a través de la infografía, recorriendo la historia de la infografía científica y su uso en los diferentes ámbitos divulgativos actuales.

Desde un punto de vista científico y de diseño, analizaremos …

Ultraviolent, Jin Mateo Kim

Theses and Dissertations

How do you reconceive yourself in a society that has failed you? Jin Mateo Kim's works examine the reckoning of self-conception in postwar youth subculture of the 1960s.

To Swallow The Stars, Catie Dillon

Theses and Dissertations

Through abstract paintings of illuminated voids, Catie Dillon explores ideas of interconnectedness. In "To Swallow the Stars", she traces the layers of her process, examining the function of gesture, color, light, and space as a means to capture the ineffable.

Victim/Perpetrator, David D. Moy

Theses and Dissertations

Throughout this text, David Moy will discuss the inner working of his investigation on image overload and materialization. Through tactics of blurring, erasure, and layering he achieves obfuscation in his printed media. In doing so, he questions the compounding nature of image/text that negate themselves in the larger context of time in the digital age.

Shapes That Hide Their Shadows, Jennifer Blaine

Theses and Dissertations

shapes that hide their shadows concerns itself with the mutability of memory. The complexities of girlhood to womanhood, and the way we are shaped by place and space, are explored through the artist recounting childhood memories connected to her grandparents' hometowns. Divided into three different sections, the artist discusses drawing as medium, creating a lexicon through using visual symbols, and the logistics of building your own archive.

You Get That From Me, Robyn Duncan

Theses and Dissertations

You Get That From Me is a mixed-media, collage-based film that integrates personal portraits, allegorical maps, and digital collages with spoken narration to craft a stylistic memoir of a pivotal period in my life: the transition from childhood to motherhood.

2025 Inscape, Morehead State University.

Inscape: Art & Literary Magazine Archive

The 2025 edition of the Inscape: Literary and Art Magazine.

Nft And The Future Of Art, Ying Kang

MA Theses

This thesis focuses on exploring the history of NFT, the effects of NFT on art and the future of art. There are many factors affecting NFT, including human subjective factors, such as the pursuit of economic interests and the psychology of blindly following the trend, as well as objective factors, such as macroeconomic policy changes, technological developments, COVID-19 pandemic, cultural advocacy for diversity and democratization, Russia-Ukraine conflict, collapse of major cryptocurrency entities, financial regulation, and endogenous flaws. These economic, political, technological, social, cultural and other factors are complicated and mutually influential, leading to NFT ups and downs in the past. …

Artcatalyze Investments: Empowering Art Investment Innovation, Wan Yu Hung

MA Projects

The Art Investment Fund represents an ambitious fusion of art expertise with state-of-the-art Web3 and cryptocurrency technology, poised to revolutionize the landscape of art investment. At its core, the Fund is dedicated to establishing a secure and transparent art investment trading platform that caters to the needs of artists and collectors alike. Anchored by a team of seasoned art advisors, the Fund offers personalized guidance tailored to each client's unique financial goals, ensuring that investment decisions are informed and strategic. Additionally, a cadre of skilled art restorers plays a crucial role in preserving the integrity and enhancing the long-term appreciation …

Paris: One Hundred Years Later, Olympia Rizzo Buaron

MA Projects

From April through October of 1925, the heart of Paris hosted the (the 1925 Paris Exposition), a monumental event that transformed the city into a showcase of artistic and industrial innovation.1 The year 2025 marks the one hundredth anniversary of this historic exposition. The French government initiated and funded the project during the interwar period, a time characterized by dynamic cultural shifts, a spirit of liberation, and a widespread embrace of modernity. Commonly referred to as the Roaring Twenties, this era was defined by a blend of hedonism, artistic innovation, and social upheaval, deeply shaped by the aftermath of World …

Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper

Curatorial Publications

No abstract provided.

Communicating The “Already, Not Yet” Through The Visual Arts, Hadley Jacobs

Senior Honors Theses

The “already, not yet” is a theological concept that addresses the tension of Christian living. Although believers are free from sin’s power, they are not free from its effects. This thesis examines the “already, not yet” through a series: one graphite drawing, one colored pencil drawing, and one oil painting. The graphite drawing depicts a ruined building, the colored pencil drawing depicts a building being rebuilt, and the oil painting depicts a restored building. They represent the fallen state of man, the state of believers on earth, and the state of believers after being restored, respectively. Together, these pieces create …

Glossed Over, Rebecca Oh

Theses and Dissertations

Glossed Over is a collection of interdisciplinary artworks exploring my Korean-American diasporic identity and how gender, queerness, religion, neurodivergence, and internet culture intersect within that experience. Through a blend of painting, woodworking, and sculpture, this installation carries the various elements of undefinable 한 (pronounced: han), a concept I attempt to define and contextualize in the Introduction and throughout this thesis. Each artwork operates through coded language, metaphor, and partial disclosure, offering space for the othered to find recognition through subtle cues and signifiers. Through Glossed Over and this thesis, I scratch the surface of my journey in reconciling generational trauma …

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

Sunbathers, Marta Louise Sorenson

Art and Art History Honors Projects

Sunbathers is a Studio Art Honors project that explores the awkward intimate nature of introspective life through autobiographical, figurative ceramic sculptures. The forms capture the relationship between body and reality. The project consists of seven portraits, varying in size and display, arranged together on pink pedestals. Each figure communicates a part of self, embodying the internal interactions of everyday existence. The sculptures perform as objects yet speak with the specific sense of being seen/presented. Features shift in and out of focus—glossy glazes draw the eye, while matte colors move inward; the exaggerated, slumped forms are adorned with bright, illuminating glazes. …

Caring For Public Art On Campus: A Case Study In Archives, Conservation And Curation For Public Art At The City University Of New York At York College In South Jamaica, Queens (2025 Cuny Research In The Classroom Grant Project), Emily Verla Bovino

Open Educational Resources

The City University of New York (CUNY) hosts public art at many of its colleges. The practice of funding public art through the CUNY Construction Fund and the Dormitory Authority of the State of New York (DASNY) began after a 1966 New York State Law created a financing and construction partnership between the two entities.

As these collections of museum-quality contemporary art on CUNY campuses age and increase in value, how can care and conservation be ensured? Conceived in response to the U.S. Bureau of Labor Statistics data on the projected 11% growth of employment for archivists, curators, museum technicians, …

A Comparison Of The Strategies And Methods Influencing Success Among Formally Trained Artists V. Outsider, Naive, Or Self-Taught Artists, Anna Stolina

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis examines the contrasting strategies and methods formally trained artists, self- taught artists, naive artists, and outsider artists used to influence their success in their chosen field. The study explored each of their educational backgrounds, available resources, and unique expertises that allowed them to achieve a successful art career. Every pathway has unique advantages and challenges (Langley, 2024). Formally trained artists and exhibiting artists typically have degrees in art from a university or post-secondary art school. My research highlighted the benefits of having a formal art education, a structured learning environment, access to resources, networking opportunities, and professional mentorship. …

Kain Tayo, Ramier Villarama

Art and Art History Honors Projects

Kain Tayo (“Let’s eat!” in Tagalog) is a sculptural installation inspired by the Filipino tradition of Kamayan—a communal feast eaten with one’s hands and served on banana leaves. Using found and discarded objects, the work reimagines a shared dining experience as a celebration of cultural memory, sustainability, and participation. Each piece mimics traditional Filipino dishes like lumpia and lechon, inviting viewers to touch, rearrange, and reflect on the meaning of value, waste, and connection. This honors project merges my background in Studio Art and Environmental Studies, transforming everyday scraps into a joyful expression of identity and storytelling.

F/Utility: A Sculptural Exploration Of Futility, Utility, And The Absurd, Asha Cabaca

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis provides context for my MFA thesis exhibition, F/UTILITY, displayed in the Laura Mesaros Gallery at West Virginia University. My sculpture visually references various aspects of human culture, drawing from the natural environment, urban architecture, and ideas of work and play. These elements, often contradictory and incongruous, are, in fact, humorously subverted, transformed, and combined so that the resulting artwork is serious, playful, and arbitrary all at once. At the same time, the uncertain and sometimes involuntary interactivity of my work prompts a phenomenological viewer experience. My practice is informed by the philosophical and literary absurd, focusing on not-knowing …

Drawing 1 Course Syllabus, Fall 2025, Jennifer Sullivan

Open Educational Resources

This introductory drawing course offers an immersive, practice-based exploration of observational drawing from life. Emphasizing perceptual skills, students will engage with key visual principles—such as proportion, space, perspective, and composition—through projects focused on still life, the human figure, and portraiture. Working with graphite, charcoal, and ink, students will develop both technical fluency and expressive range, learning to convey presence, mood, and memory through mark and form. The course blends rigorous studio practice with critical looking and discussion, encouraging students to cultivate their own artistic voice through sustained attention, experimentation, and care.

From Ink To Code, From Binary To Boundless Reality—Until All Returns To Emptiness, Weitong Sun

Theses and Dissertations

This thesis explores the entangled relationship between language, memory, and technology through the lens of immigrant experience. Moving from programming to visual storytelling, I investigate how dyslexia, bilingualism, and cultural displacement have shaped my ways of reading, writing, and coding.

Beginning with personal reflections on switching from computer science to art, I trace how code offered a form of clarity and expression where written language had once failed me. Yet as I ventured into real-time simulation and XR storytelling, I encountered new forms of mistranslation—where narratives dissolved, mutated, or resisted coherence altogether.

Through a series of experiments in code-driven art, …