Fine Arts Commons^™

'Pink Party', Kelli Ayon

.RAW Journal of Art and Design

No abstract provided.

'Shooting Expired Konica Sxg 100' & 'Abjection', Anushe Irani, Isabela Cordovez

.RAW Journal of Art and Design

No abstract provided.

'Chromatic', Sedona Elliott

.RAW Journal of Art and Design

No abstract provided.

'Culture In Couture' & 'The Elements Of Style', Cooper Mortensen, Riley Williamson

.RAW Journal of Art and Design

No abstract provided.

'The Power Of The Sun', Asher Dolinger

.RAW Journal of Art and Design

No abstract provided.

'Midsummer's Dream' & 'A Portrait Of Blossoming', Brooke De La Torre, Chloe Krome

.RAW Journal of Art and Design

No abstract provided.

'Tzatziki Sauce Recipe' & 'Madonna Inn', Teia Kornienko, Miranda Kowalski

.RAW Journal of Art and Design

No abstract provided.

'Young Cowboy', Claire Hughes

.RAW Journal of Art and Design

No abstract provided.

'Herd' & 'Divine', Zoé Shaikh, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'And Many More, To Be Like You' & 'Donut Still Life', Hayley Armstrong, Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Submarine Cinema', Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'All Bottled Up' & 'Sunce Na Plaži', Amanda Keith, Natalia Celebrini

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

Opening, Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

Cover, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Erin Robinson, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

To Whom It Does Not Concern, Kylee A. Conriquez

Toyon: Multilingual Literary Magazine

Not published.

Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas

SANE journal: Sequential Art Narrative in Education

The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

Ivy Leaves, Volume 100, Anderson University - South Carolina

Ivy Leaves

The 2025 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jaylee Koon, Jenna Martin, Rachel Riddle, Milena Ulrich, Emma Brightman, Corinne Lowe, Torie Johnson, Anna Leigh Avant, Darcy Hseih, Kaylie Sheriff, Claudia Sarmiento, LIly Gregory, Ethan Wright, Elise Frauenholtz, KJ Lian, Ellie Gramm, Iley Gramm, Kenzi Miller, Ellie Ruperto, Miriam Cabrera-Santana, Ashlee Keller, Mateo De Los Cobos, Jacob Enzor, Claire Nunes, Abby McDonald, Heidi Dillow, Derek Updegraff and Tim Speaker.

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Con Fe Te Vere Otra Vez, Edwin Perez-Hernandez

Student Projects

"Con Fe the vere otra vez" is a photographic series that documents the struggles associated with immigration. How it causes a divide in the familial construct as one member separates themself to build a better opportunity while sacrificing the opportunity to live a life with the family they were raised with. This work focuses on showing how though separated they still find ways to connect with each other. This series also serves as a way to connect and comfort immigrants and individuals whose family immigrated and remind them they are not alone. In a political climate where Mexican and Mexican-Americans …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

The Masculine Way, Jessica Asuquo

be Still

This painting was conceptualized after a particularly impactful patient visit. During the visit, the patient described a traumatic event in greater detail, stating that the doctor and I were the first people he had ever spoken to about the event.

I felt both honored and disheartened by this statement. I was honored that this man trusted us with this knowledge. Still, I was immensely sad that he dealt with the trauma of this event alone for decades. I believe he released some of the grief, pain, anger, fear, and hurt when he shared his burden with us, and I will …

Dotphotozine, Issue 14, 2025, Students Of The Csusb Art Department, Francis Almendarez

Dotphotozine

No abstract provided.

A Conversation With Loe Gino, Loe Gino, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …

Contributors, Amelie Sandoval

.RAW Journal of Art and Design

No abstract provided.

'Scatter' & 'Divine', Victoria Dai, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen

.RAW Journal of Art and Design

No abstract provided.

'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye

.RAW Journal of Art and Design

No abstract provided.