Fine Arts Commons^™

The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.

The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.

Lights And Shadows - 1969, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Arts And Events - Fall, 1968, Usm Art Department

Exhibition Catalogues

The Concert-Lecture Series
The College Art Gallery
Student Performances
The Film Series

Ivy Leaves 10, Ivy Leaves Editorial Staff

Ivy Leaves

The Fall 1968 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Mike Creswell, Debbie Hannon, Ann Skidmore, Karen Galway, Hank Richardson, Jim Taylor, Carolyn Mulliken, Mary Matthews, Barbara Fleming, Becky Forrester, Mildred King Bearden, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., M.B. Wilson, Edward P. Vandiver, Jr., and Elizabeth Donald.

Ivy Leaves 9, Ivy Leaves Editorial Staff

Ivy Leaves

The Spring 1968 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Nancy Hill, Len Farmer, Linda Lee Frank, Arington Hendley, Ruth Gillespie, Eddie Arnold, Eleanor Scruggs, Ras Peek, Mildred Copeland, Dale White, Mike Creswell, Jean Todd, Kathy Thomas, Mildred King Bearden, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., Jerome D. Wilson, Edward P. Vandiver, Jr.

Arts And Events Spring - 1968 Gorham State College, University Of Southern Maine Art Department

Exhibition Catalogues

The College Art Gallery
Student Performances
Concert-Lecture Series
Film Series

Letter From Meredith Monk To Richard Carlyon, 1968 February 29, Meredith Monk

Bang Arts Festival Documents

Typewritten letter from Meredith Monk to Richard Carlyon [misspelled Carline in the letter], dated February 29, 1968. Monk inquires about performing at RPI, per suggestion of Yvonne Rainer. Enclosed are several news clippings reviewing Monk's work.

Native Son, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of a boy titled "Nature's Son" by Austin Productions, Inc.

Frederick Douglass, Austin Productions, Inc.

Morehead State University Art Collection

A 1968 bust of Frederick Douglass by Austin Productions, Inc.

Events In The Arts 1968-1969, Usm Art Department

Exhibition Catalogues

University of Maine Portland

The Art Institute Of Boston Course Catalog (1968-1969), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

Arts And Events Fall - 1967 Gorham State College, Usm Art Department

Exhibition Catalogues

The Concert-Lecture Series
The College Art Gallery
Student Performances
The Film Series

Ivy Leaves 8, Ivy Leaves Editorial Staff

Ivy Leaves

The Fall-Winter 1967 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Nancy Hill, Len Farmer, Linda Lee Frank, Arington Hendley, Ruth Gillespie, Eddie Arnold, Eleanor Scruggs, Ras Peek, Mildred Copeland, Dale White, Mike Reswell, Jean Todd, Kathy Thomas, Mildred King Bearden, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., Jerome D. Wilson, and Edward P. Vandiver, Jr. Cover art by Arington Hendley.

The publishing credit is not in the text, but the publication's format resembles earlier editions credited to the …

Spring Events Of The Arts 1967, Usm Art Department

Exhibition Catalogues

The Portland Campus of The University of Maine is proud to announce its Concert-Lecture Series for the Spring of 1967

Ivy Leaves 7, Ivy Leaves Editorial Staff

Ivy Leaves

The Spring 1967 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Danny Byron Collins, Tinka White, Connie Mahaffey, Kathleen Inabinet, Len Farmer, Dick Madden, Hank Roberts, Donna Albertson, Mildred King Bearden, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., Jerome D. Wilson, and Edward P. Vandiver, Jr. Cover art by Kathleen Inabinet.

Miss Pigtails, Austin Productions, Inc.

Morehead State University Art Collection

A 1967 bust of a girl by Austin Productions, Inc.

Inscape 1967, Morehead State University

Inscape: Art & Literary Magazine Archive

The 1967 edition of the Inscape: Literary and Art Magazine.

Committed To Print, Wright State University Art Galleries

Exhibition and Program Catalogs

A poster depicting several events ending the 1960s. The composition is overlapping and visually striking. Figures within this collage include: Martin Luther King Jr, President Kennedy, an astronaut representing the Apollo 11 mission, a truck with U.S. troops in Vietnam, a singer representing Woodstock, and many other smaller images representing other historical events of the time. The artist is unknown, and there was no name for the collage.

School Of Practical Art Course Catalog (1967-1968), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

Ivy Leaves 6, Ivy Leaves Editorial Staff

Ivy Leaves

The Fall-Winter 1966 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Byron Danny Collins, Tinka White, Connie Mahaffey, Kathleen Inabinet, Len Farmer, Dick Madden, Hank Roberts, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., Jerome D. Wilson, and Edward P. Vandiver, Jr. Cover art by Dick Madden.

Fall Events Of The Arts 1966, Usm Art Department

Exhibition Catalogues

The Portland campus of the University of Maine is proud to announce its concert-lecture series for the fall of 1966.

An Exhibit Of Paintings, Prints And Drawings By Jeana Dale Bearce (1966), Usm Art Department

Exhibition Catalogues

Westbrook Junior College - Portland, Maine

Ivy Leaves 5, Ivy Leaves Editorial Staff

Ivy Leaves

The Spring 1966 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jackie Anderson, Mike Hatfield, Frank Peake, Sherril Vaughan, Catharine Davis, Tinka White, Kathleen Inabinet, Dubbie Belcher, Byron Collins, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., and Jerome D. Wilson. Cover art by Kathleen Inabinet.

An Invitation To The Fine Arts Program Of Gorham State Colleg For 1966-1967, Usm Art Department

Exhibition Catalogues

The 1966-67 Concert-Lecture Series -- Events in Performance

School Of Practical Art Course Catalog (1966-1967), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …

Performance Notes, R. Carlyon, Bird Park Lake: A Vue Gram, Bang Arts Festival 1966, Richard Carlyon

Bang Arts Festival Documents

A single page of performance notes from Richard Carlyon about the March 22, 1966 performance of "Bird Park Lake: A Vue Gram." Typewritten text with handwritten marginalia. Transcription of handwritten notes: "(From R. Carlyon's Notes), projectionists: Carlton Gunn, Sam West, Robert Barefoot, Carlton Gunn, Sam West, William Livingston were students at RPI, C.A. & D. Dept."

Ivy Leaves 4, Ivy Leaves Editorial Staff

Ivy Leaves

The Fall-Winter 1965 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jackie Anderson, Mike Hatfield, Frank Peake, Sherril Vaughan, Catharine Davis, Tinka White, Kathleen Inabinet, Dubbie Belcher, Byron Collins, Gayle Holmes, Faye P. Cowan, R.S. Moore, Marietta McCown, W.F. West, Jr., and Jerome D. Wilson. Cover art by Kathleen Inabinet.

Ivy Leaves 3, Ivy Leaves Editorial Staff

Ivy Leaves

The Spring 1965 edition of Anderson College's journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Carol Gibson, Tissie Blessing, Dan Matthews, Randy Chambers, Sandra Kytle, Mike Miller, Faye P. Cowan, R. S. Moore, Marietta McCown, E. C. Simpson, W. F. West, Jr., and Jerome D. Wilson. Cover art by Mike Miller.