Fine Arts Commons^™

Ua68/1/2/2 Fine Arts Festival, Wku Potter College Of Arts & Letters

WKU Administration Documents

Scrapbook documenting the first WKU Fine Arts Festival which commemorating the opening of the Ivan Wilson Fine Arts Center. Includes clippings and event programs.

Birds In The Forest, Francoise Gilot

Morehead State University Art Collection

A 1974 color print titled "Bird in the Forest" by Francoise Gilot.

Ivy Leaves, 1973-1974, Ivy Leaves Editorial Staff

Ivy Leaves

The 1974 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jacque White, Terry Campbell, Sandra Fowler, Susan Kiger, Sara Martin, Pam Matthews, Peggy McNab, Randy Mills, Pat Raper, David Ross, Carol Schwarting, Carol Sigman, Mike Trainor, Hugh Welborn, Janice Woodson, Charles Horner, Faye Cowan, Sarah Greer, Dennis James, Judy Neuwirth, Jane Tombes, Brena Walker, W.F. West, Jr., and Margaret Wooten. Cover art by Carol Schwarting.

Environmental Sculpture Symposium, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit centered on environmental sculpture. This is a flyer that advertised the exhibit featuring the works of five artists: Rosalind E. Krauss, Michael Hall, Robert Irwin, Robert Doty, and Stephen Doty. It was held October 10th, 1974 at Wright State University Art Gallery.

Inscape Fall 1973, Morehead State University

Inscape: Art & Literary Magazine Archive

The fall 1973 edition of the Inscape: Literary and Art Magazine.

Allegorical Portraits Exhibition (1973), Usm Art Department

Exhibition Catalogues

No abstract provided.

Inscape August 1973, Morehead State University

Inscape: Art & Literary Magazine Archive

The August 1973 edition of the Inscape: Literary and Art Magazine.

Contemporary Sculpture Exhibition (1973), Usm Art Department

Exhibition Catalogues

No abstract provided.

Portrait Of Mignon Doran, Unknown

Morehead State University Art Collection

An unsigned 1973 charcoal portrait of Mignon Doran.

Ua68/1/3 Ivan Wilson Center For Fine Arts, Wku Potter College Of Arts & Letters

WKU Administration Documents

WKU Potter College of Arts & Letters brochure regarding the construction of Ivan Wilson Fine Arts Center and the Russell Miller Theatre. The brochure also highlights the departments of Speech & Theatre, Foreign Languages, Music and Art.

"Bald Eagle", Gene Gray

Morehead State University Art Collection

A 1973 painting of a bald eagle by artist Gene Gray. This is a numbered print.

Mornings By The Sea, Ben Shahn

Morehead State University Art Collection

A 1973 colored lithograph by artist Ben Shahn.

Ivy Leaves, 1972-1973, Ivy Leaves Editorial Staff

Ivy Leaves

The 1973 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Doug Davison, Glenda Alexander, Linda Buchmiller, Linda Davis, Walter Durst, Linda Edwards, Phil Franks, Sarah Martin, Joy Rish, Rebecca Sewell, Debbie Sheriff, Jaque White, Faye Cowan, Sarah Greer, Charles Horner, Dennis James, Judy Neuwirth, Jane Tombes, W.F. West, Jr., Margaret Wooten, Janice Woodson, and Shirley Hamby. Cover art by Janice Woodson.

The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

Inscape December 1972, Morehead State University

Inscape: Art & Literary Magazine Archive

The December 1972 edition of the Inscape: Literary and Art Magazine.

Inscape April 1972, Morehead State University

Inscape: Art & Literary Magazine Archive

The April 1972 edition of the Inscape: Literary and Art Magazine.

Inscape January 1972, Morehead State University

Inscape: Art & Literary Magazine Archive

The January 1972 edition of the Inscape: Literary and Art Magazine.

Portrait Of Adron Doran, Ogden

Morehead State University Art Collection

A 1972 portrait of Adron Doran by an artist named Ogden.

Morehead State University - Mignon Complex & University Breckinridge School, Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Mignon Complex and University Breckinridge School on the campus of Morehead State University by Douglas Adams.

Perched Bald Eagle, James Fenwick Lansdowne

Morehead State University Art Collection

A 1972 color print of a perched bald eagle by J. F. Lansdowne.

John Lewis, Unknown

Morehead State University Art Collection

A 1972 bust of John Lewis created from coal.

Morehead State University - Doran Student Building (Aduc), Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Doran Student Building (ADUC) on the campus of Morehead State University by Douglas Adams.

Morehead State University - Button Auditorium, Douglas Adams

Morehead State University Art Collection

A 1972 color print of Button Hall on the campus of Morehead State University by Douglas Adams.

Ivy Leaves, 1971-1972, Ivy Leaves Editorial Staff

Ivy Leaves

The 1972 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Nancy Vandiver, Linda Buchmiller, Doug Davidson, Walter Durst, Phil Franks, Hallie Hemmingway, Jimmy King, Susan Perry, Tony Stubblefield, Robert Tomlinson, Ann Welborn, Faye Cowan, Dennis James, Everett Wilkie, Margaret Wooten, Sarah Greer, Marietta McCown, Pat Mulligan, W.F. West, Jr., and Shirley Hamby. Cover art by Judson Sanders.

Johnson Camden Library, Douglas Adams

Morehead State University Art Collection

A 1972 colored print of the Johnson Camden Library by Douglas Adams.

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.

A Series Of Paintings Investigating Certain Specified Space Concepts, Michael C. Jackson

All Master's Theses

This thesis is devoted only to that work considered completely investigated: a portrait/figure series of seven paintings. In addition, the series of works with which this thesis is devoted essentially follow this format: large areas of architectural space and color versus a natural object- -a portrait figure. A play or conflict was set up between these two things; the success of the play determined the success of the painting. The factors used to judge success are basically those classical rules of composition dealing with balance: visual weight of areas, complexity, and color. The only areas manipulated were: (1) shape of …

Ivy Leaves 15, Ivy Leaves Editorial Staff

Ivy Leaves

The Spring 1971 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Gary Arflin, Denise Dias, Wayne Ford, Nancy Vandiver, Phil Owens, Roger Sanford, Elaine Compton, Faye Cowan, Dennis James, Marietta McCown, Robert S. Moore, W.F. West, Margaret Wooten.

Inscape 1971, Morehead State University

Inscape: Art & Literary Magazine Archive

The 1971 edition of the Inscape: Literary and Art Magazine.

The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …