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Full-Text Articles in Fine Arts

Ronald G. Eaglin, Yang Neng Chiang Jan 2004

Ronald G. Eaglin, Yang Neng Chiang

Morehead State University Art Collection

An oil painting of Ronald G. Eaglin created in 2004 by artist Yang Neng Chiang.


Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff Jan 2004

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.


Lights And Shadows - 2004, University Of North Alabama Jan 2004

Lights And Shadows - 2004, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


Untitled, Blake Bazel Jan 2004

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.


Waiting For Words, Alisha Van Hoose Jan 2004

Waiting For Words, Alisha Van Hoose

Digressions: Literary & Art Journal

No abstract provided.


Untitled, Blake Bazel Jan 2004

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.


Untitled, Blake Bazel Jan 2004

Untitled, Blake Bazel

Digressions: Literary & Art Journal

No abstract provided.


Creatress: A Woman's Hand, Susan Isherwood Gibbs Jan 2004

Creatress: A Woman's Hand, Susan Isherwood Gibbs

College of Graduate Studies: Theses & Dissertations (1964–2006)

Using stylized and abstracted sculptural interpretations of She—Great Mother, Mother Nature, Earth Goddess, Creatress, Gaia, female sexuality, and the feminine aspects of nature; a wide range of differing chemicals and temperatures for the development of various clay bodies; and a vivid color palette to reflect ideas, feelings, and moods, I present a story of woman as metaphor for Earth and nature, an immense organic, ecological, and conscious whole. Incorporating found objects (natural and manmade) and fibers (organic and synthetic) with my clay imagery, I offer an awareness of the roles ofwomen from around the world in the spiritual and psychological …


Inscape Fall 2003, Morehead State University Oct 2003

Inscape Fall 2003, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2003 edition of the Inscape: Literary and Art Magazine.


Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries Oct 2003

Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries

Exhibition and Program Catalogs

Nine artists participating in this exhibition share a concern with how practices of visual representation work to construct individual and collective identity. They examine and then reformulate familiar codes of visual culture, turning established conventions of visual representation against themselves. In highly sophisticated and nuanced critical commentary, they explore how both individual and group identities are shaped in and by one's cultural environment. At the same time, they recognize that limiting understanding can be an equally powerful influence in the shaping of one's sense of self and community.


Inscape Spring 2003, Morehead State University Apr 2003

Inscape Spring 2003, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 2003 edition of the Inscape: Literary and Art Magazine.


Spring 2003 - Exhibitions, Lectures, And Events, Usm Art Department Apr 2003

Spring 2003 - Exhibitions, Lectures, And Events, Usm Art Department

Exhibition Catalogues

NON ORNAMENTAL: RECENT WORK BY JESSICA YANKURA

SEBASTlAO SALGADO: MIGRATIONS HUMANITY IN TRANSITION AND THE CHILDREN LATIN AMERICA: RURAL

SCANDALOUS EYES: AFRICAN AMERICA IN ILLUSTRATED SHEET MUSIC COVERS, 1895-1925

SCANDALOUS FILM SERIES

STUDENT JURIED EXHIBITION

WORDS AND IMAGES


Taking In: The Best Of Aib Photography 2003, Aib Students Apr 2003

Taking In: The Best Of Aib Photography 2003, Aib Students

Taking In

Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …


Pack Horse Librarians Of Kentucky, Joe Davis Jan 2003

Pack Horse Librarians Of Kentucky, Joe Davis

Morehead State University Art Collection

A 2003 print of six pack horse librarians in the state of Kentucky by artist Joe Davis.


Untitled, Stephen Tirone Jan 2003

Untitled, Stephen Tirone

Morehead State University Art Collection

A large sculpture that sits outside of the Space Science Center. The object also emits a strange buzzing sound. It is supposed to spin around every 24 hours, but is currently broken.


Building Brighter Futures, Emma Perkins, Alan Perkins Jan 2003

Building Brighter Futures, Emma Perkins, Alan Perkins

Morehead State University Art Collection

A large mural of two students reading on top of a pile of books while a large eagle is fixated on the right side. There is a small child kneeling in front of what looks like a Roman pillar. This was created by Emma Perkins with help from Alan Perkins and her students in 2003.


Content And Meaning In Abstract Animation, Pamela Turner Jan 2003

Content And Meaning In Abstract Animation, Pamela Turner

Kinetic Imaging Publications and Presentations

Talking about the content and meaning of abstract animation, for the practitioner or enthusiast, is like discussing why one eats chocolate or why we stand at the edge of the ocean, experiencing the sensation of the sand being sucked out from under our feet by the pull of the receding wave. Or why listening to a beautiful adagio can create such a stirring response. These experiences stand for themselves and need no explanation.

For the uninitiated, or the viewer who has little to no encounter with abstract animation, however, these moving images can be initially disconcerting and hard to understand. …


Why Draw A Landscape?: A Portfolio Of Prints By Contemporary Artists, University Of Richmond Museums Jan 2003

Why Draw A Landscape?: A Portfolio Of Prints By Contemporary Artists, University Of Richmond Museums

Exhibition Brochures

Why Draw a Landscape?: A Portfolio of Prints by Contemporary Artists

August 20 to December 7, 2003

Joel and Lila Harnett Print Study Center

Introduction

Why Draw a Landscape? features a portfolio of prints on the theme of landscape in contemporary art, commissioned by Crown Point Press in San Francisco and completed in 1999. Each of the eleven participating artists answered the question with a print that attests to the vitality of the natural world.

Collectively, this portfolio includes a diversity of artistic approaches, ranging from documentary accuracy, to expressive images, to abstraction in which areas of colors suggest the …


Ivy Leaves, 2002-2003, Ivy Leaves Editorial Staff Jan 2003

Ivy Leaves, 2002-2003, Ivy Leaves Editorial Staff

Ivy Leaves

The 2003 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Bailey, Christin Bradley, Sarah Colson, Rich Gregory, Jason Johnson, Joshua Poe, Annabelle Robinson, Jay Strickland, Renee Tanner, Aaron Archibald, Tanner Capps, Ada Ezeokoli, Jessica Gregory, Kurtis Miller, Wayne Cox, and Jane Dorn. Cover art by Sarah Colson.


John Dos Passos And His World, University Of Richmond Museums Jan 2003

John Dos Passos And His World, University Of Richmond Museums

Exhibition Brochures

John Dos Passos and His World

September 26 to December 07, 2003

Marsh Art Gallery, University of Richmond Museums

Introduction

One of America's most innovative writers, John Dos Passos (1896-1970) also completed more than four hundred paintings and drawings that chronicle his life's journeys. In fifty years, Dos Passos wrote forty-two literary works, and his novels Manhattan Transfer (1925) and the trilogy U.S.A. (published together in 1938) provide a panoramic social history of the first three decades of the twentieth century. Similarly, his paintings captured the times in which he lived and addressed the world around him, in landscapes from …


Landscapes: David Gloman And Richard Raiselis, Wright State University Art Galleries Jan 2003

Landscapes: David Gloman And Richard Raiselis, Wright State University Art Galleries

Exhibition and Program Catalogs

Poster for the Landscape exhibit at Wright State University Art Galleries featuring artists David Gloman and Richard Raiselis


William Morris At The Huntington. Exhibition Review, Wendy Salmond Jan 2003

William Morris At The Huntington. Exhibition Review, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.


Lights And Shadows - 2003, University Of North Alabama Jan 2003

Lights And Shadows - 2003, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


Donatello’S David: The Putti Speak, Sally A. Struthers Dec 2002

Donatello’S David: The Putti Speak, Sally A. Struthers

Art and Art History Faculty Publications

As the first approaching life-sized, freestanding, sensuous, bronze nude since Antiquity, Donatello’s bronze David is a critical monument of the Italian Renaissance. It is also one of the most enigmatic. David is nude, but not completely unclothed, wearing a feminine-looking hat and knee-high boots. David holds a rock and a sword, while standing suggestively, on the head of Goliath. He stands in a relaxed contrapposto stance. His left hand, held to his hip, holds a stone. His right hand is resting on an oversized sword, which points downward to the helmet of Goliath, between the feet of David. As Zuraw …


Inscape Fall 2002, Morehead State University Oct 2002

Inscape Fall 2002, Morehead State University

Inscape: Art & Literary Magazine Archive

The Fall 2002 edition of the Inscape: Literary and Art Magazine.


Rosemarie Beck: Paintings 1965-2001, Wright State University Art Galleries Sep 2002

Rosemarie Beck: Paintings 1965-2001, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features the work of painter Rosemarie Beck, and includes an essay about Beck's work by Martica Sawin. The exhibit was held at the University Art Galleries, Wright State University, from September 18 through October 20, 2002.


With A View Toward The Public: Dayton's Alternative Spaces Residency Program 1977-1983, Wright State University Art Galleries Apr 2002

With A View Toward The Public: Dayton's Alternative Spaces Residency Program 1977-1983, Wright State University Art Galleries

Exhibition and Program Catalogs

The guide discusses the exhibition about Dayton's Alternative Spaces Residency Program from 1977-1983. A brief description is given for each of the artists and their work involved in the original project.


Tributes For Trieble: A Diary, Lucas R. Blanco Apr 2002

Tributes For Trieble: A Diary, Lucas R. Blanco

Honors Theses

Thesis consists of diary entries written by the author during a trip to Poland. Accompanied by drawings of the author's experience.


Inscape Spring 2002, Morehead State University Apr 2002

Inscape Spring 2002, Morehead State University

Inscape: Art & Literary Magazine Archive

The Spring 2002 edition of the Inscape: Literary and Art Magazine.


A Survey Of Four Contemporary Sound Artists, Mark Garry Mar 2002

A Survey Of Four Contemporary Sound Artists, Mark Garry

Articles

No abstract provided.