Fine Arts Commons^™

Midnight Splendor, Sonya Chacko

Digressions: Literary & Art Journal

No abstract provided.

Self Portrait, Grace Cox

Digressions: Literary & Art Journal

No abstract provided.

Togetherness, Nergess Taheri

Digressions: Literary & Art Journal

No abstract provided.

Metamorphosis, Sonya Chacko

Digressions: Literary & Art Journal

No abstract provided.

Empty, Grace Cox

Digressions: Literary & Art Journal

No abstract provided.

Don Quijote's Sunset, Alexis Irias

Digressions: Literary & Art Journal

No abstract provided.

Psychosomatic, Lacrima Nemulescu

Digressions: Literary & Art Journal

No abstract provided.

Red Emotion, Flor Aramburu

Digressions: Literary & Art Journal

No abstract provided.

The Ballet, Sonya Chacko

Digressions: Literary & Art Journal

No abstract provided.

Me, Negress Taheri

Digressions: Literary & Art Journal

No abstract provided.

The Construction Of Locative Situations: Locative Media And The Situationist International, Recuperation Or Redux?, Conor Mcgarrigle

Articles

A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this end, SI concepts such as psychogeography and the techniques of detournement and the de ́rive (drift) have exerted considerable influence on locative media practices, but questions arise as to whether this constitutes a valid contemporary appropriation or a recuperative co-option, serving to …

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …

The Presence Of The Past: Conference Proceedings, Barry Sheehan

Books/Book Chapters

Is architecture design? Where does it begin? Where does it end? With every iconic architect comes an iconic chair. Mies Van Der Rohe's Barcelona Chair, Aalto's Artek stool. Where is the furniture by Irish Architects? As Irish architecture has become internationally recognised what has happened to our furniture? Is furniture design oflittle interest to current Irish architects and will this change with the current market conditions?

Baccalaureate And Associate Degree Relationships Panel, Stephen Black, Charles Grieb, Sally A. Struthers, Sally Paronson

Art and Art History Faculty Publications

A significant number of reasoned and documented projections indicate that two-year associate degree-granting institutions will play an increasing role in the preparation of students who continue and obtain baccalaureate degrees. The U.S. population is growing, but few new institutions are being built. Many individuals must obtain their collegiate education close to home. Economic pressures and credit-hour caps are focusing states and localities on articulation agreements and curricular continuity. This session will explore these issues as a basis for presenting and considering what administrators should know and think about as local decision-making occurs.

Layers, Jan Bennett Troutt

Student Theses and Dissertations

The creation of art has many different inspirations and origins. It can be based on forward thinking and portray thoughts and ideas that have not yet occurred, or can be retrospective and revisit occurrences in the past. No matter which avenue the idea originates from, once the creative process begins, it must be pursued until the artist feels a sense of completion. This thesis exhibition was created to explore my own thoughts and feelings when faced with life changing events, but yet it suggests how mankind in general might perceive and react in similar circumstances. When exploring these topics, I …

Schema., David B. Mazure

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the Slocumb Galleries in Ball Hall at East Tennessee State University, from February 23^rd through February 27^th 2009. The exhibition is comprised of eight graphite drawings, one ink drawing, eight vinyl prints, two hundred sixty lenticular prints, over fifty digital inkjet prints, and one video installation. The exhibition presents the artist's exploration into using drawings and prints as installation as they relate to quantum physics and universal scale. Subjects discussed, on a project-by-project basis, include thought, ideas, methods, influences, and process by which the work in the exhibition …

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing works by senior art students in a variety of mediums.

Volume 02, Joseph A. Mann, Kathryn J. Greenly, Scott E. Jenkins, Andrew E. Puckette, Daniel M. Honey, Jeffery P. Ravenhorst, Jamie Elizabeth Mesrobian, Thomas Scott, Jay Crowell, Sarah Spangenberg, Amy S. Eason, Kenny Wolfe, Liz Hale, Rachel Bouchard, Will Semonco, Carley York, Ryan Higgenbothom, Adrienne Heinbaugh, Melissa Dorton, Madeline Hunter, June Ashmore, Clark Barkley, Jay Haley

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Mike's Nite: New Jazz for an Old Instrument by Joseph A. Mann

Investigation of the use of Cucumis Sativus for Remediation Of Chromium from Contaminated Environmental Matrices: An Interdisciplinary Instrumental Analysis Project by Kathryn J. Greenly, Scott E. Jenkins, and Andrew E. Puckette

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Scott Jenkins

Building and Measuring Scalable Computing Systems by Daniel M. Honey and Jeffery P. Ravenhorst

Nomini Hall: A Case Study in the Use of Archival Resources as Guides for Excavation at An Archaeological Site by …

Taking In: Photography 2009, Aib Students

Taking In

Taking In showcases a selection of work from students attending the Art Institute of Boston Work was collected by members of this class for presentation before a jury of distinguished artists from outside of the school. The images selected by the jury were then sequenced for the book, which is designed to be distributed throughout the artistic community. In addition, the work is displayed in a gallery exhibition and on our website. In your hands is the result of the hard work and dedication of the members of this class.

Ivy Leaves, Volume 83, Ivy Leaves Editorial Staff

Ivy Leaves

The 2009 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Kathryn White, Katie Meitzler, Sophie Dembroski, Lydnsey Thompson, Julianna Capps, Charlies Waddell, Grier Parrott, Brittany Hughes, Nikita Cowan, Josh Overstreet, Adreaunna Rhome, Andrew Higgins, Kelly Johnson, Wellington Payne, Savannah Springer, Carter Stuart, Dr. Teresa Jones, and Tim Speaker. Photography by Andrew Higgins and Savannah Jane Springer.

Artistic Expression And Free Speech, Will South, Sally A. Struthers Ph.D.

Art and Art History Faculty Publications

Presented at the 2009 Wright State Honors Institute on Free Speech in a Global Society.

Kimmerly Kiser: A Memorial Exhibition, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

This catalog features work from a memorial exhibition of drawings and paintings by the late Kimmerly Kiser held at Robert and Elaine Stein Galleries. Kiser was a professor of painting and drawing at Wright State University from 1969 to 1995. He continued teaching as faculty emeritus until his passing in 2006. The exhibition ran from January 25 through February 6, 2009.

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Libraries

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

Appalachian Spring, Kerry Adkins, Kimberly Barker, Jason Barker, Ron Davis, Ashley Doscher, Ann Dorsey, Laura Haywood, Susan Hawkins, Kendrick Holbrook, Tanisha Johnson, Amanda Keathley, Megan D. Lindsey, Robbie Lounsberry, Ryan Newberry, Kellie Jo Ramey, Autumn Reed, Whitney Sibcy, Deborah Slone, Josh Spencer, Judith Baca

Morehead State University Art Collection

A large mural that was created by 19 studio art and education students in 2009. Renowned Latina artist Judith Baca worked alongside the students.

The Brilliant Line, Emily Peters, Evelyn Lincoln, Andrew S. Raftery

Books

Renaissance engravings are objects of exquisite beauty and incomparable intricacy that are composed entirely of lines. Artists began using this intaglio process in Europe as early as 1430. This captivating catalogue focuses on the height of the medium, from 1480 to 1650, when engravers made dramatic and rapid visual changes to engraving technique as they responded to the demands of reproducing artworks in other media. The Brilliant Line follows these visual transformations and offers new insight into the special inventiveness and technical virtuosity of Renaissance and Baroque (Early Modern) engravers. The three essays discuss how engraving’s restrictive materials and the …

Inscape 2009, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2009 edition of the Inscape: Literary and Art Magazine.

Rhythm In Relief, Lavon Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2009 Kentucky Folk Art Center exhibition catalog of artist Lavon Williams.

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.

Jeff Koons: In His Space, Erica Frank

The Journal of Undergraduate Research

Space, a major visual element, can be examined in depth in Jeff Koons’s artwork. Koons produces art in different series and each series contains numerous pieces. The appendages of the mechanical devices, a major element of space in the early series, accentuate the sexuality present in Koons’s art, as well as the surface quality and materials used in all the series. Koons’s obsession with perfection is what generates the flawless exteriors making the surface material void of human touch and elevating the sometimes kitsch subjects of the pieces. Koons uses stainless steel, a relatively inexpensive material associated with manufactured goods …

Mfa09 (Mfa 2009), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Carmon Colangelo, Patricia J. Olynyk, Stephanie Barenz, Carolyn Dawn Bendel, Jacob Cruzen, Rachel Ann Dennis, Bryan Eaton, Maya Escobar, Meredith Foster, Morgan Gehris, Gina Grafos, Stephen Hoskins, Amelia Jones, Hye Young Kim, Anne Lindberg, Goran Maric, Kelda Martensen, Erica L. Millspaugh, Carianne Noga, Joel Parker, Rebecca C. Potts, Shannon Randol, Elaine Rickles, Michael Kenneth Smith, Dan Solberg, Natalie Toney, Glenn Tramantano, Kathryn Trout, J. Taylor Wallace

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2009. Content includes A new paradigm / Carmon Colangelo -- Evolving practices / Patricia Olynyk -- Stephanie Barenz -- Carolyn Dawn Bendel -- Jacob Cruzen -- Rachel Ann Dennis -- Bryan Eaton -- Maya Escobar -- Meredith Foster -- Morgan Gehris -- Gina Grafos -- Stephen Hoskins -- Amelia Jones -- Hye Young Kim -- Anne Lindberg -- Goran Maric -- Kelda Martensen -- Erica L. Millspaugh -- Carianne Noga -- Joel Parker -- Rebecca C. Potts -- Shannon Randol -- Elaine Rickles -- Michael …