Fine Arts Commons^™

Hide And Seek, Tess Wilson

Art Journal

I see myself as an analyst of my surroundings. I have a predisposition for noticing and appreciating miniscule details in life. Consequently, I take photographs and make digital drawings of found objects that possess textured qualities. Whether walking to class, waiting for the train, even sitting in my kitchen at home, texture is everywhere.

My collages are meant to avoid fixity; but most especially, my collages are meant to confront the notion of abstraction and reality. Through digital imaging, I alter reality by manipulating the color, light and detail of an object at close range. To me, abstraction is a …

Inscape 2014, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2014 edition of the Inscape: Literary and Art Magazine.

01. Art, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

04. Multimedia And Design, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

05. Music, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

02. Dance, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

03. Design, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

06. Theatre Arts, University Of Central Oklahoma

Oklahoma Research Day Abstracts

No abstract provided.

Ua68/5/3 Potter College Of Arts & Letters Art Student Organizations, Wku Archives

WKU Archives Collection Inventories

Records created by the Art Club.

Chester Cornett: Beyond The Narrow Sky, Chester Cornett, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2014 Kentucky Folk Art Center exhibition catalog of artist Chester Cornett.

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Concrete Painting, Stephanie Cafcules

Electronic Theses and Dissertations

This thesis explores the evolution of my artwork with synthetic materials through influences of the Minimalist and Process Artists of the 1960's and 1970's, inspiration from natural forms, and my exploration of concrete painting. Each work reveals discoveries of different processes and materials, accelerating the creation of new works. It is my hope this thesis will inform viewers about the process and concepts that my work embodies.

Laboratory: Where Science Becomes Art, Amy Norton, Madeline Carpenter, Colton Weeks, Jae Lim

P-12 Lesson Plans

This is group of lessons for K-12 art classroom is connected to the artists in the ZMA exhibition Laboratory, on view November 14, 2014 - February 21, 2015. The exhibition worked to demystify artistic practice by revealing parallels between art and scientific research and methodology. These associated lessons include scientific concepts and principles paired with art.

A Peaceful Dawn, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

Trees 2, Natalie Hernandez

Digressions: Literary & Art Journal

No abstract provided.

Review Of Isaak Levitan: Lyrical Landscape By Avril King, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Isaak Levitan: Lyrical Landscape by Avril King.

Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady

Departmental Honors Projects

This project represents a practical investigation into using original underscore in the modern theatrical experience. Over 40 minutes of cinematic, orchestral underscore were composed by the author specifically for Hamline University Theatre Department’s 2014 production of Macbeth. Using electronic scoring methods and digital playback strategies, the music was “performed” with variable timing that was able to directly match the performance of the actor’s for each show. The accompanying written musicological analysis explores the score’s uses of themes, spotting strategies, and integration of the show’s artistic concept. The analysis, in conjunction with the recorded score, demonstrates a cohesive effort to …

Illustrated Tales Of Little Sister Fox: Stories About A Clever Fox From Russian Fairytales, Rachel W. Smoot

Senior Honors Theses

This thesis examines the interaction of pictures and words in children’s storybooks. The illustrations placed alongside the text of the book are just as important to understanding the story as are the words. “Illustrated Tales of Little Sister Fox” combines elements of several traditional Russian folktales into a single story. Illustrations are hand sketched and digitally painted.

Passage Of Time, Rachel Devlin

Digressions: Literary & Art Journal

No abstract provided.

Womb, Natalie Hernandez

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Zara Khan

Digressions: Literary & Art Journal

No abstract provided.

The Colors Inside My Head, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

The Colorful Monster, Ursalina Aguiler

Digressions: Literary & Art Journal

No abstract provided.

No Soap Radio: A Dialectic Examination Of The Intersection Of "High" And "Low" Forms Of Art And Popular Culture, Drew Mintz

Art and Art History Honors Projects

No abstract provided.

Locative Histories: Exploring The Continued Influence Of Early Locative Media Art, Conor Mcgarrigle

Articles

This paper, which draws on aspects of my doctoral research, traces the influence of early Locative Media Art on the current form and application of location-aware technologies. The mechanisms and impulse for this influence are introduced and analyzed and it is proposed that they point to new approaches in the consideration of the agency of Locative Media art.

I return to the origins of Locative Media at the Karosta workshop and the ambitions of early practitioners to argue that the practice was based on a prescient analysis of the potential for ubiquitous networked location-awareness. From this analysis was developed an …

Fragmented, Max Rebel

College of Graduate Studies: Theses & Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …

The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11

The Fordham Undergraduate Research Journal

In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking at …

Art Journal 2013 - Musings

Art Journal

No abstract provided.

Art Journal 2012 - Interface

Art Journal

No abstract provided.

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.