Fine Arts Commons^™

Reconciliation: An Auditory Exploration Of Redemptive Suffering, Emily Eid

MFA in Visual Art

Reconciliation examines the intersection between chronic pain, Catholic theology, and contemporary sound art through the lens of radical honesty. It documents a dramatic aesthetic and spiritual pivot in my art practice, moving from grotesque, abject portrayals of agony to a hopeful representation of redemptive suffering. I share how the project evolved from an installation of anthropomorphic furniture to a sculptural work using my bed, to an audio piece presented in a semi-private “confessional booth,” all while challenging the misconceptions surrounding chronic pain and disability. Utilizing the theories of Roland Barthes, I break down the semiological and authorial aspects of the …

On Paper, Dallas Spears

MFA in Visual Art

I create sculptural works from discarded copy paper that I combine with found objects, all sourced from my immediate environment. The associations of paper such as writing, tearing, stacking, folding, and scribbling echo through my formal gestures. Found objects mimic these gestures, while adding unexpected textures and colors to the compositions. These machine-made objects are intertwined with the handmade to form displays of exchange. I am interested in the tension between the manufactured and the hand-formed, and how these tensions inform our daily lives. Objects that surpass the human lifespan, products alienated from us via opaque networks of exchange, especially …

Temporal Ubiquity, Brittni Mosby

MFA in Visual Art

My thesis examines looking as a sacred and relational practice rooted in familial memory, storytelling, and the photographic archive. Drawing from early experiences of engaging family photographs alongside my mother and great-grandmother, I conceptualize these encounters as the formation of “temporal altars”: living vessels that activate space, memory, and multiplicity. These intimate acts of looking and listening position the home as a critical site where Black subjectivity is held with care and complexity.

By casting these modes of perception into domestic spaces, my thesis not only resists reductive external gazes but interrogates the archive as a colonial apparatus structured by …

Grounding In Place And Space, Levi Anthony Walker

MFA in Visual Art

The foundation of Levi Walker’s artistic practice relies on the use of natural materials that reference the landscape. The materials within his sculptures, in combination with sculptural processes, create a conceptual language that is in conversation with the land and the ways that we engage with it as a community. As a member of the Lumbee Tribe of North Carolina, his work addresses the relationship that Indigenous tribes have with the federal government, and the ways the tribe must navigate colonial systems in order to support their communities without erasing their identities or beliefs. Influenced by his upbringing, a strong …

Care As Method: Sound, Duration, Relation In Contemporary Art Practice, Violet L. White

MFA in Visual Art

Abstract Care as Method: Sound, Duration, and Multispecies Relation in Contemporary Art Practice

This thesis proposes care as a method of artmaking, not a subject, theme, or aesthetic position, but the actual structural logic through which a body of work is built, sustained, and understood. Working at the intersection of ecological art practice and relational aesthetics, it asks what happens when the encounter at the center of the work is not between two people but between species, infrastructures, and histories of use and what obligations that encounter generates.

The argument is developed through six interconnected works: installations, sound compositions, sculptures, …

Alive In Translation, Shiyao Fu

MFA in Visual Art

Alive in Translation explores in-between cultural conditions through my process of working with materials metaphorically, focusing on how they interact and intersect. By using paradoxical pairings—organic and synthetic, fluid and rigid, liquid and solid, flux and suspension—my sculptures and installations simultaneously hold multiple conditions. My process is grounded in my own negotiations with materials. By embracing both the material limitations and my own frustrations, I allow the materials to act as active agents in my process of making. The resulting forms exist in between the materials’ own tendencies and my own intentions. My thesis project, We twist, extend, and accrete …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

Panorama, Qian Shen

MFA in Visual Art

This thesis examines the uncanny, bodily, grotesque, and metamorphic states of beings that exist between human and non-human forms. In my sculptural practice, I approach the body not as a fixed or self-contained object, but as a fluid, unstable, and continuously transforming condition. Working primarily with wool, foam, silicone, wax, latex, and metal, I use material interaction, fleshy quality, gravity, and open-ended processes to generate forms that appear unresolved, bodily, and in the middle of becoming. These sculptures often suggest skin, organs, wounds, hair, membranes, or other bodily elements, yet they resist clear identification and remain suspended between attraction and …

Within Stillness, Yitian Chen

MFA in Visual Art

This thesis explores how photography can make ongoing processes perceptible. Here, ongoing processes refer to the continuous shaping of landscape through the interaction and temporary balance of different forces, rather than a fixed or static condition. Through photographic series my work focuses on subtle traces left by different forces, including natural growth, gravity, environmental conditions, and human intervention. By introducing the concept of “trace,” the image is no longer understood as a static record of a single moment, but as a manifestation of a temporary balance among multiple forces. Rather than relying on event-based or linear narratives, my thesis artwork, …

Quiet Change, Close Attention, Tianqing Xu

MFA in Visual Art

This thesis explores how sculpture can reorganize the experience of viewing through material change and small scale. The research begins with a phenomenon I am curious about: viewers are often drawn to moments when objects undergo destruction or transformation. However, rather than focusing on these dramatic moments of collapse, this thesis turns its attention to processes of change that are slow, subtle, and not easily perceived. It argues that material transformation can make time visible, allowing processes that are otherwise difficult to grasp to leave recognizable and traceable clues within the work. At the same time, small scale is not …

Caladrius: Creating A Playable Game Via A Multimedia Experience, Isabelle Morgan Brookshire

Whittier Scholars Program

Caladrius: Creating a Playable Game via a Multimedia Experience hones in on making an experience through different forms of media to represent a game. If this project was fully funded and done, it would be a video game on Steam with an art exhibition, small poetry book, and novel accompanied with it. It would even have a show, a soundtrack, and merch. But at this level, it was to make an experience for my audience that they could experience whether or not they enjoyed video games as a concept. I wanted them to enjoy 'playing' within a physical exhibition and …

Ameling Manor Drive, Dalia K. Al-Sagr

Art and Art History Honors Projects

This honors project has been an exploration of my relationship with time and memory. By studying old childhood photos, I translate them onto canvas, focusing on how my perception of specific memories affects my color composition and value structure. I explore the evolution of perspective by understanding how my adult self views these pictures. In turn, this captures time and impermanence. My paintings focus on specific details in the photos, while other sections appear faded. I use an oil glazing technique to represent how some moments are vivid, while others are fogged with emotion. This reflects how memory tends to …

Fluid Belonging, Soft Boundary, Jingyi Liu

MFA in Visual Art

This thesis conceptualizes cultural identity as a fluid and dynamically generated process shaped through the experience of migration. Drawing on contemporary art practices and theoretical frameworks of diaspora and hybridity, the thesis is structured around four interrelated dimensions: fluid identity, memory fragmentation, material interaction, and spatial displacement.

Within the artist’s practice, traditional techniques are reactivated as both cultural signifiers and material approaches that adapt and transform across shifting contexts. Fragmentation is understood not as the loss of information but as a mode of reassembly. Materials such as ink, textile, and dye function as active agents that carry time and cultural …

An Introduction To East Asian Art: Tour Guide #3, The Year 1591, Victoria Weston

OER Textbooks

Please Note: This tour guide is the third in Victoria Weston's An Introduction to East Asian Art in Three Journeys. To access the full book, visit https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining sections, visit:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative …

An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston

OER Textbooks

Please Note: This is the second of three tour guides connected to Victoria Weston's Introduction to East Asian Art. For the full guidebook, visit https://scholarworks.umb.edu/oer_textbooks/3/

The remaining sections can be found at these links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston

OER Textbooks

Please Note: This book is chapter one of Victoria Weston's Introduction to East Asian Art in Three Journeys, which can be found in full at https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining chapters, visit:

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. …

Alternative, Ashlynn M. Stroud

Graduate Theses and Dissertations (2019 - present)

A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …

Volume 17, Christian O’Neill, Kyara Greene, Savva Sidorov, Laura Bisaillon, Luke Clemmer, Hannah Gordon, Kitt Benson, Taylor Blount, Rachel Danzitz, Nicholas Duellman, Chase Gionis, Hima Fernando, Seth Franzyshen, Onyx Gonzalez, Bryan Lin, Samantha Start, Ysabel Wells, Maggie Duncan

Incite: The Journal of Undergraduate Scholarship

Introduction Dr. Amorette Barber, Director, Office of Student Research

From the Editor Dr. Hannah Dudley-Shotwell

Cover Artist’s Statement Maggie Duncan

On Mentoring Dr. Yulia Uryadova

Ukrainian Resistance in the Face of Russification: Nestor Makhno and Anarchism

by Christian O’Neill

Life Vest by Kyara Greene

Isolation and 16S rRNA Identification of Bacteria from Fire Department Connection Pipe by Savva Sidorov

The Effectiveness of Planned Exercise in Reducing ADHD Symptoms in Children by Laura Bisaillon & Luke Clemmer

Linguistic Analysis on Confidence and Communication Strategies with Disparities Between Sign Fluency and Hearing Impairment by Hannah Gordon

Freedmen in Indian Territory by Kitt …

Self-Fashioning In Contemporary Figurative Painting, Hal Hardin

School of Art Undergraduate Honors Theses

This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.

In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …

Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner

Theses/Capstones/Creative Projects

Visual art has immense potential to communicate complex experiences of disability. As a disabled artist, I am interested in how disability has been portrayed in artwork, particularly in how other disabled artists choose to represent their lived experiences. Through art-based research, this study explores how disabled artists have used portraiture to depict their disability. Selected art includes work from Frida Kahlo, Deborah Padfield, Persimmon Blackbridge, and the author. Following an analysis of literature, selected artworks, and salient disability scholarship, emergent themes were identified. The focus on the complexity of disability experiences demonstrated the importance of considering a wide range of …

Tarot - Reimagined: Monotype Tarot Landscapes, Eleanor B. Nelson

Theses/Capstones/Creative Projects

Printmaking is a form of artmaking that utilizes transferring marks from the matrix to the final piece of paper, often through a press. These processes are able to create an edition of multiple identical prints. This is typically considered the highlight of using print processes; however, the process of making monotypes allows for one original piece. Through the process of researching and creating watercolor monotypes, I made a collection of ten original pieces, all depicting different landscapes throughout the Tarot deck. Each piece is 9” x 12” printed on a 13” x 17” piece of paper and created with watercolor, …

Tracings, Masie Sophia Love

Theses and Dissertations

In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.

Memory Organs, Coco Ma

Theses and Dissertations

Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.

The Earth Holds What I Cannot, Satabdi Tripathy

Theses and Dissertations

This thesis explores memory, landscape, identity, and gendered silence through painting, video and film. Inspired by glaciers, volcanoes, and Arctic landscapes, my work transforms personal memory into environmental memory and investigates silence, trauma, and renewal.

Notes On Rhythm, Maya Lee-Parritz

Theses and Dissertations

Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.

Bugs, Birds, Blue: Queer Ecologies Of Embodiment, Kinship, And Survival, Celeste B. Newcomb

Theses and Dissertations

bugs, birds, blue is a multi-channel audiovisual installation that examines queer ecology as a framework for understanding transgender embodiment, kinship, and survival amid environmental crisis and ongoing political attacks on trans life (Mortimer-Sandilands and Erickson). Through sculpture, projection, sound, reflective surfaces, and biological imagery, the installation places human bodily matter alongside microbial and aquatic life forms to challenge narratives that frame trans existence as unnatural, recent, or isolated. Instead, the work proposes transness as relational, adaptive, and deeply entangled with broader ecological systems. The installation is composed of two interconnected environments. On one side of the space, three aquariums rest …

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

5010, Clare Hu

Theses and Dissertations

Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.