Fine Arts Commons^™

The Liminal Space Of Dreams: Narration Of Dreams In Graphic Novel And Comics, Muyang Li

MFA in Illustration & Visual Culture

This essay explores the dream as a narrative in graphic novels and comics, examining its character as a subconscious experience depicted by means of visual storytelling. Focusing on psychological, symbolic, and aesthetic functions of dream narrative, I demonstrate that dream narration offers an allegory by means of which both creator and reader can explore issues of identity, desire and trauma in an intimate and healing way. In analyzing these functions of dream narration, I draw upon ideas from theorists such as C.J Jung, Freud and other scholars who have engaged their work on the psychological perspective of the experience of …

Realistik Heaven, Alexa H. Senan

Theses and Dissertations

“Realistik Heaven” processes the traumas, forced transformations and the cannibalization of womanhood and culture as a result of colonization. Inspired by Oswald de Andrade’s Cannibalist Manifesto, Senan writes to evoke the literal meaning of Andrade’s description of the cannibalization of culture and having to become someone new cannibalizing themselves while still longing for the remains of the past.

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

Displaced Nostalgia, Nava Derakhshani

Theses and Dissertations

Exploring themes of identity, displacement, gender, and belonging, this paper examines the artist's work and her approach to her art. She covers the many influences that she has access to while unable to visit her ancestral homelands. Acknowledging the translation that comes from this removal, her art is in conversation with other diasporic, exiled, marginalised groups. She makes art with various materials such as clay, shadow, light, and paint, to work on the themes that she is pursuing.

The Function Of Art, Magdalen O. M. Pickering

Theses and Dissertations

With the help of machines and the powers of perception, Magdalen Pickering introduces logic to strange and fantastical subjects. The Function of Art explores a hybrid of techniques in painting, screenprinting, and computer generated imagery as Magdalen attempts to use generative printing to obscure art historical consciousness. The installation crosses into virtual reality; reframing textiles, landscapes, and the gallery space through a metaphysical lens.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

Piecemeal, Max J. Eisenberg

Theses and Dissertations

Exploring the history of photographic manipulation both inside and outside of the camera from the late 19th century until today. My work plucks out cultural and local signifiers from the state of Florida, and the American South as a whole, and disseminates them using a constructed symbolic vernacular in the form of in-camera collaging on large format film.

The Importance Of Being Earnest: A Costume Designer’S Process, James Hunter Rock

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is a comprehensive breakdown of the costume design process for Nebraska Repertory Theatre’s production of The Importance of Being Earnest by Oscar Wilde during the fall semester of 2024. The author logs the production’s processes in collaborating on the concept and aesthetic of the play to present the Victorian era story for a modern audience. In this thesis, insights into the costume designer’s conceptualization, research, previsualization, and final design process are explored, providing an in-depth look into the creation of characters that remain true to the director’s original vision while being engaging for contemporary theatre. The various challenges …

The Duality Of Perception: Unveiling The Hidden Through Visible Forms, Sharmeen Uqaili

Art Theses and Dissertations

This MFA thesis, The Duality of Perception: Unveiling the Hidden through Visible Form, involves layering paints on shaped wood panels and paper, using the traditional technique of tezhib (gold illumination) and geometric art. Through these layers, I aim to challenge the viewers’ perceptions by simultaneously revealing and concealing elements within the work. Symbols drawn from Islamic traditions such as pomegranates, birds, and ribbons are incorporated in the paintings to carry both cultural and personal significance, evoking my connections to spiritual and physical realms.

Rooted in the principles of Islamic art and informed by spiritual themes such as paradise, divine …

Recollections Of A Tejana Life, Carolina Yáñez

Art Theses and Dissertations

This thesis encompasses the life of a young woman navigating life in Texas through various political and social barriers. My interdisciplinary practice analyzes the historical context of Mexicans in Texas from its Revolutionary period into current injustices. Through fiber, printmaking, and photography I create a visual diary to illustrate what the political has made personal. These works display the beauty of Tejano culture, but also the power struggles that threaten communities I care for, as well as my own existence that persists against far-right wing agendas.

Current politics and government leadership in Texas have inspired me to make artwork calling …

Collective Drip: Transformation, Hybridity, And Queer Ecologies, Vee Adams

LSU New Orleans Theses and Dissertations

In my recent body of work, Collective Drip, I investigate the queer and trans body as a site for transformation. Through the lens of queer theory, ecology, and myth, I explore what it means to be becoming, always in process. Looking at hybrid bodies and symbiotic life forms, I’m interested in investigating what it means when the body is seen as a dynamic landscape? What happens when the community is reinvisioned as an ecosystem? Facing the current transphobic political landscape, this body of work offers queer and trans visions of pleasure and abundance.

Working To Achieve Flow, Vincente D.A. Fischer

Graduate Theses and Dissertations (2019 - present)

This paper is a thesis for the body of work I created over the last 3 years called Working To Achieve Flow. In the following pages, I will discuss what inspired me to create this body of work, which entailed personal reflection on my own mental health and how it affects my art practice. I will also go over who my influences are: Eva Hesse, Willem De Kooning, and Jenny Saville. Each of these artists inspires me to think about my work in different ways, which has helped me develop into the artist I am today. Finally, I will break …

The Camera’S Sanctuary: Photographing The Queer Gardens Of The Vieux Carré, Tyler Rosebush

LSU New Orleans Theses and Dissertations

This thesis explores the French Quarter courtyard as a site of queer sanctuary, memory, and community through a lens-based artistic practice. Drawing on historical and contemporary photographs, installations, and collaborations with friends and community members, the work examines how gardens and courtyards have long functioned as both physical and metaphysical spaces of refuge for the queer community in New Orleans. The project is grounded in both archival recovery and contemporary practice, combining the still image with sculptural installations that reframe the visual vernacular of gay clubs within these historic spaces. By slowing down the photographic process and attuning to both …

“Virtual Reality And Creativity: Evaluating Immersive Painting Experiences And Art-Based Mindfulness” Presented By Heli Puhakka, Heli Puhakka

Staff Scholarship - Australia & Dubai

New affordable head-mounted displays and interactive virtual technologies provide opportunities for researchers and practitioners to create and experience mindfulness. The use of virtual reality for art-based mindfulness practices is novel and promotes full-body, immersive experiences to improve mood, however, researchers and practitioners have a limited understanding of mindfulness and creativity in the virtual environment. This paper identifies the research gap by examining how active art-based mindfulness practices in virtual reality promote mindfulness, compared to passive methods such as viewing a virtual image to experience relaxation. Fourteen participants were interviewed in the qualitative ethnographic study. Methods included semi-structured interviews, direct observation, …

The Holler, Ainsley C. Maryanski

SPARK Symposium Presentations

My work explores the relationship between people and the spaces they inhabit, focusing on Johnson City, TN—a place shaped by both history and personal memory. Through film photography and archival materials, I document landscapes and interiors that hold traces of past and present lives, revealing how time often alters place and perception.

Alongside my own photographs, I include images of my grandparents and great-grandparents, the land they lived on, and fragments of a past that still lingers. These elements don’t just serve as historical references but as evidence of continuity—of lives once rooted in these places and the ways they …

Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas

SANE journal: Sequential Art Narrative in Education

The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Death Is Not The End, Marianne Koleng

be Still

In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.

Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna

Akda: The Asian Journal of Literature, Culture, Performance

The Philippines as locus of both specific experience and shared sympathy with regard to climate change allows for an investigation of the complex factors that describe a realm of experience unique to this present age: catastrophic weather in both its scorching and diluvian iterations. In this paper, I argue that the atmospheric delusions in the artistic practices of Mark Orozco Justiniani’s Arkipelago and the Vargas Museum’s Fever Dream point to a more expansive relationality with climate that forces us to re-evaluate precisely what ecocritical scholars have called the derangements of everyday modern life. The experience of exceptional heat and rain, …

A Conversation With Loe Gino, Loe Gino, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …

An Essay Of Images From Playlab Inc., Playlab Inc., Archie Lee Coates Iv

Digital Laboratory: Publisher of Internet Journal

A series of images depicting the illustrious Playlab Inc. as a collection of projects in different mediums. The LA-based design studio has contributed to fashion, art, and urban culture through collaborations with major institutions and emerging artists. The photo essay highlights Playlab Inc.’s diverse projects and installations, embodying its core philosophy: no focus. This principle guides the studio to the cutting-edge of contemporary culture, where innovation meets execution. The creative powerhouse has demonstrated a capacity to engage with contemporary cultural movements through its projects. For instance, in the OTW Vans project, the firm acquired images from notable skate photographers Atiba …

My Art Is Garbage, Beth Shepherd

The Goose

In “My Art is Garbage,” I describe three recent art projects where garbage is both a theme and an artistic medium used to critique the overuse of and inability to reuse or safely dispose of plastics we use every day. The first work, Untitled (Plastic Film Balls), uses non-recyclable single-use household plastic made to form an installation of shimmering balls and alludes to the environmental footprint of the artworld. Plastic Shores, a series of monotype prints, reminds us that plastics in the environment are deleterious to species that we see every day. Finally Plastic Pests, a series …

Mindful Art Curriculum: Teaching Towards Transformational Change, Ashley Riemann

Mindfulness Studies Theses

With the recent influx of American public school diversity, art educators must establish an art curriculum that nurtures students' cultural awareness and creates a more equitable and inclusive learning environment. This paper responds to the increasingly diverse classroom and proposes the need for the implimentation of a mindful, culturally responsive art curriculum. Mindfulness paired with culturally responsive teaching is a transformative tool for art educators. These teaching techniques unite and create an inclusive and inquisitive learning environment. Through mindful exploration students learn to cultivate awareness and focus, forming a deeper connection with art and one another. As Jon Kabat-Zinn expressed, …

Ultraviolent, Jin Mateo Kim

Theses and Dissertations

How do you reconceive yourself in a society that has failed you? Jin Mateo Kim's works examine the reckoning of self-conception in postwar youth subculture of the 1960s.

You Get That From Me, Robyn Duncan

Theses and Dissertations

You Get That From Me is a mixed-media, collage-based film that integrates personal portraits, allegorical maps, and digital collages with spoken narration to craft a stylistic memoir of a pivotal period in my life: the transition from childhood to motherhood.

The Air Of The Now And Gone, Sarah E.K. Smith, Kirsty Robertson

FIMS Publications

This publication accompanies the 2025 exhibition The Air of the Now and Gone, curated by Kirsty Robertson and Sarah E.K. Smith. They ask: in the face of the “wicked problem” of climate change, which precludes easy solutions, how can we move forward? How can we address a crisis that prompts apathy and disconnect? In their introductory essay, Robertson and Smith discuss the works of the artists, who refuse detachment and simultaneously complicate idealism. Like the artists, the curators seek to encourage diverse responses to the realities of climate change, moving beyond apathy and despair to engage empathy, wonder, joy, …

Ethereal, Nickolas Strohm

Allusions

No abstract provided.