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Articles 1 - 4 of 4
Full-Text Articles in Visual Studies
Military Women In World Cinema: A 20th Century History And Filmography, Introduction, Deborah A. Deacon, Stacy Fowler
Military Women In World Cinema: A 20th Century History And Filmography, Introduction, Deborah A. Deacon, Stacy Fowler
Faculty Articles
From British soldier Flora Sandes to the fame World War II Night Witches of the Soviet Air Force, women across the globe stepped up to defend their countries during every major and minor conflict of the twentieth century, and filmmakers have long attempted to capture their stories.
This book analyzes real and fictional military women's portrayals in world cinema, including movies from Israel, the United Kingdom, Italy, China, France, the Soviet Union, and others. It includes theatrical releases, direct-to-video productions, and made-for-television films.
Chapters, organized by decade, address topics including the women's sexuality, maternal and marital status, leadership skills, actual …
White Snake, Black Snake Folk Narrative Meets Master Narrative In Qing Dynasty Sichuanese Cross-Stitch Medallions, Cory Willmott
White Snake, Black Snake Folk Narrative Meets Master Narrative In Qing Dynasty Sichuanese Cross-Stitch Medallions, Cory Willmott
Cory A. Willmott
The cross-stitch medallion in figure 1 was collected by my grandmother, Katherine Willmott, in the early 1920s when she was a missionary in Renshow, Sichuan Province, West China. Many years after I inherited it, I learned that it depicts a folk narrative called “White Snake; Black Snake” that was traditionally performed both on stage in the legitimate theaters and in Chinese shadow puppet dramas (Highbaugh n/d:6).
The story may be summarized as follows: There were two female snakes, White Snake and Black Snake, who were inseparable friends. They both changed into beautiful young women. White Snake got married and bore …
The Paradox Of Gender Among West China Missionary Collectors, 1920-1950, Cory A. Willmott
The Paradox Of Gender Among West China Missionary Collectors, 1920-1950, Cory A. Willmott
Cory A. Willmott
During the turbulent years between the Chinese nationalist revolution of 1911 and the communist victory of 1949, a group of missionaries lived and worked in West China whose social gospel theologies led to unusual identification with Chinese. Among the regular social actors in their lives were itinerant “curio men” who, amidst the chaos of feuding warlords, gathered up the heirlooms of the deposed Manchurian aristocracy and offered these wares for sale on the quiet and orderly verandahs of the mansions inside the missionary compounds of West China Union University. Although missionary men and women often collected the same types of …
Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu
Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu
Theses & Dissertations
The purpose of this study is to analyse the interaction between art and contested notions of Hong Kong identity by examining recent installations that employ the red, white and blue-striped plastic fabric, locally known in Hong Kong as red-white-blue (紅白藍). The red-white-blue fabric has, in recent years, become a signifier of the collective identity of Hong Kong people and of the ‘Hong Kong spirit’, with specific reference to the traits of the working class in the 1960s. The repeated articulations of this material in artworks show that there are certain qualities in this material with which local people identify. This …