Open Access. Powered by Scholars. Published by Universities.®

Visual Studies Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 7 of 7

Full-Text Articles in Visual Studies

Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse, Alison R. Gaddy May 2026

Between Chronicle And Legend: A Two-Scene Environment And Visual Effects Examination Of Physical Accuracy And Emotional Exaggeration On The Honey Creek Bridge Collapse, Alison R. Gaddy

All Theses

This thesis explores how truth and dramatization intersect in digital storytelling by comparing realistic and stylized simulations of the Honey Creek bridge collapse within the context of the Kate Shelley animated short. At the core of storytelling lies a tension between factual accuracy and dramatic stylization. We investigate that tension by examining how narrative truth is conveyed, distorted, or enhanced through visual dramatization by focusing on the psychology of audience perception and the motivations behind creative embellishment. The practical contribution of this research is the development of two distinct digital scene setups depicting the same Honey Creek bridge collapse event. …


The Uses Of Dramaturgical Research In Cinematic Storytelling, Asset Design, And Adaptation In Animation, Delaney L. Walker Aug 2025

The Uses Of Dramaturgical Research In Cinematic Storytelling, Asset Design, And Adaptation In Animation, Delaney L. Walker

All Theses

“The Black Hair” is a creative project that explores the convergence of cinematic adaptation, dramaturgical research, and animation design in retelling a traditional Japanese short folktale from the Heian Era. Rooted in the practice of theatrical dramaturgy, this thesis advocates for a research-driven creative pipeline by developing a culturally respectful and historically grounded approach to developing cinematic storyboards. By thoroughly examining the chronicles of history and the sociocultural context, the project seeks to foster deeper cultural appreciation while reintroducing a lesser-known narrative to modern audiences through a visual medium. The project draws stylistic and narrative inspiration from iconic Japanese filmmakers …


An Exploration Of Elderly Representation & Stereotypes In Animation, Tyler Kidd Aug 2025

An Exploration Of Elderly Representation & Stereotypes In Animation, Tyler Kidd

All Theses

In the world of animated features, supporting cast members are often reduced down to simple character traits in order to give the audience a simple idea of their personality or role in the story, or to support the creation of a work that is easier to understand for people of all ages. However, this can often result in the application of negative tropes that do not reflect kindly on those being depicted. The elderly are a group that often get caught in these stereotypes, being depicted as wrinkly, clumsy, overweight villains. While you can still find many positive portrayals in …


Shifting Perspectives With Procedural Modeling Techniques And Vertex Animated Textures For Real-Time Interactive Morphing, Stephanie Schulze Dec 2024

Shifting Perspectives With Procedural Modeling Techniques And Vertex Animated Textures For Real-Time Interactive Morphing, Stephanie Schulze

All Theses

As humans experience reality, they intake external stimuli using sensory receptors to process information, forming a perception. Perceptions are subjective and shape each individual’s reality. Naturally then, by changing one’s perceptions, their experience of reality is altered, for better or worse. To emphasize the idea that perception is malleable and encourage a mindset of questioning alternative ways to look at a situation, an interactive experience in Unreal Engine is developed where a dull cityscape morphs and transforms into a surreal oversized nature scene. Procedural modeling techniques are used to create a variety of morphing assets, while Vertex Animated Textures are …


A Comparative Study Of Physical Cinematography That Influences Layouts In Animated Production, Daniel C. Hudson Aug 2022

A Comparative Study Of Physical Cinematography That Influences Layouts In Animated Production, Daniel C. Hudson

All Theses

What makes good cinematography? There are many examples of cinematogra- phy that stand out in the minds of viewers, yet many cant exactly say with certainty why these shots are considered great. Is it because they convey the visual and emo- tional content of their stories successfully, the technical brilliance of the frame, or both? Whether realistic or exaggerated, the range of cinematography tools and tech- niques are proof that creativity and an eye for detail are the most important elements in great cinematography. Cinematography includes composition, movement, lighting, and other visual information within the frame. This is true in …


The Mvohc Project, Brooke Day Dec 2021

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …


What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal Dec 2014

What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal

All Theses

My practice takes form around embodied experience. I affect signifiers of the human body within the ordered grid, the scientific text, and the logic of the machine, to highlight the interdependencies of physical bodies and those social constructs that produce and influence identity. We are a part of these constructs that both extend and limit; we are enacting and interacting with them. I do not aim to eradicate these structures of power (without them, our identities are in chaos). Instead, I point out the pitfalls of these constructs that are perceived as unchanging, by making interaction and experience integral to …