Visual Studies Commons^™

The Art Of Irene Chou (Zhou Luyun, 1924-2011) : A Case Study Of Ink Painting, Hung Sheng

Lingnan Theses

Ink Painting was first initiated by Lui Shou Kwan (1919 - 1975) in the 1960s and it had a significant and remarkable influence on Hong Kong painters. It aimed to revitalize Chinese painting as a reaction largely triggered by the dominant trend of imitative practice of the Lingnan School in Hong Kong at the time. Lui stressed the importance of gen (根 root) and shi (適 adaption) and signaled many possibilities of ink painting as a new category. Gradually, a group of artists pursuing the same goal gathered and made the Ink Painting Movement possible. Irene Chou was one of …

1200 Miles : Life And Death On The Thai-Burma Border, Jack Picone

Artists-in-Residence Programme : Exhibition Catalogues

No abstract provided.

Memory Traces 2012 : Hong Kong, Department Of Visual Studies, Lingnan University

Visual Studies Programme : Students’ Monographs

Memory Traces is a photography book project which comprises a collection of images created by students of Jack Picone during a studio practice class at Lingnan University. The collective body of work is an exploration of a wide array of themes based on each student's own personal interests.

Embracing The Threshold, Nicola Barsaleau

Artists-in-Residence Programme : Exhibition Catalogues

Our Lingnan residency, now in its fourth month, is a comprehensive exploration of creativity in day-to-day living. Creativity satisfies a portion of vital human needs: the need for autonomy, adventure, celebration, community, play, and spiritual harmony. Contemplating our artistic self is healthy. In some cases, artistic activity can be immensely healing, leading towards wholeness, balance, and integration. This project was enacted at both a communal and personal level for many of the participants, including myself.

Our own individual life force flows through us in intriguingly personal ways. We all have unique gifts to offer and uncover that no other person …

Extending The Local : Documentary Film Festivals In East Asia As Sites Of Connection And Communication, Tit Leung Cheung

Lingnan Theses

East Asian cinema is receiving increasing global attention. This attention is not focused merely on the fiction and feature films produced in the region, but also on the documentaries produced there; films such as Petition (2009) by Chinese director Zhao Liang which premiered at Cannes Film Festival in 2009. This attention to East Asian documentary can be traced to the documentary film festivals organised in the region, particularly those that devote their programming to independent documentary productions from the region. These festivals open a window that enables such works to be exhibited for the rest of the world.

But these …

Moving Mountain = 移山, Kwun Lun,Tony Ng, Lap Wing Yip

Artists-in-Residence Programme : Exhibition Catalogues

吳觀麟．葉立榮 聯展

序

去年仲夏，我和旅居柏林的藝術家朋友葉立榮，合作參予了一個在外蒙古舉行，由德國藝術策展人籌辦，名為「首屆地景藝術雙年展：蒙古360°」的地景作品展，我們的作品題材及內容，均和人類、環境、現代生活生態、大自然等息息相關，由個人經歷、自身文化、處境出發，對現世人類週遭的環境破壞和失衡，與及大自然規律反應的種種後果，所作出的反思和討論。

今秋，我很榮幸被香港嶺南大學視覺研究系邀請作駐校藝術家，為此我特地邀請葉立榮再一次合作，製作相討了好一陣子的「移山」裝置藝術展覽。

我和葉立榮是中學同學，可說有着共同的起步點：少年時已酷愛中國藝術哲學，學習中國水墨畫，和對當代藝術充滿好奇。我倆都是同一代的人，香港土生土長，居住環境狹窄，生活在都市齷齪擠逼的小空間內，想像及考慮着中國畫和中國藝術哲學中的審美、自然、空間，與及外面不一樣的世界。我倆分享着共同年代中，個人及集體的回憶，我們的文化背景扎根點似乎是相當一致的。後來葉立榮到芝加哥藝術學院修讀，再移居德國，我則一直留在香港。經過長時間的分隔和各自的經歷、成長，然後意外地重逢。從此之後，在不斷的對話和討論中，互相重新發現各自對藝術、人生、大自然，種種我們不約而同重視的課題的考慮、看法、着眼點，和藝術表達上的異同，繼而發展出合作的可行性。

是次「移山」裝置藝術展覽，是我們相討蘊釀了好些時候的結果。對我倆來說，它有着象徵意義：我們覺得，人的現實不易改變，例如香港肆意填海，帶來對生活環境不可恢復的破壞、全球人類社會的各種災難及困局等；藝術則給予我們在另一層面上一個改變的機會。我們的作品所表達的，面貌和手法可能各異，但在其精神上所，可算是殊途同歸的。

Placemarks : Environments And Aesthetics, Department Of Visual Studies, Lingnan University

Conference Exhibition

Preface

Visual Studies at Lingnan University answers the growing interest in Arts & Humanities research with relevance to society by emphasizing environmenal aesthetics, Chinese art, Art and Well-being, and "research expression." The exhibition "placemarks" is an example of research expression, for each of the works on display is a response to a clear question: "What Environment Do We Want?" This question defines the focus of the conference to which the exhibition, and the exchanges that it facilitates, contribute by means other than traditional forms of scholarly talk.

In organizing the conference titled "What Environment Do We Want? Environmental Aesthetics and …

Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu

Lingnan Theses

The purpose of this study is to analyse the interaction between art and contested notions of Hong Kong identity by examining recent installations that employ the red, white and blue-striped plastic fabric, locally known in Hong Kong as red-white-blue (紅白藍). The red-white-blue fabric has, in recent years, become a signifier of the collective identity of Hong Kong people and of the ‘Hong Kong spirit’, with specific reference to the traits of the working class in the 1960s. The repeated articulations of this material in artworks show that there are certain qualities in this material with which local people identify. This …

Appropriateness In Design, Wing Man, Karen Ma

Lingnan Theses

When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …

The Fourth Dimension, Elkana O. Ong'esa

Artists-in-Residence Programme : Exhibition Catalogues

Exhibition of Recent Stone and Wood Sculptures by Elkana O. Ong'esa

The Fourth Dimension, a concept that I have been working on for many years with the objective of assisting people with visual disabilities to appreciate sculpture more. The use of stone, wood and metal allows me to create forms and surface finishes that address the issue of tactile vision or perception that I try to apply in achieving communication in the fourth dimension.

The Colour That Remains, Wai Yi, Monti Lai

Artists-in-Residence Programme : Exhibition Catalogues

A Residency Project by Lai Wai-Yi, Monti

Close your eyes, and try to see the colour in your mind. Would that be white, yellow, orange, red, blue, purple, green or a mix of different colour? Green has been the colour that remains in my head whenever my eyes are closed, ever since I received a homemade herbal poultice after an accident at the age of 6. I was bitten by a dog at my aunt’s home. It was a sunny winter day. I was wearing my favorite yellow furry coat. I was patting the dog’s forehead and talking to her. …

Time With The Sky = 與天度日, Carol Archer, Kit Kelen

Research Expression through Art : Visual Studies Faculty

ABOUT THE PROJECT

Time with the Sky | 與天度日 is an art and poetry collaboration by Carol Archer and Christopher (Kit) Kelen, a creative team who have been active in the visual arts and poetry communities of Hong Kong and Macao since 1998.

Time with the Sky | 與天度日 comprises a series of charcoal and mixed media drawings on paper and a poem in twelve parts. Art and text are presented together as both exhibition and publication. The collaboration originates from time spent in art practice in Australia. In July 2009, Archer and Kelen each had artist’s residencies at Bundanon, …

馬家寶之藝術, Ni Na, Camellia Ng

Lingnan Theses

馬家寶（1925-1985）是1949 年後香港第一代油畫家，他活 躍於五十年代中至八十年代中的香港畫壇，以寫實風格的油畫著稱。 傳統藝術史一直關注代表不同地區及時代的主流藝術風格，而六十至 七十年代的港英政府和社會大眾均較為注重現代主義藝術的發展，馬 氏寫實風格的藝術創作與之相比有點守舊，所以他的藝術一直未能得 到研究香港史的學者和藝術家們足夠的關注和深入的研究。

雖然從傳統藝術史的角度來看，馬家寶的藝術只是六十至七 十年代少數、不具代表性的藝術創作，但是從藝術社會學和意識形態 學看來，驅使馬家寶畢生採用寫實的形式來創作藝術，和社會環境對 他的藝術創作所造成的影響，卻是個值得探索的問題。因此，此次研 究會將馬氏之藝術按時序分為三個階段，結合歷史、文化和社會背景 並進行對比，從而探索他堅持以寫實風格為終生藝術創作形式的原 因、藝術的觀點和藝術的追求。籍著對馬家寶藝術的個案研究，希望 本論文能為關注香港本地藝術發展史的學者和藝術家，提供一份參 考，從一個新的角度回顧及審視香港藝術史。

Walk-In Tuen Mun, Ying Chi, Stella Tang

Artists-in-Residence Programme : Exhibition Catalogues

A Residency Project by Tang Ying Chi

The project was started with one photographic image of a Tuen Mun street scene. The image was then saved to the computer and projected onto a small canvas with a projector. Students, staff and visitors from Lingnan University were invited to visit the studio and trace the projected images using acrylic paints. These participants came at different times and worked individually or with others who were known or unknown to them. There was no requirement or experience needed for the participation; and it was also unnecessary to have any personal reaction to the …

Out Of Thin Air : Collaborative And Solo Work = 憑空而來 : 合作及個人畫展, Carol Archer

Research Expression through Art : Visual Studies Faculty

The works in this exhibition are part of two larger series of work, both of which are ongoing: the Reciprocal Interference project (互涉) and Time with the Sky (與天共度的時光).

The Reciprocal Interference project consists of two-person collaborative works by Carol Archer and artist-friends Sue Rawlinson, Sue Taylor, Johanna Trainor (Australia), Mary Grehan (Ireland) and Even Mak (Hong Kong). The Time with the Sky series of charcoal and watercolour drawings was begun during Archer’s residency at Bundanon, Australia in July 2009. Australian artist Arthur Boyd and his family gave their home, a splendid property on the banks of the Shoalhaven River, …

Works From Lingnan, Kevin White

Artists-in-Residence Programme : Exhibition Catalogues

The 7 porcelain vessels on display were all created in the Visual Studies studio during the artist’s residence at Lingnan. Each vessel was made in porcelain, with underglaze cobalt brushwork and onglaze pigments and decals.

That Moment Now = 此時．那刻, Tin Yan, Celia Ko

Artists-in-Residence Programme : Exhibition Catalogues

Art Exhibition by Celia Ko

In a new exhibition ‘Th at Moment Now’ on show at Lingnan University, Hong Kong artist Celia Ko presents three bodies of work that take as their subject the artist’s relationship to her maternal Chinese ancestry. In pursuing her subject Ko has created a trilogy of images through which the interior life of her family is approached from diff erent vantage points. Using large-scale images and hand made garments and jewellery Ko explores the pervasive power of familial myths and narratives.

The first part of the exhibition are large-scale portraits of her mother’s parents: grandfather …

Studio Practice Course, Visual Studies Programme, Department Of Philosophy, Lingnan University

Visual Studies Programme : Students’ Monographs

Wordings from Klaus

The word document (from Latin "docere", to teach) first describes something that holds clues or provides proof, usually as written evidence. Much of the document remained in the realm of words until the mid-19th century invention of photography. Daguerre's contemporaries' amazement over the fact that the camera would depict reality quasi automatically made photography and film the quintessential documentary media throughout the 20th and early 21 st century.

Learning to question this automatic trust the technological media have been invested with from early implementations to the time of digital manipulation was a trip the students of Lingnan …

Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella

Artists-in-Residence Programme : Exhibition Catalogues

Floating World Projects photographs and exhibition were realized through the Visual Studies Artist-in-Residence Programm and the generous support of the Department of Philosophy.

Words For Pictures, Jayne Dyer

Artists-in-Residence Programme : Exhibition Catalogues

WORDSFORPICTURES intersects with the Lingnan Library site and collection.

The exhibition represents a culmination of a series of discrete interventions that occurred over the residency. The installation operates as a linguistic production offering oblique narratives to explore the notion of the Library as a storehouse of accumulated facts, hypotheses, conjectures and fictions.

"文字圖像" 這項裝置藝術, 結合了嶺南圖書館的埸地和藏書。展覽是藝術家在她駐校期間, 在圖書館內所作的一連串抽象的藝術介入的高潮。這項裝置啟動了語言學上非直截了當的敍述, 來探討圖書館作為存放一個事實, 理論, 推理和小說的寶庫的意圖。

Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam

Artists-in-Residence Programme : Exhibition Catalogues

The First Artist-in-Residence 首位駐校藝術家